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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #285677 it is the complementary color #D7A988. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #285677. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #285677 shade: #2D5672, #3E6885, #4F7A98, #608CAB and #719EBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #285677. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #285677 shade: #285677, #174464, #063251, #00203E and #000E2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #285677 shade: #285677, #284077, #282B77, #392877 and #4F2877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #285677 shade: #285677, #284077, #282B77 and #282877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #285677 shade matches the following richer shades: #285677, #1B5883, #0E5A90 and #015C9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #285677 shade: #285677, #34536A, #41515D, #4E4F50 and #5B4D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #285677 shade: #28776D, #286B77, #285677, #284177 and #282B77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #285677 shade: #132939, #1D3F58, #285677, #326C96 and #3C82B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #285677 shade: #285677, #582877 and #757728

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #285677 shade: #285677, #772856 and #567728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #285677 shade: #285677, #582877, #774828 and #467728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #285677 shade: #285677, #702877, #774828 and #2E7728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

Complementary color

CMYK 0 / 21 / 37 / 16

HEX #D7A988

RGB 215 169 136

HSL 25.06, 0.5%, 0.69%

LAB 72.63, 12.4, 23.48

 

CMYK 61 / 25 / 0 / 55

HEX #2D5672

RGB 45 86 114

HSL 204.35, 0.43%, 0.31%

LAB 34.86, -5.27, -20.33

 

CMYK 53 / 22 / 0 / 48

HEX #3E6885

RGB 62 104 133

HSL 204.51, 0.36%, 0.38%

LAB 42.18, -5.87, -20.56

 

CMYK 48 / 20 / 0 / 40

HEX #4F7A98

RGB 79 122 152

HSL 204.66, 0.32%, 0.45%

LAB 49.31, -6.3, -20.8

 

CMYK 44 / 18 / 0 / 33

HEX #608CAB

RGB 96 140 171

HSL 204.8, 0.31%, 0.52%

LAB 56.27, -6.61, -21.05

 

CMYK 41 / 17 / 0 / 25

HEX #719EBE

RGB 113 158 190

HSL 204.94, 0.37%, 0.59%

LAB 63.08, -6.86, -21.32

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 77 / 32 / 0 / 61

HEX #174464

RGB 23 68 100

HSL 204.94, 0.63%, 0.24%

LAB 27.4, -3.27, -23.2

 

CMYK 93 / 38 / 0 / 68

HEX #063251

RGB 6 50 81

HSL 204.8, 0.86%, 0.17%

LAB 19.7, -1.28, -22.93

 

CMYK 100 / 48 / 0 / 76

HEX #00203E

RGB 0 32 62

HSL 209.03, 1%, 0.12%

LAB 11.83, 2.2, -22.43

 

CMYK 100 / 67 / 0 / 83

HEX #000E2B

RGB 0 14 43

HSL 220.47, 1%, 0.08%

LAB 4.41, 5.28, -20.48

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 66 / 46 / 0 / 53

HEX #284077

RGB 40 64 119

HSL 221.77, 0.5%, 0.31%

LAB 27.98, 9.94, -34.32

 

CMYK 66 / 64 / 0 / 53

HEX #282B77

RGB 40 43 119

HSL 237.72, 0.5%, 0.31%

LAB 21.98, 24.48, -44

 

CMYK 52 / 66 / 0 / 53

HEX #392877

RGB 57 40 119

HSL 252.91, 0.5%, 0.31%

LAB 22.72, 29.68, -42.73

 

CMYK 34 / 66 / 0 / 53

HEX #4F2877

RGB 79 40 119

HSL 269.62, 0.5%, 0.31%

LAB 25.3, 34.66, -38.44

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 66 / 46 / 0 / 53

HEX #284077

RGB 40 64 119

HSL 221.77, 0.5%, 0.31%

LAB 27.98, 9.94, -34.32

 

CMYK 66 / 64 / 0 / 53

HEX #282B77

RGB 40 43 119

HSL 237.72, 0.5%, 0.31%

LAB 21.98, 24.48, -44

 

CMYK 66 / 66 / 0 / 53

HEX #282877

RGB 40 40 119

HSL 240, 0.5%, 0.31%

LAB 21.21, 26.51, -45.26

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 79 / 33 / 0 / 49

HEX #1B5883

RGB 27 88 131

HSL 204.81, 0.66%, 0.31%

LAB 35.7, -3.35, -29.56

 

CMYK 90 / 38 / 0 / 44

HEX #0E5A90

RGB 14 90 144

HSL 204.92, 0.82%, 0.31%

LAB 36.78, -0.69, -35.78

 

