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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27DFB0 it is the complementary color #D8204F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27DFB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27DFB0 shade: #2CDFAB, #3DF1BE, #4EFFD1, #5FFFE4 and #70FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27DFB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27DFB0 shade: #27DFB0, #16CD9D, #05BB8A, #00A977 and #009764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27DFB0 shade: #26DFAF, #26DF7D, #26DF4C, #32DF26 and #63DF26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27DFB0 shade: #26DFAF, #26DCDF, #26AADF, #2678DF and #2646DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27DFB0 shade matches the following richer shades: #26DFAF and #11F3B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27DFB0 shade: #26DFAF, #3ACAA5, #4EB69B, #62A292 and #768E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27DFB0 shade: #26DF4B, #26DF7C, #26DFAD, #26DFDF and #26ADDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27DFB0 shade: #179A79, #1CBE95, #26DFAF, #49E4BC and #6DE9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27DFB0 shade: #27DFB0, #2632DF and #DF6326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27DFB0 shade: #27DFB0, #AD26DF and #DFAD26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27DFB0 shade: #27DFB0, #2632DF, #DF2657 and #DFD226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27DFB0 shade: #27DFB0, #5126DF, #DF2657 and #B3DF26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

Complementary color

CMYK 0 / 85 / 63 / 15

HEX #D8204F

RGB 216 32 79

HSL 344.67, 0.74%, 0.49%

LAB 47.23, 68.81, 22.13

 

CMYK 80 / 0 / 23 / 13

HEX #2CDFAB

RGB 44 223 171

HSL 162.57, 0.74%, 0.52%

LAB 79.76, -55.12, 13.36

 

CMYK 75 / 0 / 21 / 5

HEX #3DF1BE

RGB 61 241 190

HSL 163, 0.87%, 0.59%

LAB 85.82, -56, 12.02

 

CMYK 69 / 0 / 18 / 0

HEX #4EFFD1

RGB 78 255 209

HSL 164.41, 1%, 0.65%

LAB 90.66, -55.02, 9.12

 

CMYK 63 / 0 / 11 / 0

HEX #5FFFE4

RGB 95 255 228

HSL 169.88, 1%, 0.69%

LAB 91.48, -47.95, 0.53

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF7

RGB 112 255 247

HSL 176.64, 1%, 0.72%

LAB 92.43, -40.31, -7.87

 

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

CMYK 89 / 0 / 23 / 20

HEX #16CD9D

RGB 22 205 157

HSL 164.26, 0.81%, 0.45%

LAB 73.72, -53.05, 12.24

 

CMYK 97 / 0 / 26 / 27

HEX #05BB8A

RGB 5 187 138

HSL 163.85, 0.95%, 0.38%

LAB 67.58, -51.33, 13.84

 

CMYK 100 / 0 / 30 / 34

HEX #00A977

RGB 0 169 119

HSL 162.25, 1%, 0.33%

LAB 61.4, -49.08, 15.62

 

CMYK 100 / 0 / 34 / 41

HEX #009764

RGB 0 151 100

HSL 159.74, 1%, 0.3%

LAB 55.13, -46.57, 17.53

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAF

RGB 38 223 175

HSL 164.43, 0.74%, 0.51%

LAB 79.77, -54.69, 11.26

 

CMYK 83 / 0 / 44 / 13

HEX #26DF7D

RGB 38 223 125

HSL 148.22, 0.74%, 0.51%

LAB 78.85, -65.07, 35.86

 

CMYK 83 / 0 / 66 / 13

HEX #26DF4C

RGB 38 223 76

HSL 132.32, 0.74%, 0.51%

LAB 78.29, -71.8, 57.69

 

CMYK 78 / 0 / 83 / 13

HEX #32DF26

RGB 50 223 38

HSL 116.11, 0.74%, 0.51%

LAB 78.22, -73.24, 70.16

 

CMYK 56 / 0 / 83 / 13

HEX #63DF26

RGB 99 223 38

HSL 100.22, 0.74%, 0.51%

LAB 79.37, -63.65, 71.62

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAF

RGB 38 223 175

HSL 164.43, 0.74%, 0.51%

LAB 79.77, -54.69, 11.26

 

CMYK 83 / 1 / 0 / 13

HEX #26DCDF

RGB 38 220 223

HSL 180.97, 0.74%, 0.51%

LAB 80.14, -40.6, -13.74

 

CMYK 83 / 24 / 0 / 13

HEX #26AADF

RGB 38 170 223

HSL 197.19, 0.74%, 0.51%

LAB 65.35, -16.01, -36.35

 

CMYK 83 / 46 / 0 / 13

HEX #2678DF

RGB 38 120 223

HSL 213.41, 0.74%, 0.51%

LAB 50.89, 13.16, -59.25

 

CMYK 83 / 69 / 0 / 13

HEX #2646DF

RGB 38 70 223

HSL 229.62, 0.74%, 0.51%

LAB 38.06, 44.84, -80.15

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAF

RGB 38 223 175

HSL 164.43, 0.74%, 0.51%

LAB 79.77, -54.69, 11.26

 

