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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A67A it is the complementary color #D85985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A67A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A67A shade: #2CA675, #3DB888, #4ECA9B, #5FDCAE and #70EEC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A67A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A67A shade: #27A67A, #169467, #058254, #007041 and #005E2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A67A shade: #27A579, #27A557, #27A535, #3AA527 and #5DA527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A67A shade: #27A579, #27A59C, #278DA5, #276BA5 and #2749A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A67A shade matches the following richer shades: #27A579, #16B67E and #06C684

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A67A shade: #27A579, #379574, #48846F, #58746A and #696365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A67A shade: #27A536, #27A557, #27A579, #27A59B and #278EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A67A shade: #176248, #1F8461, #27A579, #2FC792 and #4AD5A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A67A shade: #27A67A, #273AA5 and #A54627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A67A shade: #27A67A, #7927A5 and #A57927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A67A shade: #27A67A, #273AA5, #A52753 and #A59227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A67A shade: #27A67A, #3A27A5, #A52753 and #92A527

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

Complementary color

CMYK 0 / 59 / 38 / 15

HEX #D85985

RGB 216 89 133

HSL 339.21, 0.62%, 0.6%

LAB 55.52, 53.91, 1.15

 

CMYK 73 / 0 / 30 / 35

HEX #2CA675

RGB 44 166 117

HSL 155.9, 0.58%, 0.41%

LAB 60.86, -44.78, 16.05

 

CMYK 67 / 0 / 26 / 28

HEX #3DB888

RGB 61 184 136

HSL 156.59, 0.5%, 0.48%

LAB 67.32, -45.26, 14.66

 

CMYK 61 / 0 / 23 / 21

HEX #4ECA9B

RGB 78 202 155

HSL 157.26, 0.54%, 0.55%

LAB 73.69, -45.5, 13.41

 

CMYK 57 / 0 / 21 / 14

HEX #5FDCAE

RGB 95 220 174

HSL 157.92, 0.64%, 0.62%

LAB 80, -45.59, 12.26

 

CMYK 53 / 0 / 19 / 7

HEX #70EEC1

RGB 112 238 193

HSL 158.57, 0.79%, 0.69%

LAB 86.23, -45.58, 11.21

 

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

CMYK 85 / 0 / 30 / 42

HEX #169467

RGB 22 148 103

HSL 158.57, 0.74%, 0.33%

LAB 54.38, -43.31, 14.84

 

CMYK 96 / 0 / 35 / 49

HEX #058254

RGB 5 130 84

HSL 157.92, 0.93%, 0.26%

LAB 47.8, -41.78, 16.6

 

CMYK 100 / 0 / 42 / 56

HEX #007041

RGB 0 112 65

HSL 154.82, 1%, 0.22%

LAB 41.17, -39.37, 18.61

HEX #007041

CMYK 100 / 0 / 51 / 63

HEX #005E2E

RGB 0 94 46

HSL 149.36, 1%, 0.18%

LAB 34.4, -36.42, 20.8

HEX #005E2E

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 76 / 0 / 47 / 35

HEX #27A557

RGB 39 165 87

HSL 142.86, 0.62%, 0.4%

LAB 59.92, -51.08, 30.96

 

CMYK 76 / 0 / 68 / 35

HEX #27A535

RGB 39 165 53

HSL 126.67, 0.62%, 0.4%

LAB 59.52, -55.73, 46.77

 

CMYK 65 / 0 / 76 / 35

HEX #3AA527

RGB 58 165 39

HSL 110.95, 0.62%, 0.4%

LAB 59.85, -53.38, 52.63

 

CMYK 44 / 0 / 76 / 35

HEX #5DA527

RGB 93 165 39

HSL 94.29, 0.62%, 0.4%

LAB 61.12, -43.5, 54.3

 

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 76 / 0 / 5 / 35

HEX #27A59C

RGB 39 165 156

HSL 175.71, 0.62%, 0.4%

LAB 61.43, -34.92, -4.95

 

CMYK 76 / 15 / 0 / 35

HEX #278DA5

RGB 39 141 165

HSL 191.43, 0.62%, 0.4%

LAB 54.24, -20.19, -20.91

 

CMYK 76 / 35 / 0 / 35

HEX #276BA5

RGB 39 107 165

HSL 207.62, 0.62%, 0.4%

LAB 43.75, -0.67, -37.25

 

CMYK 76 / 56 / 0 / 35

HEX #2749A5

RGB 39 73 165

HSL 223.81, 0.62%, 0.4%

LAB 33.8, 21.47, -53.19

 

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 88 / 0 / 31 / 29

HEX #16B67E

RGB 22 182 126

HSL 159, 0.78%, 0.4%

LAB 65.85, -51.38, 17.97

 

CMYK 97 / 0 / 33 / 22

HEX #06C684

RGB 6 198 132

HSL 159.38, 0.94%, 0.4%

LAB 70.93, -56.8, 21.7

 

