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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28365ACE it is the complementary color #D7C9A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28365ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28365ACE shade: #2D3655CE, #3E4868CE, #4F5A7BCE, #606C8ECE and #717EA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28365ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28365ACE shade: #28365ACE, #172447CE, #061234CE, #000021CE and #00000ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28365ACE shade: #283558, #282858, #342858, #412858 and #4E2858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28365ACE shade: #283558 and #282858

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28365ACE shade matches the following richer shades: #283558, #1D3162, #132C6D and #092777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28365ACE shade: #283558, #323A4E, #3C3E43, #464339 and #51472F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28365ACE shade: #284F58, #284258, #283558, #282858 and #342858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28365ACE shade: #0E131F, #1B243C, #283558, #344674 and #415791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28365ACE shade: #28365A, #542858 and #495828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28365ACE shade: #28365A, #582835 and #355828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28365ACE shade: #28365A, #542858, #584A28 and #2C5828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28365ACE shade: #28365A, #58284D, #584A28 and #285832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 32 / 0 / 52

HEX #28365ACE

RGBA 40 54 90 0.81

HSLA 223.2, 0.38%, 0.25%, 0.81

LABA 23.09, 5.99, -23.43, 0.81

 

Complementary color

CMYK 0 / 5 / 19 / 13

HEX #D7C9A5CE

RGBA 215 201 165 0.81

HSLA 43.2, 0.38%, 0.75%, 0.81

LABA 81.26, -0.79, 19.78, 0.81

 

CMYK 38 / 30 / 0 / 54

HEX #2D3655CE

RGBA 45 54 85 0.81

HSLA 226.5, 0.31%, 0.25%, 0.81

LABA 23.18, 5.65, -19.98, 0.81

 

CMYK 33 / 25 / 0 / 48

HEX #3E4868CE

RGBA 62 72 104 0.81

HSLA 225.71, 0.25%, 0.33%, 0.81

LABA 31.02, 4.94, -19.94, 0.81

 

CMYK 29 / 22 / 0 / 42

HEX #4F5A7BCE

RGBA 79 90 123 0.81

HSLA 225, 0.22%, 0.4%, 0.81

LABA 38.56, 4.41, -19.99, 0.81

 

CMYK 26 / 19 / 0 / 36

HEX #606C8ECE

RGBA 96 108 142 0.81

HSLA 224.35, 0.19%, 0.47%, 0.81

LABA 45.86, 3.98, -20.11, 0.81

 

CMYK 24 / 18 / 0 / 30

HEX #717EA1CE

RGBA 113 126 161 0.81

HSLA 223.75, 0.2%, 0.54%, 0.81

LABA 52.96, 3.62, -20.27, 0.81

 

CMYK 45 / 32 / 0 / 52

HEX #28365ACE

RGBA 40 54 90 0.81

HSLA 223.2, 0.38%, 0.25%, 0.81

LABA 23.09, 5.99, -23.43, 0.81

 

CMYK 55 / 40 / 0 / 58

HEX #172447CE

RGBA 23 36 71 0.81

HSLA 223.75, 0.51%, 0.18%, 0.81

LABA 14.95, 7.39, -23.65, 0.81

 

CMYK 72 / 53 / 0 / 64

HEX #061234CE

RGBA 6 18 52 0.81

HSLA 224.35, 0.79%, 0.11%, 0.81

LABA 6.5, 9.25, -23.82, 0.81

 

CMYK 81 / 81 / 0 / 71

HEX #000021CE

RGBA 0 0 33 0.81

HSLA 240, 1%, 0.06%, 0.81

LABA 0.99, 6.97, -18.06, 0.81

 

CMYK 81 / 81 / 0 / 77

HEX #00000ECE

RGBA 0 0 14 0.81

HSLA 240, 1%, 0.03%, 0.81

LABA 0.29, 2.01, -5.48, 0.81

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 55 / 55 / 0 / 65

HEX #282858

RGB 40 40 88

HSL 240, 0.38%, 0.25%

LAB 18.68, 15.17, -29.12

 

CMYK 41 / 55 / 0 / 65

HEX #342858

RGB 52 40 88

HSL 255, 0.38%, 0.25%

LAB 19.85, 18.46, -27.19

 

CMYK 26 / 55 / 0 / 65

HEX #412858

RGB 65 40 88

HSL 271.25, 0.38%, 0.25%

LAB 21.38, 22.41, -24.66

 

CMYK 11 / 55 / 0 / 65

HEX #4E2858

RGB 78 40 88

HSL 287.5, 0.38%, 0.25%

LAB 23.14, 26.56, -21.76

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 55 / 55 / 0 / 65

HEX #282858

RGB 40 40 88

HSL 240, 0.38%, 0.25%

LAB 18.68, 15.17, -29.12

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 70 / 50 / 0 / 62

HEX #1D3162

RGB 29 49 98

HSL 222.61, 0.54%, 0.25%

LAB 21.36, 10.1, -31.48

 

CMYK 83 / 60 / 0 / 57

HEX #132C6D

RGB 19 44 109

HSL 223.33, 0.7%, 0.25%

LAB 20.22, 16.77, -40.5

 

