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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27CD67 it is the complementary color #D83298. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27CD67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27CD67 shade: #2CCD62, #3DDF75, #4EF188, #5FFF9B and #70FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27CD67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27CD67 shade: #27CD67, #16BB54, #05A941, #00972E and #00851B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27CD67 shade: #27CE67, #27CE3A, #41CE27, #6ECE27 and #9BCE27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27CD67 shade: #27CE67, #27CE94, #27CEC1, #27ADCE and #2780CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27CD67 shade matches the following richer shades: #27CE67 and #13E163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27CD67 shade: #27CE67, #3BBA6C, #4FA670, #639275 and #767E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27CD67 shade: #40CE27, #27CE3B, #27CE67, #27CE93 and #27CEC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27CD67 shade: #1A8845, #21AB56, #27CE67, #43DB7E and #66E295

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27CD67 shade: #27CD67, #276DCE and #CE272A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27CD67 shade: #27CD67, #6727CE and #CE6727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27CD67 shade: #27CD67, #276DCE, #CE278E and #CE8827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27CD67 shade: #27CD67, #273BCE, #CE278E and #CEBA27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

Complementary color

CMYK 0 / 77 / 30 / 15

HEX #D83298

RGB 216 50 152

HSL 323.13, 0.68%, 0.52%

LAB 50.86, 70.63, -17.07

 

CMYK 79 / 0 / 52 / 20

HEX #2CCD62

RGB 44 205 98

HSL 140.12, 0.65%, 0.49%

LAB 72.94, -62.7, 41.72

 

CMYK 73 / 0 / 48 / 13

HEX #3DDF75

RGB 61 223 117

HSL 140.74, 0.72%, 0.56%

LAB 79.07, -63.69, 40.16

 

CMYK 68 / 0 / 44 / 5

HEX #4EF188

RGB 78 241 136

HSL 141.35, 0.85%, 0.63%

LAB 85.15, -64.33, 38.67

 

CMYK 63 / 0 / 39 / 0

HEX #5FFF9B

RGB 95 255 155

HSL 142.5, 1%, 0.69%

LAB 90.01, -63.24, 35.7

 

CMYK 56 / 0 / 32 / 0

HEX #70FFAE

RGB 112 255 174

HSL 146.01, 1%, 0.72%

LAB 90.79, -56.45, 27.32

 

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

CMYK 88 / 0 / 55 / 27

HEX #16BB54

RGB 22 187 84

HSL 142.55, 0.79%, 0.41%

LAB 66.79, -60.93, 40.92

 

CMYK 97 / 0 / 62 / 34

HEX #05A941

RGB 5 169 65

HSL 141.95, 0.94%, 0.34%

LAB 60.6, -58.73, 42.56

 

CMYK 100 / 0 / 70 / 41

HEX #00972E

RGB 0 151 46

HSL 138.28, 1%, 0.3%

LAB 54.38, -55.62, 44.04

 

CMYK 100 / 0 / 80 / 48

HEX #00851B

RGB 0 133 27

HSL 132.18, 1%, 0.26%

LAB 48.08, -51.85, 44.9

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 81 / 0 / 72 / 19

HEX #27CE3A

RGB 39 206 58

HSL 126.83, 0.68%, 0.48%

LAB 72.81, -68.23, 58.81

 

CMYK 68 / 0 / 81 / 19

HEX #41CE27

RGB 65 206 39

HSL 110.66, 0.68%, 0.48%

LAB 73.16, -65.61, 65.37

 

CMYK 47 / 0 / 81 / 19

HEX #6ECE27

RGB 110 206 39

HSL 94.49, 0.68%, 0.48%

LAB 74.57, -54.31, 67.19

 

CMYK 25 / 0 / 81 / 19

HEX #9BCE27

RGB 155 206 39

HSL 78.32, 0.68%, 0.48%

LAB 76.83, -38.54, 70.07

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 81 / 0 / 28 / 19

HEX #27CE94

RGB 39 206 148

HSL 159.16, 0.68%, 0.48%

LAB 74.01, -54.26, 17.47

 

CMYK 81 / 0 / 6 / 19

HEX #27CEC1

RGB 39 206 193

HSL 175.33, 0.68%, 0.48%

LAB 75.09, -42.88, -5.15

 

CMYK 81 / 16 / 0 / 19

HEX #27ADCE

RGB 39 173 206

HSL 191.86, 0.68%, 0.48%

LAB 65.57, -23.24, -26.62

 

CMYK 81 / 38 / 0 / 19

HEX #2780CE

RGB 39 128 206

HSL 208.02, 0.68%, 0.48%

LAB 52.2, 1.9, -47.53

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 92 / 0 / 56 / 12

HEX #13E163

RGB 19 225 99

HSL 143.3, 0.84%, 0.48%

LAB 78.98, -71.06, 48.48

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 68 / 0 / 42 / 27

HEX #3BBA6C

RGB 59 186 108

HSL 143.15, 0.52%, 0.48%

LAB 67.37, -52.06, 29.7

 

