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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279178 it is the complementary color #D86E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279178 shade: #2C9173, #3DA386, #4EB599, #5FC7AC and #70D9BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279178 shade: #279178, #167F65, #056D52, #005B3F and #00492C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279178 shade: #279178, #27915B, #27913E, #2B9127 and #489127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279178 shade: #279178, #278D91, #277191, #275491 and #273791

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279178 shade matches the following richer shades: #279178, #18A080 and #09AF88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279178 shade: #279178, #358270, #447368, #536460 and #625659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279178 shade: #27913E, #27915A, #279176, #278F91 and #277391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279178 shade: #155042, #1E705D, #279178, #2FB293 and #3ECCAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279178 shade: #279178, #272C91 and #914C27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279178 shade: #279178, #762791 and #917627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279178 shade: #279178, #272C91, #912741 and #918C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279178 shade: #279178, #412791, #912741 and #769127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

Complementary color

CMYK 0 / 49 / 38 / 15

HEX #D86E87

RGB 216 110 135

HSL 345.85, 0.58%, 0.64%

LAB 59.43, 44.06, 5.64

 

CMYK 70 / 0 / 21 / 43

HEX #2C9173

RGB 44 145 115

HSL 162.18, 0.53%, 0.37%

LAB 54.05, -36.28, 7.63

 

CMYK 63 / 0 / 18 / 36

HEX #3DA386

RGB 61 163 134

HSL 162.94, 0.46%, 0.44%

LAB 60.7, -36.59, 6.41

 

CMYK 57 / 0 / 15 / 29

HEX #4EB599

RGB 78 181 153

HSL 163.69, 0.41%, 0.51%

LAB 67.25, -36.72, 5.33

 

CMYK 52 / 0 / 14 / 22

HEX #5FC7AC

RGB 95 199 172

HSL 164.42, 0.48%, 0.58%

LAB 73.71, -36.74, 4.35

 

CMYK 48 / 0 / 12 / 15

HEX #70D9BF

RGB 112 217 191

HSL 165.14, 0.58%, 0.65%

LAB 80.09, -36.68, 3.44

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 83 / 0 / 20 / 50

HEX #167F65

RGB 22 127 101

HSL 165.14, 0.7%, 0.29%

LAB 47.35, -34.92, 6.13

 

CMYK 95 / 0 / 25 / 57

HEX #056D52

RGB 5 109 82

HSL 164.42, 0.91%, 0.22%

LAB 40.54, -33.58, 7.71

 

CMYK 100 / 0 / 31 / 64

HEX #005B3F

RGB 0 91 63

HSL 161.54, 1%, 0.18%

LAB 33.65, -31.29, 9.62

 

CMYK 100 / 0 / 40 / 71

HEX #00492C

RGB 0 73 44

HSL 156.16, 1%, 0.14%

LAB 26.58, -28.45, 11.77

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 73 / 0 / 37 / 43

HEX #27915B

RGB 39 145 91

HSL 149.43, 0.58%, 0.36%

LAB 53.42, -42.62, 20.32

 

CMYK 73 / 0 / 57 / 43

HEX #27913E

RGB 39 145 62

HSL 133.02, 0.58%, 0.36%

LAB 52.98, -47.68, 35.19

 

CMYK 70 / 0 / 73 / 43

HEX #2B9127

RGB 43 145 39

HSL 117.74, 0.58%, 0.36%

LAB 52.85, -49.56, 45.46

 

CMYK 50 / 0 / 73 / 43

HEX #489127

RGB 72 145 39

HSL 101.32, 0.58%, 0.36%

LAB 53.79, -42.11, 46.71

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 73 / 3 / 0 / 43

HEX #278D91

RGB 39 141 145

HSL 182.26, 0.58%, 0.36%

LAB 53.52, -26.65, -10.46

 

CMYK 73 / 22 / 0 / 43

HEX #277191

RGB 39 113 145

HSL 198.11, 0.58%, 0.36%

LAB 44.64, -11.58, -24.01

 

CMYK 73 / 42 / 0 / 43

HEX #275491

RGB 39 84 145

HSL 214.53, 0.58%, 0.36%

LAB 35.63, 6.35, -38.18

 

CMYK 73 / 62 / 0 / 43

HEX #273791

RGB 39 55 145

HSL 230.94, 0.58%, 0.36%

LAB 27.32, 25.95, -51.59

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 85 / 0 / 20 / 37

HEX #18A080

RGB 24 160 128

HSL 165.88, 0.74%, 0.36%

LAB 58.88, -41.9, 7.08

 

