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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #282EB4 it is the complementary color #D7D14B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #282EB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #282EB4 shade: #2D2EAF, #3E40C2, #4F52D5, #6064E8 and #7176FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #282EB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #282EB4 shade: #282EB4, #171CA1, #060A8E, #00007B and #000068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #282EB4 shade: #272DB4, #4727B4, #6D27B4, #9327B4 and #B427AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #282EB4 shade: #272DB4 and #2727B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #282EB4 shade matches the following richer shades: #272DB4, #161DC6 and #040DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #282EB4 shade: #272DB4, #393EA2, #4B4E90, #5D5E7F and #6E6E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #282EB4 shade: #2779B4, #2754B4, #272EB4, #4627B4 and #6B27B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #282EB4 shade: #191C70, #202592, #272DB4, #3239D2 and #545ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #282EB4 shade: #282EB4, #B4279F and #67B427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #282EB4 shade: #282EB4, #B4272E and #2EB427

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #282EB4 shade: #282EB4, #B4279F, #B4AD27 and #27B43D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #282EB4 shade: #282EB4, #B42775, #B4AD27 and #27B467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

Complementary color

CMYK 0 / 3 / 65 / 16

HEX #D7D14B

RGB 215 209 75

HSL 57.43, 0.64%, 0.57%

LAB 82.14, -13.83, 64.55

 

CMYK 74 / 74 / 0 / 31

HEX #2D2EAF

RGB 45 46 175

HSL 239.54, 0.59%, 0.43%

LAB 28.4, 43.06, -68.02

 

CMYK 68 / 67 / 0 / 24

HEX #3E40C2

RGB 62 64 194

HSL 239.09, 0.52%, 0.5%

LAB 35.17, 40.67, -68.08

 

CMYK 63 / 62 / 0 / 16

HEX #4F52D5

RGB 79 82 213

HSL 238.66, 0.61%, 0.57%

LAB 42, 38.46, -67.88

 

CMYK 59 / 57 / 0 / 9

HEX #6064E8

RGB 96 100 232

HSL 238.24, 0.75%, 0.64%

LAB 48.79, 36.51, -67.58

 

CMYK 55 / 53 / 0 / 2

HEX #7176FB

RGB 113 118 251

HSL 237.83, 0.95%, 0.71%

LAB 55.52, 34.81, -67.25

 

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

CMYK 86 / 83 / 0 / 37

HEX #171CA1

RGB 23 28 161

HSL 237.83, 0.75%, 0.36%

LAB 22.25, 46.7, -69.78

 

CMYK 96 / 93 / 0 / 44

HEX #060A8E

RGB 6 10 142

HSL 238.24, 0.92%, 0.29%

LAB 16.55, 47.88, -67.57

 

CMYK 100 / 100 / 0 / 52

HEX #00007B

RGB 0 0 123

HSL 240, 1%, 0.24%

LAB 12.16, 46.16, -62.88

 

CMYK 100 / 100 / 0 / 59

HEX #000068

RGB 0 0 104

HSL 240, 1%, 0.2%

LAB 8.99, 40.97, -55.8

 

CMYK 78 / 75 / 0 / 29

HEX #272DB4

RGB 39 45 180

HSL 237.45, 0.64%, 0.43%

LAB 28.39, 44.82, -71.03

 

CMYK 61 / 78 / 0 / 29

HEX #4727B4

RGB 71 39 180

HSL 253.62, 0.64%, 0.43%

LAB 29.63, 51.07, -68.91

 

CMYK 39 / 78 / 0 / 29

HEX #6D27B4

RGB 109 39 180

HSL 269.79, 0.64%, 0.43%

LAB 33.98, 56.39, -61.6

 

CMYK 18 / 78 / 0 / 29

HEX #9327B4

RGB 147 39 180

HSL 285.96, 0.64%, 0.43%

LAB 39.5, 63.05, -52.39

 

CMYK 0 / 78 / 3 / 29

HEX #B427AF

RGB 180 39 175

HSL 302.13, 0.64%, 0.43%

LAB 44.59, 68.68, -40.97

 

CMYK 78 / 75 / 0 / 29

HEX #272DB4

RGB 39 45 180

HSL 237.45, 0.64%, 0.43%

LAB 28.39, 44.82, -71.03

 

CMYK 78 / 78 / 0 / 29

HEX #2727B4

RGB 39 39 180

HSL 240, 0.64%, 0.43%

LAB 27.24, 48.1, -72.94

 

CMYK 78 / 75 / 0 / 29

HEX #272DB4

RGB 39 45 180

HSL 237.45, 0.64%, 0.43%

LAB 28.39, 44.82, -71.03

 

CMYK 89 / 85 / 0 / 22

HEX #161DC6

RGB 22 29 198

HSL 237.61, 0.8%, 0.43%

LAB 27.09, 57.65, -83.85

 

CMYK 98 / 94 / 0 / 16

HEX #040DD7

RGB 4 13 215

HSL 237.44, 0.96%, 0.43%

LAB 27.35, 67.13, -93.35

 

