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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2829C24C it is the complementary color #D7D63D4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2829C24C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2829C24C shade: #2D29BD4C, #3E3BD04C, #4F4DE34C, #605FF64C and #7171FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2829C24C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2829C24C shade: #2829C24C, #1717AF4C, #06059C4C, #0000894C and #0000764C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2829C24C shade: #2829C3, #5128C3, #7A28C3, #A428C3 and #C328B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2829C24C shade: #2829C3 and #2828C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2829C24C shade matches the following richer shades: #2829C3, #1516D6 and #0203E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2829C24C shade: #2829C3, #3B3CB0, #4E4E9D, #61618A and #747477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2829C24C shade: #287DC3, #2854C3, #282AC3, #4F28C3 and #7828C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2829C24C shade: #1A1B7E, #2122A0, #2829C3, #3D3ED7 and #5F60DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2829C24C shade: #2829C2, #C328A6 and #68C328

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2829C24C shade: #2829C2, #C3282A and #2AC328

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2829C24C shade: #2829C2, #C328A6, #C3C028 and #28C344

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2829C24C shade: #2829C2, #C32878, #C3C028 and #28C373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 24 / 0 / 7

HEX #2829C24C

RGBA 40 41 194 0.3

HSLA 239.61, 0.66%, 0.46%, 0.3

LABA 29.24, 51.62, -77.91, 0.3

 

Complementary color

CMYK 0 / 0 / 21 / 5

HEX #D7D63D4C

RGBA 215 214 61 0.3

HSLA 59.61, 0.66%, 0.54%, 0.3

LABA 83.38, -17.03, 70.97, 0.3

 

CMYK 23 / 23 / 0 / 8

HEX #2D29BD4C

RGBA 45 41 189 0.3

HSLA 241.62, 0.64%, 0.45%, 0.3

LABA 28.95, 50.36, -75.44, 0.3

 

CMYK 21 / 21 / 0 / 6

HEX #3E3BD04C

RGBA 62 59 208 0.3

HSLA 241.21, 0.61%, 0.52%, 0.3

LABA 35.41, 48.21, -75.84, 0.3

 

CMYK 20 / 20 / 0 / 3

HEX #4F4DE34C

RGBA 79 77 227 0.3

HSLA 240.8, 0.73%, 0.6%, 0.3

LABA 42.02, 46.01, -75.84, 0.3

 

CMYK 18 / 18 / 0 / 1

HEX #605FF64C

RGBA 96 95 246 0.3

HSLA 240.4, 0.89%, 0.67%, 0.3

LABA 48.67, 43.96, -75.63, 0.3

 

CMYK 17 / 17 / 0 / 0

HEX #7171FF4C

RGBA 113 113 255 0.3

HSLA 240, 1%, 0.72%, 0.3

LABA 54.6, 39.01, -70.95, 0.3

 

CMYK 24 / 24 / 0 / 7

HEX #2829C24C

RGBA 40 41 194 0.3

HSLA 239.61, 0.66%, 0.46%, 0.3

LABA 29.24, 51.62, -77.91, 0.3

 

CMYK 26 / 26 / 0 / 9

HEX #1717AF4C

RGBA 23 23 175 0.3

HSLA 240, 0.77%, 0.39%, 0.3

LABA 23.3, 53.28, -76.5, 0.3

 

CMYK 29 / 29 / 0 / 12

HEX #06059C4C

RGBA 6 5 156 0.3

HSLA 240.4, 0.94%, 0.32%, 0.3

LABA 18.13, 53.39, -73.6, 0.3

 

CMYK 30 / 30 / 0 / 14

HEX #0000894C

RGBA 0 0 137 0.3

HSLA 240, 1%, 0.27%, 0.3

LABA 14.44, 49.9, -67.96, 0.3

 

CMYK 30 / 30 / 0 / 16

HEX #0000764C

RGBA 0 0 118 0.3

HSLA 240, 1%, 0.23%, 0.3

LABA 11.33, 44.81, -61.03, 0.3

 

