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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2799C4 it is the complementary color #D8663B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2799C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2799C4 shade: #2C99BF, #3DABD2, #4EBDE5, #5FCFF8 and #70E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2799C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2799C4 shade: #2799C4, #1687B1, #05759E, #00638B and #005178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2799C4 shade: #2799C4, #276EC4, #2744C4, #3427C4 and #5E27C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2799C4 shade: #2799C4, #276EC4, #2744C4 and #2727C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2799C4 shade matches the following richer shades: #2799C4, #14A1D7 and #01AAEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2799C4 shade: #2799C4, #3A90B1, #4D889E, #607F8B and #737778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2799C4 shade: #27C49A, #27C4C4, #279AC4, #2770C4 and #2746C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2799C4 shade: #19637F, #207EA1, #2799C4, #3BADD8 and #5EBCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2799C4 shade: #2799C4, #7027C4 and #C4AF27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2799C4 shade: #2799C4, #C4279A and #9AC427

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2799C4 shade: #2799C4, #7027C4, #C45127 and #7BC427

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2799C4 shade: #2799C4, #9F27C4, #C45127 and #4BC427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

Complementary color

CMYK 0 / 53 / 73 / 15

HEX #D8663B

RGB 216 102 59

HSL 16.43, 0.67%, 0.54%

LAB 56.5, 41.93, 44.63

 

CMYK 77 / 20 / 0 / 25

HEX #2C99BF

RGB 44 153 191

HSL 195.51, 0.63%, 0.46%

LAB 59.05, -17.26, -28.3

 

CMYK 71 / 19 / 0 / 18

HEX #3DABD2

RGB 61 171 210

HSL 195.7, 0.62%, 0.53%

LAB 65.57, -18.43, -28.8

 

CMYK 66 / 17 / 0 / 10

HEX #4EBDE5

RGB 78 189 229

HSL 195.89, 0.74%, 0.6%

LAB 72.01, -19.33, -29.25

 

CMYK 62 / 17 / 0 / 3

HEX #5FCFF8

RGB 95 207 248

HSL 196.08, 0.92%, 0.67%

LAB 78.37, -20.03, -29.66

 

CMYK 56 / 12 / 0 / 0

HEX #70E1FF

RGB 112 225 255

HSL 192.59, 1%, 0.72%

LAB 84.23, -24, -24.36

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 88 / 24 / 0 / 31

HEX #1687B1

RGB 22 135 177

HSL 196.26, 0.78%, 0.39%

LAB 52.59, -14.32, -30.38

 

CMYK 97 / 26 / 0 / 38

HEX #05759E

RGB 5 117 158

HSL 196.08, 0.94%, 0.32%

LAB 45.94, -12.06, -29.72

 

CMYK 100 / 29 / 0 / 45

HEX #00638B

RGB 0 99 139

HSL 197.27, 1%, 0.27%

LAB 39.22, -9.1, -28.92

 

CMYK 100 / 33 / 0 / 53

HEX #005178

RGB 0 81 120

HSL 199.5, 1%, 0.24%

LAB 32.35, -5.7, -28.07

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 80 / 44 / 0 / 23

HEX #276EC4

RGB 39 110 196

HSL 212.87, 0.67%, 0.46%

LAB 46.4, 9.24, -51.07

 

CMYK 80 / 65 / 0 / 23

HEX #2744C4

RGB 39 68 196

HSL 228.92, 0.67%, 0.46%

LAB 35.11, 36.46, -69.41

 

CMYK 73 / 80 / 0 / 23

HEX #3427C4

RGB 52 39 196

HSL 244.97, 0.67%, 0.46%

LAB 29.83, 54.03, -78.09

 

CMYK 52 / 80 / 0 / 23

HEX #5E27C4

RGB 94 39 196

HSL 261.02, 0.67%, 0.46%

LAB 33.6, 58.24, -71.74

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 80 / 44 / 0 / 23

HEX #276EC4

RGB 39 110 196

HSL 212.87, 0.67%, 0.46%

LAB 46.4, 9.24, -51.07

 

CMYK 80 / 65 / 0 / 23

HEX #2744C4

RGB 39 68 196

HSL 228.92, 0.67%, 0.46%

LAB 35.11, 36.46, -69.41

 

CMYK 80 / 80 / 0 / 23

HEX #2727C4

RGB 39 39 196

HSL 240, 0.67%, 0.46%

LAB 29.08, 53.19, -79.36

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 91 / 25 / 0 / 16

HEX #14A1D7

RGB 20 161 215

HSL 196.62, 0.83%, 0.46%

LAB 62.12, -15.1, -36.97

 

