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Color name
HEX #278C2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278C2A it is the complementary color #D873D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278C2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278C2A shade: #2C8C25, #3D9E38, #4EB04B, #5FC25E and #70D471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278C2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278C2A shade: #278C2A, #167A17, #056804, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278C2A shade: #278B2A, #3F8B27, #5A8B27, #758B27 and #8B8627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278C2A shade: #278B2A, #278B45, #278B60, #278B7B and #27808B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278C2A shade matches the following richer shades: #278B2A, #199A1D and #0AA80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278C2A shade: #278B2A, #367D38, #446E45, #536053 and #615161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278C2A shade: #5B8B27, #408B27, #278B29, #278B44 and #278B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278C2A shade: #154B17, #1E6B20, #278B2A, #30AB34 and #3DC841

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278C2A shade: #278C2A, #27768B and #8B274E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278C2A shade: #278C2A, #29278B and #8B2927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278C2A shade: #278C2A, #27768B, #8B278A and #8B3D27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278C2A shade: #278C2A, #27588B, #8B278A and #8B5B27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

Complementary color

CMYK 0 / 47 / 1 / 15

HEX #D873D5

RGB 216 115 213

HSL 301.78, 0.56%, 0.65%

LAB 63.06, 53.07, -33.47

 

CMYK 69 / 0 / 74 / 45

HEX #2C8C25

RGB 44 140 37

HSL 115.92, 0.58%, 0.35%

LAB 51.18, -47.77, 44.53

 

CMYK 61 / 0 / 65 / 38

HEX #3D9E38

RGB 61 158 56

HSL 117.06, 0.48%, 0.42%

LAB 57.78, -48.63, 43.71

 

CMYK 56 / 0 / 57 / 31

HEX #4EB04B

RGB 78 176 75

HSL 118.22, 0.4%, 0.49%

LAB 64.31, -49.06, 42.54

 

CMYK 51 / 0 / 52 / 24

HEX #5FC25E

RGB 95 194 94

HSL 119.4, 0.45%, 0.56%

LAB 70.75, -49.22, 41.26

 

CMYK 47 / 0 / 47 / 17

HEX #70D471

RGB 112 212 113

HSL 120.6, 0.54%, 0.64%

LAB 77.12, -49.21, 39.97

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 82 / 0 / 81 / 52

HEX #167A17

RGB 22 122 23

HSL 120.6, 0.69%, 0.28%

LAB 44.45, -46.62, 42.83

 

CMYK 95 / 0 / 96 / 59

HEX #056804

RGB 5 104 4

HSL 119.4, 0.93%, 0.21%

LAB 37.74, -43.85, 42

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 55 / 0 / 72 / 45

HEX #3F8B27

RGB 63 139 39

HSL 105.6, 0.56%, 0.35%

LAB 51.46, -42.42, 44.21

 

CMYK 35 / 0 / 72 / 45

HEX #5A8B27

RGB 90 139 39

HSL 89.4, 0.56%, 0.35%

LAB 52.71, -33.29, 45.89

 

CMYK 16 / 0 / 72 / 45

HEX #758B27

RGB 117 139 39

HSL 73.2, 0.56%, 0.35%

LAB 54.44, -22.28, 48.2

 

CMYK 0 / 4 / 72 / 45

HEX #8B8627

RGB 139 134 39

HSL 57, 0.56%, 0.35%

LAB 54.75, -9.85, 49.1

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 72 / 0 / 50 / 45

HEX #278B45

RGB 39 139 69

HSL 138, 0.56%, 0.35%

LAB 51.07, -44.36, 29.25

 

CMYK 72 / 0 / 31 / 45

HEX #278B60

RGB 39 139 96

HSL 154.2, 0.56%, 0.35%

LAB 51.54, -39.05, 14.95

 

CMYK 72 / 0 / 12 / 45

HEX #278B7B

RGB 39 139 123

HSL 170.4, 0.56%, 0.35%

LAB 52.2, -32.18, 0.34

 

CMYK 72 / 8 / 0 / 45

HEX #27808B

RGB 39 128 139

HSL 186.6, 0.56%, 0.35%

LAB 49.17, -21.88, -13.52

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 84 / 0 / 81 / 40

HEX #199A1D

RGB 25 154 29

HSL 121.86, 0.72%, 0.35%

LAB 55.49, -56.07, 51.45

 

