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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27FCA0 it is the complementary color #D8035F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27FCA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27FCA0 shade: #2CFC9B, #3DFFAE, #4EFFC1, #5FFFD4 and #70FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27FCA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27FCA0 shade: #27FCA0, #16EA8D, #05D87A, #00C667 and #00B454

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27FCA0 shade: #27FCA0, #27FC66, #27FC2D, #5AFC27 and #94FC27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27FCA0 shade: #27FCA0, #27FCD9, #27E5FC, #27ACFC and #2772FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27FCA0 shade matches the following richer shades: #27FCA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27FCA0 shade: #27FCA0, #39EA9D, #4AD89B, #5CC699 and #6EB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27FCA0 shade: #27FC2E, #27FC67, #27FCA0, #27FCD8 and #27E6FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27FCA0 shade: #03CD76, #04F68D, #27FCA0, #50FCB2 and #78FDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27FCA0 shade: #27FCA0, #2759FC and #FC4A27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27FCA0 shade: #27FCA0, #A027FC and #FCA027

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27FCA0 shade: #27FCA0, #2759FC, #FC2783 and #FCCA27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27FCA0 shade: #27FCA0, #3527FC, #FC2783 and #EEFC27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

Complementary color

CMYK 0 / 99 / 56 / 15

HEX #D8035F

RGB 216 3 95

HSL 334.08, 0.97%, 0.43%

LAB 46.3, 73.47, 10.96

 

CMYK 83 / 0 / 38 / 1

HEX #2CFC9B

RGB 44 252 155

HSL 152.02, 0.97%, 0.58%

LAB 88.22, -69.09, 33.17

 

CMYK 76 / 0 / 32 / 0

HEX #3DFFAE

RGB 61 255 174

HSL 154.95, 1%, 0.62%

LAB 89.66, -64.79, 25.6

 

CMYK 69 / 0 / 24 / 0

HEX #4EFFC1

RGB 78 255 193

HSL 158.98, 1%, 0.65%

LAB 90.32, -58.64, 16.86

 

CMYK 63 / 0 / 17 / 0

HEX #5FFFD4

RGB 95 255 212

HSL 163.88, 1%, 0.69%

LAB 91.1, -51.76, 8.25

 

CMYK 56 / 0 / 9 / 0

HEX #70FFE7

RGB 112 255 231

HSL 169.93, 1%, 0.72%

LAB 92.01, -44.26, -0.2

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 91 / 0 / 40 / 8

HEX #16EA8D

RGB 22 234 141

HSL 153.68, 0.83%, 0.5%

LAB 82.35, -67.03, 32.38

 

CMYK 98 / 0 / 44 / 15

HEX #05D87A

RGB 5 216 122

HSL 153.27, 0.95%, 0.43%

LAB 76.41, -65.09, 34.16

 

CMYK 100 / 0 / 48 / 22

HEX #00C667

RGB 0 198 103

HSL 151.21, 1%, 0.39%

LAB 70.43, -62.6, 36.05

 

CMYK 100 / 0 / 53 / 29

HEX #00B454

RGB 0 180 84

HSL 148, 1%, 0.35%

LAB 64.39, -59.79, 37.98

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 0 / 60 / 1

HEX #27FC66

RGB 39 252 102

HSL 137.75, 0.97%, 0.57%

LAB 87.49, -77.59, 57.16

 

CMYK 85 / 0 / 82 / 1

HEX #27FC2D

RGB 39 252 45

HSL 121.69, 0.97%, 0.57%

LAB 87.12, -82.29, 76.51

 

CMYK 64 / 0 / 85 / 1

HEX #5AFC27

RGB 90 252 39

HSL 105.63, 0.97%, 0.57%

LAB 87.94, -75.23, 78.92

 

CMYK 41 / 0 / 85 / 1

HEX #94FC27

RGB 148 252 39

HSL 89.3, 0.97%, 0.57%

LAB 89.89, -59.94, 81.37

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 0 / 14 / 1

HEX #27FCD9

RGB 39 252 217

HSL 170.14, 0.97%, 0.57%

LAB 89.42, -55.76, 3.12

 

CMYK 85 / 9 / 0 / 1

HEX #27E5FC

RGB 39 229 252

HSL 186.48, 0.97%, 0.57%

LAB 83.7, -35.98, -23.73

 

CMYK 85 / 32 / 0 / 1

HEX #27ACFC

RGB 39 172 252

HSL 202.54, 0.97%, 0.57%

LAB 67.25, -6.85, -49.23

 

