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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27F78B it is the complementary color #D80874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27F78B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27F78B shade: #2CF786, #3DFF99, #4EFFAC, #5FFFBF and #70FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27F78B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27F78B shade: #27F78B, #16E578, #05D365, #00C152 and #00AF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27F78B shade: #26F78B, #26F753, #33F726, #6BF726 and #A3F726

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27F78B shade: #26F78B, #26F7C3, #26F3F7, #26BBF7 and #2682F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27F78B shade matches the following richer shades: #26F78B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27F78B shade: #26F78B, #39E58B, #4BD38C, #5DC18D and #6FAF8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27F78B shade: #34F726, #26F750, #26F788, #26F7BF and #26F7F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27F78B shade: #07C462, #09EC76, #26F78B, #4EF9A0 and #76FAB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27F78B shade: #27F78B, #266CF7 and #F73426

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27F78B shade: #27F78B, #8826F7 and #F78826

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27F78B shade: #27F78B, #266CF7, #F72696 and #F7B226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27F78B shade: #27F78B, #262DF7, #F72696 and #F7F026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

Complementary color

CMYK 0 / 96 / 46 / 15

HEX #D80874

RGB 216 8 116

HSL 328.85, 0.93%, 0.44%

LAB 47.02, 74.6, -1.02

 

CMYK 82 / 0 / 46 / 3

HEX #2CF786

RGB 44 247 134

HSL 146.6, 0.93%, 0.57%

LAB 86.39, -71.07, 41.13

 

CMYK 76 / 0 / 40 / 0

HEX #3DFF99

RGB 61 255 153

HSL 148.45, 1%, 0.62%

LAB 89.3, -68.78, 35.64

 

CMYK 69 / 0 / 33 / 0

HEX #4EFFAC

RGB 78 255 172

HSL 151.86, 1%, 0.65%

LAB 89.91, -62.98, 27.01

 

CMYK 63 / 0 / 25 / 0

HEX #5FFFBF

RGB 95 255 191

HSL 156, 1%, 0.69%

LAB 90.65, -56.38, 18.41

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD2

RGB 112 255 210

HSL 161.12, 1%, 0.72%

LAB 91.51, -49.11, 9.93

 

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

CMYK 90 / 0 / 48 / 10

HEX #16E578

RGB 22 229 120

HSL 148.41, 0.82%, 0.49%

LAB 80.5, -69.04, 40.4

 

CMYK 98 / 0 / 52 / 17

HEX #05D365

RGB 5 211 101

HSL 147.96, 0.95%, 0.42%

LAB 74.55, -66.94, 42.17

 

CMYK 100 / 0 / 58 / 24

HEX #00C152

RGB 0 193 82

HSL 145.49, 1%, 0.38%

LAB 68.57, -64.22, 43.97

 

CMYK 100 / 0 / 64 / 31

HEX #00AF3F

RGB 0 175 63

HSL 141.6, 1%, 0.34%

LAB 62.52, -61.09, 45.65

 

CMYK 85 / 0 / 44 / 3

HEX #26F78B

RGB 38 247 139

HSL 149, 0.93%, 0.56%

LAB 86.4, -70.74, 38.69

 

CMYK 85 / 0 / 66 / 3

HEX #26F753

RGB 38 247 83

HSL 132.92, 0.93%, 0.56%

LAB 85.79, -78.24, 63.05

 

CMYK 79 / 0 / 85 / 3

HEX #33F726

RGB 51 247 38

HSL 116.27, 0.93%, 0.56%

LAB 85.69, -80.01, 76.86

 

CMYK 57 / 0 / 85 / 3

HEX #6BF726

RGB 107 247 38

HSL 100.19, 0.93%, 0.56%

LAB 86.89, -69.83, 78.38

 

CMYK 34 / 0 / 85 / 3

HEX #A3F726

RGB 163 247 38

HSL 84.11, 0.93%, 0.56%

LAB 89.13, -53.02, 81.2

 

CMYK 85 / 0 / 44 / 3

HEX #26F78B

RGB 38 247 139

HSL 149, 0.93%, 0.56%

LAB 86.4, -70.74, 38.69

 

CMYK 85 / 0 / 21 / 3

HEX #26F7C3

RGB 38 247 195

HSL 165.07, 0.93%, 0.56%

LAB 87.42, -59.26, 11.66

 

CMYK 85 / 2 / 0 / 3

HEX #26F3F7

RGB 38 243 247

HSL 181.15, 0.93%, 0.56%

LAB 87.6, -43.88, -15.23

 

CMYK 85 / 24 / 0 / 3

HEX #26BBF7

RGB 38 187 247

HSL 197.22, 0.93%, 0.56%

LAB 71.33, -16.82, -40.12

 

CMYK 85 / 47 / 0 / 3

HEX #2682F7

RGB 38 130 247

HSL 213.59, 0.93%, 0.56%

LAB 55.17, 16.02, -65.76

 

CMYK 85 / 0 / 44 / 3

HEX #26F78B

RGB 38 247 139

HSL 149, 0.93%, 0.56%

LAB 86.4, -70.74, 38.69

 

