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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27CB5A it is the complementary color #D834A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27CB5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27CB5A shade: #2CCB55, #3DDD68, #4EEF7B, #5FFF8E and #70FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27CB5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27CB5A shade: #27CB5A, #16B947, #05A734, #009521 and #00830E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27CB5A shade: #26C959, #26C92D, #4CC926, #78C926 and #A3C926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27CB5A shade: #26C959, #26C985, #26C9B1, #26B6C9 and #268AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27CB5A shade matches the following richer shades: #26C959 and #13DD52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27CB5A shade: #26C959, #3AB660, #4DA368, #618F6F and #747C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27CB5A shade: #4CC926, #26C92C, #26C957, #26C983 and #26C9AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27CB5A shade: #19843A, #20A74A, #26C959, #3FDA6F and #61E189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27CB5A shade: #27CB5A, #2678C9 and #C92637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27CB5A shade: #27CB5A, #5726C9 and #C95726

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27CB5A shade: #27CB5A, #2678C9, #C92698 and #C97826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27CB5A shade: #27CB5A, #2647C9, #C92698 and #C9A926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

Complementary color

CMYK 0 / 76 / 24 / 15

HEX #D834A5

RGB 216 52 165

HSL 318.66, 0.68%, 0.53%

LAB 51.58, 71.61, -23.68

 

CMYK 78 / 0 / 58 / 20

HEX #2CCB55

RGB 44 203 85

HSL 135.47, 0.64%, 0.48%

LAB 72.16, -63.84, 46.9

 

CMYK 72 / 0 / 53 / 13

HEX #3DDD68

RGB 61 221 104

HSL 136.13, 0.7%, 0.55%

LAB 78.29, -64.93, 45.45

 

CMYK 67 / 0 / 49 / 6

HEX #4EEF7B

RGB 78 239 123

HSL 136.77, 0.83%, 0.62%

LAB 84.37, -65.64, 43.99

 

CMYK 63 / 0 / 44 / 0

HEX #5FFF8E

RGB 95 255 142

HSL 137.63, 1%, 0.69%

LAB 89.82, -65.36, 41.81

 

CMYK 56 / 0 / 37 / 0

HEX #70FFA1

RGB 112 255 161

HSL 140.56, 1%, 0.72%

LAB 90.57, -58.77, 33.55

 

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

CMYK 88 / 0 / 62 / 27

HEX #16B947

RGB 22 185 71

HSL 138.04, 0.79%, 0.41%

LAB 66, -62.03, 46.06

 

CMYK 97 / 0 / 69 / 35

HEX #05A734

RGB 5 167 52

HSL 137.41, 0.94%, 0.34%

LAB 59.81, -59.61, 47.39

 

CMYK 100 / 0 / 78 / 42

HEX #009521

RGB 0 149 33

HSL 133.29, 1%, 0.29%

LAB 53.61, -56.2, 48.26

 

CMYK 100 / 0 / 89 / 49

HEX #00830E

RGB 0 131 14

HSL 126.41, 1%, 0.26%

LAB 47.32, -52.03, 47.95

 

CMYK 81 / 0 / 56 / 21

HEX #26C959

RGB 38 201 89

HSL 138.77, 0.68%, 0.47%

LAB 71.49, -63.35, 44.23

 

CMYK 81 / 0 / 78 / 21

HEX #26C92D

RGB 38 201 45

HSL 122.58, 0.68%, 0.47%

LAB 71.13, -67.82, 61.54

 

CMYK 62 / 0 / 81 / 21

HEX #4CC926

RGB 76 201 38

HSL 106.01, 0.68%, 0.47%

LAB 71.86, -61.72, 64.54

 

CMYK 40 / 0 / 81 / 21

HEX #78C926

RGB 120 201 38

HSL 89.82, 0.68%, 0.47%

LAB 73.48, -49.17, 66.63

 

CMYK 19 / 0 / 81 / 21

HEX #A3C926

RGB 163 201 38

HSL 73.99, 0.68%, 0.47%

LAB 75.88, -33.15, 69.68

 

CMYK 81 / 0 / 56 / 21

HEX #26C959

RGB 38 201 89

HSL 138.77, 0.68%, 0.47%

LAB 71.49, -63.35, 44.23

 

CMYK 81 / 0 / 34 / 21

HEX #26C985

RGB 38 201 133

HSL 154.97, 0.68%, 0.47%

LAB 72.15, -55.71, 22.87

 

CMYK 81 / 0 / 12 / 21

HEX #26C9B1

RGB 38 201 177

HSL 171.17, 0.68%, 0.47%

LAB 73.13, -45.18, 0.62

 

CMYK 81 / 9 / 0 / 21

HEX #26B6C9

RGB 38 182 201

HSL 186.99, 0.68%, 0.47%

LAB 68.08, -29.46, -20.02

 

CMYK 81 / 31 / 0 / 21

HEX #268AC9

RGB 38 138 201

HSL 203.19, 0.68%, 0.47%

LAB 54.87, -5.97, -40.47

 

CMYK 81 / 0 / 56 / 21

HEX #26C959

RGB 38 201 89

HSL 138.77, 0.68%, 0.47%

LAB 71.49, -63.35, 44.23

 