CMYK 52 / 0 / 33 / 35

HEX #4FA670

RGB 79 166 112

HSL 142.76, 0.36%, 0.48%

LAB 61.74, -38.78, 20.17

 

CMYK 32 / 0 / 20 / 43

HEX #639275

RGB 99 146 117

HSL 142.98, 0.19%, 0.48%

LAB 56.58, -22.37, 10.37

 

CMYK 6 / 0 / 4 / 51

HEX #767E79

RGB 118 126 121

HSL 142.5, 0.03%, 0.48%

LAB 52.01, -3.99, 1.69

 

CMYK 69 / 0 / 81 / 19

HEX #40CE27

RGB 64 206 39

HSL 111.02, 0.68%, 0.48%

LAB 73.14, -65.79, 65.35

 

CMYK 81 / 0 / 71 / 19

HEX #27CE3B

RGB 39 206 59

HSL 127.19, 0.68%, 0.48%

LAB 72.82, -68.15, 58.45

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 81 / 0 / 29 / 19

HEX #27CE93

RGB 39 206 147

HSL 158.8, 0.68%, 0.48%

LAB 73.98, -54.48, 17.97

 

CMYK 81 / 0 / 7 / 19

HEX #27CEC0

RGB 39 206 192

HSL 174.97, 0.68%, 0.48%

LAB 75.06, -43.16, -4.65

 

CMYK 81 / 0 / 49 / 47

HEX #1A8845

RGB 26 136 69

HSL 143.45, 0.68%, 0.32%

LAB 49.81, -45.24, 27.61

 

CMYK 81 / 0 / 50 / 33

HEX #21AB56

RGB 33 171 86

HSL 143.04, 0.68%, 0.4%

LAB 61.76, -54.17, 33.78

 

CMYK 81 / 0 / 50 / 19

HEX #27CE67

RGB 39 206 103

HSL 142.99, 0.68%, 0.48%

LAB 73.25, -62.84, 39.65

 

CMYK 69 / 0 / 42 / 14

HEX #43DB7E

RGB 67 219 126

HSL 143.29, 0.68%, 0.56%

LAB 78.09, -59.86, 34.46

 

CMYK 55 / 0 / 34 / 11

HEX #66E295

RGB 102 226 149

HSL 142.74, 0.68%, 0.64%

LAB 81.5, -51.61, 27.44

 

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

CMYK 81 / 47 / 0 / 19

HEX #276DCE

RGB 39 109 206

HSL 214.85, 0.68%, 0.48%

LAB 46.74, 13.71, -56.27

 

CMYK 0 / 81 / 80 / 19

HEX #CE272A

RGB 206 39 42

HSL 358.92, 0.68%, 0.48%

LAB 45.28, 62.92, 41.26

 

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

CMYK 50 / 81 / 0 / 19

HEX #6727CE

RGB 103 39 206

HSL 262.99, 0.68%, 0.48%

LAB 35.58, 61.91, -74.28

 

CMYK 0 / 50 / 81 / 19

HEX #CE6727

RGB 206 103 39

HSL 22.99, 0.68%, 0.48%

LAB 55.04, 36.74, 52.14

 

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

CMYK 81 / 47 / 0 / 19

HEX #276DCE

RGB 39 109 206

HSL 214.85, 0.68%, 0.48%

LAB 46.74, 13.71, -56.27

 

CMYK 0 / 81 / 31 / 19

HEX #CE278E

RGB 206 39 142

HSL 322.99, 0.68%, 0.48%

LAB 47.66, 70.02, -16.12

 

CMYK 0 / 34 / 81 / 19

HEX #CE8827

RGB 206 136 39

HSL 34.85, 0.68%, 0.48%

LAB 62.4, 19.15, 58.84

 

CMYK 81 / 0 / 50 / 20

HEX #27CD67

RGB 39 205 103

HSL 143.13, 0.68%, 0.48%

LAB 72.94, -62.51, 39.26

 

CMYK 81 / 71 / 0 / 19

HEX #273BCE

RGB 39 59 206

HSL 232.81, 0.68%, 0.48%

LAB 34.02, 45.56, -77.03

 

CMYK 0 / 81 / 31 / 19

HEX #CE278E

RGB 206 39 142

HSL 322.99, 0.68%, 0.48%

LAB 47.66, 70.02, -16.12

 

CMYK 0 / 10 / 81 / 19

HEX #CEBA27

RGB 206 186 39

HSL 52.81, 0.68%, 0.48%

LAB 75.07, -7.57, 69.98

 

Description

Color code: HEX #27CD67 | qconv.com Color code: HEX #27CD67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 205 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 205 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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