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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27CB89 it is the complementary color #D83476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27CB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27CB89 shade: #2CCB84, #3DDD97, #4EEFAA, #5FFFBD and #70FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27CB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27CB89 shade: #27CB89, #16B976, #05A763, #009550 and #00833D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27CB89 shade: #26C988, #26C95C, #26C930, #49C926 and #75C926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27CB89 shade: #26C988, #26C9B4, #26B3C9, #2687C9 and #265BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27CB89 shade matches the following richer shades: #26C988 and #13DD8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27CB89 shade: #26C988, #3AB684, #4DA380, #618F7C and #747C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27CB89 shade: #26C92F, #26C95A, #26C985, #26C9B1 and #26B6C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27CB89 shade: #198459, #20A770, #26C988, #3FDA9C and #61E1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27CB89 shade: #27CB89, #264AC9 and #C94426

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27CB89 shade: #27CB89, #8526C9 and #C98526

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27CB89 shade: #27CB89, #264AC9, #C9266A and #C9A626

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27CB89 shade: #27CB89, #3426C9, #C9266A and #BCC926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

Complementary color

CMYK 0 / 76 / 45 / 15

HEX #D83476

RGB 216 52 118

HSL 335.85, 0.68%, 0.53%

LAB 49.93, 66.57, 2.01

 

CMYK 78 / 0 / 35 / 20

HEX #2CCB84

RGB 44 203 132

HSL 153.21, 0.64%, 0.48%

LAB 72.83, -56.02, 24.34

 

CMYK 72 / 0 / 32 / 13

HEX #3DDD97

RGB 61 221 151

HSL 153.75, 0.7%, 0.55%

LAB 79.01, -56.79, 22.84

 

CMYK 67 / 0 / 29 / 6

HEX #4EEFAA

RGB 78 239 170

HSL 154.29, 0.83%, 0.62%

LAB 85.13, -57.29, 21.46

 

CMYK 63 / 0 / 26 / 0

HEX #5FFFBD

RGB 95 255 189

HSL 155.25, 1%, 0.69%

LAB 90.61, -56.8, 19.38

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD0

RGB 112 255 208

HSL 160.28, 1%, 0.72%

LAB 91.47, -49.55, 10.9

 

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

CMYK 88 / 0 / 36 / 27

HEX #16B976

RGB 22 185 118

HSL 155.34, 0.79%, 0.41%

LAB 66.65, -54.24, 23.37

 

CMYK 97 / 0 / 41 / 35

HEX #05A763

RGB 5 167 99

HSL 154.81, 0.94%, 0.34%

LAB 60.4, -52.47, 25.16

 

CMYK 100 / 0 / 46 / 42

HEX #009550

RGB 0 149 80

HSL 152.21, 1%, 0.29%

LAB 54.11, -49.99, 27.14

 

CMYK 100 / 0 / 53 / 49

HEX #00833D

RGB 0 131 61

HSL 147.94, 1%, 0.26%

LAB 47.71, -47.08, 29.2

 

CMYK 81 / 0 / 32 / 21

HEX #26C988

RGB 38 201 136

HSL 156.07, 0.68%, 0.47%

LAB 72.2, -55.07, 21.36

 

CMYK 81 / 0 / 54 / 21

HEX #26C95C

RGB 38 201 92

HSL 139.88, 0.68%, 0.47%

LAB 71.53, -62.93, 42.85

 

CMYK 81 / 0 / 76 / 21

HEX #26C930

RGB 38 201 48

HSL 123.68, 0.68%, 0.47%

LAB 71.14, -67.61, 60.59

 

CMYK 64 / 0 / 81 / 21

HEX #49C926

RGB 73 201 38

HSL 107.12, 0.68%, 0.47%

LAB 71.78, -62.39, 64.44

 

CMYK 42 / 0 / 81 / 21

HEX #75C926

RGB 117 201 38

HSL 90.92, 0.68%, 0.47%

LAB 73.35, -50.17, 66.45

 

CMYK 81 / 0 / 32 / 21

HEX #26C988

RGB 38 201 136

HSL 156.07, 0.68%, 0.47%

LAB 72.2, -55.07, 21.36

 

CMYK 81 / 0 / 10 / 21

HEX #26C9B4

RGB 38 201 180

HSL 172.27, 0.68%, 0.47%

LAB 73.21, -44.37, -0.89

 

CMYK 81 / 11 / 0 / 21

HEX #26B3C9

RGB 38 179 201

HSL 188.1, 0.68%, 0.47%

LAB 67.18, -27.98, -21.4

 

CMYK 81 / 33 / 0 / 21

HEX #2687C9

RGB 38 135 201

HSL 204.29, 0.68%, 0.47%

LAB 53.98, -4.22, -41.88

 

CMYK 81 / 55 / 0 / 21

HEX #265BC9

RGB 38 91 201

HSL 220.49, 0.68%, 0.47%

LAB 41.39, 23.32, -62.05

 

CMYK 81 / 0 / 32 / 21

HEX #26C988

RGB 38 201 136

HSL 156.07, 0.68%, 0.47%

LAB 72.2, -55.07, 21.36

 

CMYK 91 / 0 / 37 / 13

HEX #13DD8C

RGB 19 221 140

HSL 155.94, 0.84%, 0.47%

LAB 78.31, -62.87, 27.51

 

