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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #283759 it is the complementary color #D7C8A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #283759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #283759 shade: #2D3754, #3E4967, #4F5B7A, #606D8D and #717FA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #283759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #283759 shade: #283759, #172546, #061333, #000120 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #283759 shade: #283658, #282958, #332858, #402858 and #4D2858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #283759 shade: #283658, #282958 and #282858

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #283759 shade matches the following richer shades: #283658, #1D3262, #132E6D and #092A77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #283759 shade: #283658, #323A4E, #3C3E43, #464239 and #51462F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #283759 shade: #285158, #284458, #283758, #282A58 and #322858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #283759 shade: #0E131F, #1B253C, #283658, #344874 and #415A91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #283759 shade: #283759, #522858 and #4A5828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #283759 shade: #283759, #582837 and #375828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #283759 shade: #283759, #522858, #584928 and #2D5828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #283759 shade: #283759, #58284F, #584928 and #285830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

Complementary color

CMYK 0 / 7 / 23 / 16

HEX #D7C8A6

RGB 215 200 166

HSL 41.63, 0.38%, 0.75%

LAB 81.02, -0.12, 18.92

 

CMYK 46 / 35 / 0 / 67

HEX #2D3754

RGB 45 55 84

HSL 224.62, 0.3%, 0.25%

LAB 23.44, 4.62, -18.9

 

CMYK 40 / 29 / 0 / 60

HEX #3E4967

RGB 62 73 103

HSL 223.9, 0.25%, 0.32%

LAB 31.27, 3.98, -18.9

 

CMYK 35 / 25 / 0 / 52

HEX #4F5B7A

RGB 79 91 122

HSL 223.26, 0.21%, 0.39%

LAB 38.81, 3.49, -18.99

 

CMYK 32 / 23 / 0 / 45

HEX #606D8D

RGB 96 109 141

HSL 222.67, 0.19%, 0.46%

LAB 46.11, 3.1, -19.14

 

CMYK 29 / 21 / 0 / 37

HEX #717FA0

RGB 113 127 160

HSL 222.13, 0.2%, 0.54%

LAB 53.2, 2.78, -19.32

 

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

CMYK 67 / 47 / 0 / 73

HEX #172546

RGB 23 37 70

HSL 222.13, 0.51%, 0.18%

LAB 15.21, 6.23, -22.54

 

CMYK 88 / 63 / 0 / 80

HEX #061333

RGB 6 19 51

HSL 222.67, 0.79%, 0.11%

LAB 6.72, 8.08, -22.73

 

CMYK 100 / 97 / 0 / 87

HEX #000120

RGB 0 1 32

HSL 238.13, 1%, 0.06%

LAB 1.14, 6.22, -17.04

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 55 / 39 / 0 / 65

HEX #283658

RGB 40 54 88

HSL 222.5, 0.38%, 0.25%

LAB 22.98, 5.26, -22.29

 

CMYK 55 / 53 / 0 / 65

HEX #282958

RGB 40 41 88

HSL 238.75, 0.38%, 0.25%

LAB 18.98, 14.46, -28.65

 

CMYK 42 / 55 / 0 / 65

HEX #332858

RGB 51 40 88

HSL 253.75, 0.38%, 0.25%

LAB 19.74, 18.17, -27.36

 

CMYK 27 / 55 / 0 / 65

HEX #402858

RGB 64 40 88

HSL 270, 0.38%, 0.25%

LAB 21.25, 22.09, -24.87

 

CMYK 13 / 55 / 0 / 65

HEX #4D2858

RGB 77 40 88

HSL 286.25, 0.38%, 0.25%

LAB 23, 26.24, -22

 

CMYK 55 / 39 / 0 / 65

HEX #283658

RGB 40 54 88

HSL 222.5, 0.38%, 0.25%

LAB 22.98, 5.26, -22.29

 

CMYK 55 / 53 / 0 / 65

HEX #282958

RGB 40 41 88

HSL 238.75, 0.38%, 0.25%

LAB 18.98, 14.46, -28.65

 

CMYK 55 / 55 / 0 / 65

HEX #282858

RGB 40 40 88

HSL 240, 0.38%, 0.25%

LAB 18.68, 15.17, -29.12

 

CMYK 55 / 39 / 0 / 65

HEX #283658

RGB 40 54 88

HSL 222.5, 0.38%, 0.25%

LAB 22.98, 5.26, -22.29

 

CMYK 70 / 49 / 0 / 62

HEX #1D3262

RGB 29 50 98

HSL 221.74, 0.54%, 0.25%

LAB 21.67, 9.38, -30.98

 

CMYK 83 / 58 / 0 / 57

HEX #132E6D

RGB 19 46 109

HSL 222, 0.7%, 0.25%

LAB 20.81, 15.32, -39.53

 

CMYK 92 / 65 / 0 / 53

HEX #092A77

RGB 9 42 119

HSL 222, 0.86%, 0.25%

LAB 20.23, 21.6, -46.93

 

