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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #284F48 it is the complementary color #D7B0B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #284F48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #284F48 shade: #2D4F43, #3E6156, #4F7369, #60857C and #71978F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #284F48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #284F48 shade: #284F48, #173D35, #062B22, #00190F and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #284F48 shade: #274E47, #274E3D, #274E32, #274E28 and #314E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #284F48 shade: #274E47, #274B4E, #27404E, #27364E and #272B4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #284F48 shade matches the following richer shades: #274E47, #1E574D, #146153, #0B6A59 and #01745F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #284F48 shade: #274E47, #314541, #3A3B3B, #443235 and #4D282F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #284F48 shade: #274E32, #274E3D, #274E47, #274B4E and #27404E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #284F48 shade: #0C1715, #19332E, #274E47, #356960 and #438579

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #284F48 shade: #284F48, #28274E and #4E3727

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #284F48 shade: #284F48, #47274E and #4E4727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #284F48 shade: #284F48, #28274E, #4E272E and #4D4E27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #284F48 shade: #284F48, #34274E, #4E272E and #424E27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

Complementary color

CMYK 0 / 18 / 15 / 16

HEX #D7B0B7

RGB 215 176 183

HSL 349.23, 0.33%, 0.77%

LAB 75.4, 15.23, 1.76

 

CMYK 43 / 0 / 15 / 69

HEX #2D4F43

RGB 45 79 67

HSL 158.82, 0.27%, 0.24%

LAB 30.77, -15.62, 3.21

 

CMYK 36 / 0 / 11 / 62

HEX #3E6156

RGB 62 97 86

HSL 161.14, 0.22%, 0.31%

LAB 38.28, -15.38, 2.27

 

CMYK 31 / 0 / 9 / 55

HEX #4F7369

RGB 79 115 105

HSL 163.33, 0.19%, 0.38%

LAB 45.56, -15.16, 1.43

 

CMYK 28 / 0 / 7 / 48

HEX #60857C

RGB 96 133 124

HSL 165.41, 0.16%, 0.45%

LAB 52.64, -14.98, 0.66

 

CMYK 25 / 0 / 5 / 41

HEX #71978F

RGB 113 151 143

HSL 167.37, 0.15%, 0.52%

LAB 59.55, -14.82, -0.05

 

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

CMYK 62 / 0 / 13 / 76

HEX #173D35

RGB 23 61 53

HSL 167.37, 0.45%, 0.16%

LAB 22.92, -15.86, 0.86

 

CMYK 86 / 0 / 21 / 83

HEX #062B22

RGB 6 43 34

HSL 165.41, 0.76%, 0.1%

LAB 14.86, -15.68, 2.14

 

CMYK 100 / 0 / 40 / 90

HEX #00190F

RGB 0 25 15

HSL 156, 1%, 0.05%

LAB 6.59, -10.64, 3.21

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 50 / 0 / 22 / 69

HEX #274E3D

RGB 39 78 61

HSL 153.85, 0.33%, 0.23%

LAB 29.95, -18.5, 5.83

 

CMYK 50 / 0 / 36 / 69

HEX #274E32

RGB 39 78 50

HSL 136.92, 0.33%, 0.23%

LAB 29.69, -21.06, 12.41

 

CMYK 50 / 0 / 49 / 69

HEX #274E28

RGB 39 78 40

HSL 121.54, 0.33%, 0.23%

LAB 29.5, -23, 18.28

 

CMYK 37 / 0 / 50 / 69

HEX #314E27

RGB 49 78 39

HSL 104.62, 0.33%, 0.23%

LAB 30.03, -19.46, 19.66

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 50 / 4 / 0 / 69

HEX #274B4E

RGB 39 75 78

HSL 184.62, 0.33%, 0.23%

LAB 29.45, -12.01, -5.83

 

CMYK 50 / 18 / 0 / 69

HEX #27404E

RGB 39 64 78

HSL 201.54, 0.33%, 0.23%

LAB 25.71, -5.2, -11.48

 

CMYK 50 / 31 / 0 / 69

HEX #27364E

RGB 39 54 78

HSL 216.92, 0.33%, 0.23%

LAB 22.37, 1.44, -16.62

 

CMYK 50 / 45 / 0 / 69

HEX #272B4E

RGB 39 43 78

HSL 233.85, 0.33%, 0.23%

LAB 18.84, 9.16, -22.17

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 66 / 0 / 11 / 66

HEX #1E574D

RGB 30 87 77

HSL 169.47, 0.49%, 0.23%

LAB 33.2, -21.23, 0.31

 

CMYK 79 / 0 / 14 / 62

HEX #146153

RGB 20 97 83

HSL 169.09, 0.66%, 0.23%

LAB 36.6, -26.26, 1.48

 

CMYK 90 / 0 / 16 / 58

HEX #0B6A59

RGB 11 106 89

HSL 169.26, 0.81%, 0.23%

LAB 39.75, -29.77, 2.35

 

