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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A8D9 it is the complementary color #D85726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A8D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A8D9 shade: #2CA8D4, #3DBAE7, #4ECCFA, #5FDEFF and #70F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A8D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A8D9 shade: #27A8D9, #1696C6, #0584B3, #0072A0 and #00608D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A8D9 shade: #26A7D8, #2677D8, #2647D8, #3526D8 and #6526D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A8D9 shade: #26A7D8, #2677D8, #2647D8 and #2626D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A8D9 shade matches the following richer shades: #26A7D8 and #11B0ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A8D9 shade: #26A7D8, #3A9EC4, #4F95AF, #648B9A and #788286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A8D9 shade: #26D8A9, #26D8D8, #26A9D8, #2679D8 and #2649D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A8D9 shade: #197192, #208CB5, #26A7D8, #49B5DE and #6CC3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A8D9 shade: #27A8D9, #7926D8 and #D8C026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A8D9 shade: #27A8D9, #D826A9 and #A9D826

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A8D9 shade: #27A8D9, #7926D8, #D85526 and #85D826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A8D9 shade: #27A8D9, #AF26D8, #D85526 and #4FD826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

Complementary color

CMYK 0 / 60 / 82 / 15

HEX #D85726

RGB 216 87 38

HSL 16.52, 0.7%, 0.5%

LAB 53.55, 48.32, 51.79

 

CMYK 79 / 21 / 0 / 17

HEX #2CA8D4

RGB 44 168 212

HSL 195.71, 0.66%, 0.5%

LAB 64.4, -18.17, -31.74

 

CMYK 74 / 19 / 0 / 9

HEX #3DBAE7

RGB 61 186 231

HSL 195.88, 0.78%, 0.57%

LAB 70.79, -19.47, -32.25

 

CMYK 69 / 18 / 0 / 2

HEX #4ECCFA

RGB 78 204 250

HSL 196.05, 0.95%, 0.64%

LAB 77.11, -20.51, -32.71

 

CMYK 63 / 13 / 0 / 0

HEX #5FDEFF

RGB 95 222 255

HSL 192.38, 1%, 0.69%

LAB 82.86, -25.49, -26.51

 

CMYK 56 / 6 / 0 / 0

HEX #70F0FF

RGB 112 240 255

HSL 186.29, 1%, 0.72%

LAB 88.44, -31.28, -17.99

 

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

CMYK 89 / 24 / 0 / 22

HEX #1696C6

RGB 22 150 198

HSL 196.36, 0.8%, 0.43%

LAB 58.09, -15.05, -33.75

 

CMYK 97 / 26 / 0 / 30

HEX #0584B3

RGB 5 132 179

HSL 196.21, 0.95%, 0.36%

LAB 51.6, -12.73, -33.09

 

CMYK 100 / 29 / 0 / 37

HEX #0072A0

RGB 0 114 160

HSL 197.25, 1%, 0.31%

LAB 45.04, -9.78, -32.3

 

CMYK 100 / 32 / 0 / 45

HEX #00608D

RGB 0 96 141

HSL 199.15, 1%, 0.28%

LAB 38.36, -6.48, -31.48

 

CMYK 82 / 23 / 0 / 15

HEX #26A7D8

RGB 38 167 216

HSL 196.52, 0.7%, 0.5%

LAB 64.17, -16.81, -34.32

 

CMYK 82 / 45 / 0 / 15

HEX #2677D8

RGB 38 119 216

HSL 212.7, 0.7%, 0.5%

LAB 50.17, 11.13, -56.45

 

CMYK 82 / 67 / 0 / 15

HEX #2647D8

RGB 38 71 216

HSL 228.88, 0.7%, 0.5%

LAB 37.62, 41.74, -76.86

 

CMYK 75 / 82 / 0 / 15

HEX #3526D8

RGB 53 38 216

HSL 245.06, 0.7%, 0.5%

LAB 32.04, 60.46, -86.07

 

CMYK 53 / 82 / 0 / 15

HEX #6526D8

RGB 101 38 216

HSL 261.24, 0.7%, 0.5%

LAB 36.2, 64.54, -79.05

 

CMYK 82 / 23 / 0 / 15

HEX #26A7D8

RGB 38 167 216

HSL 196.52, 0.7%, 0.5%

LAB 64.17, -16.81, -34.32

 

CMYK 82 / 45 / 0 / 15

HEX #2677D8

RGB 38 119 216

HSL 212.7, 0.7%, 0.5%

LAB 50.17, 11.13, -56.45

 

CMYK 82 / 67 / 0 / 15

HEX #2647D8

RGB 38 71 216

HSL 228.88, 0.7%, 0.5%

LAB 37.62, 41.74, -76.86

 

CMYK 82 / 82 / 0 / 15

HEX #2626D8

RGB 38 38 216

HSL 240, 0.7%, 0.5%

LAB 31.25, 59.7, -87.41

 

CMYK 82 / 23 / 0 / 15

HEX #26A7D8

RGB 38 167 216

HSL 196.52, 0.7%, 0.5%

LAB 64.17, -16.81, -34.32

 

CMYK 93 / 26 / 0 / 7

HEX #11B0ED

RGB 17 176 237

HSL 196.64, 0.87%, 0.5%

LAB 67.49, -15.54, -40.7

 