CMYK 92 / 67 / 0 / 53

HEX #092777

RGB 9 39 119

HSL 223.64, 0.86%, 0.25%

LAB 19.4, 23.75, -48.29

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 36 / 26 / 0 / 69

HEX #323A4E

RGB 50 58 78

HSL 222.86, 0.22%, 0.25%

LAB 24.49, 2.27, -13.27

 

CMYK 10 / 7 / 0 / 74

HEX #3C3E43

RGB 60 62 67

HSL 222.86, 0.06%, 0.25%

LAB 26.19, 0.35, -3.35

 

CMYK 0 / 4 / 19 / 73

HEX #464339

RGB 70 67 57

HSL 46.15, 0.1%, 0.25%

LAB 28.41, -0.75, 6.53

 

CMYK 0 / 12 / 42 / 68

HEX #51472F

RGB 81 71 47

HSL 42.35, 0.27%, 0.25%

LAB 30.55, 0.2, 15.99

 

CMYK 55 / 10 / 0 / 65

HEX #284F58

RGB 40 79 88

HSL 191.25, 0.38%, 0.25%

LAB 31.23, -10.96, -9.55

 

CMYK 55 / 25 / 0 / 65

HEX #284258

RGB 40 66 88

HSL 207.5, 0.38%, 0.25%

LAB 26.88, -2.83, -16.2

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 55 / 55 / 0 / 65

HEX #282858

RGB 40 40 88

HSL 240, 0.38%, 0.25%

LAB 18.68, 15.17, -29.12

 

CMYK 41 / 55 / 0 / 65

HEX #342858

RGB 52 40 88

HSL 255, 0.38%, 0.25%

LAB 19.85, 18.46, -27.19

 

CMYK 55 / 39 / 0 / 88

HEX #0E131F

RGB 14 19 31

HSL 222.35, 0.38%, 0.09%

LAB 5.94, 1.47, -8.89

 

CMYK 55 / 40 / 0 / 76

HEX #1B243C

RGB 27 36 60

HSL 223.64, 0.38%, 0.17%

LAB 14.52, 4.12, -16.67

 

CMYK 55 / 40 / 0 / 65

HEX #283558

RGB 40 53 88

HSL 223.75, 0.38%, 0.25%

LAB 22.66, 5.96, -22.79

 

CMYK 55 / 40 / 0 / 55

HEX #344674

RGB 52 70 116

HSL 223.13, 0.38%, 0.33%

LAB 30.33, 7.45, -28.64

 

CMYK 55 / 40 / 0 / 43

HEX #415791

RGB 65 87 145

HSL 223.5, 0.38%, 0.41%

LAB 37.81, 9.46, -34.63

 

CMYK 56 / 40 / 0 / 65

HEX #28365A

RGB 40 54 90

HSL 223.2, 0.38%, 0.25%

LAB 23.09, 5.99, -23.43

 

CMYK 5 / 55 / 0 / 65

HEX #542858

RGB 84 40 88

HSL 295, 0.38%, 0.25%

LAB 24.02, 28.51, -20.32

 

CMYK 17 / 0 / 55 / 65

HEX #495828

RGB 73 88 40

HSL 78.75, 0.38%, 0.25%

LAB 35.1, -14.54, 25.69

 

CMYK 56 / 40 / 0 / 65

HEX #28365A

RGB 40 54 90

HSL 223.2, 0.38%, 0.25%

LAB 23.09, 5.99, -23.43

 

CMYK 0 / 55 / 40 / 65

HEX #582835

RGB 88 40 53

HSL 343.75, 0.38%, 0.25%

LAB 23.17, 23.7, 2.03

 

CMYK 40 / 0 / 55 / 65

HEX #355828

RGB 53 88 40

HSL 103.75, 0.38%, 0.25%

LAB 33.75, -22.94, 23.75

 

CMYK 56 / 40 / 0 / 65

HEX #28365A

RGB 40 54 90

HSL 223.2, 0.38%, 0.25%

LAB 23.09, 5.99, -23.43

 

CMYK 5 / 55 / 0 / 65

HEX #542858

RGB 84 40 88

HSL 295, 0.38%, 0.25%

LAB 24.02, 28.51, -20.32

 

CMYK 0 / 16 / 55 / 65

HEX #584A28

RGB 88 74 40

HSL 42.5, 0.38%, 0.25%

LAB 32.09, 0.85, 22.36

 

CMYK 50 / 0 / 55 / 65

HEX #2C5828

RGB 44 88 40

HSL 115, 0.38%, 0.25%

LAB 33.28, -26.19, 23.06

 

CMYK 56 / 40 / 0 / 65

HEX #28365A

RGB 40 54 90

HSL 223.2, 0.38%, 0.25%

LAB 23.09, 5.99, -23.43

 

CMYK 0 / 55 / 13 / 65

HEX #58284D

RGB 88 40 77

HSL 313.75, 0.38%, 0.25%

LAB 24.09, 27.63, -12.85

 

CMYK 0 / 16 / 55 / 65

HEX #584A28

RGB 88 74 40

HSL 42.5, 0.38%, 0.25%

LAB 32.09, 0.85, 22.36

 

CMYK 55 / 0 / 43 / 65

HEX #285832

RGB 40 88 50

HSL 132.5, 0.38%, 0.25%

LAB 33.27, -25.75, 17.17

 

Description

Color code: HEX #28365ACE | qconv.com Color code: HEX #28365ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 54 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 54 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 32 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 32% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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