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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #284249 it is the complementary color #D7BDB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #284249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #284249 shade: #2D4244, #3E5457, #4F666A, #60787D and #718A90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #284249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #284249 shade: #284249, #173036, #061E23, #000C10 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #284249 shade: #284148, #283948, #283048, #292848 and #312848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #284249 shade: #284148, #283948, #283048 and #282848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #284249 shade matches the following richer shades: #284148, #1F4751, #164C5B, #0D5164 and #04566D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #284249 shade: #284148, #313C3F, #3A3736, #43322D and #4C2D24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #284249 shade: #28483E, #284846, #284248, #283948 and #283148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #284249 shade: #0B1113, #19292E, #284148, #365A63 and #45727E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #284249 shade: #284249, #352848 and #484228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #284249 shade: #284249, #482842 and #424828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #284249 shade: #284249, #352848, #482E28 and #3B4828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #284249 shade: #284249, #3F2848, #482E28 and #324828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

Complementary color

CMYK 0 / 12 / 15 / 16

HEX #D7BDB6

RGB 215 189 182

HSL 12.73, 0.29%, 0.78%

LAB 78.59, 8.1, 6.92

 

CMYK 34 / 3 / 0 / 73

HEX #2D4244

RGB 45 66 68

HSL 185.22, 0.2%, 0.22%

LAB 26.37, -7.63, -3.88

 

CMYK 29 / 3 / 0 / 66

HEX #3E5457

RGB 62 84 87

HSL 187.2, 0.17%, 0.29%

LAB 34.09, -7.57, -4.49

 

CMYK 25 / 4 / 0 / 58

HEX #4F666A

RGB 79 102 106

HSL 188.89, 0.15%, 0.36%

LAB 41.54, -7.52, -5.07

 

CMYK 23 / 4 / 0 / 51

HEX #60787D

RGB 96 120 125

HSL 190.34, 0.13%, 0.43%

LAB 48.76, -7.49, -5.63

 

CMYK 22 / 4 / 0 / 44

HEX #718A90

RGB 113 138 144

HSL 191.61, 0.12%, 0.5%

LAB 55.79, -7.48, -6.16

 

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

CMYK 57 / 11 / 0 / 79

HEX #173036

RGB 23 48 54

HSL 191.61, 0.4%, 0.15%

LAB 18.2, -7.64, -6.82

 

CMYK 83 / 14 / 0 / 86

HEX #061E23

RGB 6 30 35

HSL 190.34, 0.71%, 0.08%

LAB 9.71, -7.33, -6.2

 

CMYK 100 / 25 / 0 / 94

HEX #000C10

RGB 0 12 16

HSL 195, 1%, 0.03%

LAB 2.71, -2.48, -2.99

 

CMYK 44 / 10 / 0 / 72

HEX #284148

RGB 40 65 72

HSL 193.13, 0.29%, 0.22%

LAB 25.86, -7.46, -7.29

 

CMYK 44 / 21 / 0 / 72

HEX #283948

RGB 40 57 72

HSL 208.13, 0.29%, 0.22%

LAB 23.15, -2.29, -11.41

 

CMYK 44 / 33 / 0 / 72

HEX #283048

RGB 40 48 72

HSL 225, 0.29%, 0.22%

LAB 20.18, 3.85, -16.01

 

CMYK 43 / 44 / 0 / 72

HEX #292848

RGB 41 40 72

HSL 241.88, 0.29%, 0.22%

LAB 17.72, 9.85, -19.84

 

CMYK 32 / 44 / 0 / 72

HEX #312848

RGB 49 40 72

HSL 256.88, 0.29%, 0.22%

LAB 18.53, 12.52, -18.51

 

CMYK 44 / 10 / 0 / 72

HEX #284148

RGB 40 65 72

HSL 193.13, 0.29%, 0.22%

LAB 25.86, -7.46, -7.29

 

CMYK 44 / 21 / 0 / 72

HEX #283948

RGB 40 57 72

HSL 208.13, 0.29%, 0.22%

LAB 23.15, -2.29, -11.41

 

CMYK 44 / 33 / 0 / 72

HEX #283048

RGB 40 48 72

HSL 225, 0.29%, 0.22%

LAB 20.18, 3.85, -16.01

 

CMYK 44 / 44 / 0 / 72

HEX #282848

RGB 40 40 72

HSL 240, 0.29%, 0.22%

LAB 17.63, 9.53, -20

 

CMYK 44 / 10 / 0 / 72

HEX #284148

RGB 40 65 72

HSL 193.13, 0.29%, 0.22%

LAB 25.86, -7.46, -7.29

 

CMYK 62 / 12 / 0 / 68

HEX #1F4751

RGB 31 71 81

HSL 192, 0.45%, 0.22%

LAB 27.82, -10.68, -10.25

 

CMYK 76 / 16 / 0 / 64

HEX #164C5B

RGB 22 76 91

HSL 193.04, 0.61%, 0.22%

LAB 29.65, -11.91, -13.93

 

CMYK 87 / 19 / 0 / 61

HEX #0D5164

RGB 13 81 100

HSL 193.1, 0.77%, 0.22%

LAB 31.56, -12.67, -16.74

 

