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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27C1E7 it is the complementary color #D83E18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27C1E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27C1E7 shade: #2CC1E2, #3DD3F5, #4EE5FF, #5FF7FF and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27C1E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27C1E7 shade: #27C1E7, #16AFD4, #059DC1, #008BAE and #00799B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27C1E7 shade: #27C1E7, #278DE7, #275AE7, #2927E7 and #5C27E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27C1E7 shade: #27C1E7, #278DE7, #275AE7 and #2727E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27C1E7 shade matches the following richer shades: #27C1E7 and #14CDFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27C1E7 shade: #27C1E7, #3BB5D4, #4EAAC0, #619EAD and #759299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27C1E7 shade: #27E7A4, #27E7D7, #27C4E7, #2791E7 and #275EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27C1E7 shade: #138BA9, #17AACE, #27C1E7, #4CCCEB and #72D6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27C1E7 shade: #27C1E7, #7127E7 and #E7BD27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27C1E7 shade: #27C1E7, #E727C4 and #C4E727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27C1E7 shade: #27C1E7, #7127E7, #E74A27 and #9EE727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27C1E7 shade: #27C1E7, #AA27E7, #E74A27 and #64E727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

Complementary color

CMYK 0 / 71 / 89 / 15

HEX #D83E18

RGB 216 62 24

HSL 11.88, 0.8%, 0.47%

LAB 49.63, 58.33, 54.35

 

CMYK 81 / 15 / 0 / 11

HEX #2CC1E2

RGB 44 193 226

HSL 190.88, 0.76%, 0.53%

LAB 72.34, -26.41, -27.17

 

CMYK 75 / 14 / 0 / 4

HEX #3DD3F5

RGB 61 211 245

HSL 191.09, 0.9%, 0.6%

LAB 78.56, -27.67, -27.83

 

CMYK 69 / 10 / 0 / 0

HEX #4EE5FF

RGB 78 229 255

HSL 188.81, 1%, 0.65%

LAB 84.42, -31.36, -24.16

 

CMYK 63 / 3 / 0 / 0

HEX #5FF7FF

RGB 95 247 255

HSL 183, 1%, 0.69%

LAB 89.94, -37.4, -15.79

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 90 / 17 / 0 / 17

HEX #16AFD4

RGB 22 175 212

HSL 191.68, 0.81%, 0.46%

LAB 66.2, -23.44, -28.98

 

CMYK 97 / 19 / 0 / 24

HEX #059DC1

RGB 5 157 193

HSL 191.49, 0.95%, 0.39%

LAB 59.89, -21.29, -28.16

 

CMYK 100 / 20 / 0 / 32

HEX #008BAE

RGB 0 139 174

HSL 192.07, 1%, 0.34%

LAB 53.52, -18.63, -27.23

 

CMYK 100 / 22 / 0 / 39

HEX #00799B

RGB 0 121 155

HSL 193.16, 1%, 0.3%

LAB 47.03, -15.7, -26.26

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 83 / 39 / 0 / 9

HEX #278DE7

RGB 39 141 231

HSL 208.13, 0.8%, 0.53%

LAB 57.32, 3.41, -53.43

 

CMYK 83 / 61 / 0 / 9

HEX #275AE7

RGB 39 90 231

HSL 224.06, 0.8%, 0.53%

LAB 43.53, 35.35, -75.72

 

CMYK 82 / 83 / 0 / 9

HEX #2927E7

RGB 41 39 231

HSL 240.63, 0.8%, 0.53%

LAB 33.33, 63.8, -92.54

 

CMYK 60 / 83 / 0 / 9

HEX #5C27E7

RGB 92 39 231

HSL 256.56, 0.8%, 0.53%

LAB 36.92, 67.1, -86.48

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 83 / 39 / 0 / 9

HEX #278DE7

RGB 39 141 231

HSL 208.13, 0.8%, 0.53%

LAB 57.32, 3.41, -53.43

 

CMYK 83 / 61 / 0 / 9

HEX #275AE7

RGB 39 90 231

HSL 224.06, 0.8%, 0.53%

LAB 43.53, 35.35, -75.72

 

CMYK 83 / 83 / 0 / 9

HEX #2727E7

RGB 39 39 231

HSL 240, 0.8%, 0.53%

LAB 33.25, 63.72, -92.69

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 92 / 18 / 0 / 2

HEX #14CDFA

RGB 20 205 250

HSL 191.74, 0.96%, 0.53%

LAB 76.51, -26, -33.71

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 72 / 15 / 0 / 17

HEX #3BB5D4

RGB 59 181 212

HSL 192.16, 0.64%, 0.53%

LAB 68.56, -23.24, -25.31

 

