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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278A8F it is the complementary color #D87570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278A8F shade: #2C8A8A, #3D9C9D, #4EAEB0, #5FC0C3 and #70D2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278A8F shade: #278A8F, #16787C, #056669, #005456 and #004243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278A8F shade: #278B90, #276E90, #275290, #273690 and #342790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278A8F shade: #278B90, #276E90, #275290, #273690 and #272790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278A8F shade matches the following richer shades: #278B90, #18989E and #09A5AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278A8F shade: #278B90, #367D81, #457072, #546263 and #625554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278A8F shade: #27905B, #279077, #278C90, #277090 and #275490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278A8F shade: #154C4F, #1E6B6F, #278B90, #30AAB0 and #3FC3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278A8F shade: #278A8F, #3F2790 and #906927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278A8F shade: #278A8F, #90278C and #8C9027

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278A8F shade: #278A8F, #3F2790, #902A27 and #779027

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278A8F shade: #278A8F, #5F2790, #902A27 and #589027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

Complementary color

CMYK 0 / 46 / 48 / 15

HEX #D87570

RGB 216 117 112

HSL 2.88, 0.57%, 0.64%

LAB 60.33, 38.05, 20.14

 

CMYK 68 / 0 / 0 / 46

HEX #2C8A8A

RGB 44 138 138

HSL 180, 0.52%, 0.36%

LAB 52.45, -26.57, -8

 

CMYK 61 / 1 / 0 / 38

HEX #3D9C9D

RGB 61 156 157

HSL 180.63, 0.44%, 0.43%

LAB 59.16, -27.08, -8.83

 

CMYK 56 / 1 / 0 / 31

HEX #4EAEB0

RGB 78 174 176

HSL 181.22, 0.39%, 0.5%

LAB 65.77, -27.4, -9.59

 

CMYK 51 / 2 / 0 / 24

HEX #5FC0C3

RGB 95 192 195

HSL 181.8, 0.45%, 0.57%

LAB 72.28, -27.6, -10.27

 

CMYK 48 / 2 / 0 / 16

HEX #70D2D6

RGB 112 210 214

HSL 182.35, 0.55%, 0.64%

LAB 78.69, -27.71, -10.91

 

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

CMYK 82 / 3 / 0 / 51

HEX #16787C

RGB 22 120 124

HSL 182.35, 0.7%, 0.29%

LAB 45.71, -24.69, -9.9

 

CMYK 95 / 3 / 0 / 59

HEX #056669

RGB 5 102 105

HSL 181.8, 0.91%, 0.22%

LAB 38.82, -23.14, -8.81

 

CMYK 100 / 2 / 0 / 66

HEX #005456

RGB 0 84 86

HSL 181.4, 1%, 0.17%

LAB 31.84, -20.73, -7.46

 

CMYK 100 / 1 / 0 / 74

HEX #004243

RGB 0 66 67

HSL 180.9, 1%, 0.13%

LAB 24.64, -17.86, -5.96

 

CMYK 73 / 3 / 0 / 44

HEX #278B90

RGB 39 139 144

HSL 182.86, 0.57%, 0.36%

LAB 52.85, -25.95, -10.89

 

CMYK 73 / 24 / 0 / 44

HEX #276E90

RGB 39 110 144

HSL 199.43, 0.57%, 0.36%

LAB 43.65, -10.19, -24.95

 

CMYK 73 / 43 / 0 / 44

HEX #275290

RGB 39 82 144

HSL 215.43, 0.57%, 0.36%

LAB 34.96, 7.28, -38.64

 

CMYK 73 / 63 / 0 / 44

HEX #273690

RGB 39 54 144

HSL 231.43, 0.57%, 0.36%

LAB 26.97, 26.24, -51.54

 

CMYK 64 / 73 / 0 / 44

HEX #342790

RGB 52 39 144

HSL 247.43, 0.57%, 0.36%

LAB 24.31, 37.59, -55.87

 

CMYK 73 / 3 / 0 / 44

HEX #278B90

RGB 39 139 144

HSL 182.86, 0.57%, 0.36%

LAB 52.85, -25.95, -10.89

 

CMYK 73 / 24 / 0 / 44

HEX #276E90

RGB 39 110 144

HSL 199.43, 0.57%, 0.36%

LAB 43.65, -10.19, -24.95

 

CMYK 73 / 43 / 0 / 44

HEX #275290

RGB 39 82 144

HSL 215.43, 0.57%, 0.36%

LAB 34.96, 7.28, -38.64

 

CMYK 73 / 63 / 0 / 44

HEX #273690

RGB 39 54 144

HSL 231.43, 0.57%, 0.36%

LAB 26.97, 26.24, -51.54

 

CMYK 73 / 73 / 0 / 44

HEX #272790

RGB 39 39 144

HSL 240, 0.57%, 0.36%

LAB 23.32, 35.97, -57.52

 

CMYK 73 / 3 / 0 / 44

HEX #278B90

RGB 39 139 144

HSL 182.86, 0.57%, 0.36%

LAB 52.85, -25.95, -10.89

 

CMYK 85 / 4 / 0 / 38

HEX #18989E

RGB 24 152 158

HSL 182.69, 0.74%, 0.36%

LAB 57.19, -29.54, -12.44

 