CMYK 99 / 0 / 18 / 55

HEX #01745F

RGB 1 116 95

HSL 169.04, 0.98%, 0.23%

LAB 43.25, -33.34, 3.77

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 29 / 0 / 6 / 73

HEX #314541

RGB 49 69 65

HSL 168, 0.17%, 0.23%

LAB 27.55, -8.87, -0.14

 

CMYK 2 / 0 / 0 / 77

HEX #3A3B3B

RGB 58 59 59

HSL 180, 0.01%, 0.23%

LAB 24.78, -0.42, -0.15

 

CMYK 0 / 26 / 22 / 73

HEX #443235

RGB 68 50 53

HSL 350, 0.15%, 0.23%

LAB 22.89, 8.69, 1.26

 

CMYK 0 / 48 / 39 / 70

HEX #4D282F

RGB 77 40 47

HSL 348.65, 0.32%, 0.23%

LAB 21.21, 18.22, 3.1

 

CMYK 50 / 0 / 36 / 69

HEX #274E32

RGB 39 78 50

HSL 136.92, 0.33%, 0.23%

LAB 29.69, -21.06, 12.41

 

CMYK 50 / 0 / 22 / 69

HEX #274E3D

RGB 39 78 61

HSL 153.85, 0.33%, 0.23%

LAB 29.95, -18.5, 5.83

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 50 / 4 / 0 / 69

HEX #274B4E

RGB 39 75 78

HSL 184.62, 0.33%, 0.23%

LAB 29.45, -12.01, -5.83

 

CMYK 50 / 18 / 0 / 69

HEX #27404E

RGB 39 64 78

HSL 201.54, 0.33%, 0.23%

LAB 25.71, -5.2, -11.48

 

CMYK 48 / 0 / 9 / 91

HEX #0C1715

RGB 12 23 21

HSL 169.09, 0.31%, 0.07%

LAB 6.73, -4.7, -0.15

 

CMYK 51 / 0 / 10 / 80

HEX #19332E

RGB 25 51 46

HSL 168.46, 0.34%, 0.15%

LAB 19.1, -11.51, 0.05

 

CMYK 50 / 0 / 9 / 69

HEX #274E47

RGB 39 78 71

HSL 169.23, 0.33%, 0.23%

LAB 30.24, -15.82, -0.15

 

CMYK 50 / 0 / 9 / 59

HEX #356960

RGB 53 105 96

HSL 169.62, 0.33%, 0.31%

LAB 40.74, -19.84, -0.32

 

CMYK 50 / 0 / 9 / 48

HEX #438579

RGB 67 133 121

HSL 169.09, 0.33%, 0.39%

LAB 51.09, -24.17, -0.02

 

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

CMYK 49 / 50 / 0 / 69

HEX #28274E

RGB 40 39 78

HSL 241.54, 0.33%, 0.23%

LAB 17.7, 12.32, -23.97

 

CMYK 0 / 29 / 50 / 69

HEX #4E3727

RGB 78 55 39

HSL 24.62, 0.33%, 0.23%

LAB 25.26, 7.94, 14.05

 

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

CMYK 9 / 50 / 0 / 69

HEX #47274E

RGB 71 39 78

HSL 289.23, 0.33%, 0.23%

LAB 21.36, 22.48, -17.95

 

CMYK 0 / 9 / 50 / 69

HEX #4E4727

RGB 78 71 39

HSL 49.23, 0.33%, 0.23%

LAB 30.09, -2.25, 20.25

 

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

CMYK 49 / 50 / 0 / 69

HEX #28274E

RGB 40 39 78

HSL 241.54, 0.33%, 0.23%

LAB 17.7, 12.32, -23.97

 

CMYK 0 / 50 / 41 / 69

HEX #4E272E

RGB 78 39 46

HSL 349.23, 0.33%, 0.23%

LAB 21.09, 19.14, 3.63

 

CMYK 1 / 0 / 50 / 69

HEX #4D4E27

RGB 77 78 39

HSL 61.54, 0.33%, 0.23%

LAB 32.2, -7, 22.83

 

CMYK 49 / 0 / 9 / 69

HEX #284F48

RGB 40 79 72

HSL 169.23, 0.33%, 0.23%

LAB 30.67, -15.81, -0.16

 

CMYK 33 / 50 / 0 / 69

HEX #34274E

RGB 52 39 78

HSL 260, 0.33%, 0.23%

LAB 18.93, 16.04, -21.93

 

CMYK 0 / 50 / 41 / 69

HEX #4E272E

RGB 78 39 46

HSL 349.23, 0.33%, 0.23%

LAB 21.09, 19.14, 3.63

 

CMYK 15 / 0 / 50 / 69

HEX #424E27

RGB 66 78 39

HSL 78.46, 0.33%, 0.23%

LAB 31.24, -12.15, 21.43

 

Description

Color code: HEX #284F48 | qconv.com Color code: HEX #284F48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 79 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 79 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 9 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 9% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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