CMYK 79 / 79 / 0 / 24

HEX #2829C3

RGB 40 41 195

HSL 239.61, 0.66%, 0.46%

LAB 29.35, 51.94, -78.31

 

CMYK 58 / 79 / 0 / 24

HEX #5128C3

RGB 81 40 195

HSL 255.87, 0.66%, 0.46%

LAB 32.27, 56, -73.38

 

CMYK 37 / 79 / 0 / 24

HEX #7A28C3

RGB 122 40 195

HSL 271.74, 0.66%, 0.46%

LAB 37.11, 61.56, -65.27

 

CMYK 16 / 79 / 0 / 24

HEX #A428C3

RGB 164 40 195

HSL 288, 0.66%, 0.46%

LAB 43.29, 68.69, -54.95

 

CMYK 0 / 79 / 6 / 24

HEX #C328B8

RGB 195 40 184

HSL 304.26, 0.66%, 0.46%

LAB 47.73, 72.85, -41.13

 

CMYK 79 / 79 / 0 / 24

HEX #2829C3

RGB 40 41 195

HSL 239.61, 0.66%, 0.46%

LAB 29.35, 51.94, -78.31

 

CMYK 79 / 79 / 0 / 24

HEX #2828C3

RGB 40 40 195

HSL 240, 0.66%, 0.46%

LAB 29.18, 52.44, -78.6

 

CMYK 79 / 79 / 0 / 24

HEX #2829C3

RGB 40 41 195

HSL 239.61, 0.66%, 0.46%

LAB 29.35, 51.94, -78.31

 

CMYK 90 / 90 / 0 / 16

HEX #1516D6

RGB 21 22 214

HSL 239.69, 0.82%, 0.46%

LAB 28.35, 64.68, -91.09

 

CMYK 99 / 99 / 0 / 9

HEX #0203E9

RGB 2 3 233

HSL 239.74, 0.98%, 0.46%

LAB 29.31, 73.47, -100.41

 

CMYK 79 / 79 / 0 / 24

HEX #2829C3

RGB 40 41 195

HSL 239.61, 0.66%, 0.46%

LAB 29.35, 51.94, -78.31

 

CMYK 66 / 66 / 0 / 31

HEX #3B3CB0

RGB 59 60 176

HSL 239.49, 0.5%, 0.46%

LAB 32.47, 36.61, -61.89

 

CMYK 50 / 50 / 0 / 38

HEX #4E4E9D

RGB 78 78 157

HSL 240, 0.34%, 0.46%

LAB 36.93, 22.33, -43.21

 

CMYK 30 / 30 / 0 / 46

HEX #61618A

RGB 97 97 138

HSL 240, 0.17%, 0.46%

LAB 42.65, 9.94, -22.66

 

CMYK 3 / 3 / 0 / 53

HEX #747477

RGB 116 116 119

HSL 240, 0.01%, 0.46%

LAB 48.93, 0.62, -1.66

 

CMYK 79 / 36 / 0 / 24

HEX #287DC3

RGB 40 125 195

HSL 207.1, 0.66%, 0.46%

LAB 50.76, -0.29, -43.56

 

CMYK 79 / 57 / 0 / 24

HEX #2854C3

RGB 40 84 195

HSL 222.97, 0.66%, 0.46%

LAB 39.13, 25.79, -62.25

 

CMYK 79 / 78 / 0 / 24

HEX #282AC3

RGB 40 42 195

HSL 239.23, 0.66%, 0.46%

LAB 29.53, 51.43, -78.02

 

CMYK 59 / 79 / 0 / 24

HEX #4F28C3

RGB 79 40 195

HSL 255.1, 0.66%, 0.46%

LAB 32.08, 55.77, -73.71

 

CMYK 38 / 79 / 0 / 24

HEX #7828C3

RGB 120 40 195

HSL 270.97, 0.66%, 0.46%

LAB 36.84, 61.26, -65.72

 