CMYK 95 / 5 / 0 / 32

HEX #09A5AD

RGB 9 165 173

HSL 182.93, 0.9%, 0.36%

LAB 61.64, -31.86, -14.23

 

CMYK 73 / 3 / 0 / 44

HEX #278B90

RGB 39 139 144

HSL 182.86, 0.57%, 0.36%

LAB 52.85, -25.95, -10.89

 

CMYK 58 / 3 / 0 / 49

HEX #367D81

RGB 54 125 129

HSL 183.2, 0.41%, 0.36%

LAB 48.31, -20.78, -8.89

 

CMYK 39 / 2 / 0 / 55

HEX #457072

RGB 69 112 114

HSL 182.67, 0.25%, 0.36%

LAB 44.33, -14.29, -5.83

 

CMYK 15 / 1 / 0 / 61

HEX #546263

RGB 84 98 99

HSL 184, 0.08%, 0.36%

LAB 40.44, -5.1, -2.38

 

CMYK 0 / 13 / 14 / 62

HEX #625554

RGB 98 85 84

HSL 4.29, 0.08%, 0.36%

LAB 37.36, 5.14, 2.54

 

CMYK 73 / 0 / 37 / 44

HEX #27905B

RGB 39 144 91

HSL 149.71, 0.57%, 0.36%

LAB 53.09, -42.22, 19.88

 

CMYK 73 / 0 / 17 / 44

HEX #279077

RGB 39 144 119

HSL 165.71, 0.57%, 0.36%

LAB 53.72, -35.57, 4.84

 

CMYK 73 / 3 / 0 / 44

HEX #278C90

RGB 39 140 144

HSL 182.29, 0.57%, 0.36%

LAB 53.17, -26.45, -10.41

 

CMYK 73 / 22 / 0 / 44

HEX #277090

RGB 39 112 144

HSL 198.29, 0.57%, 0.36%

LAB 44.28, -11.35, -23.97

 

CMYK 73 / 42 / 0 / 44

HEX #275490

RGB 39 84 144

HSL 214.29, 0.57%, 0.36%

LAB 35.57, 5.97, -37.67

 

CMYK 73 / 4 / 0 / 69

HEX #154C4F

RGB 21 76 79

HSL 183.1, 0.58%, 0.2%

LAB 29.14, -16.34, -7

 

CMYK 73 / 4 / 0 / 56

HEX #1E6B6F

RGB 30 107 111

HSL 182.96, 0.57%, 0.28%

LAB 41.12, -21.19, -8.97

 

CMYK 73 / 3 / 0 / 44

HEX #278B90

RGB 39 139 144

HSL 182.86, 0.57%, 0.36%

LAB 52.85, -25.95, -10.89

 

CMYK 73 / 3 / 0 / 31

HEX #30AAB0

RGB 48 170 176

HSL 182.81, 0.57%, 0.44%

LAB 63.76, -30.3, -12.67

 

CMYK 69 / 3 / 0 / 21

HEX #3FC3CA

RGB 63 195 202

HSL 183.02, 0.57%, 0.52%

LAB 72.46, -32.65, -13.9

 

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

CMYK 56 / 73 / 0 / 44

HEX #3F2790

RGB 63 39 144

HSL 253.71, 0.57%, 0.36%

LAB 25.33, 39.24, -54.16

 

CMYK 0 / 27 / 73 / 44

HEX #906927

RGB 144 105 39

HSL 37.71, 0.57%, 0.36%

LAB 47.21, 8.82, 41.67

 

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

CMYK 0 / 73 / 3 / 44

HEX #90278C

RGB 144 39 140

HSL 302.29, 0.57%, 0.36%

LAB 36.51, 55.18, -33.08

 

CMYK 3 / 0 / 73 / 44

HEX #8C9027

RGB 140 144 39

HSL 62.29, 0.57%, 0.36%

LAB 57.72, -14.75, 52.03

 

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

CMYK 56 / 73 / 0 / 44

HEX #3F2790

RGB 63 39 144

HSL 253.71, 0.57%, 0.36%

LAB 25.33, 39.24, -54.16

 

CMYK 0 / 71 / 73 / 44

HEX #902A27

RGB 144 42 39

HSL 1.71, 0.57%, 0.36%

LAB 33.42, 42.58, 26.58

 

CMYK 17 / 0 / 73 / 44

HEX #779027

RGB 119 144 39

HSL 74.29, 0.57%, 0.36%

LAB 56.1, -23.94, 49.9

 

CMYK 73 / 3 / 0 / 44

HEX #278A8F

RGB 39 138 143

HSL 182.88, 0.57%, 0.36%

LAB 52.5, -25.76, -10.84

 

CMYK 34 / 73 / 0 / 44

HEX #5F2790

RGB 95 39 144

HSL 272, 0.57%, 0.36%

LAB 29.15, 45.13, -47.76

 

CMYK 0 / 71 / 73 / 44

HEX #902A27

RGB 144 42 39

HSL 1.71, 0.57%, 0.36%

LAB 33.42, 42.58, 26.58

 

CMYK 39 / 0 / 73 / 44

HEX #589027

RGB 88 144 39

HSL 92, 0.57%, 0.36%

LAB 54.2, -36.28, 47.37

 

Description

Color code: HEX #278A8F | qconv.com Color code: HEX #278A8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 138 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 138 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 3 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 3% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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