CMYK 85 / 0 / 44 / 3

HEX #26F78B

RGB 38 247 139

HSL 149, 0.93%, 0.56%

LAB 86.4, -70.74, 38.69

 

CMYK 75 / 0 / 39 / 10

HEX #39E58B

RGB 57 229 139

HSL 148.6, 0.77%, 0.56%

LAB 81.17, -62.61, 31.9

 

CMYK 64 / 0 / 34 / 17

HEX #4BD38C

RGB 75 211 140

HSL 148.68, 0.61%, 0.56%

LAB 76.06, -52.88, 24.61

 

CMYK 52 / 0 / 27 / 24

HEX #5DC18D

RGB 93 193 141

HSL 148.8, 0.45%, 0.56%

LAB 71.14, -41.36, 17.43

 

CMYK 37 / 0 / 19 / 31

HEX #6FAF8E

RGB 111 175 142

HSL 149.06, 0.29%, 0.56%

LAB 66.51, -27.92, 10.51

 

CMYK 79 / 0 / 85 / 3

HEX #34F726

RGB 52 247 38

HSL 115.98, 0.93%, 0.56%

LAB 85.7, -79.89, 76.88

 

CMYK 85 / 0 / 68 / 3

HEX #26F750

RGB 38 247 80

HSL 132.06, 0.93%, 0.56%

LAB 85.76, -78.52, 64.18

 

CMYK 85 / 0 / 45 / 3

HEX #26F788

RGB 38 247 136

HSL 148.13, 0.93%, 0.56%

LAB 86.36, -71.25, 40.1

 

CMYK 85 / 0 / 23 / 3

HEX #26F7BF

RGB 38 247 191

HSL 163.92, 0.93%, 0.56%

LAB 87.34, -60.2, 13.61

 

CMYK 85 / 0 / 0 / 3

HEX #26F7F7

RGB 38 247 247

HSL 180, 0.93%, 0.56%

LAB 88.76, -45.64, -13.49

 

CMYK 96 / 0 / 50 / 23

HEX #07C462

RGB 7 196 98

HSL 148.89, 0.93%, 0.4%

LAB 69.76, -62.5, 37.7

 

CMYK 96 / 0 / 50 / 7

HEX #09EC76

RGB 9 236 118

HSL 148.81, 0.93%, 0.48%

LAB 82.57, -72.11, 43.95

 

CMYK 85 / 0 / 44 / 3

HEX #26F78B

RGB 38 247 139

HSL 149, 0.93%, 0.56%

LAB 86.4, -70.74, 38.69

 

CMYK 69 / 0 / 36 / 2

HEX #4EF9A0

RGB 78 249 160

HSL 148.77, 0.93%, 0.64%

LAB 87.92, -63.04, 30.37

 

CMYK 53 / 0 / 27 / 2

HEX #76FAB6

RGB 118 250 182

HSL 149.09, 0.93%, 0.72%

LAB 89.67, -51.59, 21.76

 

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

CMYK 85 / 56 / 0 / 3

HEX #266CF7

RGB 38 108 247

HSL 219.9, 0.93%, 0.56%

LAB 49.32, 29.82, -75.24

 

CMYK 0 / 79 / 85 / 3

HEX #F73426

RGB 247 52 38

HSL 4.02, 0.93%, 0.56%

LAB 54.42, 70.97, 54.67

 

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

CMYK 45 / 85 / 0 / 3

HEX #8826F7

RGB 136 38 247

HSL 268.13, 0.93%, 0.56%

LAB 43.27, 75.79, -84.9

 

CMYK 0 / 45 / 85 / 3

HEX #F78826

RGB 247 136 38

HSL 28.13, 0.93%, 0.56%

LAB 67.67, 36.18, 65.8

 

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

CMYK 85 / 56 / 0 / 3

HEX #266CF7

RGB 38 108 247

HSL 219.9, 0.93%, 0.56%

LAB 49.32, 29.82, -75.24

 

CMYK 0 / 85 / 39 / 3

HEX #F72696

RGB 247 38 150

HSL 327.85, 0.93%, 0.56%

LAB 55.44, 80.46, -8.41

 

CMYK 0 / 28 / 85 / 3

HEX #F7B226

RGB 247 178 38

HSL 40.19, 0.93%, 0.56%

LAB 77.13, 14.28, 73.64

 

CMYK 84 / 0 / 44 / 3

HEX #27F78B

RGB 39 247 139

HSL 148.85, 0.93%, 0.56%

LAB 86.41, -70.66, 38.71

 

CMYK 85 / 82 / 0 / 3

HEX #262DF7

RGB 38 45 247

HSL 237.99, 0.93%, 0.56%

LAB 35.99, 65.8, -97.19

 

CMYK 0 / 85 / 39 / 3

HEX #F72696

RGB 247 38 150

HSL 327.85, 0.93%, 0.56%

LAB 55.44, 80.46, -8.41

 

CMYK 0 / 3 / 85 / 3

HEX #F7F026

RGB 247 240 38

HSL 57.99, 0.93%, 0.56%

LAB 92.68, -17.19, 86.37

 

Description

Color code: HEX #27F78B | qconv.com Color code: HEX #27F78B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 247 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 247 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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