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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A928 it is the complementary color #D856D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A928 shade: #2CA923, #3DBB36, #4ECD49, #5FDF5C and #70F16F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A928 shade: #27A928, #169715, #058502, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A928 shade: #27AA28, #49AA27, #6DAA27, #90AA27 and #AAA127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A928 shade: #27AA28, #27AA4B, #27AA6F, #27AA92 and #279FAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A928 shade matches the following richer shades: #27AA28, #16BB17 and #05CC06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A928 shade: #27AA28, #389A38, #498949, #59785A and #6A676A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A928 shade: #6DAA27, #4AAA27, #27AA27, #27AA4A and #27AA6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A928 shade: #176718, #1F8920, #27AA28, #2ECC30 and #4DD74E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A928 shade: #27A928, #2790AA and #AA275B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A928 shade: #27A928, #2727AA and #AA2727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A928 shade: #27A928, #2790AA, #AA27AA and #AA4127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A928 shade: #27A928, #2769AA, #AA27AA and #AA6927

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

Complementary color

CMYK 0 / 60 / 0 / 15

HEX #D856D7

RGB 216 86 215

HSL 300.46, 0.63%, 0.59%

LAB 58.19, 66.75, -42.22

 

CMYK 74 / 0 / 79 / 34

HEX #2CA923

RGB 44 169 35

HSL 115.97, 0.66%, 0.4%

LAB 60.81, -57.73, 54.77

 

CMYK 67 / 0 / 71 / 27

HEX #3DBB36

RGB 61 187 54

HSL 116.84, 0.55%, 0.47%

LAB 67.13, -59.13, 54.55

 

CMYK 62 / 0 / 64 / 20

HEX #4ECD49

RGB 78 205 73

HSL 117.73, 0.57%, 0.55%

LAB 73.39, -60, 53.77

 

CMYK 57 / 0 / 59 / 13

HEX #5FDF5C

RGB 95 223 92

HSL 118.63, 0.67%, 0.62%

LAB 79.6, -60.52, 52.7

 

CMYK 54 / 0 / 54 / 5

HEX #70F16F

RGB 112 241 111

HSL 119.54, 0.82%, 0.69%

LAB 85.76, -60.8, 51.51

 

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

CMYK 85 / 0 / 86 / 41

HEX #169715

RGB 22 151 21

HSL 119.54, 0.76%, 0.34%

LAB 54.4, -55.93, 52.67

 

CMYK 96 / 0 / 98 / 48

HEX #058502

RGB 5 133 2

HSL 118.63, 0.97%, 0.26%

LAB 48.02, -52.7, 50.96

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 77 / 0 / 76 / 33

HEX #27AA28

RGB 39 170 40

HSL 120.46, 0.63%, 0.41%

LAB 61.08, -58.5, 53.35

 

CMYK 57 / 0 / 77 / 33

HEX #49AA27

RGB 73 170 39

HSL 104.43, 0.63%, 0.41%

LAB 61.92, -51.49, 54.81

 

CMYK 36 / 0 / 77 / 33

HEX #6DAA27

RGB 109 170 39

HSL 87.94, 0.63%, 0.41%

LAB 63.46, -40.02, 56.83

 

CMYK 15 / 0 / 77 / 33

HEX #90AA27

RGB 144 170 39

HSL 71.91, 0.63%, 0.41%

LAB 65.61, -26.2, 59.62

 

CMYK 0 / 5 / 77 / 33

HEX #AAA127

RGB 170 161 39

HSL 55.88, 0.63%, 0.41%

LAB 65.11, -10.35, 59.9

 

CMYK 77 / 0 / 76 / 33

HEX #27AA28

RGB 39 170 40

HSL 120.46, 0.63%, 0.41%

LAB 61.08, -58.5, 53.35

 

CMYK 77 / 0 / 56 / 33

HEX #27AA4B

RGB 39 170 75

HSL 136.49, 0.63%, 0.41%

LAB 61.38, -54.74, 38.83

 

CMYK 77 / 0 / 35 / 33

HEX #27AA6F

RGB 39 170 111

HSL 152.98, 0.63%, 0.41%

LAB 61.94, -48.37, 20.8

 

CMYK 77 / 0 / 14 / 33

HEX #27AA92

RGB 39 170 146

HSL 169.01, 0.63%, 0.41%

LAB 62.72, -39.96, 2.55

 

CMYK 77 / 6 / 0 / 33

HEX #279FAA

RGB 39 159 170

HSL 185.04, 0.63%, 0.41%

LAB 60.01, -27.8, -14.98

 

CMYK 77 / 0 / 76 / 33

HEX #27AA28

RGB 39 170 40

HSL 120.46, 0.63%, 0.41%

LAB 61.08, -58.5, 53.35

 

CMYK 88 / 0 / 88 / 27

HEX #16BB17

RGB 22 187 23

HSL 120.36, 0.79%, 0.41%

LAB 66.35, -66.45, 62.81

 

CMYK 98 / 0 / 97 / 20

HEX #05CC06

RGB 5 204 6

HSL 120.3, 0.95%, 0.41%

LAB 71.71, -72.53, 69.71

 

