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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2863DA it is the complementary color #D79C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2863DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2863DA shade: #2D63D5, #3E75E8, #4F87FB, #6099FF and #71ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2863DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2863DA shade: #2863DA, #1751C7, #063FB4, #002DA1 and #001B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2863DA shade: #2964DB, #2934DB, #4E29DB, #7E29DB and #AE29DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2863DA shade: #2964DB, #2934DB and #2929DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2863DA shade matches the following richer shades: #2964DB and #155DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2863DA shade: #2964DB, #3E6BC7, #5272B2, #66799E and #7A7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2863DA shade: #29C3DB, #2994DB, #2964DB, #2935DB and #4D29DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2863DA shade: #1A4498, #2053BB, #2964DB, #4D7EE1 and #7097E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2863DA shade: #2863DA, #C329DB and #ABDB29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2863DA shade: #2863DA, #DB2964 and #64DB29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2863DA shade: #2863DA, #C329DB, #DBA029 and #41DB29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2863DA shade: #2863DA, #DB29BD, #DBA029 and #29DB47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

Complementary color

CMYK 0 / 27 / 83 / 16

HEX #D79C25

RGB 215 156 37

HSL 40.11, 0.71%, 0.49%

LAB 68.28, 12.17, 65.07

 

CMYK 79 / 54 / 0 / 16

HEX #2D63D5

RGB 45 99 213

HSL 220.71, 0.67%, 0.51%

LAB 44.64, 23.36, -63.66

 

CMYK 73 / 50 / 0 / 9

HEX #3E75E8

RGB 62 117 232

HSL 220.59, 0.79%, 0.58%

LAB 51.35, 20.88, -63.53

 

CMYK 69 / 46 / 0 / 2

HEX #4F87FB

RGB 79 135 251

HSL 220.47, 0.96%, 0.65%

LAB 57.99, 18.83, -63.35

 

CMYK 62 / 40 / 0 / 0

HEX #6099FF

RGB 96 153 255

HSL 218.49, 1%, 0.69%

LAB 63.75, 12.13, -56.31

 

CMYK 56 / 33 / 0 / 0

HEX #71ABFF

RGB 113 171 255

HSL 215.49, 1%, 0.72%

LAB 69.37, 4.92, -47.37

 

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

CMYK 88 / 59 / 0 / 22

HEX #1751C7

RGB 23 81 199

HSL 220.23, 0.79%, 0.44%

LAB 38.18, 28, -66.14

 

CMYK 97 / 65 / 0 / 29

HEX #063FB4

RGB 6 63 180

HSL 220.34, 0.94%, 0.36%

LAB 31.55, 31.79, -65.85

 

CMYK 100 / 72 / 0 / 37

HEX #002DA1

RGB 0 45 161

HSL 223.23, 1%, 0.32%

LAB 25.11, 36.04, -65.06

 

CMYK 100 / 81 / 0 / 44

HEX #001B8E

RGB 0 27 142

HSL 228.59, 1%, 0.28%

LAB 18.96, 40.03, -63.56

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 81 / 76 / 0 / 14

HEX #2934DB

RGB 41 52 219

HSL 236.29, 0.71%, 0.51%

LAB 34.07, 53.95, -84.44

 

CMYK 64 / 81 / 0 / 14

HEX #4E29DB

RGB 78 41 219

HSL 252.47, 0.71%, 0.51%

LAB 34.64, 61.88, -83.43

 

CMYK 42 / 81 / 0 / 14

HEX #7E29DB

RGB 126 41 219

HSL 268.65, 0.71%, 0.51%

LAB 39.81, 67.29, -74.73

 

CMYK 21 / 81 / 0 / 14

HEX #AE29DB

RGB 174 41 219

HSL 284.83, 0.71%, 0.51%

LAB 46.58, 74.57, -63.41

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 81 / 76 / 0 / 14

HEX #2934DB

RGB 41 52 219

HSL 236.29, 0.71%, 0.51%

LAB 34.07, 53.95, -84.44

 

CMYK 81 / 81 / 0 / 14

HEX #2929DB

RGB 41 41 219

HSL 240, 0.71%, 0.51%

LAB 32.19, 59.39, -87.56

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 91 / 61 / 0 / 6

HEX #155DEF

RGB 21 93 239

HSL 220.18, 0.87%, 0.51%

LAB 44.55, 35.44, -78.57

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 69 / 46 / 0 / 22

HEX #3E6BC7

RGB 62 107 199

HSL 220.29, 0.55%, 0.51%

LAB 46.53, 15.21, -52.56

 