CMYK 96 / 21 / 0 / 57

HEX #04566D

RGB 4 86 109

HSL 193.14, 0.93%, 0.22%

LAB 33.53, -12.9, -19.36

 

CMYK 44 / 10 / 0 / 72

HEX #284148

RGB 40 65 72

HSL 193.13, 0.29%, 0.22%

LAB 25.86, -7.46, -7.29

 

CMYK 22 / 5 / 0 / 75

HEX #313C3F

RGB 49 60 63

HSL 192.86, 0.13%, 0.22%

LAB 24.46, -3.74, -3.37

 

CMYK 0 / 5 / 7 / 77

HEX #3A3736

RGB 58 55 54

HSL 15, 0.04%, 0.22%

LAB 23.33, 1.09, 1.09

 

CMYK 0 / 25 / 33 / 74

HEX #43322D

RGB 67 50 45

HSL 13.64, 0.2%, 0.22%

LAB 22.53, 6.81, 6.14

 

CMYK 0 / 41 / 53 / 70

HEX #4C2D24

RGB 76 45 36

HSL 13.5, 0.36%, 0.22%

LAB 22.09, 13.11, 11.79

 

CMYK 44 / 0 / 14 / 72

HEX #28483E

RGB 40 72 62

HSL 161.25, 0.29%, 0.22%

LAB 27.94, -14.57, 2.31

 

CMYK 44 / 0 / 3 / 72

HEX #284846

RGB 40 72 70

HSL 176.25, 0.29%, 0.22%

LAB 28.19, -12.34, -2.51

 

CMYK 44 / 8 / 0 / 72

HEX #284248

RGB 40 66 72

HSL 191.25, 0.29%, 0.22%

LAB 26.2, -8.09, -6.78

 

CMYK 44 / 21 / 0 / 72

HEX #283948

RGB 40 57 72

HSL 208.13, 0.29%, 0.22%

LAB 23.15, -2.29, -11.41

 

CMYK 44 / 32 / 0 / 72

HEX #283148

RGB 40 49 72

HSL 223.13, 0.29%, 0.22%

LAB 20.5, 3.16, -15.5

 

CMYK 42 / 11 / 0 / 93

HEX #0B1113

RGB 11 17 19

HSL 195, 0.27%, 0.06%

LAB 4.69, -1.53, -1.82

 

CMYK 46 / 11 / 0 / 82

HEX #19292E

RGB 25 41 46

HSL 194.29, 0.3%, 0.14%

LAB 15.43, -5.06, -5.39

 

CMYK 44 / 10 / 0 / 72

HEX #284148

RGB 40 65 72

HSL 193.13, 0.29%, 0.22%

LAB 25.86, -7.46, -7.29

 

CMYK 45 / 9 / 0 / 61

HEX #365A63

RGB 54 90 99

HSL 192, 0.29%, 0.3%

LAB 35.98, -10.26, -9.24

 

CMYK 45 / 10 / 0 / 51

HEX #45727E

RGB 69 114 126

HSL 192.63, 0.29%, 0.38%

LAB 45.37, -12.04, -11.47

 

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

CMYK 26 / 44 / 0 / 72

HEX #352848

RGB 53 40 72

HSL 264.38, 0.29%, 0.22%

LAB 18.98, 13.91, -17.78

 

CMYK 0 / 8 / 44 / 72

HEX #484228

RGB 72 66 40

HSL 48.75, 0.29%, 0.22%

LAB 27.92, -1.91, 16.75

 

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

CMYK 0 / 44 / 8 / 72

HEX #482842

RGB 72 40 66

HSL 311.25, 0.29%, 0.22%

LAB 21.16, 19.54, -10.11

 

CMYK 8 / 0 / 44 / 72

HEX #424828

RGB 66 72 40

HSL 71.25, 0.29%, 0.22%

LAB 29.28, -8.47, 18.37

 

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

CMYK 26 / 44 / 0 / 72

HEX #352848

RGB 53 40 72

HSL 264.38, 0.29%, 0.22%

LAB 18.98, 13.91, -17.78

 

CMYK 0 / 36 / 44 / 72

HEX #482E28

RGB 72 46 40

HSL 11.25, 0.29%, 0.22%

LAB 21.89, 11.07, 8.73

 

CMYK 18 / 0 / 44 / 72

HEX #3B4828

RGB 59 72 40

HSL 84.38, 0.29%, 0.22%

LAB 28.69, -11.69, 17.5

 

CMYK 45 / 10 / 0 / 71

HEX #284249

RGB 40 66 73

HSL 192.73, 0.29%, 0.22%

LAB 26.24, -7.78, -7.38

 

CMYK 13 / 44 / 0 / 72

HEX #3F2848

RGB 63 40 72

HSL 283.13, 0.29%, 0.22%

LAB 20.21, 17.52, -15.76

 

CMYK 0 / 36 / 44 / 72

HEX #482E28

RGB 72 46 40

HSL 11.25, 0.29%, 0.22%

LAB 21.89, 11.07, 8.73

 

CMYK 31 / 0 / 44 / 72

HEX #324828

RGB 50 72 40

HSL 101.25, 0.29%, 0.22%

LAB 28.02, -15.61, 16.51

 

Description

Color code: HEX #284249 | qconv.com Color code: HEX #284249 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 66 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 66 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 10 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 10% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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