CMYK 77 / 0 / 76 / 33

HEX #27AA28

RGB 39 170 40

HSL 120.46, 0.63%, 0.41%

LAB 61.08, -58.5, 53.35

 

CMYK 64 / 0 / 64 / 40

HEX #389A38

RGB 56 154 56

HSL 120, 0.47%, 0.41%

LAB 56.32, -48.31, 42.04

 

CMYK 47 / 0 / 47 / 46

HEX #498949

RGB 73 137 73

HSL 120, 0.3%, 0.41%

LAB 51.6, -34.44, 28.02

 

CMYK 26 / 0 / 25 / 53

HEX #59785A

RGB 89 120 90

HSL 121.94, 0.15%, 0.41%

LAB 47.36, -17.6, 12.95

 

CMYK 0 / 3 / 0 / 58

HEX #6A676A

RGB 106 103 106

HSL 300, 0.01%, 0.41%

LAB 43.95, 1.79, -1.27

 

CMYK 36 / 0 / 77 / 33

HEX #6DAA27

RGB 109 170 39

HSL 87.94, 0.63%, 0.41%

LAB 63.46, -40.02, 56.83

 

CMYK 56 / 0 / 77 / 33

HEX #4AAA27

RGB 74 170 39

HSL 103.97, 0.63%, 0.41%

LAB 61.96, -51.22, 54.86

 

CMYK 77 / 0 / 77 / 33

HEX #27AA27

RGB 39 170 39

HSL 120, 0.63%, 0.41%

LAB 61.07, -58.57, 53.69

 

CMYK 77 / 0 / 56 / 33

HEX #27AA4A

RGB 39 170 74

HSL 136.03, 0.63%, 0.41%

LAB 61.37, -54.88, 39.3

 

CMYK 77 / 0 / 36 / 33

HEX #27AA6D

RGB 39 170 109

HSL 152.06, 0.63%, 0.41%

LAB 61.9, -48.79, 21.83

 

CMYK 78 / 0 / 77 / 60

HEX #176718

RGB 23 103 24

HSL 120.75, 0.63%, 0.25%

LAB 37.75, -39.84, 35.82

 

CMYK 77 / 0 / 77 / 46

HEX #1F8920

RGB 31 137 32

HSL 120.57, 0.63%, 0.33%

LAB 49.84, -49.57, 44.99

 

CMYK 77 / 0 / 76 / 33

HEX #27AA28

RGB 39 170 40

HSL 120.46, 0.63%, 0.41%

LAB 61.08, -58.5, 53.35

 

CMYK 77 / 0 / 76 / 20

HEX #2ECC30

RGB 46 204 48

HSL 120.76, 0.63%, 0.49%

LAB 72.22, -67.52, 61.68

 

CMYK 64 / 0 / 64 / 16

HEX #4DD74E

RGB 77 215 78

HSL 120.43, 0.63%, 0.57%

LAB 76.51, -63.19, 55.11

 

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

CMYK 77 / 15 / 0 / 33

HEX #2790AA

RGB 39 144 170

HSL 191.91, 0.63%, 0.41%

LAB 55.36, -20.1, -22.06

 

CMYK 0 / 77 / 46 / 33

HEX #AA275B

RGB 170 39 91

HSL 336.18, 0.63%, 0.41%

LAB 39.16, 55.57, 2.06

 

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

CMYK 77 / 77 / 0 / 33

HEX #2727AA

RGB 39 39 170

HSL 240, 0.63%, 0.41%

LAB 26.11, 44.83, -68.81

 

CMYK 0 / 77 / 77 / 33

HEX #AA2727

RGB 170 39 39

HSL 0, 0.63%, 0.41%

LAB 38.1, 52.18, 33.23

 

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

CMYK 77 / 15 / 0 / 33

HEX #2790AA

RGB 39 144 170

HSL 191.91, 0.63%, 0.41%

LAB 55.36, -20.1, -22.06

 

CMYK 0 / 77 / 0 / 33

HEX #AA27AA

RGB 170 39 170

HSL 300, 0.63%, 0.41%

LAB 42.61, 65.83, -41.26

 

CMYK 0 / 62 / 77 / 33

HEX #AA4127

RGB 170 65 39

HSL 11.91, 0.63%, 0.41%

LAB 41.96, 41.68, 37.36

 

CMYK 77 / 0 / 76 / 34

HEX #27A928

RGB 39 169 40

HSL 120.46, 0.63%, 0.41%

LAB 60.75, -58.18, 53.03

 

CMYK 77 / 38 / 0 / 33

HEX #2769AA

RGB 39 105 170

HSL 209.77, 0.63%, 0.41%

LAB 43.41, 2.47, -40.72

 

CMYK 0 / 77 / 0 / 33

HEX #AA27AA

RGB 170 39 170

HSL 300, 0.63%, 0.41%

LAB 42.61, 65.83, -41.26

 

CMYK 0 / 38 / 77 / 33

HEX #AA6927

RGB 170 105 39

HSL 30.23, 0.63%, 0.41%

LAB 50.45, 20.56, 45.99

 

Description

Color code: HEX #27A928 | qconv.com Color code: HEX #27A928 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 169 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 169 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 76 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 76% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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