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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279475 it is the complementary color #D86B8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279475 shade: #2C9470, #3DA683, #4EB896, #5FCAA9 and #70DCBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279475 shade: #279475, #168262, #05704F, #005E3C and #004C29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279475 shade: #289576, #289558, #28953B, #329528 and #4F9528

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279475 shade: #289576, #289593, #287995, #285C95 and #283E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279475 shade matches the following richer shades: #289576, #18A47D and #09B483

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279475 shade: #289576, #37866F, #467769, #556762 and #65585C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279475 shade: #28953A, #289557, #289574, #289591 and #287C95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279475 shade: #165442, #1F745C, #289576, #30B690 and #42CDA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279475 shade: #279475, #283395 and #954828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279475 shade: #279475, #742895 and #957428

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279475 shade: #279475, #283395, #952848 and #958A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279475 shade: #279475, #3E2895, #952848 and #7F9528

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

Complementary color

CMYK 0 / 50 / 36 / 15

HEX #D86B8A

RGB 216 107 138

HSL 342.94, 0.58%, 0.63%

LAB 58.93, 45.91, 3.17

 

CMYK 70 / 0 / 24 / 42

HEX #2C9470

RGB 44 148 112

HSL 159.23, 0.54%, 0.38%

LAB 54.95, -38.34, 10.61

 

CMYK 63 / 0 / 21 / 35

HEX #3DA683

RGB 61 166 131

HSL 160, 0.46%, 0.45%

LAB 61.57, -38.67, 9.33

 

CMYK 58 / 0 / 18 / 28

HEX #4EB896

RGB 78 184 150

HSL 160.75, 0.43%, 0.51%

LAB 68.1, -38.8, 8.19

 

CMYK 53 / 0 / 16 / 21

HEX #5FCAA9

RGB 95 202 169

HSL 161.5, 0.5%, 0.58%

LAB 74.53, -38.8, 7.15

 

CMYK 49 / 0 / 15 / 14

HEX #70DCBC

RGB 112 220 188

HSL 162.22, 0.61%, 0.65%

LAB 80.88, -38.73, 6.19

 

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

CMYK 83 / 0 / 25 / 49

HEX #168262

RGB 22 130 98

HSL 162.22, 0.71%, 0.3%

LAB 48.28, -37.03, 9.2

 

CMYK 96 / 0 / 29 / 56

HEX #05704F

RGB 5 112 79

HSL 161.5, 0.91%, 0.23%

LAB 41.51, -35.66, 10.87

 

CMYK 100 / 0 / 36 / 63

HEX #005E3C

RGB 0 94 60

HSL 158.3, 1%, 0.18%

LAB 34.66, -33.33, 12.85

 

CMYK 100 / 0 / 46 / 70

HEX #004C29

RGB 0 76 41

HSL 152.37, 1%, 0.15%

LAB 27.65, -30.41, 15.06

 

CMYK 73 / 0 / 21 / 42

HEX #289576

RGB 40 149 118

HSL 162.94, 0.58%, 0.37%

LAB 55.33, -37.92, 7.72

 

CMYK 73 / 0 / 41 / 42

HEX #289558

RGB 40 149 88

HSL 146.42, 0.58%, 0.37%

LAB 54.71, -44.66, 23.69

 

CMYK 73 / 0 / 60 / 42

HEX #28953B

RGB 40 149 59

HSL 130.46, 0.58%, 0.37%

LAB 54.3, -49.36, 38.22

 

CMYK 66 / 0 / 73 / 42

HEX #329528

RGB 50 149 40

HSL 114.5, 0.58%, 0.37%

LAB 54.37, -49.42, 46.68

 

CMYK 47 / 0 / 73 / 42

HEX #4F9528

RGB 79 149 40

HSL 98.53, 0.58%, 0.37%

LAB 55.39, -41.45, 48.05

 

CMYK 73 / 0 / 21 / 42

HEX #289576

RGB 40 149 118

HSL 162.94, 0.58%, 0.37%

LAB 55.33, -37.92, 7.72

 

CMYK 73 / 0 / 1 / 42

HEX #289593

RGB 40 149 147

HSL 178.9, 0.58%, 0.37%

LAB 56.14, -29.85, -7.69

 

CMYK 73 / 19 / 0 / 42

HEX #287995

RGB 40 121 149

HSL 195.41, 0.58%, 0.37%

LAB 47.36, -14.59, -22.17

 

CMYK 73 / 38 / 0 / 42

HEX #285C95

RGB 40 92 149

HSL 211.38, 0.58%, 0.37%

LAB 38.33, 2.85, -36.3

 

CMYK 73 / 58 / 0 / 42

HEX #283E95

RGB 40 62 149

HSL 227.89, 0.58%, 0.37%

LAB 29.58, 22.87, -50.36

 

CMYK 73 / 0 / 21 / 42

HEX #289576

RGB 40 149 118

HSL 162.94, 0.58%, 0.37%

LAB 55.33, -37.92, 7.72

 

CMYK 85 / 0 / 24 / 36

HEX #18A47D

RGB 24 164 125

HSL 163.29, 0.74%, 0.37%

LAB 60.09, -44.33, 10.49

 