CMYK 59 / 11 / 0 / 25

HEX #4EAAC0

RGB 78 170 192

HSL 191.58, 0.48%, 0.53%

LAB 65.1, -20.76, -19.49

 

CMYK 44 / 9 / 0 / 32

HEX #619EAD

RGB 97 158 173

HSL 191.84, 0.32%, 0.53%

LAB 61.66, -15.69, -13.99

 

CMYK 24 / 5 / 0 / 40

HEX #759299

RGB 117 146 153

HSL 191.67, 0.15%, 0.53%

LAB 58.64, -8.5, -7.06

 

CMYK 83 / 0 / 29 / 9

HEX #27E7A4

RGB 39 231 164

HSL 159.06, 0.8%, 0.53%

LAB 81.98, -60.19, 20.12

 

CMYK 83 / 0 / 7 / 9

HEX #27E7D7

RGB 39 231 215

HSL 175, 0.8%, 0.53%

LAB 83.17, -47.61, -4.98

 

CMYK 83 / 15 / 0 / 9

HEX #27C4E7

RGB 39 196 231

HSL 190.94, 0.8%, 0.53%

LAB 73.34, -26.69, -28.35

 

CMYK 83 / 37 / 0 / 9

HEX #2791E7

RGB 39 145 231

HSL 206.88, 0.8%, 0.53%

LAB 58.46, 1.04, -51.61

 

CMYK 83 / 59 / 0 / 9

HEX #275EE7

RGB 39 94 231

HSL 222.81, 0.8%, 0.53%

LAB 44.53, 32.8, -74.08

 

CMYK 89 / 18 / 0 / 34

HEX #138BA9

RGB 19 139 169

HSL 192, 0.8%, 0.37%

LAB 53.46, -19.55, -24.43

 

CMYK 89 / 17 / 0 / 19

HEX #17AACE

RGB 23 170 206

HSL 191.8, 0.8%, 0.45%

LAB 64.47, -22.84, -28.33

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 68 / 13 / 0 / 8

HEX #4CCCEB

RGB 76 204 235

HSL 191.7, 0.8%, 0.61%

LAB 76.51, -25.4, -25.59

 

CMYK 52 / 10 / 0 / 6

HEX #72D6EF

RGB 114 214 239

HSL 192, 0.8%, 0.69%

LAB 80.68, -22.58, -21.27

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 51 / 83 / 0 / 9

HEX #7127E7

RGB 113 39 231

HSL 263.13, 0.8%, 0.53%

LAB 39.12, 69.2, -82.77

 

CMYK 0 / 18 / 83 / 9

HEX #E7BD27

RGB 231 189 39

HSL 46.88, 0.8%, 0.53%

LAB 78.19, 1.69, 73.57

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 0 / 83 / 15 / 9

HEX #E727C4

RGB 231 39 196

HSL 310.94, 0.8%, 0.53%

LAB 54.48, 81.97, -37.05

 

CMYK 15 / 0 / 83 / 9

HEX #C4E727

RGB 196 231 39

HSL 70.94, 0.8%, 0.53%

LAB 86.52, -33.73, 79.51

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 51 / 83 / 0 / 9

HEX #7127E7

RGB 113 39 231

HSL 263.13, 0.8%, 0.53%

LAB 39.12, 69.2, -82.77

 

CMYK 0 / 68 / 83 / 9

HEX #E74A27

RGB 231 74 39

HSL 10.94, 0.8%, 0.53%

LAB 54.06, 59, 52.76

 

CMYK 32 / 0 / 83 / 9

HEX #9EE727

RGB 158 231 39

HSL 82.81, 0.8%, 0.53%

LAB 84.26, -48.19, 76.67

 

CMYK 83 / 16 / 0 / 9

HEX #27C1E7

RGB 39 193 231

HSL 191.88, 0.8%, 0.53%

LAB 72.46, -25.19, -29.71

 

CMYK 26 / 83 / 0 / 9

HEX #AA27E7

RGB 170 39 231

HSL 280.94, 0.8%, 0.53%

LAB 46.67, 76.73, -70.12

 

CMYK 0 / 68 / 83 / 9

HEX #E74A27

RGB 231 74 39

HSL 10.94, 0.8%, 0.53%

LAB 54.06, 59, 52.76

 

CMYK 57 / 0 / 83 / 9

HEX #64E727

RGB 100 231 39

HSL 100.94, 0.8%, 0.53%

LAB 81.84, -66.11, 73.61

 

Description

Color code: HEX #27C1E7 | qconv.com Color code: HEX #27C1E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 193 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 193 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 16 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 16% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Demotrations for Pre...
Link: http://www.leotheme.com

Verification of their color palette as a manufacturer!

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