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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27893E it is the complementary color #D876C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27893E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27893E shade: #2C8939, #3D9B4C, #4EAD5F, #5FBF72 and #70D185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27893E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27893E shade: #27893E, #16772B, #056518, #005305 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27893E shade: #278B3F, #2B8B27, #468B27, #618B27 and #7C8B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27893E shade: #278B3F, #278B5A, #278B75, #27878B and #276C8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27893E shade matches the following richer shades: #278B3F, #199A37 and #0AA82F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27893E shade: #278B3F, #367D46, #446E4E, #536056 and #61515D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27893E shade: #458B27, #2B8B27, #278B3F, #278B59 and #278B74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27893E shade: #154B22, #1E6B30, #278B3F, #30AB4D and #3DC85E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27893E shade: #27893E, #27608B and #8B2738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27893E shade: #27893E, #3F278B and #8B3F27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27893E shade: #27893E, #27608B, #8B2774 and #8B5327

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27893E shade: #27893E, #27428B, #8B2774 and #8B7127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

Complementary color

CMYK 0 / 45 / 11 / 15

HEX #D876C1

RGB 216 118 193

HSL 314.08, 0.56%, 0.65%

LAB 62.85, 48.16, -22.53

 

CMYK 68 / 0 / 58 / 46

HEX #2C8939

RGB 44 137 57

HSL 128.39, 0.51%, 0.35%

LAB 50.36, -44.44, 34.6

 

CMYK 61 / 0 / 51 / 39

HEX #3D9B4C

RGB 61 155 76

HSL 129.57, 0.44%, 0.42%

LAB 57.03, -44.9, 33.15

 

CMYK 55 / 0 / 45 / 32

HEX #4EAD5F

RGB 78 173 95

HSL 130.74, 0.38%, 0.49%

LAB 63.62, -45.04, 31.72

 

CMYK 50 / 0 / 40 / 25

HEX #5FBF72

RGB 95 191 114

HSL 131.88, 0.43%, 0.56%

LAB 70.11, -45, 30.36

 

CMYK 46 / 0 / 36 / 18

HEX #70D185

RGB 112 209 133

HSL 132.99, 0.51%, 0.63%

LAB 76.52, -44.85, 29.08

 

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

CMYK 82 / 0 / 64 / 53

HEX #16772B

RGB 22 119 43

HSL 132.99, 0.69%, 0.28%

LAB 43.56, -43.59, 33.49

 

CMYK 95 / 0 / 76 / 60

HEX #056518

RGB 5 101 24

HSL 131.88, 0.91%, 0.21%

LAB 36.75, -41.54, 34.7

 

CMYK 100 / 0 / 94 / 67

HEX #005305

RGB 0 83 5

HSL 123.61, 1%, 0.16%

LAB 29.91, -37.76, 34.95

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 69 / 0 / 72 / 45

HEX #2B8B27

RGB 43 139 39

HSL 117.6, 0.56%, 0.35%

LAB 50.83, -47.44, 43.36

 

CMYK 50 / 0 / 72 / 45

HEX #468B27

RGB 70 139 39

HSL 101.4, 0.56%, 0.35%

LAB 51.74, -40.28, 44.58

 

CMYK 30 / 0 / 72 / 45

HEX #618B27

RGB 97 139 39

HSL 85.2, 0.56%, 0.35%

LAB 53.12, -30.58, 46.43

 

CMYK 11 / 0 / 72 / 45

HEX #7C8B27

RGB 124 139 39

HSL 69, 0.56%, 0.35%

LAB 54.97, -19.23, 48.9

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 72 / 0 / 35 / 45

HEX #278B5A

RGB 39 139 90

HSL 150.6, 0.56%, 0.35%

LAB 51.42, -40.37, 18.18

 

CMYK 72 / 0 / 16 / 45

HEX #278B75

RGB 39 139 117

HSL 166.8, 0.56%, 0.35%

LAB 52.04, -33.83, 3.58

 

CMYK 72 / 3 / 0 / 45

HEX #27878B

RGB 39 135 139

HSL 182.4, 0.56%, 0.35%

LAB 51.41, -25.49, -10.15

 

CMYK 72 / 22 / 0 / 45

HEX #276C8B

RGB 39 108 139

HSL 198.6, 0.56%, 0.35%

LAB 42.79, -10.8, -23.29

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 84 / 0 / 64 / 40

HEX #199A37

RGB 25 154 55

HSL 133.95, 0.72%, 0.35%

LAB 55.68, -53.7, 41.59

 

CMYK 94 / 0 / 72 / 34

HEX #0AA82F

RGB 10 168 47

HSL 134.05, 0.89%, 0.35%

LAB 60.14, -60.15, 49.74

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 57 / 0 / 44 / 51

HEX #367D46

RGB 54 125 70

HSL 133.52, 0.4%, 0.35%

LAB 46.83, -35.11, 23.41

 