CMYK 99 / 41 / 0 / 38

HEX #015C9D

RGB 1 92 157

HSL 205, 0.99%, 0.31%

LAB 38.01, 2.64, -41.66

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 51 / 22 / 0 / 58

HEX #34536A

RGB 52 83 106

HSL 205.56, 0.34%, 0.31%

LAB 33.89, -4.37, -16.8

 

CMYK 30 / 13 / 0 / 64

HEX #41515D

RGB 65 81 93

HSL 205.71, 0.18%, 0.31%

LAB 33.56, -3.07, -9.05

 

CMYK 2 / 1 / 0 / 69

HEX #4E4F50

RGB 78 79 80

HSL 210, 0.01%, 0.31%

LAB 33.54, -0.18, -0.74

 

CMYK 0 / 15 / 26 / 64

HEX #5B4D43

RGB 91 77 67

HSL 25, 0.15%, 0.31%

LAB 33.85, 4.07, 8.1

 

CMYK 66 / 0 / 8 / 53

HEX #28776D

RGB 40 119 109

HSL 172.41, 0.5%, 0.31%

LAB 45.29, -26.32, -1.55

 

CMYK 66 / 10 / 0 / 53

HEX #286B77

RGB 40 107 119

HSL 189.11, 0.5%, 0.31%

LAB 41.69, -16.91, -12.94

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 66 / 45 / 0 / 53

HEX #284177

RGB 40 65 119

HSL 221.01, 0.5%, 0.31%

LAB 28.28, 9.25, -33.83

 

CMYK 66 / 64 / 0 / 53

HEX #282B77

RGB 40 43 119

HSL 237.72, 0.5%, 0.31%

LAB 21.98, 24.48, -44

 

CMYK 67 / 28 / 0 / 78

HEX #132939

RGB 19 41 57

HSL 205.26, 0.5%, 0.15%

LAB 15.59, -2.89, -12.93

 

CMYK 67 / 28 / 0 / 65

HEX #1D3F58

RGB 29 63 88

HSL 205.42, 0.5%, 0.23%

LAB 25.32, -3.54, -18.66

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 67 / 28 / 0 / 41

HEX #326C96

RGB 50 108 150

HSL 205.2, 0.5%, 0.39%

LAB 43.66, -5.06, -28.48

 

CMYK 67 / 28 / 0 / 29

HEX #3C82B4

RGB 60 130 180

HSL 205, 0.5%, 0.47%

LAB 52.09, -5.9, -32.82

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 26 / 66 / 0 / 53

HEX #582877

RGB 88 40 119

HSL 276.46, 0.5%, 0.31%

LAB 26.52, 36.88, -36.41

 

CMYK 2 / 0 / 66 / 53

HEX #757728

RGB 117 119 40

HSL 61.52, 0.5%, 0.31%

LAB 48.42, -11.65, 41.62

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 0 / 66 / 28 / 53

HEX #772856

RGB 119 40 86

HSL 325.06, 0.5%, 0.31%

LAB 29.69, 39.46, -9.78

 

CMYK 28 / 0 / 66 / 53

HEX #567728

RGB 86 119 40

HSL 85.06, 0.5%, 0.31%

LAB 46.08, -25.26, 38.42

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 26 / 66 / 0 / 53

HEX #582877

RGB 88 40 119

HSL 276.46, 0.5%, 0.31%

LAB 26.52, 36.88, -36.41

 

CMYK 0 / 39 / 66 / 53

HEX #774828

RGB 119 72 40

HSL 24.3, 0.5%, 0.31%

LAB 35.42, 16.81, 27.29

 

CMYK 41 / 0 / 66 / 53

HEX #467728

RGB 70 119 40

HSL 97.22, 0.5%, 0.31%

LAB 45.15, -31.49, 37.14

 

CMYK 66 / 28 / 0 / 53

HEX #285677

RGB 40 86 119

HSL 205.06, 0.5%, 0.31%

LAB 34.88, -4.54, -23.42

 

CMYK 6 / 66 / 0 / 53

HEX #702877

RGB 112 40 119

HSL 294.68, 0.5%, 0.31%

LAB 30.14, 43.06, -30.41

 

CMYK 0 / 39 / 66 / 53

HEX #774828

RGB 119 72 40

HSL 24.3, 0.5%, 0.31%

LAB 35.42, 16.81, 27.29

 

CMYK 61 / 0 / 66 / 53

HEX #2E7728

RGB 46 119 40

HSL 115.44, 0.5%, 0.31%

LAB 44.13, -39.09, 35.73

 

Description

Color code: HEX #285677 | qconv.com Color code: HEX #285677 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 86 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 86 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 28 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 28% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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