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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #283B98 it is the complementary color #D7C467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #283B98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #283B98 shade: #2D3B93, #3E4DA6, #4F5FB9, #6071CC and #7183DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #283B98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #283B98 shade: #283B98, #172985, #061772, #00055F and #00004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #283B98 shade: #293C99, #342999, #522999, #712999 and #8F2999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #283B98 shade: #293C99 and #292999

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #283B98 shade matches the following richer shades: #293C99, #1931A9 and #0927B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #283B98 shade: #293C99, #384689, #48507A, #585B6A and #67655A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #283B98 shade: #297999, #295B99, #293D99, #322999 and #502999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #283B98 shade: #172258, #202F79, #293C99, #3148BA and #465DCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #283B98 shade: #283B98, #992997 and #6A9929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #283B98 shade: #283B98, #99293D and #3D9929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #283B98 shade: #283B98, #992997, #998429 and #29992B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #283B98 shade: #283B98, #992976, #998429 and #29994C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

Complementary color

CMYK 0 / 9 / 52 / 16

HEX #D7C467

RGB 215 196 103

HSL 49.82, 0.58%, 0.62%

LAB 78.99, -5.23, 48.62

 

CMYK 69 / 60 / 0 / 42

HEX #2D3B93

RGB 45 59 147

HSL 231.76, 0.53%, 0.38%

LAB 28.88, 24.86, -50.26

 

CMYK 63 / 54 / 0 / 35

HEX #3E4DA6

RGB 62 77 166

HSL 231.35, 0.46%, 0.45%

LAB 36.15, 22.69, -49.94

 

CMYK 57 / 49 / 0 / 27

HEX #4F5FB9

RGB 79 95 185

HSL 230.94, 0.43%, 0.52%

LAB 43.29, 20.96, -49.61

 

CMYK 53 / 45 / 0 / 20

HEX #6071CC

RGB 96 113 204

HSL 230.56, 0.51%, 0.59%

LAB 50.28, 19.55, -49.31

 

CMYK 49 / 41 / 0 / 13

HEX #7183DF

RGB 113 131 223

HSL 230.18, 0.63%, 0.66%

LAB 57.14, 18.38, -49.06

 

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

CMYK 83 / 69 / 0 / 48

HEX #172985

RGB 23 41 133

HSL 230.18, 0.71%, 0.31%

LAB 21.8, 29.03, -53.19

 

CMYK 95 / 80 / 0 / 55

HEX #061772

RGB 6 23 114

HSL 230.56, 0.9%, 0.24%

LAB 14.77, 32.42, -52.71

 

CMYK 100 / 95 / 0 / 63

HEX #00055F

RGB 0 5 95

HSL 236.84, 1%, 0.19%

LAB 8.44, 35.42, -50.72

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 73 / 61 / 0 / 40

HEX #293C99

RGB 41 60 153

HSL 229.82, 0.58%, 0.38%

LAB 29.42, 25.87, -53.06

 

CMYK 66 / 73 / 0 / 40

HEX #342999

RGB 52 41 153

HSL 245.89, 0.58%, 0.38%

LAB 25.61, 39.39, -59.27

 

CMYK 46 / 73 / 0 / 40

HEX #522999

RGB 82 41 153

HSL 261.96, 0.58%, 0.38%

LAB 28.59, 44.02, -54.28

 

CMYK 26 / 73 / 0 / 40

HEX #712999

RGB 113 41 153

HSL 278.57, 0.58%, 0.38%

LAB 32.69, 50.04, -47.42

 

CMYK 7 / 73 / 0 / 40

HEX #8F2999

RGB 143 41 153

HSL 294.64, 0.58%, 0.38%

LAB 37.35, 56.51, -39.7

 

CMYK 73 / 61 / 0 / 40

HEX #293C99

RGB 41 60 153

HSL 229.82, 0.58%, 0.38%

LAB 29.42, 25.87, -53.06

 

CMYK 73 / 73 / 0 / 40

HEX #292999

RGB 41 41 153

HSL 240, 0.58%, 0.38%

LAB 24.82, 38.11, -60.61

 

CMYK 73 / 61 / 0 / 40

HEX #293C99

RGB 41 60 153

HSL 229.82, 0.58%, 0.38%

LAB 29.42, 25.87, -53.06

 

CMYK 85 / 71 / 0 / 34

HEX #1931A9

RGB 25 49 169

HSL 230, 0.74%, 0.38%

LAB 27.48, 37.56, -65.96

 

CMYK 95 / 79 / 0 / 28

HEX #0927B8

RGB 9 39 184

HSL 229.71, 0.91%, 0.38%

LAB 26.65, 48.13, -76.33

 

CMYK 73 / 61 / 0 / 40

HEX #293C99

RGB 41 60 153

HSL 229.82, 0.58%, 0.38%

LAB 29.42, 25.87, -53.06

 

CMYK 59 / 49 / 0 / 46

HEX #384689

RGB 56 70 137

HSL 229.63, 0.42%, 0.38%

LAB 31.87, 15.82, -39.25

 