CMYK 95 / 0 / 22 / 31

HEX #09AF88

RGB 9 175 136

HSL 165.9, 0.9%, 0.36%

LAB 63.75, -46.92, 9.54

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 59 / 0 / 14 / 49

HEX #358270

RGB 53 130 112

HSL 165.97, 0.42%, 0.36%

LAB 49.36, -28.32, 2.67

 

CMYK 41 / 0 / 10 / 55

HEX #447368

RGB 68 115 104

HSL 165.96, 0.26%, 0.36%

LAB 44.93, -18.86, 1.04

 

CMYK 17 / 0 / 4 / 61

HEX #536460

RGB 83 100 96

HSL 165.88, 0.09%, 0.36%

LAB 40.89, -7.35, 0.11

 

CMYK 0 / 12 / 9 / 62

HEX #625659

RGB 98 86 89

HSL 345, 0.07%, 0.36%

LAB 37.79, 5.48, 0.05

 

CMYK 73 / 0 / 57 / 43

HEX #27913E

RGB 39 145 62

HSL 133.02, 0.58%, 0.36%

LAB 52.98, -47.68, 35.19

 

CMYK 73 / 0 / 38 / 43

HEX #27915A

RGB 39 145 90

HSL 148.87, 0.58%, 0.36%

LAB 53.41, -42.83, 20.85

 

CMYK 73 / 0 / 19 / 43

HEX #279176

RGB 39 145 118

HSL 164.72, 0.58%, 0.36%

LAB 54.02, -36.29, 5.84

 

CMYK 73 / 1 / 0 / 43

HEX #278F91

RGB 39 143 145

HSL 181.13, 0.58%, 0.36%

LAB 54.15, -27.64, -9.51

 

CMYK 73 / 21 / 0 / 43

HEX #277391

RGB 39 115 145

HSL 196.98, 0.58%, 0.36%

LAB 45.27, -12.73, -23.03

 

CMYK 74 / 0 / 18 / 69

HEX #155042

RGB 21 80 66

HSL 165.76, 0.58%, 0.2%

LAB 30.13, -22.62, 2.81

 

CMYK 73 / 0 / 17 / 56

HEX #1E705D

RGB 30 112 93

HSL 166.1, 0.58%, 0.28%

LAB 42.24, -29.15, 3.57

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 74 / 0 / 17 / 30

HEX #2FB293

RGB 47 178 147

HSL 165.8, 0.58%, 0.44%

LAB 65.4, -42.2, 5.87

 

CMYK 70 / 0 / 17 / 20

HEX #3ECCAA

RGB 62 204 170

HSL 165.63, 0.58%, 0.52%

LAB 74.26, -45.5, 6.1

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 73 / 70 / 0 / 43

HEX #272C91

RGB 39 44 145

HSL 237.17, 0.58%, 0.36%

LAB 24.57, 33.2, -56.1

 

CMYK 0 / 48 / 73 / 43

HEX #914C27

RGB 145 76 39

HSL 20.94, 0.58%, 0.36%

LAB 40.14, 25.97, 34.21

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 19 / 73 / 0 / 43

HEX #762791

RGB 118 39 145

HSL 284.72, 0.58%, 0.36%

LAB 32.58, 50.22, -42.66

 

CMYK 0 / 19 / 73 / 43

HEX #917627

RGB 145 118 39

HSL 44.72, 0.58%, 0.36%

LAB 50.83, 1.82, 45.4

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 73 / 70 / 0 / 43

HEX #272C91

RGB 39 44 145

HSL 237.17, 0.58%, 0.36%

LAB 24.57, 33.2, -56.1

 

CMYK 0 / 73 / 55 / 43

HEX #912741

RGB 145 39 65

HSL 345.28, 0.58%, 0.36%

LAB 33.67, 45.84, 10.34

 

CMYK 0 / 3 / 73 / 43

HEX #918C27

RGB 145 140 39

HSL 57.17, 0.58%, 0.36%

LAB 57, -10.37, 51.48

 

CMYK 73 / 0 / 17 / 43

HEX #279178

RGB 39 145 120

HSL 165.85, 0.58%, 0.36%

LAB 54.07, -35.76, 4.77

 

CMYK 55 / 73 / 0 / 43

HEX #412791

RGB 65 39 145

HSL 254.72, 0.58%, 0.36%

LAB 25.62, 39.87, -54.29

 

CMYK 0 / 73 / 55 / 43

HEX #912741

RGB 145 39 65

HSL 345.28, 0.58%, 0.36%

LAB 33.67, 45.84, 10.34

 

CMYK 19 / 0 / 73 / 43

HEX #769127

RGB 118 145 39

HSL 75.28, 0.58%, 0.36%

LAB 56.34, -24.86, 50.11

 

Description

Color code: HEX #279178 | qconv.com Color code: HEX #279178 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 145 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 145 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 17 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 17% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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