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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279771 it is the complementary color #D8688E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279771 shade: #2C976C, #3DA97F, #4EBB92, #5FCDA5 and #70DFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279771 shade: #279771, #16855E, #05734B, #006138 and #004F25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279771 shade: #279670, #279652, #279634, #379627 and #559627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279771 shade: #279670, #27968E, #278096, #276296 and #274496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279771 shade matches the following richer shades: #279670, #17A575 and #08B57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279771 shade: #279670, #36876B, #457766, #546862 and #64595D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279771 shade: #279634, #279651, #27966F, #27968D and #278296

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279771 shade: #16543F, #1E7558, #279670, #2FB789 and #41CE9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279771 shade: #279771, #273796 and #964327

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279771 shade: #279771, #6F2796 and #966F27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279771 shade: #279771, #273796, #96274E and #968527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279771 shade: #279771, #372796, #96274E and #859627

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

Complementary color

CMYK 0 / 52 / 34 / 15

HEX #D8688E

RGB 216 104 142

HSL 339.64, 0.59%, 0.63%

LAB 58.46, 47.87, 0.17

 

CMYK 71 / 0 / 28 / 41

HEX #2C976C

RGB 44 151 108

HSL 155.89, 0.55%, 0.38%

LAB 55.84, -40.58, 14.11

 

CMYK 64 / 0 / 25 / 34

HEX #3DA97F

RGB 61 169 127

HSL 156.67, 0.47%, 0.45%

LAB 62.42, -40.92, 12.76

 

CMYK 58 / 0 / 22 / 27

HEX #4EBB92

RGB 78 187 146

HSL 157.43, 0.44%, 0.52%

LAB 68.92, -41.05, 11.54

 

CMYK 54 / 0 / 20 / 20

HEX #5FCDA5

RGB 95 205 165

HSL 158.18, 0.52%, 0.59%

LAB 75.33, -41.05, 10.44

 

CMYK 50 / 0 / 17 / 13

HEX #70DFB8

RGB 112 223 184

HSL 158.92, 0.63%, 0.66%

LAB 81.66, -40.97, 9.43

 

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

CMYK 83 / 0 / 29 / 48

HEX #16855E

RGB 22 133 94

HSL 158.92, 0.72%, 0.3%

LAB 49.2, -39.3, 12.8

 

CMYK 96 / 0 / 35 / 55

HEX #05734B

RGB 5 115 75

HSL 158.18, 0.92%, 0.24%

LAB 42.46, -37.89, 14.54

 

CMYK 100 / 0 / 42 / 62

HEX #006138

RGB 0 97 56

HSL 154.64, 1%, 0.19%

LAB 35.66, -35.49, 16.59

 

CMYK 100 / 0 / 53 / 69

HEX #004F25

RGB 0 79 37

HSL 148.1, 1%, 0.15%

LAB 28.71, -32.45, 18.83

 

CMYK 74 / 0 / 25 / 41

HEX #279670

RGB 39 150 112

HSL 159.46, 0.59%, 0.37%

LAB 55.5, -39.98, 11.36

 

CMYK 74 / 0 / 45 / 41

HEX #279652

RGB 39 150 82

HSL 143.24, 0.59%, 0.37%

LAB 54.92, -46.33, 27.21

 

CMYK 74 / 0 / 65 / 41

HEX #279634

RGB 39 150 52

HSL 127.03, 0.59%, 0.37%

LAB 54.55, -50.74, 41.74

 

CMYK 63 / 0 / 74 / 41

HEX #379627

RGB 55 150 39

HSL 111.35, 0.59%, 0.37%

LAB 54.84, -48.72, 47.59

 

CMYK 43 / 0 / 74 / 41

HEX #559627

RGB 85 150 39

HSL 95.14, 0.59%, 0.37%

LAB 55.98, -39.94, 49.11

 

CMYK 74 / 0 / 25 / 41

HEX #279670

RGB 39 150 112

HSL 159.46, 0.59%, 0.37%

LAB 55.5, -39.98, 11.36

 

CMYK 74 / 0 / 5 / 41

HEX #27968E

RGB 39 150 142

HSL 175.68, 0.59%, 0.37%

LAB 56.28, -31.94, -4.62

 

CMYK 74 / 15 / 0 / 41

HEX #278096

RGB 39 128 150

HSL 191.89, 0.59%, 0.37%

LAB 49.58, -18.24, -19.34

 

CMYK 74 / 35 / 0 / 41

HEX #276296

RGB 39 98 150

HSL 208.11, 0.59%, 0.37%

LAB 40.19, -0.72, -33.95

 

CMYK 74 / 55 / 0 / 41

HEX #274496

RGB 39 68 150

HSL 224.32, 0.59%, 0.37%

LAB 31.27, 19.04, -48.23

 

CMYK 74 / 0 / 25 / 41

HEX #279670

RGB 39 150 112

HSL 159.46, 0.59%, 0.37%

LAB 55.5, -39.98, 11.36

 

CMYK 86 / 0 / 29 / 35

HEX #17A575

RGB 23 165 117

HSL 159.72, 0.76%, 0.37%

LAB 60.23, -46.75, 15.13

 