CMYK 93 / 0 / 24 / 5

HEX #11F3B9

RGB 17 243 185

HSL 164.6, 0.9%, 0.51%

LAB 85.87, -61.18, 14.63

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAF

RGB 38 223 175

HSL 164.43, 0.74%, 0.51%

LAB 79.77, -54.69, 11.26

 

CMYK 71 / 0 / 18 / 21

HEX #3ACAA5

RGB 58 202 165

HSL 164.58, 0.58%, 0.51%

LAB 73.45, -46.44, 7.62

 

CMYK 57 / 0 / 15 / 29

HEX #4EB69B

RGB 78 182 155

HSL 164.42, 0.42%, 0.51%

LAB 67.61, -36.69, 4.74

 

CMYK 40 / 0 / 10 / 36

HEX #62A292

RGB 98 162 146

HSL 165, 0.26%, 0.51%

LAB 62.09, -24.38, 1.86

 

CMYK 17 / 0 / 4 / 44

HEX #768E88

RGB 118 142 136

HSL 165, 0.1%, 0.51%

LAB 57.05, -9.81, 0.34

 

CMYK 83 / 0 / 66 / 13

HEX #26DF4B

RGB 38 223 75

HSL 132, 0.74%, 0.51%

LAB 78.28, -71.9, 58.08

 

CMYK 83 / 0 / 44 / 13

HEX #26DF7C

RGB 38 223 124

HSL 147.89, 0.74%, 0.51%

LAB 78.83, -65.25, 36.34

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAD

RGB 38 223 173

HSL 163.78, 0.74%, 0.51%

LAB 79.73, -55.17, 12.25

 

CMYK 83 / 0 / 0 / 13

HEX #26DFDF

RGB 38 223 223

HSL 180, 0.74%, 0.51%

LAB 81.02, -41.94, -12.41

 

CMYK 83 / 22 / 0 / 13

HEX #26ADDF

RGB 38 173 223

HSL 196.22, 0.74%, 0.51%

LAB 66.23, -17.61, -34.97

 

CMYK 85 / 0 / 21 / 40

HEX #179A79

RGB 23 154 121

HSL 164.89, 0.74%, 0.35%

LAB 56.76, -41.26, 8.01

 

CMYK 85 / 0 / 22 / 25

HEX #1CBE95

RGB 28 190 149

HSL 164.81, 0.74%, 0.43%

LAB 68.93, -48.65, 9.78

 

CMYK 83 / 0 / 22 / 13

HEX #26DFAF

RGB 38 223 175

HSL 164.43, 0.74%, 0.51%

LAB 79.77, -54.69, 11.26

 

CMYK 68 / 0 / 18 / 11

HEX #49E4BC

RGB 73 228 188

HSL 164.52, 0.74%, 0.59%

LAB 82.13, -49.62, 7.83

 

CMYK 53 / 0 / 13 / 9

HEX #6DE9CA

RGB 109 233 202

HSL 165, 0.74%, 0.67%

LAB 84.89, -42.01, 4.56

 

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

CMYK 83 / 78 / 0 / 13

HEX #2632DF

RGB 38 50 223

HSL 236.11, 0.74%, 0.51%

LAB 34.03, 56.12, -86.82

 

CMYK 0 / 56 / 83 / 13

HEX #DF6326

RGB 223 99 38

HSL 19.78, 0.74%, 0.51%

LAB 56.83, 45.28, 55.15

 

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

CMYK 22 / 83 / 0 / 13

HEX #AD26DF

RGB 173 38 223

HSL 283.78, 0.74%, 0.51%

LAB 46.44, 75.93, -65.92

 

CMYK 0 / 22 / 83 / 13

HEX #DFAD26

RGB 223 173 38

HSL 43.78, 0.74%, 0.51%

LAB 73.36, 6.61, 69.45

 

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

CMYK 83 / 78 / 0 / 13

HEX #2632DF

RGB 38 50 223

HSL 236.11, 0.74%, 0.51%

LAB 34.03, 56.12, -86.82

 

CMYK 0 / 83 / 61 / 13

HEX #DF2657

RGB 223 38 87

HSL 344.11, 0.74%, 0.51%

LAB 49.21, 69.81, 20.09

 

CMYK 0 / 6 / 83 / 13

HEX #DFD226

RGB 223 210 38

HSL 55.78, 0.74%, 0.51%

LAB 82.87, -12.49, 77.47

 

CMYK 83 / 0 / 21 / 13

HEX #27DFB0

RGB 39 223 176

HSL 164.67, 0.74%, 0.51%

LAB 79.81, -54.37, 10.78

 

CMYK 64 / 83 / 0 / 13

HEX #5126DF

RGB 81 38 223

HSL 253.95, 0.74%, 0.51%

LAB 34.93, 64.41, -85.24

 

CMYK 0 / 83 / 61 / 13

HEX #DF2657

RGB 223 38 87

HSL 344.11, 0.74%, 0.51%

LAB 49.21, 69.81, 20.09

 

CMYK 20 / 0 / 83 / 13

HEX #B3DF26

RGB 179 223 38

HSL 74.27, 0.74%, 0.51%

LAB 83.18, -36.85, 76.44

 

Description

Color code: HEX #27DFB0 | qconv.com Color code: HEX #27DFB0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 223 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 223 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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