CMYK 94 / 0 / 91 / 34

HEX #0AA80F

RGB 10 168 15

HSL 121.9, 0.89%, 0.35%

LAB 59.98, -62.12, 58.78

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 57 / 0 / 55 / 51

HEX #367D38

RGB 54 125 56

HSL 121.69, 0.4%, 0.35%

LAB 46.63, -37.35, 30.73

 

CMYK 38 / 0 / 37 / 57

HEX #446E45

RGB 68 110 69

HSL 121.43, 0.24%, 0.35%

LAB 42.48, -23.87, 18.38

 

CMYK 14 / 0 / 14 / 62

HEX #536053

RGB 83 96 83

HSL 120, 0.07%, 0.35%

LAB 39.29, -7.83, 5.75

 

CMYK 0 / 16 / 0 / 62

HEX #615161

RGB 97 81 97

HSL 300, 0.09%, 0.35%

LAB 36.54, 9.83, -6.82

 

CMYK 35 / 0 / 72 / 45

HEX #5B8B27

RGB 91 139 39

HSL 88.8, 0.56%, 0.35%

LAB 52.77, -32.91, 45.97

 

CMYK 54 / 0 / 72 / 45

HEX #408B27

RGB 64 139 39

HSL 105, 0.56%, 0.35%

LAB 51.5, -42.12, 44.26

 

CMYK 72 / 0 / 71 / 45

HEX #278B29

RGB 39 139 41

HSL 121.2, 0.56%, 0.35%

LAB 50.75, -48.05, 42.42

 

CMYK 72 / 0 / 51 / 45

HEX #278B44

RGB 39 139 68

HSL 137.4, 0.56%, 0.35%

LAB 51.05, -44.53, 29.76

 

CMYK 72 / 0 / 32 / 45

HEX #278B5E

RGB 39 139 94

HSL 153, 0.56%, 0.35%

LAB 51.5, -39.5, 16.03

 

CMYK 72 / 0 / 69 / 71

HEX #154B17

RGB 21 75 23

HSL 122.22, 0.56%, 0.19%

LAB 27.44, -29.6, 25.24

 

CMYK 72 / 0 / 70 / 58

HEX #1E6B20

RGB 30 107 32

HSL 121.56, 0.56%, 0.27%

LAB 39.4, -39.13, 34.12

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 72 / 0 / 70 / 33

HEX #30AB34

RGB 48 171 52

HSL 121.95, 0.56%, 0.43%

LAB 61.66, -56.36, 49.52

 

CMYK 70 / 0 / 68 / 22

HEX #3DC841

RGB 61 200 65

HSL 121.73, 0.56%, 0.51%

LAB 71.34, -62.49, 54.7

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 72 / 15 / 0 / 45

HEX #27768B

RGB 39 118 139

HSL 192.6, 0.56%, 0.35%

LAB 45.98, -16.48, -18.39

 

CMYK 0 / 72 / 44 / 45

HEX #8B274E

RGB 139 39 78

HSL 336.6, 0.56%, 0.35%

LAB 32.9, 45.18, 0.6

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 71 / 72 / 0 / 45

HEX #29278B

RGB 41 39 139

HSL 241.2, 0.56%, 0.35%

LAB 22.95, 34.45, -55.02

 

CMYK 0 / 71 / 72 / 45

HEX #8B2927

RGB 139 41 39

HSL 1.2, 0.56%, 0.35%

LAB 32.31, 41.26, 25.03

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 72 / 15 / 0 / 45

HEX #27768B

RGB 39 118 139

HSL 192.6, 0.56%, 0.35%

LAB 45.98, -16.48, -18.39

 

CMYK 0 / 72 / 1 / 45

HEX #8B278A

RGB 139 39 138

HSL 300.6, 0.56%, 0.35%

LAB 35.55, 53.66, -33.43

 

CMYK 0 / 56 / 72 / 45

HEX #8B3D27

RGB 139 61 39

HSL 13.2, 0.56%, 0.35%

LAB 35.93, 31.65, 29.25

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 72 / 37 / 0 / 45

HEX #27588B

RGB 39 88 139

HSL 210.6, 0.56%, 0.35%

LAB 36.51, 1.46, -33.14

 

CMYK 0 / 72 / 1 / 45

HEX #8B278A

RGB 139 39 138

HSL 300.6, 0.56%, 0.35%

LAB 35.55, 53.66, -33.43

 

CMYK 0 / 35 / 72 / 45

HEX #8B5B27

RGB 139 91 39

HSL 31.2, 0.56%, 0.35%

LAB 42.94, 14.67, 36.99

 

Description

Color code: HEX #278C2A | qconv.com Color code: HEX #278C2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 140 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 140 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 70% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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