CMYK 78 / 75 / 0 / 29

HEX #272DB4

RGB 39 45 180

HSL 237.45, 0.64%, 0.43%

LAB 28.39, 44.82, -71.03

 

CMYK 65 / 62 / 0 / 36

HEX #393EA2

RGB 57 62 162

HSL 237.14, 0.48%, 0.43%

LAB 31.63, 30.19, -54.87

 

CMYK 48 / 46 / 0 / 44

HEX #4B4E90

RGB 75 78 144

HSL 237.39, 0.32%, 0.43%

LAB 35.9, 17.4, -37.01

 

CMYK 27 / 26 / 0 / 50

HEX #5D5E7F

RGB 93 94 127

HSL 238.24, 0.15%, 0.43%

LAB 41, 7.54, -18.58

 

CMYK 0 / 0 / 1 / 57

HEX #6E6E6D

RGB 110 110 109

HSL 60, 0%, 0.43%

LAB 46.41, -0.2, 0.55

 

CMYK 78 / 33 / 0 / 29

HEX #2779B4

RGB 39 121 180

HSL 205.11, 0.64%, 0.43%

LAB 48.76, -3.57, -38.09

 

CMYK 78 / 53 / 0 / 29

HEX #2754B4

RGB 39 84 180

HSL 220.85, 0.64%, 0.43%

LAB 37.96, 19.93, -55.36

 

CMYK 78 / 74 / 0 / 29

HEX #272EB4

RGB 39 46 180

HSL 237.02, 0.64%, 0.43%

LAB 28.59, 44.24, -70.7

 

CMYK 61 / 78 / 0 / 29

HEX #4627B4

RGB 70 39 180

HSL 253.19, 0.64%, 0.43%

LAB 29.53, 50.96, -69.07

 

CMYK 41 / 78 / 0 / 29

HEX #6B27B4

RGB 107 39 180

HSL 268.94, 0.64%, 0.43%

LAB 33.72, 56.07, -62.04

 

CMYK 78 / 75 / 0 / 56

HEX #191C70

RGB 25 28 112

HSL 237.93, 0.64%, 0.27%

LAB 16.54, 29.83, -48.46

 

CMYK 78 / 75 / 0 / 43

HEX #202592

RGB 32 37 146

HSL 237.37, 0.64%, 0.35%

LAB 22.67, 37.2, -59.85

 

CMYK 78 / 75 / 0 / 29

HEX #272DB4

RGB 39 45 180

HSL 237.45, 0.64%, 0.43%

LAB 28.39, 44.82, -71.03

 

CMYK 76 / 73 / 0 / 18

HEX #3239D2

RGB 50 57 210

HSL 237.38, 0.64%, 0.51%

LAB 34.51, 48.89, -78.51

 

CMYK 61 / 59 / 0 / 15

HEX #545ADA

RGB 84 90 218

HSL 237.31, 0.64%, 0.59%

LAB 44.6, 36.02, -66.49

 

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

CMYK 0 / 78 / 12 / 29

HEX #B4279F

RGB 180 39 159

HSL 308.94, 0.64%, 0.43%

LAB 43.74, 66.28, -32.79

 

CMYK 43 / 0 / 78 / 29

HEX #67B427

RGB 103 180 39

HSL 92.77, 0.64%, 0.43%

LAB 66.27, -46.31, 59.39

 

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

CMYK 0 / 78 / 74 / 29

HEX #B4272E

RGB 180 39 46

HSL 357.02, 0.64%, 0.43%

LAB 40.17, 55.5, 31.94

 

CMYK 74 / 0 / 78 / 29

HEX #2EB427

RGB 46 180 39

HSL 117.02, 0.64%, 0.43%

LAB 64.46, -60.67, 57.03

 

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

CMYK 0 / 78 / 12 / 29

HEX #B4279F

RGB 180 39 159

HSL 308.94, 0.64%, 0.43%

LAB 43.74, 66.28, -32.79

 

CMYK 0 / 4 / 78 / 29

HEX #B4AD27

RGB 180 173 39

HSL 57.02, 0.64%, 0.43%

LAB 69.28, -12.2, 64.01

 

CMYK 78 / 0 / 66 / 29

HEX #27B43D

RGB 39 180 61

HSL 129.36, 0.64%, 0.43%

LAB 64.49, -59.82, 48.8

 

CMYK 78 / 74 / 0 / 29

HEX #282EB4

RGB 40 46 180

HSL 237.43, 0.64%, 0.43%

LAB 28.64, 44.32, -70.61

 

CMYK 0 / 78 / 35 / 29

HEX #B42775

RGB 180 39 117

HSL 326.81, 0.64%, 0.43%

LAB 41.91, 60.89, -9.99

 

CMYK 0 / 4 / 78 / 29

HEX #B4AD27

RGB 180 173 39

HSL 57.02, 0.64%, 0.43%

LAB 69.28, -12.2, 64.01

 

CMYK 78 / 0 / 43 / 29

HEX #27B467

RGB 39 180 103

HSL 147.23, 0.64%, 0.43%

LAB 65, -53.73, 29.15

 

Description

Color code: HEX #282EB4 | qconv.com Color code: HEX #282EB4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 46 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 46 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 74 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 74% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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