CMYK 96 / 0 / 33 / 29

HEX #08B57A

RGB 8 181 122

HSL 159.54, 0.92%, 0.37%

LAB 65.36, -52.62, 19.45

 

CMYK 74 / 0 / 25 / 41

HEX #279670

RGB 39 150 112

HSL 159.46, 0.59%, 0.37%

LAB 55.5, -39.98, 11.36

 

CMYK 60 / 0 / 21 / 47

HEX #36876B

RGB 54 135 107

HSL 159.26, 0.43%, 0.37%

LAB 50.89, -31.77, 7.77

 

CMYK 42 / 0 / 14 / 53

HEX #457766

RGB 69 119 102

HSL 159.6, 0.27%, 0.37%

LAB 46.2, -21.17, 4.08

 

CMYK 19 / 0 / 6 / 59

HEX #546862

RGB 84 104 98

HSL 162, 0.11%, 0.37%

LAB 42.26, -8.85, 0.89

 

CMYK 0 / 11 / 7 / 61

HEX #64595D

RGB 100 89 93

HSL 338.18, 0.06%, 0.37%

LAB 38.97, 5.24, -0.68

 

CMYK 74 / 0 / 65 / 41

HEX #279634

RGB 39 150 52

HSL 127.03, 0.59%, 0.37%

LAB 54.55, -50.74, 41.74

 

CMYK 74 / 0 / 46 / 41

HEX #279651

RGB 39 150 81

HSL 142.7, 0.59%, 0.37%

LAB 54.91, -46.51, 27.72

 

CMYK 74 / 0 / 26 / 41

HEX #27966F

RGB 39 150 111

HSL 158.92, 0.59%, 0.37%

LAB 55.47, -40.22, 11.89

 

CMYK 74 / 0 / 6 / 41

HEX #27968D

RGB 39 150 141

HSL 175.14, 0.59%, 0.37%

LAB 56.25, -32.23, -4.09

 

CMYK 74 / 13 / 0 / 41

HEX #278296

RGB 39 130 150

HSL 190.81, 0.59%, 0.37%

LAB 50.21, -19.32, -18.38

 

CMYK 74 / 0 / 25 / 67

HEX #16543F

RGB 22 84 63

HSL 159.68, 0.58%, 0.21%

LAB 31.51, -25.27, 6.67

 

CMYK 74 / 0 / 25 / 54

HEX #1E7558

RGB 30 117 88

HSL 160, 0.59%, 0.29%

LAB 43.8, -32.8, 8.79

 

CMYK 74 / 0 / 25 / 41

HEX #279670

RGB 39 150 112

HSL 159.46, 0.59%, 0.37%

LAB 55.5, -39.98, 11.36

 

CMYK 74 / 0 / 25 / 28

HEX #2FB789

RGB 47 183 137

HSL 159.71, 0.59%, 0.45%

LAB 66.73, -46.74, 13.26

 

CMYK 68 / 0 / 23 / 19

HEX #41CE9E

RGB 65 206 158

HSL 159.57, 0.59%, 0.53%

LAB 74.66, -48.74, 13.12

 

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

CMYK 74 / 63 / 0 / 41

HEX #273796

RGB 39 55 150

HSL 231.35, 0.59%, 0.37%

LAB 27.75, 27.84, -53.96

 

CMYK 0 / 55 / 74 / 41

HEX #964327

RGB 150 67 39

HSL 15.14, 0.59%, 0.37%

LAB 38.98, 32.94, 33.16

 

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

CMYK 26 / 74 / 0 / 41

HEX #6F2796

RGB 111 39 150

HSL 278.92, 0.59%, 0.37%

LAB 31.88, 49.81, -46.92

 

CMYK 0 / 26 / 74 / 41

HEX #966F27

RGB 150 111 39

HSL 38.92, 0.59%, 0.37%

LAB 49.5, 8.13, 44.23

 

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

CMYK 74 / 63 / 0 / 41

HEX #273796

RGB 39 55 150

HSL 231.35, 0.59%, 0.37%

LAB 27.75, 27.84, -53.96

 

CMYK 0 / 74 / 48 / 41

HEX #96274E

RGB 150 39 78

HSL 338.92, 0.59%, 0.37%

LAB 34.97, 48.54, 3.87

 

CMYK 0 / 11 / 74 / 41

HEX #968527

RGB 150 133 39

HSL 50.81, 0.59%, 0.37%

LAB 55.49, -4.28, 50.17

 

CMYK 74 / 0 / 25 / 41

HEX #279771

RGB 39 151 113

HSL 159.64, 0.59%, 0.37%

LAB 55.84, -40.17, 11.28

 

CMYK 63 / 74 / 0 / 41

HEX #372796

RGB 55 39 150

HSL 248.65, 0.59%, 0.37%

LAB 25.15, 39.95, -58.17

 

CMYK 0 / 74 / 48 / 41

HEX #96274E

RGB 150 39 78

HSL 338.92, 0.59%, 0.37%

LAB 34.97, 48.54, 3.87

 

CMYK 11 / 0 / 74 / 41

HEX #859627

RGB 133 150 39

HSL 69.19, 0.59%, 0.37%

LAB 58.92, -20.94, 53

 

Description

Color code: HEX #279771 | qconv.com Color code: HEX #279771 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 151 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 151 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 25 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 25% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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