CMYK 85 / 55 / 0 / 1

HEX #2772FC

RGB 39 114 252

HSL 218.87, 0.97%, 0.57%

LAB 51.26, 27.97, -74.86

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 76 / 0 / 33 / 8

HEX #39EA9D

RGB 57 234 157

HSL 153.9, 0.81%, 0.57%

LAB 82.99, -60.97, 25.17

 

CMYK 66 / 0 / 28 / 15

HEX #4AD89B

RGB 74 216 155

HSL 154.23, 0.65%, 0.57%

LAB 77.84, -52, 19.18

 

CMYK 54 / 0 / 23 / 22

HEX #5CC699

RGB 92 198 153

HSL 154.53, 0.48%, 0.57%

LAB 72.87, -41.27, 13.38

 

CMYK 39 / 0 / 17 / 29

HEX #6EB596

RGB 110 181 150

HSL 153.8, 0.32%, 0.57%

LAB 68.43, -29.44, 8.84

 

CMYK 85 / 0 / 82 / 1

HEX #27FC2E

RGB 39 252 46

HSL 121.97, 0.97%, 0.57%

LAB 87.12, -82.25, 76.27

 

CMYK 85 / 0 / 59 / 1

HEX #27FC67

RGB 39 252 103

HSL 138.03, 0.97%, 0.57%

LAB 87.5, -77.47, 56.75

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 0 / 14 / 1

HEX #27FCD8

RGB 39 252 216

HSL 169.86, 0.97%, 0.57%

LAB 89.4, -56.01, 3.6

 

CMYK 85 / 9 / 0 / 1

HEX #27E6FC

RGB 39 230 252

HSL 186.2, 0.97%, 0.57%

LAB 83.99, -36.45, -23.29

 

CMYK 99 / 0 / 42 / 20

HEX #03CD76

RGB 3 205 118

HSL 154.16, 0.97%, 0.41%

LAB 72.89, -62.17, 31.61

 

CMYK 98 / 0 / 43 / 4

HEX #04F68D

RGB 4 246 141

HSL 153.97, 0.97%, 0.49%

LAB 85.94, -71.64, 37.07

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 68 / 0 / 29 / 1

HEX #50FCB2

RGB 80 252 178

HSL 154.19, 0.97%, 0.65%

LAB 89.18, -60.35, 22.96

 

CMYK 53 / 0 / 23 / 1

HEX #78FDC4

RGB 120 253 196

HSL 154.29, 0.97%, 0.73%

LAB 90.88, -49.59, 16.28

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 65 / 0 / 1

HEX #2759FC

RGB 39 89 252

HSL 225.92, 0.97%, 0.57%

LAB 45.09, 43.59, -84.95

 

CMYK 0 / 71 / 85 / 1

HEX #FC4A27

RGB 252 74 39

HSL 9.86, 0.97%, 0.57%

LAB 57.79, 65.66, 57.45

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 37 / 85 / 0 / 1

HEX #A027FC

RGB 160 39 252

HSL 274.08, 0.97%, 0.57%

LAB 46.91, 79.51, -81.59

 

CMYK 0 / 37 / 85 / 1

HEX #FCA027

RGB 252 160 39

HSL 34.08, 0.97%, 0.57%

LAB 73.53, 25.83, 70.61

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 85 / 65 / 0 / 1

HEX #2759FC

RGB 39 89 252

HSL 225.92, 0.97%, 0.57%

LAB 45.09, 43.59, -84.95

 

CMYK 0 / 85 / 48 / 1

HEX #FC2783

RGB 252 39 131

HSL 334.08, 0.97%, 0.57%

LAB 55.87, 79.81, 3.62

 

CMYK 0 / 20 / 85 / 1

HEX #FCCA27

RGB 252 202 39

HSL 45.92, 0.97%, 0.57%

LAB 83.49, 3.95, 78.81

 

CMYK 85 / 0 / 37 / 1

HEX #27FCA0

RGB 39 252 160

HSL 154.08, 0.97%, 0.57%

LAB 88.25, -68.55, 30.71

 

CMYK 79 / 85 / 0 / 1

HEX #3527FC

RGB 53 39 252

HSL 243.94, 0.97%, 0.57%

LAB 36.44, 70.21, -99.24

 

CMYK 0 / 85 / 48 / 1

HEX #FC2783

RGB 252 39 131

HSL 334.08, 0.97%, 0.57%

LAB 55.87, 79.81, 3.62

 

CMYK 6 / 0 / 85 / 1

HEX #EEFC27

RGB 238 252 39

HSL 63.94, 0.97%, 0.57%

LAB 95.14, -26.57, 87.91

 

Description

Color code: HEX #27FCA0 | qconv.com Color code: HEX #27FCA0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 252 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 252 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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