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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27C939 it is the complementary color #D836C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27C939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27C939 shade: #2CC934, #3DDB47, #4EED5A, #5FFF6D and #70FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27C939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27C939 shade: #27C939, #16B726, #05A513, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27C939 shade: #26C938, #40C926, #6CC926, #98C926 and #C4C926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27C939 shade: #26C938, #26C964, #26C990, #26C9BC and #26AAC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27C939 shade matches the following richer shades: #26C938 and #13DD29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27C939 shade: #26C938, #3AB648, #4DA357, #618F66 and #747C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27C939 shade: #6DC926, #42C926, #26C937, #26C962 and #26C98E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27C939 shade: #198425, #20A72F, #26C938, #3FDA50 and #61E16F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27C939 shade: #27C939, #2698C9 and #C92657

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27C939 shade: #27C939, #3726C9 and #C93726

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27C939 shade: #27C939, #2698C9, #C926B9 and #C95726

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27C939 shade: #27C939, #2668C9, #C926B9 and #C98826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

Complementary color

CMYK 0 / 75 / 8 / 15

HEX #D836C6

RGB 216 54 198

HSL 306.67, 0.68%, 0.53%

LAB 53.29, 75.49, -40.24

 

CMYK 78 / 0 / 74 / 21

HEX #2CC934

RGB 44 201 52

HSL 123.06, 0.64%, 0.48%

LAB 71.25, -66.58, 59.38

 

CMYK 72 / 0 / 68 / 14

HEX #3DDB47

RGB 61 219 71

HSL 123.8, 0.69%, 0.55%

LAB 77.35, -68.11, 58.76

 

CMYK 67 / 0 / 62 / 7

HEX #4EED5A

RGB 78 237 90

HSL 124.53, 0.82%, 0.62%

LAB 83.4, -69.16, 57.77

 

CMYK 63 / 0 / 57 / 0

HEX #5FFF6D

RGB 95 255 109

HSL 125.25, 1%, 0.69%

LAB 89.42, -69.85, 56.61

 

CMYK 56 / 0 / 50 / 0

HEX #70FF80

RGB 112 255 128

HSL 126.71, 1%, 0.72%

LAB 90.1, -63.81, 48.93

 

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

CMYK 88 / 0 / 79 / 28

HEX #16B726

RGB 22 183 38

HSL 125.96, 0.79%, 0.4%

LAB 65.1, -64.52, 57.84

 

CMYK 97 / 0 / 88 / 35

HEX #05A513

RGB 5 165 19

HSL 125.25, 0.94%, 0.33%

LAB 58.96, -61.38, 57.12

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 81 / 0 / 72 / 21

HEX #26C938

RGB 38 201 56

HSL 126.63, 0.68%, 0.47%

LAB 71.19, -66.99, 57.87

 

CMYK 68 / 0 / 81 / 21

HEX #40C926

RGB 64 201 38

HSL 110.43, 0.68%, 0.47%

LAB 71.56, -64.25, 64.15

 

CMYK 46 / 0 / 81 / 21

HEX #6CC926

RGB 108 201 38

HSL 94.23, 0.68%, 0.47%

LAB 72.96, -53.06, 65.95

 

CMYK 24 / 0 / 81 / 21

HEX #98C926

RGB 152 201 38

HSL 78.04, 0.68%, 0.47%

LAB 75.19, -37.5, 68.81

 

CMYK 2 / 0 / 81 / 21

HEX #C4C926

RGB 196 201 38

HSL 61.84, 0.68%, 0.47%

LAB 78.26, -19.48, 72.67

 

CMYK 81 / 0 / 72 / 21

HEX #26C938

RGB 38 201 56

HSL 126.63, 0.68%, 0.47%

LAB 71.19, -66.99, 57.87

 

CMYK 81 / 0 / 50 / 21

HEX #26C964

RGB 38 201 100

HSL 142.82, 0.68%, 0.47%

LAB 71.63, -61.73, 39.1

 

CMYK 81 / 0 / 28 / 21

HEX #26C990

RGB 38 201 144

HSL 159.02, 0.68%, 0.47%

LAB 72.36, -53.32, 17.32

 

CMYK 81 / 0 / 6 / 21

HEX #26C9BC

RGB 38 201 188

HSL 175.21, 0.68%, 0.47%

LAB 73.43, -42.16, -4.9

 

CMYK 81 / 15 / 0 / 21

HEX #26AAC9

RGB 38 170 201

HSL 191.41, 0.68%, 0.47%

LAB 64.47, -23.45, -25.55

 

CMYK 81 / 0 / 72 / 21

HEX #26C938

RGB 38 201 56

HSL 126.63, 0.68%, 0.47%

LAB 71.19, -66.99, 57.87

 

CMYK 91 / 0 / 81 / 13

HEX #13DD29

RGB 19 221 41

HSL 126.53, 0.84%, 0.47%

LAB 77.29, -75.36, 68.44

 

CMYK 81 / 0 / 72 / 21

HEX #26C938

RGB 38 201 56

HSL 126.63, 0.68%, 0.47%

LAB 71.19, -66.99, 57.87

 

