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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27B6D4 it is the complementary color #D8492B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27B6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27B6D4 shade: #2CB6CF, #3DC8E2, #4EDAF5, #5FECFF and #70FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27B6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27B6D4 shade: #27B6D4, #16A4C1, #0592AE, #00809B and #006E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27B6D4 shade: #27B5D3, #2787D3, #2758D3, #272AD3 and #5227D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27B6D4 shade: #27B5D3, #2787D3, #2758D3, #272AD3 and #2727D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27B6D4 shade matches the following richer shades: #27B5D3 and #13C2E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27B6D4 shade: #27B5D3, #3BA8BF, #4F9BAB, #638E97 and #788082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27B6D4 shade: #27D394, #27D3C2, #27B6D3, #2788D3 and #275AD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27B6D4 shade: #1A798D, #2097B0, #27B5D3, #46C3DD and #69CEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27B6D4 shade: #27B6D4, #6627D3 and #D3AB27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27B6D4 shade: #27B6D4, #D327B6 and #B6D327

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27B6D4 shade: #27B6D4, #6627D3, #D34327 and #94D327

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27B6D4 shade: #27B6D4, #9A27D3, #D34327 and #60D327

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

Complementary color

CMYK 0 / 66 / 80 / 15

HEX #D8492B

RGB 216 73 43

HSL 10.4, 0.69%, 0.51%

LAB 51.31, 54.55, 47.34

 

CMYK 79 / 12 / 0 / 19

HEX #2CB6CF

RGB 44 182 207

HSL 189.2, 0.65%, 0.49%

LAB 68.38, -27.01, -22.85

 

CMYK 73 / 12 / 0 / 11

HEX #3DC8E2

RGB 61 200 226

HSL 189.45, 0.74%, 0.56%

LAB 74.69, -28.13, -23.55

 

CMYK 68 / 11 / 0 / 4

HEX #4EDAF5

RGB 78 218 245

HSL 189.7, 0.89%, 0.63%

LAB 80.94, -29.01, -24.18

 

CMYK 63 / 7 / 0 / 0

HEX #5FECFF

RGB 95 236 255

HSL 187.13, 1%, 0.69%

LAB 86.82, -32.26, -20.48

 

CMYK 56 / 0 / 0 / 0

HEX #70FEFF

RGB 112 254 255

HSL 180.42, 1%, 0.72%

LAB 92.38, -37.8, -12.1

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

CMYK 89 / 15 / 0 / 24

HEX #16A4C1

RGB 22 164 193

HSL 190.18, 0.8%, 0.42%

LAB 62.14, -24.21, -24.67

 

CMYK 97 / 16 / 0 / 32

HEX #0592AE

RGB 5 146 174

HSL 189.94, 0.94%, 0.35%

LAB 55.73, -22.15, -23.81

 

CMYK 100 / 17 / 0 / 39

HEX #00809B

RGB 0 128 155

HSL 190.45, 1%, 0.3%

LAB 49.26, -19.54, -22.81

 

CMYK 100 / 19 / 0 / 47

HEX #006E88

RGB 0 110 136

HSL 191.47, 1%, 0.27%

LAB 42.66, -16.63, -21.76

 

CMYK 82 / 14 / 0 / 17

HEX #27B5D3

RGB 39 181 211

HSL 190.47, 0.69%, 0.49%

LAB 68.15, -25.67, -25.41

 

CMYK 82 / 36 / 0 / 17

HEX #2787D3

RGB 39 135 211

HSL 206.51, 0.69%, 0.49%

LAB 54.51, -0.43, -46.69

 

CMYK 82 / 58 / 0 / 17

HEX #2758D3

RGB 39 88 211

HSL 222.91, 0.69%, 0.49%

LAB 41.4, 29.16, -67.8

 

CMYK 82 / 80 / 0 / 17

HEX #272AD3

RGB 39 42 211

HSL 238.95, 0.69%, 0.49%

LAB 31.32, 56.39, -84.38

 

CMYK 61 / 82 / 0 / 17

HEX #5227D3

RGB 82 39 211

HSL 255, 0.69%, 0.49%

LAB 33.87, 60.89, -80.07

 

CMYK 82 / 14 / 0 / 17

HEX #27B5D3

RGB 39 181 211

HSL 190.47, 0.69%, 0.49%

LAB 68.15, -25.67, -25.41

 

CMYK 82 / 36 / 0 / 17

HEX #2787D3

RGB 39 135 211

HSL 206.51, 0.69%, 0.49%

LAB 54.51, -0.43, -46.69

 

CMYK 82 / 58 / 0 / 17

HEX #2758D3

RGB 39 88 211

HSL 222.91, 0.69%, 0.49%

LAB 41.4, 29.16, -67.8

 

CMYK 82 / 80 / 0 / 17

HEX #272AD3

RGB 39 42 211

HSL 238.95, 0.69%, 0.49%

LAB 31.32, 56.39, -84.38

 

CMYK 82 / 82 / 0 / 17

HEX #2727D3

RGB 39 39 211

HSL 240, 0.69%, 0.49%

LAB 30.84, 57.8, -85.18

 

CMYK 82 / 14 / 0 / 17

HEX #27B5D3

RGB 39 181 211

HSL 190.47, 0.69%, 0.49%

LAB 68.15, -25.67, -25.41

 