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 63 / 0 / 22 / 42

HEX #379574

RGB 55 149 116

HSL 158.94, 0.46%, 0.4%

LAB 55.65, -35.82, 9.37

 

CMYK 45 / 0 / 16 / 48

HEX #48846F

RGB 72 132 111

HSL 159, 0.29%, 0.4%

LAB 50.72, -24.84, 5.3

 

CMYK 24 / 0 / 9 / 55

HEX #58746A

RGB 88 116 106

HSL 158.57, 0.14%, 0.4%

LAB 46.45, -12.43, 2.21

 

CMYK 0 / 6 / 4 / 59

HEX #696365

RGB 105 99 101

HSL 340, 0.03%, 0.4%

LAB 42.56, 2.77, -0.29

 

CMYK 76 / 0 / 67 / 35

HEX #27A536

RGB 39 165 54

HSL 127.14, 0.62%, 0.4%

LAB 59.53, -55.63, 46.36

 

CMYK 76 / 0 / 47 / 35

HEX #27A557

RGB 39 165 87

HSL 142.86, 0.62%, 0.4%

LAB 59.92, -51.08, 30.96

 

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 76 / 0 / 6 / 35

HEX #27A59B

RGB 39 165 155

HSL 175.24, 0.62%, 0.4%

LAB 61.4, -35.2, -4.43

 

CMYK 76 / 14 / 0 / 35

HEX #278EA5

RGB 39 142 165

HSL 190.95, 0.62%, 0.4%

LAB 54.55, -20.72, -20.44

 

CMYK 77 / 0 / 27 / 62

HEX #176248

RGB 23 98 72

HSL 159.2, 0.62%, 0.24%

LAB 36.72, -29.35, 8.43

 

CMYK 77 / 0 / 27 / 48

HEX #1F8461

RGB 31 132 97

HSL 159.21, 0.62%, 0.32%

LAB 49.08, -37.04, 10.92

 

CMYK 76 / 0 / 27 / 35

HEX #27A579

RGB 39 165 121

HSL 159.05, 0.62%, 0.4%

LAB 60.54, -44.14, 13.37

 

CMYK 76 / 0 / 27 / 22

HEX #2FC792

RGB 47 199 146

HSL 159.08, 0.62%, 0.48%

LAB 71.91, -51.12, 15.64

 

CMYK 65 / 0 / 23 / 16

HEX #4AD5A5

RGB 74 213 165

HSL 159.28, 0.62%, 0.56%

LAB 77.14, -48.59, 12.91

 

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

CMYK 76 / 65 / 0 / 35

HEX #273AA5

RGB 39 58 165

HSL 230.95, 0.62%, 0.4%

LAB 29.85, 31.46, -59.64

 

CMYK 0 / 58 / 76 / 35

HEX #A54627

RGB 165 70 39

HSL 14.76, 0.62%, 0.4%

LAB 42.04, 37.35, 37.18

 

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

CMYK 27 / 76 / 0 / 35

HEX #7927A5

RGB 121 39 165

HSL 279.05, 0.62%, 0.4%

LAB 34.46, 55.08, -51.77

 

CMYK 0 / 27 / 76 / 35

HEX #A57927

RGB 165 121 39

HSL 39.05, 0.62%, 0.4%

LAB 53.84, 9.29, 49.11

 

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

CMYK 76 / 65 / 0 / 35

HEX #273AA5

RGB 39 58 165

HSL 230.95, 0.62%, 0.4%

LAB 29.85, 31.46, -59.64

 

CMYK 0 / 76 / 50 / 35

HEX #A52753

RGB 165 39 83

HSL 339.05, 0.62%, 0.4%

LAB 37.98, 53.43, 5.33

 

CMYK 0 / 12 / 76 / 35

HEX #A59227

RGB 165 146 39

HSL 50.95, 0.62%, 0.4%

LAB 60.52, -4.58, 55.48

 

CMYK 77 / 0 / 27 / 35

HEX #27A67A

RGB 39 166 122

HSL 159.21, 0.62%, 0.4%

LAB 60.88, -44.31, 13.29

 

CMYK 65 / 76 / 0 / 35

HEX #3A27A5

RGB 58 39 165

HSL 249.05, 0.62%, 0.4%

LAB 26.93, 45.06, -64.4

 

CMYK 0 / 76 / 50 / 35

HEX #A52753

RGB 165 39 83

HSL 339.05, 0.62%, 0.4%

LAB 37.98, 53.43, 5.33

 

CMYK 12 / 0 / 76 / 35

HEX #92A527

RGB 146 165 39

HSL 69.05, 0.62%, 0.4%

LAB 64.3, -22.89, 58.44

 

Description

Color code: HEX #27A67A | qconv.com Color code: HEX #27A67A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 166 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 166 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 27% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - 株式会社キカガク | トップページ
Link: http://www.kikagaku.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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