CMYK 68 / 0 / 60 / 29

HEX #3AB648

RGB 58 182 72

HSL 126.77, 0.52%, 0.47%

LAB 65.61, -56.16, 45.31

 

CMYK 53 / 0 / 47 / 36

HEX #4DA357

RGB 77 163 87

HSL 126.98, 0.36%, 0.47%

LAB 60.3, -42.41, 31.66

 

CMYK 32 / 0 / 29 / 44

HEX #618F66

RGB 97 143 102

HSL 126.52, 0.19%, 0.47%

LAB 55.22, -24.45, 16.96

 

CMYK 6 / 0 / 6 / 51

HEX #747C75

RGB 116 124 117

HSL 127.5, 0.03%, 0.47%

LAB 51.17, -4.41, 2.79

 

CMYK 46 / 0 / 81 / 21

HEX #6DC926

RGB 109 201 38

HSL 93.87, 0.68%, 0.47%

LAB 73, -52.75, 66.01

 

CMYK 67 / 0 / 81 / 21

HEX #42C926

RGB 66 201 38

HSL 109.69, 0.68%, 0.47%

LAB 71.6, -63.86, 64.21

 

CMYK 81 / 0 / 73 / 21

HEX #26C937

RGB 38 201 55

HSL 126.26, 0.68%, 0.47%

LAB 71.19, -67.08, 58.23

 

CMYK 81 / 0 / 51 / 21

HEX #26C962

RGB 38 201 98

HSL 142.09, 0.68%, 0.47%

LAB 71.6, -62.04, 40.05

 

CMYK 81 / 0 / 29 / 21

HEX #26C98E

RGB 38 201 142

HSL 158.28, 0.68%, 0.47%

LAB 72.32, -53.77, 18.33

 

CMYK 81 / 0 / 72 / 48

HEX #198425

RGB 25 132 37

HSL 126.73, 0.68%, 0.31%

LAB 48.06, -48.35, 41.16

 

CMYK 81 / 0 / 72 / 35

HEX #20A72F

RGB 32 167 47

HSL 126.67, 0.68%, 0.39%

LAB 60.02, -57.92, 49.69

 

CMYK 81 / 0 / 72 / 21

HEX #26C938

RGB 38 201 56

HSL 126.63, 0.68%, 0.47%

LAB 71.19, -66.99, 57.87

 

CMYK 71 / 0 / 63 / 15

HEX #3FDA50

RGB 63 218 80

HSL 126.58, 0.68%, 0.55%

LAB 77.15, -66.57, 54.89

 

CMYK 57 / 0 / 51 / 12

HEX #61E16F

RGB 97 225 111

HSL 126.56, 0.68%, 0.63%

LAB 80.48, -58.43, 45.01

 

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

CMYK 81 / 24 / 0 / 21

HEX #2698C9

RGB 38 152 201

HSL 198.04, 0.68%, 0.47%

LAB 59.05, -13.88, -33.92

 

CMYK 0 / 81 / 57 / 21

HEX #C92657

RGB 201 38 87

HSL 341.96, 0.68%, 0.47%

LAB 44.93, 64.02, 13.58

 

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

CMYK 73 / 81 / 0 / 21

HEX #3726C9

RGB 55 38 201

HSL 246.26, 0.68%, 0.47%

LAB 30.44, 56.2, -80.01

 

CMYK 0 / 73 / 81 / 21

HEX #C93726

RGB 201 55 38

HSL 6.26, 0.68%, 0.47%

LAB 46.03, 56.39, 43.81

 

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

CMYK 81 / 24 / 0 / 21

HEX #2698C9

RGB 38 152 201

HSL 198.04, 0.68%, 0.47%

LAB 59.05, -13.88, -33.92

 

CMYK 0 / 81 / 8 / 21

HEX #C926B9

RGB 201 38 185

HSL 305.89, 0.68%, 0.47%

LAB 48.64, 74.68, -40.2

 

CMYK 0 / 57 / 81 / 21

HEX #C95726

RGB 201 87 38

HSL 18.04, 0.68%, 0.47%

LAB 51.12, 42.76, 48.66

 

CMYK 81 / 0 / 72 / 21

HEX #27C939

RGB 39 201 57

HSL 126.67, 0.68%, 0.47%

LAB 71.21, -66.8, 57.53

 

CMYK 81 / 48 / 0 / 21

HEX #2668C9

RGB 38 104 201

HSL 215.71, 0.68%, 0.47%

LAB 44.98, 14.89, -56.24

 

CMYK 0 / 81 / 8 / 21

HEX #C926B9

RGB 201 38 185

HSL 305.89, 0.68%, 0.47%

LAB 48.64, 74.68, -40.2

 

CMYK 0 / 32 / 81 / 21

HEX #C98826

RGB 201 136 38

HSL 36.07, 0.68%, 0.47%

LAB 61.8, 16.94, 58.43

 

Description

Color code: HEX #27C939 | qconv.com Color code: HEX #27C939 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 201 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 201 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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