CMYK 95 / 0 / 27 / 29

HEX #09B483

RGB 9 180 131

HSL 162.81, 0.9%, 0.37%

LAB 65.23, -50.13, 14.37

 

CMYK 73 / 0 / 21 / 42

HEX #289576

RGB 40 149 118

HSL 162.94, 0.58%, 0.37%

LAB 55.33, -37.92, 7.72

 

CMYK 59 / 0 / 17 / 47

HEX #37866F

RGB 55 134 111

HSL 162.53, 0.42%, 0.37%

LAB 50.7, -30.08, 5.18

 

CMYK 41 / 0 / 12 / 53

HEX #467769

RGB 70 119 105

HSL 162.86, 0.26%, 0.37%

LAB 46.33, -20.15, 2.5

 

CMYK 17 / 0 / 5 / 60

HEX #556762

RGB 85 103 98

HSL 163.33, 0.1%, 0.37%

LAB 42.02, -7.91, 0.55

 

CMYK 0 / 13 / 9 / 60

HEX #65585C

RGB 101 88 92

HSL 341.54, 0.07%, 0.37%

LAB 38.76, 6.06, -0.37

 

CMYK 73 / 0 / 61 / 42

HEX #28953A

RGB 40 149 58

HSL 129.91, 0.58%, 0.37%

LAB 54.29, -49.49, 38.68

 

CMYK 73 / 0 / 42 / 42

HEX #289557

RGB 40 149 87

HSL 145.87, 0.58%, 0.37%

LAB 54.69, -44.85, 24.21

 

CMYK 73 / 0 / 22 / 42

HEX #289574

RGB 40 149 116

HSL 161.83, 0.58%, 0.37%

LAB 55.28, -38.42, 8.79

 

CMYK 73 / 0 / 3 / 42

HEX #289591

RGB 40 149 145

HSL 177.8, 0.58%, 0.37%

LAB 56.08, -30.45, -6.64

 

CMYK 73 / 17 / 0 / 42

HEX #287C95

RGB 40 124 149

HSL 193.76, 0.58%, 0.37%

LAB 48.31, -16.26, -20.71

 

CMYK 74 / 0 / 21 / 67

HEX #165442

RGB 22 84 66

HSL 162.58, 0.58%, 0.21%

LAB 31.59, -24.45, 4.9

 

CMYK 73 / 0 / 21 / 55

HEX #1F745C

RGB 31 116 92

HSL 163.06, 0.58%, 0.29%

LAB 43.59, -31.14, 6.11

 

CMYK 73 / 0 / 21 / 42

HEX #289576

RGB 40 149 118

HSL 162.94, 0.58%, 0.37%

LAB 55.33, -37.92, 7.72

 

CMYK 74 / 0 / 21 / 29

HEX #30B690

RGB 48 182 144

HSL 162.99, 0.58%, 0.45%

LAB 66.59, -44.52, 9.24

 

CMYK 68 / 0 / 20 / 20

HEX #42CDA5

RGB 66 205 165

HSL 162.73, 0.58%, 0.53%

LAB 74.53, -46.53, 9.19

 

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

CMYK 73 / 66 / 0 / 42

HEX #283395

RGB 40 51 149

HSL 233.94, 0.58%, 0.37%

LAB 26.7, 30.24, -55.06

 

CMYK 0 / 52 / 73 / 42

HEX #954828

RGB 149 72 40

HSL 17.61, 0.58%, 0.37%

LAB 39.88, 29.92, 33.55

 

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

CMYK 22 / 73 / 0 / 42

HEX #742895

RGB 116 40 149

HSL 281.83, 0.58%, 0.37%

LAB 32.7, 50.22, -44.94

 

CMYK 0 / 22 / 73 / 42

HEX #957428

RGB 149 116 40

HSL 41.83, 0.58%, 0.37%

LAB 50.73, 4.86, 44.99

 

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

CMYK 73 / 66 / 0 / 42

HEX #283395

RGB 40 51 149

HSL 233.94, 0.58%, 0.37%

LAB 26.7, 30.24, -55.06

 

CMYK 0 / 73 / 52 / 42

HEX #952848

RGB 149 40 72

HSL 342.39, 0.58%, 0.37%

LAB 34.75, 47.31, 7.41

 

CMYK 0 / 7 / 73 / 42

HEX #958A28

RGB 149 138 40

HSL 53.94, 0.58%, 0.37%

LAB 56.8, -7.43, 51.03

 

CMYK 74 / 0 / 21 / 42

HEX #279475

RGB 39 148 117

HSL 162.94, 0.58%, 0.37%

LAB 54.96, -37.87, 7.77

 

CMYK 58 / 73 / 0 / 42

HEX #3E2895

RGB 62 40 149

HSL 252.11, 0.58%, 0.37%

LAB 25.9, 40.08, -56.31

 

CMYK 0 / 73 / 52 / 42

HEX #952848

RGB 149 40 72

HSL 342.39, 0.58%, 0.37%

LAB 34.75, 47.31, 7.41

 

CMYK 15 / 0 / 73 / 42

HEX #7F9528

RGB 127 149 40

HSL 72.11, 0.58%, 0.37%

LAB 58.19, -22.97, 51.77

 

Description

Color code: HEX #279475 | qconv.com Color code: HEX #279475 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 148 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 148 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 21 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 21% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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