CMYK 92 / 16 / 0 / 9

HEX #13C2E7

RGB 19 194 231

HSL 190.47, 0.85%, 0.49%

LAB 72.56, -26.83, -29.57

 

CMYK 82 / 14 / 0 / 17

HEX #27B5D3

RGB 39 181 211

HSL 190.47, 0.69%, 0.49%

LAB 68.15, -25.67, -25.41

 

CMYK 69 / 12 / 0 / 25

HEX #3BA8BF

RGB 59 168 191

HSL 190.45, 0.53%, 0.49%

LAB 63.91, -23.2, -20.79

 

CMYK 54 / 9 / 0 / 33

HEX #4F9BAB

RGB 79 155 171

HSL 190.43, 0.37%, 0.49%

LAB 59.93, -18.91, -15.56

 

CMYK 34 / 6 / 0 / 41

HEX #638E97

RGB 99 142 151

HSL 190.38, 0.21%, 0.49%

LAB 56.32, -12.34, -9.49

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 82 / 0 / 30 / 17

HEX #27D394

RGB 39 211 148

HSL 158.02, 0.69%, 0.49%

LAB 75.55, -56.17, 19.61

 

CMYK 82 / 0 / 8 / 17

HEX #27D3C2

RGB 39 211 194

HSL 174.07, 0.69%, 0.49%

LAB 76.63, -44.78, -3.42

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D3

RGB 39 182 211

HSL 190.12, 0.69%, 0.49%

LAB 68.45, -26.17, -24.95

 

CMYK 82 / 36 / 0 / 17

HEX #2788D3

RGB 39 136 211

HSL 206.16, 0.69%, 0.49%

LAB 54.81, -1.03, -46.23

 

CMYK 82 / 57 / 0 / 17

HEX #275AD3

RGB 39 90 211

HSL 222.21, 0.69%, 0.49%

LAB 41.92, 27.87, -66.95

 

CMYK 82 / 14 / 0 / 45

HEX #1A798D

RGB 26 121 141

HSL 190.43, 0.69%, 0.33%

LAB 46.73, -19.08, -18.44

 

CMYK 82 / 14 / 0 / 31

HEX #2097B0

RGB 32 151 176

HSL 190.42, 0.69%, 0.41%

LAB 57.63, -22.49, -22.01

 

CMYK 82 / 14 / 0 / 17

HEX #27B5D3

RGB 39 181 211

HSL 190.47, 0.69%, 0.49%

LAB 68.15, -25.67, -25.41

 

CMYK 68 / 12 / 0 / 13

HEX #46C3DD

RGB 70 195 221

HSL 190.33, 0.69%, 0.57%

LAB 73.25, -26.02, -23.02

 

CMYK 54 / 9 / 0 / 11

HEX #69CEE3

RGB 105 206 227

HSL 190.33, 0.69%, 0.65%

LAB 77.69, -23.73, -19.41

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

CMYK 52 / 82 / 0 / 17

HEX #6627D3

RGB 102 39 211

HSL 261.98, 0.69%, 0.49%

LAB 35.94, 63.04, -76.58

 

CMYK 0 / 19 / 82 / 17

HEX #D3AB27

RGB 211 171 39

HSL 46.05, 0.69%, 0.49%

LAB 71.64, 2.47, 67.19

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

CMYK 0 / 82 / 14 / 17

HEX #D327B6

RGB 211 39 182

HSL 310.12, 0.69%, 0.49%

LAB 50.31, 76.07, -35.71

 

CMYK 14 / 0 / 82 / 17

HEX #B6D327

RGB 182 211 39

HSL 70.12, 0.69%, 0.49%

LAB 80, -30.1, 73.52

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

CMYK 52 / 82 / 0 / 17

HEX #6627D3

RGB 102 39 211

HSL 261.98, 0.69%, 0.49%

LAB 35.94, 63.04, -76.58

 

CMYK 0 / 68 / 82 / 17

HEX #D34327

RGB 211 67 39

HSL 9.77, 0.69%, 0.49%

LAB 49.51, 55.16, 47.27

 

CMYK 30 / 0 / 82 / 17

HEX #94D327

RGB 148 211 39

HSL 81.98, 0.69%, 0.49%

LAB 77.89, -43.37, 70.86

 

CMYK 82 / 14 / 0 / 17

HEX #27B6D4

RGB 39 182 212

HSL 190.4, 0.69%, 0.49%

LAB 68.49, -25.85, -25.44

 

CMYK 27 / 82 / 0 / 17

HEX #9A27D3

RGB 154 39 211

HSL 280.12, 0.69%, 0.49%

LAB 42.8, 70.33, -65.09

 

CMYK 0 / 68 / 82 / 17

HEX #D34327

RGB 211 67 39

HSL 9.77, 0.69%, 0.49%

LAB 49.51, 55.16, 47.27

 

CMYK 55 / 0 / 82 / 17

HEX #60D327

RGB 96 211 39

HSL 100.12, 0.69%, 0.49%

LAB 75.59, -60.18, 67.92

 

Description

Color code: HEX #27B6D4 | qconv.com Color code: HEX #27B6D4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 182 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 182 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 14 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 14% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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