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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27C4DF it is the complementary color #D83B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27C4DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27C4DF shade: #2CC4DA, #3DD6ED, #4EE8FF, #5FFAFF and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27C4DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27C4DF shade: #27C4DF, #16B2CC, #05A0B9, #008EA6 and #007C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27C4DF shade: #26C3DF, #2692DF, #2660DF, #262EDF and #4F26DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27C4DF shade: #26C3DF, #2692DF, #2660DF, #262EDF and #2626DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27C4DF shade matches the following richer shades: #26C3DF and #11D2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27C4DF shade: #26C3DF, #3AB5CA, #4EA7B6, #6299A2 and #768A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27C4DF shade: #26DF95, #26DFC6, #26C6DF, #2695DF and #2663DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27C4DF shade: #17879A, #1CA7BE, #26C3DF, #49CDE4 and #6DD7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27C4DF shade: #27C4DF, #6326DF and #DFAD26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27C4DF shade: #27C4DF, #DF26C6 and #C6DF26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27C4DF shade: #27C4DF, #6326DF, #DF3E26 and #A1DF26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27C4DF shade: #27C4DF, #9B26DF, #DF3E26 and #69DF26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

Complementary color

CMYK 0 / 73 / 85 / 15

HEX #D83B20

RGB 216 59 32

HSL 8.8, 0.74%, 0.49%

LAB 49.29, 59.55, 50.72

 

CMYK 80 / 10 / 0 / 15

HEX #2CC4DA

RGB 44 196 218

HSL 187.59, 0.7%, 0.51%

LAB 72.94, -30.42, -21.91

 

CMYK 74 / 10 / 0 / 7

HEX #3DD6ED

RGB 61 214 237

HSL 187.84, 0.83%, 0.58%

LAB 79.16, -31.58, -22.66

 

CMYK 69 / 9 / 0 / 0

HEX #4EE8FF

RGB 78 232 255

HSL 187.8, 1%, 0.65%

LAB 85.28, -32.78, -22.86

 

CMYK 63 / 2 / 0 / 0

HEX #5FFAFF

RGB 95 250 255

HSL 181.88, 1%, 0.69%

LAB 90.79, -38.77, -14.51

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

CMYK 89 / 13 / 0 / 20

HEX #16B2CC

RGB 22 178 204

HSL 188.57, 0.81%, 0.44%

LAB 66.8, -27.61, -23.64

 

CMYK 97 / 14 / 0 / 27

HEX #05A0B9

RGB 5 160 185

HSL 188.33, 0.95%, 0.37%

LAB 60.5, -25.59, -22.73

 

CMYK 100 / 14 / 0 / 35

HEX #008EA6

RGB 0 142 166

HSL 188.67, 1%, 0.33%

LAB 54.13, -23.06, -21.69

 

CMYK 100 / 16 / 0 / 42

HEX #007C93

RGB 0 124 147

HSL 189.39, 1%, 0.29%

LAB 47.65, -20.27, -20.59

 

CMYK 83 / 13 / 0 / 13

HEX #26C3DF

RGB 38 195 223

HSL 189.08, 0.74%, 0.51%

LAB 72.74, -28.84, -24.94

 

CMYK 83 / 35 / 0 / 13

HEX #2692DF

RGB 38 146 223

HSL 204.97, 0.74%, 0.51%

LAB 58.32, -2.57, -47.39

 

CMYK 83 / 57 / 0 / 13

HEX #2660DF

RGB 38 96 223

HSL 221.19, 0.74%, 0.51%

LAB 44.38, 28.45, -69.78

 

CMYK 83 / 79 / 0 / 13

HEX #262EDF

RGB 38 46 223

HSL 237.41, 0.74%, 0.51%

LAB 33.34, 58.12, -87.96

 

CMYK 65 / 83 / 0 / 13

HEX #4F26DF

RGB 79 38 223

HSL 253.3, 0.74%, 0.51%

LAB 34.75, 64.25, -85.53

 

CMYK 83 / 13 / 0 / 13

HEX #26C3DF

RGB 38 195 223

HSL 189.08, 0.74%, 0.51%

LAB 72.74, -28.84, -24.94

 

CMYK 83 / 35 / 0 / 13

HEX #2692DF

RGB 38 146 223

HSL 204.97, 0.74%, 0.51%

LAB 58.32, -2.57, -47.39

 

CMYK 83 / 57 / 0 / 13

HEX #2660DF

RGB 38 96 223

HSL 221.19, 0.74%, 0.51%

LAB 44.38, 28.45, -69.78

 

CMYK 83 / 79 / 0 / 13

HEX #262EDF

RGB 38 46 223

HSL 237.41, 0.74%, 0.51%

LAB 33.34, 58.12, -87.96

 

CMYK 83 / 83 / 0 / 13

HEX #2626DF

RGB 38 38 223

HSL 240, 0.74%, 0.51%

LAB 32.09, 61.77, -90.03

 

CMYK 83 / 13 / 0 / 13

HEX #26C3DF

RGB 38 195 223

HSL 189.08, 0.74%, 0.51%

LAB 72.74, -28.84, -24.94

 

CMYK 93 / 14 / 0 / 5

HEX #11D2F3

RGB 17 210 243

HSL 188.76, 0.9%, 0.51%

LAB 77.69, -30.84, -28.15

 

