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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28647B it is the complementary color #D79B84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28647B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28647B shade: #2D6476, #3E7689, #4F889C, #609AAF and #71ACC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28647B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28647B shade: #28647B, #175268, #064055, #002E42 and #001C2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28647B shade: #28647B, #284E7B, #28377B, #2F287B and #46287B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28647B shade: #28647B, #284E7B, #28377B and #28287B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28647B shade matches the following richer shades: #28647B, #1B6A88, #0E7096 and #0076A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28647B shade: #28647B, #355E6E, #425861, #505254 and #5D4D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28647B shade: #287B65, #287B7B, #28657B, #284F7B and #28397B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28647B shade: #14323D, #1E4B5C, #28647B, #327D9A and #3C97BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28647B shade: #28647B, #4F287B and #7B7028

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28647B shade: #28647B, #7B2865 and #657B28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28647B shade: #28647B, #4F287B, #7B3E28 and #547B28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28647B shade: #28647B, #68287B, #7B3E28 and #3B7B28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

Complementary color

CMYK 0 / 28 / 39 / 16

HEX #D79B84

RGB 215 155 132

HSL 16.63, 0.51%, 0.68%

LAB 69.15, 19.49, 20.93

 

CMYK 62 / 15 / 0 / 54

HEX #2D6476

RGB 45 100 118

HSL 194.79, 0.45%, 0.32%

LAB 39.55, -12.3, -15.58

 

CMYK 55 / 14 / 0 / 46

HEX #3E7689

RGB 62 118 137

HSL 195.2, 0.38%, 0.39%

LAB 46.69, -12.75, -16.03

 

CMYK 49 / 13 / 0 / 39

HEX #4F889C

RGB 79 136 156

HSL 195.58, 0.33%, 0.46%

LAB 53.68, -13.04, -16.46

 

CMYK 45 / 12 / 0 / 31

HEX #609AAF

RGB 96 154 175

HSL 195.95, 0.33%, 0.53%

LAB 60.51, -13.24, -16.87

 

CMYK 42 / 11 / 0 / 24

HEX #71ACC2

RGB 113 172 194

HSL 196.3, 0.4%, 0.6%

LAB 67.21, -13.38, -17.26

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 78 / 21 / 0 / 59

HEX #175268

RGB 23 82 104

HSL 196.3, 0.64%, 0.25%

LAB 32.29, -10.53, -18.11

 

CMYK 93 / 25 / 0 / 67

HEX #064055

RGB 6 64 85

HSL 195.95, 0.87%, 0.18%

LAB 24.83, -8.89, -17.52

 

CMYK 100 / 30 / 0 / 74

HEX #002E42

RGB 0 46 66

HSL 198.18, 1%, 0.13%

LAB 17.21, -6.04, -16.68

 

CMYK 100 / 40 / 0 / 82

HEX #001C2F

RGB 0 28 47

HSL 204.26, 1%, 0.09%

LAB 9.29, -2.11, -15.72

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 67 / 37 / 0 / 52

HEX #284E7B

RGB 40 78 123

HSL 212.53, 0.51%, 0.32%

LAB 32.55, 2.06, -29.56

 

CMYK 67 / 55 / 0 / 52

HEX #28377B

RGB 40 55 123

HSL 229.16, 0.51%, 0.32%

LAB 25.6, 17.71, -40.66

 

CMYK 62 / 67 / 0 / 52

HEX #2F287B

RGB 47 40 123

HSL 245.06, 0.51%, 0.32%

LAB 22.13, 29.11, -46.28

 

CMYK 43 / 67 / 0 / 52

HEX #46287B

RGB 70 40 123

HSL 261.69, 0.51%, 0.32%

LAB 24.48, 33.69, -42.35

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 67 / 37 / 0 / 52

HEX #284E7B

RGB 40 78 123

HSL 212.53, 0.51%, 0.32%

LAB 32.55, 2.06, -29.56

 

CMYK 67 / 55 / 0 / 52

HEX #28377B

RGB 40 55 123

HSL 229.16, 0.51%, 0.32%

LAB 25.6, 17.71, -40.66

 

CMYK 67 / 67 / 0 / 52

HEX #28287B

RGB 40 40 123

HSL 240, 0.51%, 0.32%

LAB 21.57, 27.96, -47.21

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 80 / 22 / 0 / 47

HEX #1B6A88

RGB 27 106 136

HSL 196.51, 0.67%, 0.32%

LAB 41.72, -12.35, -23.18

 

CMYK 91 / 25 / 0 / 41

HEX #0E7096

RGB 14 112 150

HSL 196.76, 0.83%, 0.32%

LAB 44.07, -11.75, -27.91

 