CMYK 55 / 39 / 0 / 65

HEX #283658

RGB 40 54 88

HSL 222.5, 0.38%, 0.25%

LAB 22.98, 5.26, -22.29

 

CMYK 36 / 26 / 0 / 69

HEX #323A4E

RGB 50 58 78

HSL 222.86, 0.22%, 0.25%

LAB 24.49, 2.27, -13.27

 

CMYK 10 / 7 / 0 / 74

HEX #3C3E43

RGB 60 62 67

HSL 222.86, 0.06%, 0.25%

LAB 26.19, 0.35, -3.35

 

CMYK 0 / 6 / 19 / 73

HEX #464239

RGB 70 66 57

HSL 41.54, 0.1%, 0.25%

LAB 28.1, -0.11, 6.09

 

CMYK 0 / 14 / 42 / 68

HEX #51462F

RGB 81 70 47

HSL 40.59, 0.27%, 0.25%

LAB 30.24, 0.83, 15.59

 

CMYK 55 / 8 / 0 / 65

HEX #285158

RGB 40 81 88

HSL 188.75, 0.38%, 0.25%

LAB 31.9, -12.15, -8.54

 

CMYK 55 / 23 / 0 / 65

HEX #284458

RGB 40 68 88

HSL 205, 0.38%, 0.25%

LAB 27.55, -4.13, -15.17

 

CMYK 55 / 38 / 0 / 65

HEX #283758

RGB 40 55 88

HSL 221.25, 0.38%, 0.25%

LAB 23.3, 4.57, -21.79

 

CMYK 55 / 52 / 0 / 65

HEX #282A58

RGB 40 42 88

HSL 237.5, 0.38%, 0.25%

LAB 19.27, 13.74, -28.18

 

CMYK 43 / 55 / 0 / 65

HEX #322858

RGB 50 40 88

HSL 252.5, 0.38%, 0.25%

LAB 19.64, 17.88, -27.54

 

CMYK 55 / 39 / 0 / 88

HEX #0E131F

RGB 14 19 31

HSL 222.35, 0.38%, 0.09%

LAB 5.94, 1.47, -8.89

 

CMYK 55 / 38 / 0 / 76

HEX #1B253C

RGB 27 37 60

HSL 221.82, 0.38%, 0.17%

LAB 14.86, 3.38, -16.13

 

CMYK 55 / 39 / 0 / 65

HEX #283658

RGB 40 54 88

HSL 222.5, 0.38%, 0.25%

LAB 22.98, 5.26, -22.29

 

CMYK 55 / 38 / 0 / 55

HEX #344874

RGB 52 72 116

HSL 221.25, 0.38%, 0.33%

LAB 30.94, 6.11, -27.68

 

CMYK 55 / 38 / 0 / 43

HEX #415A91

RGB 65 90 145

HSL 221.25, 0.38%, 0.41%

LAB 38.69, 7.53, -33.24

 

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

CMYK 7 / 55 / 0 / 65

HEX #522858

RGB 82 40 88

HSL 292.5, 0.38%, 0.25%

LAB 23.72, 27.86, -20.81

 

CMYK 16 / 0 / 55 / 65

HEX #4A5828

RGB 74 88 40

HSL 77.5, 0.38%, 0.25%

LAB 35.18, -14.09, 25.81

 

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

CMYK 0 / 55 / 38 / 65

HEX #582837

RGB 88 40 55

HSL 341.25, 0.38%, 0.25%

LAB 23.23, 23.98, 0.75

 

CMYK 38 / 0 / 55 / 65

HEX #375828

RGB 55 88 40

HSL 101.25, 0.38%, 0.25%

LAB 33.87, -22.16, 23.91

 

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

CMYK 7 / 55 / 0 / 65

HEX #522858

RGB 82 40 88

HSL 292.5, 0.38%, 0.25%

LAB 23.72, 27.86, -20.81

 

CMYK 0 / 17 / 55 / 65

HEX #584928

RGB 88 73 40

HSL 41.25, 0.38%, 0.25%

LAB 31.79, 1.47, 22

 

CMYK 49 / 0 / 55 / 65

HEX #2D5828

RGB 45 88 40

HSL 113.75, 0.38%, 0.25%

LAB 33.33, -25.85, 23.13

 

CMYK 55 / 38 / 0 / 65

HEX #283759

RGB 40 55 89

HSL 221.63, 0.38%, 0.25%

LAB 23.35, 4.93, -22.36

 

CMYK 0 / 55 / 10 / 65

HEX #58284F

RGB 88 40 79

HSL 311.25, 0.38%, 0.25%

LAB 24.18, 28.01, -14.04

 

CMYK 0 / 17 / 55 / 65

HEX #584928

RGB 88 73 40

HSL 41.25, 0.38%, 0.25%

LAB 31.79, 1.47, 22

 

CMYK 55 / 0 / 45 / 65

HEX #285830

RGB 40 88 48

HSL 130, 0.38%, 0.25%

LAB 33.23, -26.13, 18.32

 

Description

Color code: HEX #283759 | qconv.com Color code: HEX #283759 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 55 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 55 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 38 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 38% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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