CMYK 81 / 0 / 32 / 21

HEX #26C988

RGB 38 201 136

HSL 156.07, 0.68%, 0.47%

LAB 72.2, -55.07, 21.36

 

CMYK 68 / 0 / 27 / 29

HEX #3AB684

RGB 58 182 132

HSL 155.81, 0.52%, 0.47%

LAB 66.54, -45.83, 15.75

 

CMYK 53 / 0 / 21 / 36

HEX #4DA380

RGB 77 163 128

HSL 155.58, 0.36%, 0.47%

LAB 61.07, -34.55, 10.37

 

CMYK 32 / 0 / 13 / 44

HEX #618F7C

RGB 97 143 124

HSL 155.22, 0.19%, 0.47%

LAB 55.73, -19.98, 5.14

 

CMYK 6 / 0 / 2 / 51

HEX #747C79

RGB 116 124 121

HSL 157.5, 0.03%, 0.47%

LAB 51.28, -3.6, 0.6

 

CMYK 81 / 0 / 77 / 21

HEX #26C92F

RGB 38 201 47

HSL 123.31, 0.68%, 0.47%

LAB 71.14, -67.68, 60.91

 

CMYK 81 / 0 / 55 / 21

HEX #26C95A

RGB 38 201 90

HSL 139.14, 0.68%, 0.47%

LAB 71.5, -63.21, 43.77

 

CMYK 81 / 0 / 34 / 21

HEX #26C985

RGB 38 201 133

HSL 154.97, 0.68%, 0.47%

LAB 72.15, -55.71, 22.87

 

CMYK 81 / 0 / 12 / 21

HEX #26C9B1

RGB 38 201 177

HSL 171.17, 0.68%, 0.47%

LAB 73.13, -45.18, 0.62

 

CMYK 81 / 9 / 0 / 21

HEX #26B6C9

RGB 38 182 201

HSL 186.99, 0.68%, 0.47%

LAB 68.08, -29.46, -20.02

 

CMYK 81 / 0 / 33 / 48

HEX #198459

RGB 25 132 89

HSL 155.89, 0.68%, 0.31%

LAB 48.8, -39.73, 15.13

 

CMYK 81 / 0 / 33 / 35

HEX #20A770

RGB 32 167 112

HSL 155.56, 0.68%, 0.39%

LAB 60.88, -47.82, 18.8

 

CMYK 81 / 0 / 32 / 21

HEX #26C988

RGB 38 201 136

HSL 156.07, 0.68%, 0.47%

LAB 72.2, -55.07, 21.36

 

CMYK 71 / 0 / 28 / 15

HEX #3FDA9C

RGB 63 218 156

HSL 156, 0.68%, 0.55%

LAB 78.23, -54.3, 19.16

 

CMYK 57 / 0 / 23 / 12

HEX #61E1AE

RGB 97 225 174

HSL 156.09, 0.68%, 0.63%

LAB 81.54, -47.31, 14.45

 

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

CMYK 81 / 63 / 0 / 21

HEX #264AC9

RGB 38 74 201

HSL 226.75, 0.68%, 0.47%

LAB 36.98, 34.38, -69.25

 

CMYK 0 / 66 / 81 / 21

HEX #C94426

RGB 201 68 38

HSL 11.04, 0.68%, 0.47%

LAB 47.87, 51.36, 45.58

 

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

CMYK 34 / 81 / 0 / 21

HEX #8526C9

RGB 133 38 201

HSL 274.97, 0.68%, 0.47%

LAB 38.88, 65.28, -65.81

 

CMYK 0 / 34 / 81 / 21

HEX #C98526

RGB 201 133 38

HSL 34.97, 0.68%, 0.47%

LAB 61.07, 18.58, 57.78

 

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

CMYK 81 / 63 / 0 / 21

HEX #264AC9

RGB 38 74 201

HSL 226.75, 0.68%, 0.47%

LAB 36.98, 34.38, -69.25

 

CMYK 0 / 81 / 47 / 21

HEX #C9266A

RGB 201 38 106

HSL 334.97, 0.68%, 0.47%

LAB 45.42, 65.48, 2.47

 

CMYK 0 / 17 / 81 / 21

HEX #C9A626

RGB 201 166 38

HSL 47.12, 0.68%, 0.47%

LAB 69.35, 0.7, 65.11

 

CMYK 81 / 0 / 33 / 20

HEX #27CB89

RGB 39 203 137

HSL 155.85, 0.68%, 0.47%

LAB 72.86, -55.52, 21.72

 

CMYK 74 / 81 / 0 / 21

HEX #3426C9

RGB 52 38 201

HSL 245.15, 0.68%, 0.47%

LAB 30.24, 55.99, -80.34

 

CMYK 0 / 81 / 47 / 21

HEX #C9266A

RGB 201 38 106

HSL 334.97, 0.68%, 0.47%

LAB 45.42, 65.48, 2.47

 

CMYK 6 / 0 / 81 / 21

HEX #BCC926

RGB 188 201 38

HSL 64.79, 0.68%, 0.47%

LAB 77.64, -22.86, 71.9

 

Description

Color code: HEX #27CB89 | qconv.com Color code: HEX #27CB89 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 203 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 203 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 33 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 33% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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