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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A65B it is the complementary color #D859A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A65B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A65B shade: #2CA656, #3DB869, #4ECA7C, #5FDC8F and #70EEA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A65B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A65B shade: #27A65B, #169448, #058235, #007022 and #005E0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A65B shade: #27A55B, #27A538, #37A527, #59A527 and #7BA527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A65B shade: #27A55B, #27A57D, #27A59F, #278AA5 and #2767A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A65B shade matches the following richer shades: #27A55B, #16B658 and #06C655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A65B shade: #27A55B, #37955E, #488461, #587464 and #696367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A65B shade: #38A527, #27A538, #27A559, #27A57B and #27A59D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A65B shade: #176236, #1F8448, #27A55B, #2FC76D and #4AD583

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A65B shade: #27A65B, #2759A5 and #A52727

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A65B shade: #27A65B, #5927A5 and #A55927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A65B shade: #27A65B, #2759A5, #A52773 and #A57327

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A65B shade: #27A65B, #2733A5, #A52773 and #A59927

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

Complementary color

CMYK 0 / 59 / 24 / 15

HEX #D859A4

RGB 216 89 164

HSL 324.57, 0.62%, 0.6%

LAB 56.51, 57.7, -15.55

 

CMYK 73 / 0 / 48 / 35

HEX #2CA656

RGB 44 166 86

HSL 140.66, 0.58%, 0.41%

LAB 60.32, -50.86, 32.01

 

CMYK 67 / 0 / 43 / 28

HEX #3DB869

RGB 61 184 105

HSL 141.46, 0.5%, 0.48%

LAB 66.74, -51.46, 30.45

 

CMYK 61 / 0 / 39 / 21

HEX #4ECA7C

RGB 78 202 124

HSL 142.26, 0.54%, 0.55%

LAB 73.1, -51.75, 28.99

 

CMYK 57 / 0 / 35 / 14

HEX #5FDC8F

RGB 95 220 143

HSL 143.04, 0.64%, 0.62%

LAB 79.39, -51.85, 27.64

 

CMYK 53 / 0 / 32 / 7

HEX #70EEA2

RGB 112 238 162

HSL 143.81, 0.79%, 0.69%

LAB 85.61, -51.82, 26.38

 

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 85 / 0 / 51 / 42

HEX #169448

RGB 22 148 72

HSL 143.81, 0.74%, 0.33%

LAB 53.83, -49.55, 31.06

 

CMYK 96 / 0 / 59 / 49

HEX #058235

RGB 5 130 53

HSL 143.04, 0.93%, 0.26%

LAB 47.31, -47.64, 32.84

 

CMYK 100 / 0 / 70 / 56

HEX #007022

RGB 0 112 34

HSL 138.21, 1%, 0.22%

LAB 40.74, -44.58, 34.53

 

CMYK 100 / 0 / 84 / 63

HEX #005E0F

RGB 0 94 15

HSL 129.57, 1%, 0.18%

LAB 34.07, -40.6, 35.48

 

CMYK 76 / 0 / 45 / 35

HEX #27A55B

RGB 39 165 91

HSL 144.76, 0.62%, 0.4%

LAB 59.98, -50.37, 28.94

 

CMYK 76 / 0 / 66 / 35

HEX #27A538

RGB 39 165 56

HSL 128.1, 0.62%, 0.4%

LAB 59.55, -55.41, 45.52

 

CMYK 67 / 0 / 76 / 35

HEX #37A527

RGB 55 165 39

HSL 112.38, 0.62%, 0.4%

LAB 59.77, -54.03, 52.52

 

CMYK 46 / 0 / 76 / 35

HEX #59A527

RGB 89 165 39

HSL 96.19, 0.62%, 0.4%

LAB 60.94, -44.82, 54.07

 

CMYK 25 / 0 / 76 / 35

HEX #7BA527

RGB 123 165 39

HSL 80, 0.62%, 0.4%

LAB 62.73, -32.42, 56.41

 

CMYK 76 / 0 / 45 / 35

HEX #27A55B

RGB 39 165 91

HSL 144.76, 0.62%, 0.4%

LAB 59.98, -50.37, 28.94

 

CMYK 76 / 0 / 24 / 35

HEX #27A57D

RGB 39 165 125

HSL 160.95, 0.62%, 0.4%

LAB 60.62, -43.18, 11.27

 

CMYK 76 / 0 / 4 / 35

HEX #27A59F

RGB 39 165 159

HSL 177.14, 0.62%, 0.4%

LAB 61.52, -34.04, -6.51

 

CMYK 76 / 16 / 0 / 35

HEX #278AA5

RGB 39 138 165

HSL 192.86, 0.62%, 0.4%

LAB 53.3, -18.58, -22.34

 

CMYK 76 / 38 / 0 / 35

HEX #2767A5

RGB 39 103 165

HSL 209.52, 0.62%, 0.4%

LAB 42.53, 1.82, -39.17

 

CMYK 76 / 0 / 45 / 35

HEX #27A55B

RGB 39 165 91

HSL 144.76, 0.62%, 0.4%

LAB 59.98, -50.37, 28.94

 

CMYK 88 / 0 / 52 / 29

HEX #16B658

RGB 22 182 88

HSL 144.75, 0.78%, 0.4%

LAB 65.22, -58.68, 37.05

 