CMYK 91 / 0 / 63 / 13

HEX #13DD52

RGB 19 221 82

HSL 138.71, 0.84%, 0.47%

LAB 77.56, -71.96, 54.35

 

CMYK 81 / 0 / 56 / 21

HEX #26C959

RGB 38 201 89

HSL 138.77, 0.68%, 0.47%

LAB 71.49, -63.35, 44.23

 

CMYK 68 / 0 / 47 / 29

HEX #3AB660

RGB 58 182 96

HSL 138.39, 0.52%, 0.47%

LAB 65.9, -52.77, 34

 

CMYK 53 / 0 / 36 / 36

HEX #4DA368

RGB 77 163 104

HSL 138.84, 0.36%, 0.47%

LAB 60.58, -39.5, 22.95

 

CMYK 32 / 0 / 22 / 44

HEX #618F6F

RGB 97 143 111

HSL 138.26, 0.19%, 0.47%

LAB 55.41, -22.72, 12.13

 

CMYK 6 / 0 / 5 / 51

HEX #747C76

RGB 116 124 118

HSL 135, 0.03%, 0.47%

LAB 51.19, -4.21, 2.24

 

CMYK 62 / 0 / 81 / 21

HEX #4CC926

RGB 76 201 38

HSL 106.01, 0.68%, 0.47%

LAB 71.86, -61.72, 64.54

 

CMYK 81 / 0 / 78 / 21

HEX #26C92C

RGB 38 201 44

HSL 122.21, 0.68%, 0.47%

LAB 71.12, -67.88, 61.84

 

CMYK 81 / 0 / 57 / 21

HEX #26C957

RGB 38 201 87

HSL 138.04, 0.68%, 0.47%

LAB 71.47, -63.62, 45.14

 

CMYK 81 / 0 / 35 / 21

HEX #26C983

RGB 38 201 131

HSL 154.23, 0.68%, 0.47%

LAB 72.11, -56.12, 23.87

 

CMYK 81 / 0 / 13 / 21

HEX #26C9AE

RGB 38 201 174

HSL 170.06, 0.68%, 0.47%

LAB 73.05, -45.98, 2.14

 

CMYK 81 / 0 / 56 / 48

HEX #19843A

RGB 25 132 58

HSL 138.5, 0.68%, 0.31%

LAB 48.28, -45.71, 31.51

 

CMYK 81 / 0 / 56 / 35

HEX #20A74A

RGB 32 167 74

HSL 138.67, 0.68%, 0.39%

LAB 60.28, -54.76, 37.97

 

CMYK 81 / 0 / 56 / 21

HEX #26C959

RGB 38 201 89

HSL 138.77, 0.68%, 0.47%

LAB 71.49, -63.35, 44.23

 

CMYK 71 / 0 / 49 / 15

HEX #3FDA6F

RGB 63 218 111

HSL 138.58, 0.68%, 0.55%

LAB 77.49, -62.57, 41.11

 

CMYK 57 / 0 / 39 / 12

HEX #61E189

RGB 97 225 137

HSL 138.75, 0.68%, 0.63%

LAB 80.85, -54.45, 32.66

 

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

CMYK 81 / 40 / 0 / 21

HEX #2678C9

RGB 38 120 201

HSL 209.82, 0.68%, 0.47%

LAB 49.57, 4.81, -48.88

 

CMYK 0 / 81 / 73 / 21

HEX #C92637

RGB 201 38 55

HSL 353.74, 0.68%, 0.47%

LAB 44.35, 62.24, 32.48

 

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

CMYK 57 / 81 / 0 / 21

HEX #5726C9

RGB 87 38 201

HSL 258.04, 0.68%, 0.47%

LAB 33.2, 59.13, -75.35

 

CMYK 0 / 57 / 81 / 21

HEX #C95726

RGB 201 87 38

HSL 18.04, 0.68%, 0.47%

LAB 51.12, 42.76, 48.66

 

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

CMYK 81 / 40 / 0 / 21

HEX #2678C9

RGB 38 120 201

HSL 209.82, 0.68%, 0.47%

LAB 49.57, 4.81, -48.88

 

CMYK 0 / 81 / 24 / 21

HEX #C92698

RGB 201 38 152

HSL 318.04, 0.68%, 0.47%

LAB 47.07, 70.28, -23.12

 

CMYK 0 / 40 / 81 / 21

HEX #C97826

RGB 201 120 38

HSL 30.18, 0.68%, 0.47%

LAB 58.03, 25.66, 55.03

 

CMYK 81 / 0 / 56 / 20

HEX #27CB5A

RGB 39 203 90

HSL 138.66, 0.68%, 0.47%

LAB 72.15, -63.76, 44.55

 

CMYK 81 / 65 / 0 / 21

HEX #2647C9

RGB 38 71 201

HSL 227.85, 0.68%, 0.47%

LAB 36.24, 36.3, -70.46

 

CMYK 0 / 81 / 24 / 21

HEX #C92698

RGB 201 38 152

HSL 318.04, 0.68%, 0.47%

LAB 47.07, 70.28, -23.12

 

CMYK 0 / 16 / 81 / 21

HEX #C9A926

RGB 201 169 38

HSL 48.22, 0.68%, 0.47%

LAB 70.13, -0.9, 65.8

 

Description

Color code: HEX #27CB5A | qconv.com Color code: HEX #27CB5A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 203 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 203 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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