CMYK 100 / 28 / 0 / 36

HEX #0076A3

RGB 0 118 163

HSL 196.56, 1%, 0.32%

LAB 46.45, -10.96, -31.86

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 52 / 15 / 0 / 57

HEX #355E6E

RGB 53 94 110

HSL 196.84, 0.35%, 0.32%

LAB 37.64, -9.51, -13.55

 

CMYK 32 / 9 / 0 / 62

HEX #425861

RGB 66 88 97

HSL 197.42, 0.19%, 0.32%

LAB 35.99, -5.92, -7.91

 

CMYK 5 / 2 / 0 / 67

HEX #505254

RGB 80 82 84

HSL 210, 0.02%, 0.32%

LAB 34.76, -0.36, -1.46

 

CMYK 0 / 17 / 25 / 64

HEX #5D4D46

RGB 93 77 70

HSL 18.26, 0.14%, 0.32%

LAB 34.14, 5.46, 6.65

 

CMYK 67 / 0 / 18 / 52

HEX #287B65

RGB 40 123 101

HSL 164.1, 0.51%, 0.32%

LAB 46.39, -30.48, 4.8

 

CMYK 67 / 0 / 0 / 52

HEX #287B7B

RGB 40 123 123

HSL 180, 0.51%, 0.32%

LAB 47.04, -24.17, -7.29

 

CMYK 67 / 18 / 0 / 52

HEX #28657B

RGB 40 101 123

HSL 195.9, 0.51%, 0.32%

LAB 39.9, -12.16, -18.1

 

CMYK 67 / 36 / 0 / 52

HEX #284F7B

RGB 40 79 123

HSL 211.81, 0.51%, 0.32%

LAB 32.86, 1.41, -29.07

 

CMYK 67 / 54 / 0 / 52

HEX #28397B

RGB 40 57 123

HSL 227.71, 0.51%, 0.32%

LAB 26.18, 16.32, -39.73

 

CMYK 67 / 18 / 0 / 76

HEX #14323D

RGB 20 50 61

HSL 196.1, 0.51%, 0.16%

LAB 19.08, -7.21, -10.3

 

CMYK 67 / 18 / 0 / 64

HEX #1E4B5C

RGB 30 75 92

HSL 196.45, 0.51%, 0.24%

LAB 29.62, -9.48, -14.6

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 68 / 19 / 0 / 40

HEX #327D9A

RGB 50 125 154

HSL 196.73, 0.51%, 0.4%

LAB 49.1, -13.57, -22.39

 

CMYK 68 / 19 / 0 / 27

HEX #3C97BA

RGB 60 151 186

HSL 196.67, 0.51%, 0.48%

LAB 58.64, -15.69, -26.07

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 36 / 67 / 0 / 52

HEX #4F287B

RGB 79 40 123

HSL 268.19, 0.51%, 0.32%

LAB 25.59, 35.73, -40.5

 

CMYK 0 / 9 / 67 / 52

HEX #7B7028

RGB 123 112 40

HSL 52.05, 0.51%, 0.32%

LAB 46.91, -4.96, 40.2

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 0 / 67 / 18 / 52

HEX #7B2865

RGB 123 40 101

HSL 315.9, 0.51%, 0.32%

LAB 31.04, 42.93, -17.39

 

CMYK 18 / 0 / 67 / 52

HEX #657B28

RGB 101 123 40

HSL 75.9, 0.51%, 0.32%

LAB 48.37, -20.94, 41.18

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 36 / 67 / 0 / 52

HEX #4F287B

RGB 79 40 123

HSL 268.19, 0.51%, 0.32%

LAB 25.59, 35.73, -40.5

 

CMYK 0 / 50 / 67 / 52

HEX #7B3E28

RGB 123 62 40

HSL 15.9, 0.51%, 0.32%

LAB 33.58, 24.46, 25.26

 

CMYK 32 / 0 / 67 / 52

HEX #547B28

RGB 84 123 40

HSL 88.19, 0.51%, 0.32%

LAB 47.24, -28.03, 39.64

 

CMYK 67 / 19 / 0 / 52

HEX #28647B

RGB 40 100 123

HSL 196.63, 0.51%, 0.32%

LAB 39.57, -11.58, -18.6

 

CMYK 15 / 67 / 0 / 52

HEX #68287B

RGB 104 40 123

HSL 286.27, 0.51%, 0.32%

LAB 29.14, 41.83, -34.62

 

CMYK 0 / 50 / 67 / 52

HEX #7B3E28

RGB 123 62 40

HSL 15.9, 0.51%, 0.32%

LAB 33.58, 24.46, 25.26

 

CMYK 52 / 0 / 67 / 52

HEX #3B7B28

RGB 59 123 40

HSL 106.27, 0.51%, 0.32%

LAB 45.97, -36.98, 37.9

 

Description

Color code: HEX #28647B | qconv.com Color code: HEX #28647B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 100 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 100 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 19 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 19% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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