CMYK 83 / 13 / 0 / 13

HEX #26C3DF

RGB 38 195 223

HSL 189.08, 0.74%, 0.51%

LAB 72.74, -28.84, -24.94

 

CMYK 71 / 10 / 0 / 21

HEX #3AB5CA

RGB 58 181 202

HSL 188.75, 0.58%, 0.51%

LAB 68.18, -26.49, -20.4

 

CMYK 57 / 8 / 0 / 29

HEX #4EA7B6

RGB 78 167 182

HSL 188.65, 0.42%, 0.51%

LAB 63.86, -22.16, -15.79

 

CMYK 40 / 6 / 0 / 36

HEX #6299A2

RGB 98 153 162

HSL 188.44, 0.26%, 0.51%

LAB 59.88, -15.71, -10.45

 

CMYK 17 / 3 / 0 / 44

HEX #768A8E

RGB 118 138 142

HSL 190, 0.1%, 0.51%

LAB 56.07, -6.27, -4.56

 

CMYK 83 / 0 / 33 / 13

HEX #26DF95

RGB 38 223 149

HSL 156, 0.74%, 0.51%

LAB 79.25, -60.51, 24.15

 

CMYK 83 / 0 / 11 / 13

HEX #26DFC6

RGB 38 223 198

HSL 171.89, 0.74%, 0.51%

LAB 80.33, -48.88, -0.14

 

CMYK 83 / 11 / 0 / 13

HEX #26C6DF

RGB 38 198 223

HSL 188.11, 0.74%, 0.51%

LAB 73.63, -30.31, -23.58

 

CMYK 83 / 33 / 0 / 13

HEX #2695DF

RGB 38 149 223

HSL 204, 0.74%, 0.51%

LAB 59.19, -4.31, -46.01

 

CMYK 83 / 56 / 0 / 13

HEX #2663DF

RGB 38 99 223

HSL 220.22, 0.74%, 0.51%

LAB 45.17, 26.52, -68.51

 

CMYK 85 / 12 / 0 / 40

HEX #17879A

RGB 23 135 154

HSL 188.7, 0.74%, 0.35%

LAB 51.66, -22.34, -18.52

 

CMYK 85 / 12 / 0 / 25

HEX #1CA7BE

RGB 28 167 190

HSL 188.52, 0.74%, 0.43%

LAB 63.01, -26.34, -21.66

 

CMYK 83 / 13 / 0 / 13

HEX #26C3DF

RGB 38 195 223

HSL 189.08, 0.74%, 0.51%

LAB 72.74, -28.84, -24.94

 

CMYK 68 / 10 / 0 / 11

HEX #49CDE4

RGB 73 205 228

HSL 188.9, 0.74%, 0.59%

LAB 76.49, -28.43, -21.87

 

CMYK 53 / 8 / 0 / 9

HEX #6DD7E9

RGB 109 215 233

HSL 188.71, 0.74%, 0.67%

LAB 80.59, -25.74, -18.23

 

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

CMYK 56 / 83 / 0 / 13

HEX #6326DF

RGB 99 38 223

HSL 259.78, 0.74%, 0.51%

LAB 36.68, 66.09, -82.29

 

CMYK 0 / 22 / 83 / 13

HEX #DFAD26

RGB 223 173 38

HSL 43.78, 0.74%, 0.51%

LAB 73.36, 6.61, 69.45

 

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

CMYK 0 / 83 / 11 / 13

HEX #DF26C6

RGB 223 38 198

HSL 308.11, 0.74%, 0.51%

LAB 53.11, 80.86, -40.44

 

CMYK 11 / 0 / 83 / 13

HEX #C6DF26

RGB 198 223 38

HSL 68.11, 0.74%, 0.51%

LAB 84.44, -29.25, 78.02

 

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

CMYK 56 / 83 / 0 / 13

HEX #6326DF

RGB 99 38 223

HSL 259.78, 0.74%, 0.51%

LAB 36.68, 66.09, -82.29

 

CMYK 0 / 72 / 83 / 13

HEX #DF3E26

RGB 223 62 38

HSL 7.78, 0.74%, 0.51%

LAB 51.01, 60.84, 49.94

 

CMYK 28 / 0 / 83 / 13

HEX #A1DF26

RGB 161 223 38

HSL 80.11, 0.74%, 0.51%

LAB 82.11, -43.74, 75.09

 

CMYK 83 / 12 / 0 / 13

HEX #27C4DF

RGB 39 196 223

HSL 188.8, 0.74%, 0.51%

LAB 73.05, -29.26, -24.47

 

CMYK 30 / 83 / 0 / 13

HEX #9B26DF

RGB 155 38 223

HSL 277.95, 0.74%, 0.51%

LAB 43.77, 73.17, -70.37

 

CMYK 0 / 72 / 83 / 13

HEX #DF3E26

RGB 223 62 38

HSL 7.78, 0.74%, 0.51%

LAB 51.01, 60.84, 49.94

 

CMYK 53 / 0 / 83 / 13

HEX #69DF26

RGB 105 223 38

HSL 98.27, 0.74%, 0.51%

LAB 79.57, -62.06, 71.88

 

Description

Color code: HEX #27C4DF | qconv.com Color code: HEX #27C4DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 196 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 196 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 12 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 12% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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