CMYK 38 / 0 / 29 / 57

HEX #446E4E

RGB 68 110 78

HSL 134.29, 0.24%, 0.35%

LAB 42.66, -22.15, 13.34

 

CMYK 14 / 0 / 10 / 62

HEX #536056

RGB 83 96 86

HSL 133.85, 0.07%, 0.35%

LAB 39.37, -7.2, 4.03

 

CMYK 0 / 16 / 4 / 62

HEX #61515D

RGB 97 81 93

HSL 315, 0.09%, 0.35%

LAB 36.4, 8.99, -4.51

 

CMYK 50 / 0 / 72 / 45

HEX #458B27

RGB 69 139 39

HSL 102, 0.56%, 0.35%

LAB 51.7, -40.6, 44.53

 

CMYK 69 / 0 / 72 / 45

HEX #2B8B27

RGB 43 139 39

HSL 117.6, 0.56%, 0.35%

LAB 50.83, -47.44, 43.36

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 72 / 0 / 36 / 45

HEX #278B59

RGB 39 139 89

HSL 150, 0.56%, 0.35%

LAB 51.4, -40.59, 18.72

 

CMYK 72 / 0 / 17 / 45

HEX #278B74

RGB 39 139 116

HSL 166.2, 0.56%, 0.35%

LAB 52.01, -34.1, 4.12

 

CMYK 72 / 0 / 55 / 71

HEX #154B22

RGB 21 75 34

HSL 134.44, 0.56%, 0.19%

LAB 27.59, -27.91, 19.29

 

CMYK 72 / 0 / 55 / 58

HEX #1E6B30

RGB 30 107 48

HSL 134.03, 0.56%, 0.27%

LAB 39.59, -36.97, 26.25

 

CMYK 72 / 0 / 55 / 45

HEX #278B3F

RGB 39 139 63

HSL 134.4, 0.56%, 0.35%

LAB 50.98, -45.31, 32.28

 

CMYK 72 / 0 / 55 / 33

HEX #30AB4D

RGB 48 171 77

HSL 134.15, 0.56%, 0.43%

LAB 61.9, -53.41, 38.52

 

CMYK 70 / 0 / 53 / 22

HEX #3DC85E

RGB 61 200 94

HSL 134.24, 0.56%, 0.51%

LAB 71.63, -59.07, 42.11

 

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

CMYK 72 / 31 / 0 / 45

HEX #27608B

RGB 39 96 139

HSL 205.8, 0.56%, 0.35%

LAB 39, -3.59, -29.2

 

CMYK 0 / 72 / 60 / 45

HEX #8B2738

RGB 139 39 56

HSL 349.8, 0.56%, 0.35%

LAB 32.31, 43.18, 14.16

 

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

CMYK 55 / 72 / 0 / 45

HEX #3F278B

RGB 63 39 139

HSL 254.4, 0.56%, 0.35%

LAB 24.86, 37.7, -51.81

 

CMYK 0 / 55 / 72 / 45

HEX #8B3F27

RGB 139 63 39

HSL 14.4, 0.56%, 0.35%

LAB 36.35, 30.59, 29.72

 

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

CMYK 72 / 31 / 0 / 45

HEX #27608B

RGB 39 96 139

HSL 205.8, 0.56%, 0.35%

LAB 39, -3.59, -29.2

 

CMYK 0 / 72 / 17 / 45

HEX #8B2774

RGB 139 39 116

HSL 313.8, 0.56%, 0.35%

LAB 34.4, 50.09, -21.52

 

CMYK 0 / 40 / 72 / 45

HEX #8B5327

RGB 139 83 39

HSL 26.4, 0.56%, 0.35%

LAB 40.93, 19.33, 34.82

 

CMYK 72 / 0 / 55 / 46

HEX #27893E

RGB 39 137 62

HSL 134.08, 0.56%, 0.35%

LAB 50.3, -44.71, 31.96

 

CMYK 72 / 53 / 0 / 45

HEX #27428B

RGB 39 66 139

HSL 223.8, 0.56%, 0.35%

LAB 29.89, 16.13, -43.72

 

CMYK 0 / 72 / 17 / 45

HEX #8B2774

RGB 139 39 116

HSL 313.8, 0.56%, 0.35%

LAB 34.4, 50.09, -21.52

 

CMYK 0 / 19 / 72 / 45

HEX #8B7127

RGB 139 113 39

HSL 44.4, 0.56%, 0.35%

LAB 48.82, 1.88, 43.15

 

Description

Color code: HEX #27893E | qconv.com Color code: HEX #27893E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 137 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 137 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 55 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 55% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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