CMYK 41 / 34 / 0 / 52

HEX #48507A

RGB 72 80 122

HSL 230.4, 0.26%, 0.38%

LAB 35.04, 8.34, -24.88

 

CMYK 17 / 14 / 0 / 58

HEX #585B6A

RGB 88 91 106

HSL 230, 0.09%, 0.38%

LAB 38.89, 2.28, -8.96

 

CMYK 0 / 2 / 13 / 60

HEX #67655A

RGB 103 101 90

HSL 50.77, 0.07%, 0.38%

LAB 42.66, -1.35, 6.51

 

CMYK 73 / 21 / 0 / 40

HEX #297999

RGB 41 121 153

HSL 197.14, 0.58%, 0.38%

LAB 47.55, -13.05, -24.22

 

CMYK 73 / 41 / 0 / 40

HEX #295B99

RGB 41 91 153

HSL 213.21, 0.58%, 0.38%

LAB 38.29, 5.17, -38.76

 

CMYK 73 / 60 / 0 / 40

HEX #293D99

RGB 41 61 153

HSL 229.29, 0.58%, 0.38%

LAB 29.69, 25.2, -52.63

 

CMYK 67 / 73 / 0 / 40

HEX #322999

RGB 50 41 153

HSL 244.82, 0.58%, 0.38%

LAB 25.45, 39.14, -59.54

 

CMYK 48 / 73 / 0 / 40

HEX #502999

RGB 80 41 153

HSL 260.89, 0.58%, 0.38%

LAB 28.36, 43.67, -54.66

 

CMYK 74 / 61 / 0 / 65

HEX #172258

RGB 23 34 88

HSL 229.85, 0.59%, 0.22%

LAB 15.65, 15.9, -34.09

 

CMYK 74 / 61 / 0 / 53

HEX #202F79

RGB 32 47 121

HSL 229.89, 0.58%, 0.3%

LAB 22.73, 21.22, -44.09

 

CMYK 73 / 61 / 0 / 40

HEX #293C99

RGB 41 60 153

HSL 229.82, 0.58%, 0.38%

LAB 29.42, 25.87, -53.06

 

CMYK 74 / 61 / 0 / 27

HEX #3148BA

RGB 49 72 186

HSL 229.93, 0.58%, 0.46%

LAB 35.66, 31.23, -62.62

 

CMYK 66 / 55 / 0 / 19

HEX #465DCE

RGB 70 93 206

HSL 229.85, 0.58%, 0.54%

LAB 43.63, 27.84, -61.23

 

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

CMYK 0 / 73 / 1 / 40

HEX #992997

RGB 153 41 151

HSL 301.07, 0.58%, 0.38%

LAB 38.89, 58.4, -35.94

 

CMYK 31 / 0 / 73 / 40

HEX #6A9929

RGB 106 153 41

HSL 85.18, 0.58%, 0.38%

LAB 58.04, -33.44, 50.79

 

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

CMYK 0 / 73 / 60 / 40

HEX #99293D

RGB 153 41 61

HSL 349.29, 0.58%, 0.38%

LAB 35.39, 47.32, 15.51

 

CMYK 60 / 0 / 73 / 40

HEX #3D9929

RGB 61 153 41

HSL 109.29, 0.58%, 0.38%

LAB 56.02, -48.18, 48.09

 

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

CMYK 0 / 73 / 1 / 40

HEX #992997

RGB 153 41 151

HSL 301.07, 0.58%, 0.38%

LAB 38.89, 58.4, -35.94

 

CMYK 0 / 14 / 73 / 40

HEX #998429

RGB 153 132 41

HSL 48.75, 0.58%, 0.38%

LAB 55.52, -2.26, 49.5

 

CMYK 73 / 0 / 72 / 40

HEX #29992B

RGB 41 153 43

HSL 121.07, 0.58%, 0.38%

LAB 55.51, -52.34, 46.62

 

CMYK 74 / 61 / 0 / 40

HEX #283B98

RGB 40 59 152

HSL 229.82, 0.58%, 0.38%

LAB 29.02, 26.04, -53.11

 

CMYK 0 / 73 / 23 / 40

HEX #992976

RGB 153 41 118

HSL 318.75, 0.58%, 0.38%

LAB 37.24, 53.34, -18.18

 

CMYK 0 / 14 / 73 / 40

HEX #998429

RGB 153 132 41

HSL 48.75, 0.58%, 0.38%

LAB 55.52, -2.26, 49.5

 

CMYK 73 / 0 / 50 / 40

HEX #29994C

RGB 41 153 76

HSL 138.75, 0.58%, 0.38%

LAB 55.86, -48.17, 31.58

 

Description

Color code: HEX #283B98 | qconv.com Color code: HEX #283B98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 59 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 59 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 61 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 61% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - 茨城高等学校・茨城中学校
Link: http://www.ibaraki-jsh.ed.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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