CMYK 79 / 79 / 0 / 51

HEX #1A1B7E

RGB 26 27 126

HSL 239.4, 0.66%, 0.3%

LAB 17.96, 35.61, -55.1

 

CMYK 79 / 79 / 0 / 37

HEX #2122A0

RGB 33 34 160

HSL 239.53, 0.66%, 0.38%

LAB 23.69, 43.81, -66.77

 

CMYK 79 / 79 / 0 / 24

HEX #2829C3

RGB 40 41 195

HSL 239.61, 0.66%, 0.46%

LAB 29.35, 51.94, -78.31

 

CMYK 72 / 71 / 0 / 16

HEX #3D3ED7

RGB 61 62 215

HSL 239.61, 0.66%, 0.54%

LAB 36.64, 48.69, -77.87

 

CMYK 57 / 57 / 0 / 13

HEX #5F60DE

RGB 95 96 222

HSL 239.53, 0.66%, 0.62%

LAB 47.07, 35.55, -64.73

 

CMYK 79 / 79 / 0 / 24

HEX #2829C2

RGB 40 41 194

HSL 239.61, 0.66%, 0.46%

LAB 29.24, 51.62, -77.91

 

CMYK 0 / 79 / 15 / 24

HEX #C328A6

RGB 195 40 166

HSL 311.23, 0.66%, 0.46%

LAB 46.81, 70.27, -31.97

 

CMYK 47 / 0 / 79 / 24

HEX #68C328

RGB 104 195 40

HSL 95.23, 0.66%, 0.46%

LAB 70.96, -51.89, 63.49

 

CMYK 79 / 79 / 0 / 24

HEX #2829C2

RGB 40 41 194

HSL 239.61, 0.66%, 0.46%

LAB 29.24, 51.62, -77.91

 

CMYK 0 / 79 / 78 / 24

HEX #C3282A

RGB 195 40 42

HSL 359.23, 0.66%, 0.46%

LAB 43.19, 59.49, 38.42

 

CMYK 78 / 0 / 79 / 24

HEX #2AC328

RGB 42 195 40

HSL 119.23, 0.66%, 0.46%

LAB 69.24, -65.84, 61.26

 

CMYK 79 / 79 / 0 / 24

HEX #2829C2

RGB 40 41 194

HSL 239.61, 0.66%, 0.46%

LAB 29.24, 51.62, -77.91

 

CMYK 0 / 79 / 15 / 24

HEX #C328A6

RGB 195 40 166

HSL 311.23, 0.66%, 0.46%

LAB 46.81, 70.27, -31.97

 

CMYK 0 / 2 / 79 / 24

HEX #C3C028

RGB 195 192 40

HSL 58.84, 0.66%, 0.46%

LAB 75.73, -15.36, 69.91

 

CMYK 79 / 0 / 65 / 24

HEX #28C344

RGB 40 195 68

HSL 130.84, 0.66%, 0.46%

LAB 69.4, -63.75, 51.24

 

CMYK 79 / 79 / 0 / 24

HEX #2829C2

RGB 40 41 194

HSL 239.61, 0.66%, 0.46%

LAB 29.24, 51.62, -77.91

 

CMYK 0 / 79 / 38 / 24

HEX #C32878

RGB 195 40 120

HSL 329.03, 0.66%, 0.46%

LAB 44.91, 64.74, -7.06

 

CMYK 0 / 2 / 79 / 24

HEX #C3C028

RGB 195 192 40

HSL 58.84, 0.66%, 0.46%

LAB 75.73, -15.36, 69.91

 

CMYK 79 / 0 / 41 / 24

HEX #28C373

RGB 40 195 115

HSL 149.03, 0.66%, 0.46%

LAB 69.98, -56.85, 29.4

 

Description

Color code: HEX #2829C24C | qconv.com Color code: HEX #2829C24C | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 41 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 41 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 24 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 24% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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