CMYK 54 / 36 / 0 / 30

HEX #5272B2

RGB 82 114 178

HSL 220, 0.38%, 0.51%

LAB 48.31, 7.41, -37.52

 

CMYK 35 / 23 / 0 / 38

HEX #66799E

RGB 102 121 158

HSL 219.64, 0.22%, 0.51%

LAB 50.65, 2.42, -22.14

 

CMYK 12 / 8 / 0 / 46

HEX #7A7F8A

RGB 122 127 138

HSL 221.25, 0.06%, 0.51%

LAB 53.11, 0.49, -6.58

 

CMYK 81 / 11 / 0 / 14

HEX #29C3DB

RGB 41 195 219

HSL 188.09, 0.71%, 0.51%

LAB 72.64, -29.88, -22.92

 

CMYK 81 / 32 / 0 / 14

HEX #2994DB

RGB 41 148 219

HSL 203.93, 0.71%, 0.51%

LAB 58.76, -4.93, -44.46

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 81 / 76 / 0 / 14

HEX #2935DB

RGB 41 53 219

HSL 235.96, 0.71%, 0.51%

LAB 34.26, 53.42, -84.14

 

CMYK 65 / 81 / 0 / 14

HEX #4D29DB

RGB 77 41 219

HSL 252.13, 0.71%, 0.51%

LAB 34.56, 61.8, -83.57

 

CMYK 83 / 55 / 0 / 40

HEX #1A4498

RGB 26 68 152

HSL 220, 0.71%, 0.35%

LAB 30.93, 18.3, -50.03

 

CMYK 83 / 56 / 0 / 27

HEX #2053BB

RGB 32 83 187

HSL 220.26, 0.71%, 0.43%

LAB 37.99, 22.63, -59.44

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 66 / 44 / 0 / 12

HEX #4D7EE1

RGB 77 126 225

HSL 220.14, 0.71%, 0.59%

LAB 53.96, 14.97, -55.38

 

CMYK 52 / 35 / 0 / 9

HEX #7097E7

RGB 112 151 231

HSL 220.34, 0.71%, 0.67%

LAB 62.8, 8.8, -44.58

 

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

CMYK 11 / 81 / 0 / 14

HEX #C329DB

RGB 195 41 219

HSL 291.91, 0.71%, 0.51%

LAB 49.86, 78.16, -57.94

 

CMYK 22 / 0 / 81 / 14

HEX #ABDB29

RGB 171 219 41

HSL 76.18, 0.71%, 0.51%

LAB 81.56, -38.07, 74.11

 

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

CMYK 0 / 81 / 54 / 14

HEX #DB2964

RGB 219 41 100

HSL 340.11, 0.71%, 0.51%

LAB 48.97, 68.92, 11.68

 

CMYK 54 / 0 / 81 / 14

HEX #64DB29

RGB 100 219 41

HSL 100.11, 0.71%, 0.51%

LAB 78.19, -61.86, 69.82

 

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

CMYK 11 / 81 / 0 / 14

HEX #C329DB

RGB 195 41 219

HSL 291.91, 0.71%, 0.51%

LAB 49.86, 78.16, -57.94

 

CMYK 0 / 27 / 81 / 14

HEX #DBA029

RGB 219 160 41

HSL 40.11, 0.71%, 0.51%

LAB 69.73, 11.88, 65.22

 

CMYK 70 / 0 / 81 / 14

HEX #41DB29

RGB 65 219 41

HSL 111.91, 0.71%, 0.51%

LAB 77.25, -69.59, 68.61

 

CMYK 82 / 55 / 0 / 15

HEX #2863DA

RGB 40 99 218

HSL 220.11, 0.71%, 0.51%

LAB 44.85, 24.79, -66.18

 

CMYK 0 / 81 / 14 / 14

HEX #DB29BD

RGB 219 41 189

HSL 310.11, 0.71%, 0.51%

LAB 52.2, 78.2, -36.72

 

CMYK 0 / 27 / 81 / 14

HEX #DBA029

RGB 219 160 41

HSL 40.11, 0.71%, 0.51%

LAB 69.73, 11.88, 65.22

 

CMYK 81 / 0 / 68 / 14

HEX #29DB47

RGB 41 219 71

HSL 130.11, 0.71%, 0.51%

LAB 77.03, -70.78, 58.33

 

Description

Color code: HEX #2863DA | qconv.com Color code: HEX #2863DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 99 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 99 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 55 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 55% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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