CMYK 97 / 0 / 57 / 22

HEX #06C655

RGB 6 198 85

HSL 144.69, 0.94%, 0.4%

LAB 70.23, -65.13, 44.54

 

CMYK 76 / 0 / 45 / 35

HEX #27A55B

RGB 39 165 91

HSL 144.76, 0.62%, 0.4%

LAB 59.98, -50.37, 28.94

 

CMYK 63 / 0 / 37 / 42

HEX #37955E

RGB 55 149 94

HSL 144.89, 0.46%, 0.4%

LAB 55.19, -40.66, 21.09

 

CMYK 45 / 0 / 27 / 48

HEX #488461

RGB 72 132 97

HSL 145, 0.29%, 0.4%

LAB 50.39, -27.99, 12.94

 

CMYK 24 / 0 / 14 / 55

HEX #587464

RGB 88 116 100

HSL 145.71, 0.14%, 0.4%

LAB 46.29, -13.76, 5.54

 

CMYK 0 / 6 / 2 / 59

HEX #696367

RGB 105 99 103

HSL 320, 0.03%, 0.4%

LAB 42.62, 3.18, -1.42

 

CMYK 66 / 0 / 76 / 35

HEX #38A527

RGB 56 165 39

HSL 111.9, 0.62%, 0.4%

LAB 59.8, -53.82, 52.56

 

CMYK 76 / 0 / 66 / 35

HEX #27A538

RGB 39 165 56

HSL 128.1, 0.62%, 0.4%

LAB 59.55, -55.41, 45.52

 

CMYK 76 / 0 / 46 / 35

HEX #27A559

RGB 39 165 89

HSL 143.81, 0.62%, 0.4%

LAB 59.95, -50.73, 29.95

 

CMYK 76 / 0 / 25 / 35

HEX #27A57B

RGB 39 165 123

HSL 160, 0.62%, 0.4%

LAB 60.58, -43.66, 12.32

 

CMYK 76 / 0 / 5 / 35

HEX #27A59D

RGB 39 165 157

HSL 176.19, 0.62%, 0.4%

LAB 61.46, -34.63, -5.47

 

CMYK 77 / 0 / 45 / 62

HEX #176236

RGB 23 98 54

HSL 144.8, 0.62%, 0.24%

LAB 36.34, -33.53, 18.72

 

CMYK 77 / 0 / 45 / 48

HEX #1F8448

RGB 31 132 72

HSL 144.36, 0.62%, 0.32%

LAB 48.59, -42.46, 24.44

 

CMYK 76 / 0 / 45 / 35

HEX #27A55B

RGB 39 165 91

HSL 144.76, 0.62%, 0.4%

LAB 59.98, -50.37, 28.94

 

CMYK 76 / 0 / 45 / 22

HEX #2FC76D

RGB 47 199 109

HSL 144.47, 0.62%, 0.48%

LAB 71.25, -58.5, 34.16

 

CMYK 65 / 0 / 38 / 16

HEX #4AD583

RGB 74 213 131

HSL 144.6, 0.62%, 0.56%

LAB 76.49, -55.53, 29.85

 

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 76 / 46 / 0 / 35

HEX #2759A5

RGB 39 89 165

HSL 216.19, 0.62%, 0.4%

LAB 38.36, 10.81, -45.83

 

CMYK 0 / 76 / 76 / 35

HEX #A52727

RGB 165 39 39

HSL 0, 0.62%, 0.4%

LAB 37.11, 50.62, 31.86

 

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 46 / 76 / 0 / 35

HEX #5927A5

RGB 89 39 165

HSL 263.81, 0.62%, 0.4%

LAB 30.14, 49.41, -59

 

CMYK 0 / 46 / 76 / 35

HEX #A55927

RGB 165 89 39

HSL 23.81, 0.62%, 0.4%

LAB 46.03, 27.3, 41.33

 

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 76 / 46 / 0 / 35

HEX #2759A5

RGB 39 89 165

HSL 216.19, 0.62%, 0.4%

LAB 38.36, 10.81, -45.83

 

CMYK 0 / 76 / 30 / 35

HEX #A52773

RGB 165 39 115

HSL 323.81, 0.62%, 0.4%

LAB 39.05, 56.79, -13.33

 

CMYK 0 / 30 / 76 / 35

HEX #A57327

RGB 165 115 39

HSL 36.19, 0.62%, 0.4%

LAB 52.29, 12.69, 47.6

 

CMYK 77 / 0 / 45 / 35

HEX #27A65B

RGB 39 166 91

HSL 144.57, 0.62%, 0.4%

LAB 60.3, -50.75, 29.35

 

CMYK 76 / 69 / 0 / 35

HEX #2733A5

RGB 39 51 165

HSL 234.29, 0.62%, 0.4%

LAB 28.16, 35.97, -62.42

 

CMYK 0 / 76 / 30 / 35

HEX #A52773

RGB 165 39 115

HSL 323.81, 0.62%, 0.4%

LAB 39.05, 56.79, -13.33

 

CMYK 0 / 7 / 76 / 35

HEX #A59927

RGB 165 153 39

HSL 54.29, 0.62%, 0.4%

LAB 62.45, -8.34, 57.28

 

Description

Color code: HEX #27A65B | qconv.com Color code: HEX #27A65B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 166 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 166 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 45 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 45% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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