CMYK 82 / 23 / 0 / 15

HEX #26A7D8

RGB 38 167 216

HSL 196.52, 0.7%, 0.5%

LAB 64.17, -16.81, -34.32

 

CMYK 70 / 19 / 0 / 23

HEX #3A9EC4

RGB 58 158 196

HSL 196.52, 0.54%, 0.5%

LAB 61.08, -16.49, -27.94

 

CMYK 55 / 15 / 0 / 31

HEX #4F95AF

RGB 79 149 175

HSL 196.25, 0.38%, 0.5%

LAB 58.28, -14.52, -20.34

 

CMYK 35 / 10 / 0 / 40

HEX #648B9A

RGB 100 139 154

HSL 196.67, 0.21%, 0.5%

LAB 55.59, -9.61, -12.3

 

CMYK 10 / 3 / 0 / 47

HEX #788286

RGB 120 130 134

HSL 197.14, 0.06%, 0.5%

LAB 53.69, -2.82, -3.43

 

CMYK 82 / 0 / 22 / 15

HEX #26D8A9

RGB 38 216 169

HSL 164.16, 0.7%, 0.5%

LAB 77.51, -53.37, 11.23

 

CMYK 82 / 0 / 0 / 15

HEX #26D8D8

RGB 38 216 216

HSL 180, 0.7%, 0.5%

LAB 78.74, -40.84, -12.09

 

CMYK 82 / 22 / 0 / 15

HEX #26A9D8

RGB 38 169 216

HSL 195.84, 0.7%, 0.5%

LAB 64.76, -17.88, -33.4

 

CMYK 82 / 44 / 0 / 15

HEX #2679D8

RGB 38 121 216

HSL 212.02, 0.7%, 0.5%

LAB 50.74, 9.88, -55.54

 

CMYK 82 / 66 / 0 / 15

HEX #2649D8

RGB 38 73 216

HSL 228.2, 0.7%, 0.5%

LAB 38.08, 40.5, -76.1

 

CMYK 83 / 23 / 0 / 43

HEX #197192

RGB 25 113 146

HSL 196.36, 0.71%, 0.34%

LAB 44.36, -12.93, -25.06

 

CMYK 82 / 23 / 0 / 29

HEX #208CB5

RGB 32 140 181

HSL 196.51, 0.7%, 0.42%

LAB 54.45, -14.86, -29.77

 

CMYK 82 / 23 / 0 / 15

HEX #26A7D8

RGB 38 167 216

HSL 196.52, 0.7%, 0.5%

LAB 64.17, -16.81, -34.32

 

CMYK 67 / 18 / 0 / 13

HEX #49B5DE

RGB 73 181 222

HSL 196.51, 0.69%, 0.58%

LAB 69.28, -18.12, -29.64

 

CMYK 53 / 15 / 0 / 10

HEX #6CC3E5

RGB 108 195 229

HSL 196.86, 0.7%, 0.66%

LAB 74.75, -16.95, -24.96

 

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

CMYK 44 / 82 / 0 / 15

HEX #7926D8

RGB 121 38 216

HSL 267.98, 0.7%, 0.5%

LAB 38.57, 66.94, -75.07

 

CMYK 0 / 11 / 82 / 15

HEX #D8C026

RGB 216 192 38

HSL 51.91, 0.7%, 0.5%

LAB 77.54, -6.36, 72.73

 

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

CMYK 0 / 82 / 22 / 15

HEX #D826A9

RGB 216 38 169

HSL 315.84, 0.7%, 0.5%

LAB 50.51, 75.66, -27.69

 

CMYK 22 / 0 / 82 / 15

HEX #A9D826

RGB 169 216 38

HSL 75.84, 0.7%, 0.5%

LAB 80.56, -37.61, 73.93

 

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

CMYK 44 / 82 / 0 / 15

HEX #7926D8

RGB 121 38 216

HSL 267.98, 0.7%, 0.5%

LAB 38.57, 66.94, -75.07

 

CMYK 0 / 61 / 82 / 15

HEX #D85526

RGB 216 85 38

HSL 15.84, 0.7%, 0.5%

LAB 53.21, 49.23, 51.48

 

CMYK 38 / 0 / 82 / 15

HEX #85D826

RGB 133 216 38

HSL 87.98, 0.7%, 0.5%

LAB 78.6, -50.82, 71.45

 

CMYK 82 / 23 / 0 / 15

HEX #27A8D9

RGB 39 168 217

HSL 196.52, 0.7%, 0.5%

LAB 64.52, -16.92, -34.33

 

CMYK 19 / 82 / 0 / 15

HEX #AF26D8

RGB 175 38 216

HSL 286.18, 0.7%, 0.5%

LAB 46.26, 74.97, -62.2

 

CMYK 0 / 61 / 82 / 15

HEX #D85526

RGB 216 85 38

HSL 15.84, 0.7%, 0.5%

LAB 53.21, 49.23, 51.48

 

CMYK 63 / 0 / 82 / 15

HEX #4FD826

RGB 79 216 38

HSL 106.18, 0.7%, 0.5%

LAB 76.63, -66.05, 68.93

 

Description

Color code: HEX #27A8D9 | qconv.com Color code: HEX #27A8D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 168 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 168 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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