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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2805A5 it is the complementary color #D7FA5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2805A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2805A5: #2D05A0, #3E17B3, #4F29C6, #603BD9 and #714DEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2805A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2805A5: #2805A5, #170092, #06007F, #00006C and #000059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

Complementary color

CMYK 14 / 0 / 64 / 2

HEX #D7FA5A

RGB 215 250 90

HSL 73.13, 0.94%, 0.67%

LAB 93.26, -32.57, 70.27

 

CMYK 72 / 97 / 0 / 37

HEX #2D05A0

RGB 45 5 160

HSL 255.48, 0.94%, 0.32%

LAB 20.84, 55.47, -71.47

 

CMYK 65 / 87 / 0 / 30

HEX #3E17B3

RGB 62 23 179

HSL 255, 0.77%, 0.4%

LAB 26.42, 56.52, -73.64

 

CMYK 60 / 79 / 0 / 22

HEX #4F29C6

RGB 79 41 198

HSL 254.52, 0.66%, 0.47%

LAB 32.54, 56.17, -74.72

 

CMYK 56 / 73 / 0 / 15

HEX #603BD9

RGB 96 59 217

HSL 254.05, 0.68%, 0.54%

LAB 38.94, 55.09, -75.13

 

CMYK 52 / 67 / 0 / 7

HEX #714DEC

RGB 113 77 236

HSL 253.58, 0.81%, 0.61%

LAB 45.46, 53.74, -75.2

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 84 / 100 / 0 / 43

HEX #170092

RGB 23 0 146

HSL 249.45, 1%, 0.29%

LAB 16.78, 52.57, -69.65

 

CMYK 95 / 100 / 0 / 50

HEX #06007F

RGB 6 0 127

HSL 242.83, 1%, 0.25%

LAB 13.05, 47.32, -63.93

 

CMYK 100 / 100 / 0 / 58

HEX #00006C

RGB 0 0 108

HSL 240, 1%, 0.21%

LAB 9.66, 42.08, -57.31

 

CMYK 100 / 100 / 0 / 65

HEX #000059

RGB 0 0 89

HSL 240, 1%, 0.17%

LAB 6.52, 36.3, -49.87

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 60 / 97 / 0 / 36

HEX #4105A3

RGB 65 5 163

HSL 262.78, 0.94%, 0.33%

LAB 23.26, 57.36, -69.23

 

CMYK 44 / 97 / 0 / 36

HEX #5C05A3

RGB 92 5 163

HSL 273.04, 0.94%, 0.33%

LAB 26.81, 59.7, -63.23

 

CMYK 28 / 97 / 0 / 36

HEX #7605A3

RGB 118 5 163

HSL 282.91, 0.94%, 0.33%

LAB 30.89, 62.81, -56.4

 

CMYK 12 / 97 / 0 / 36

HEX #9005A3

RGB 144 5 163

HSL 292.78, 0.94%, 0.33%

LAB 35.37, 66.61, -48.92

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 76 / 97 / 0 / 15

HEX #3407D8

RGB 52 7 216

HSL 252.92, 0.94%, 0.44%

LAB 29, 69.36, -91.12

 

CMYK 75 / 100 / 0 / 95

HEX #03000C

RGB 3 0 12

HSL 255, 1%, 0.02%

LAB 0.41, 2.47, -4.31

 

CMYK 76 / 97 / 0 / 75

HEX #0F023F

RGB 15 2 63

HSL 252.79, 0.94%, 0.13%

LAB 4.55, 25.06, -34.93

 

CMYK 75 / 97 / 0 / 55

HEX #1C0372

RGB 28 3 114

HSL 253.51, 0.95%, 0.23%

LAB 12.78, 43.07, -55.98

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 0 / 97 / 40 / 36

HEX #A30561

RGB 163 5 97

HSL 325.06, 0.94%, 0.33%

LAB 35.51, 61.4, -7.3

 

CMYK 79 / 0 / 97 / 36

HEX #22A305

RGB 34 163 5

HSL 108.99, 0.94%, 0.33%

LAB 58.55, -58.65, 59.18

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 0 / 76 / 97 / 36

HEX #A32705

RGB 163 39 5

HSL 12.91, 0.94%, 0.33%

LAB 36.46, 49.14, 47.3

 

CMYK 97 / 0 / 76 / 36

HEX #05A327

RGB 5 163 39

HSL 132.91, 0.94%, 0.33%

LAB 58.39, -59.6, 50.91

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 0 / 97 / 40 / 36

HEX #A30561

RGB 163 5 97

HSL 325.06, 0.94%, 0.33%

LAB 35.51, 61.4, -7.3

 

CMYK 21 / 0 / 97 / 36

HEX #80A305

RGB 128 163 5

HSL 73.29, 0.94%, 0.33%

LAB 62.33, -30.53, 63.79

 

CMYK 97 / 0 / 57 / 36

HEX #05A346

RGB 5 163 70

HSL 144.68, 0.94%, 0.33%

LAB 58.67, -56.12, 37.93

 

CMYK 76 / 97 / 0 / 35

HEX #2805A5

RGB 40 5 165

HSL 253.13, 0.94%, 0.33%

LAB 21.12, 56.55, -74.07

 

CMYK 0 / 97 / 70 / 36

HEX #A30531

RGB 163 5 49

HSL 343.29, 0.94%, 0.33%

LAB 34.23, 57.93, 22.14

 

CMYK 21 / 0 / 97 / 36

HEX #80A305

RGB 128 163 5

HSL 73.29, 0.94%, 0.33%

LAB 62.33, -30.53, 63.79

 

CMYK 97 / 0 / 28 / 36

HEX #05A376

RGB 5 163 118

HSL 162.91, 0.94%, 0.33%

LAB 59.47, -46.76, 13.49

 

Description

Color code: HEX #2805A5 | qconv.com Color code: HEX #2805A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 5 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 5 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 97 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 97% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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