CMYK 100 / 27 / 0 / 8

HEX #01AAEA

RGB 1 170 234

HSL 196.48, 0.99%, 0.46%

LAB 65.51, -13.82, -42.16

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 67 / 19 / 0 / 31

HEX #3A90B1

RGB 58 144 177

HSL 196.64, 0.51%, 0.46%

LAB 56.11, -15.14, -24.87

 

CMYK 51 / 14 / 0 / 38

HEX #4D889E

RGB 77 136 158

HSL 196.3, 0.34%, 0.46%

LAB 53.66, -12.93, -17.65

 

CMYK 31 / 9 / 0 / 45

HEX #607F8B

RGB 96 127 139

HSL 196.74, 0.18%, 0.46%

LAB 51.3, -7.97, -10.07

 

CMYK 4 / 1 / 0 / 53

HEX #737778

RGB 115 119 120

HSL 192, 0.02%, 0.46%

LAB 49.73, -1.3, -1.08

 

CMYK 80 / 0 / 21 / 23

HEX #27C49A

RGB 39 196 154

HSL 163.95, 0.67%, 0.46%

LAB 71.04, -48.9, 10.08

 

CMYK 80 / 0 / 0 / 23

HEX #27C4C4

RGB 39 196 196

HSL 180, 0.67%, 0.46%

LAB 72.16, -37.53, -11.13

 

CMYK 80 / 21 / 0 / 23

HEX #279AC4

RGB 39 154 196

HSL 196.05, 0.67%, 0.46%

LAB 59.46, -16.62, -30.48

 

CMYK 80 / 43 / 0 / 23

HEX #2770C4

RGB 39 112 196

HSL 212.1, 0.67%, 0.46%

LAB 46.98, 7.98, -50.15

 

CMYK 80 / 64 / 0 / 23

HEX #2746C4

RGB 39 70 196

HSL 228.15, 0.67%, 0.46%

LAB 35.59, 35.18, -68.61

 

CMYK 80 / 22 / 0 / 50

HEX #19637F

RGB 25 99 127

HSL 196.47, 0.67%, 0.3%

LAB 39.01, -11.82, -21.95

 

CMYK 80 / 22 / 0 / 37

HEX #207EA1

RGB 32 126 161

HSL 196.28, 0.67%, 0.38%

LAB 49.26, -14.17, -26.29

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 73 / 20 / 0 / 15

HEX #3BADD8

RGB 59 173 216

HSL 196.43, 0.67%, 0.54%

LAB 66.35, -17.79, -30.91

 

CMYK 58 / 16 / 0 / 13

HEX #5EBCDF

RGB 94 188 223

HSL 196.28, 0.67%, 0.62%

LAB 72.01, -17.86, -25.94

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 43 / 80 / 0 / 23

HEX #7027C4

RGB 112 39 196

HSL 267.9, 0.67%, 0.46%

LAB 35.75, 60.67, -68.12

 

CMYK 0 / 11 / 80 / 23

HEX #C4AF27

RGB 196 175 39

HSL 51.97, 0.67%, 0.46%

LAB 71.24, -6.22, 66.29

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 0 / 80 / 21 / 23

HEX #C4279A

RGB 196 39 154

HSL 316.05, 0.67%, 0.46%

LAB 46.34, 69.15, -25.52

 

CMYK 21 / 0 / 80 / 23

HEX #9AC427

RGB 154 196 39

HSL 76.05, 0.67%, 0.46%

LAB 73.87, -34.4, 67.4

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 43 / 80 / 0 / 23

HEX #7027C4

RGB 112 39 196

HSL 267.9, 0.67%, 0.46%

LAB 35.75, 60.67, -68.12

 

CMYK 0 / 59 / 80 / 23

HEX #C45127

RGB 196 81 39

HSL 16.05, 0.67%, 0.46%

LAB 49.21, 43.79, 46.09

 

CMYK 37 / 0 / 80 / 23

HEX #7BC427

RGB 123 196 39

HSL 87.9, 0.67%, 0.46%

LAB 72.12, -46.05, 65.16

 

CMYK 80 / 22 / 0 / 23

HEX #2799C4

RGB 39 153 196

HSL 196.43, 0.67%, 0.46%

LAB 59.16, -16.07, -30.95

 

CMYK 19 / 80 / 0 / 23

HEX #9F27C4

RGB 159 39 196

HSL 285.86, 0.67%, 0.46%

LAB 42.47, 68.27, -56.89

 

CMYK 0 / 59 / 80 / 23

HEX #C45127

RGB 196 81 39

HSL 16.05, 0.67%, 0.46%

LAB 49.21, 43.79, 46.09

 

CMYK 62 / 0 / 80 / 23

HEX #4BC427

RGB 75 196 39

HSL 106.24, 0.67%, 0.46%

LAB 70.26, -60.2, 62.77

 

Description

Color code: HEX #2799C4 | qconv.com Color code: HEX #2799C4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 153 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 153 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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