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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278220 it is the complementary color #D87DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278220 shade: #2C821B, #3D942E, #4EA641, #5FB854 and #70CA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278220 shade: #278220, #16700D, #055E00, #004C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278220 shade: #288321, #428321, #5C8321, #778321 and #837421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278220 shade: #288321, #218334, #21834E, #218369 and #218283

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278220 shade matches the following richer shades: #288321, #1C9013 and #119D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278220 shade: #288321, #33752E, #3E683B, #4A5B48 and #554E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278220 shade: #5D8321, #438321, #298321, #218333 and #21834D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278220 shade: #144110, #1E6218, #288321, #32A429 and #3CC531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278220 shade: #278220, #217783 and #832150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278220 shade: #278220, #212983 and #832129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278220 shade: #278220, #217783, #7A2183 and #832C21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278220 shade: #278220, #215A83, #7A2183 and #834921

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

Complementary color

CMYK 3 / 44 / 0 / 13

HEX #D87DDF

RGB 216 125 223

HSL 295.71, 0.6%, 0.68%

LAB 65.43, 49.84, -35.37

 

CMYK 66 / 0 / 79 / 49

HEX #2C821B

RGB 44 130 27

HSL 110.1, 0.66%, 0.31%

LAB 47.73, -44.95, 44.79

 

CMYK 59 / 0 / 69 / 42

HEX #3D942E

RGB 61 148 46

HSL 111.18, 0.53%, 0.38%

LAB 54.42, -45.85, 44.39

 

CMYK 53 / 0 / 61 / 35

HEX #4EA641

RGB 78 166 65

HSL 112.28, 0.44%, 0.45%

LAB 61.02, -46.29, 43.42

 

CMYK 48 / 0 / 54 / 28

HEX #5FB854

RGB 95 184 84

HSL 113.4, 0.41%, 0.53%

LAB 67.54, -46.45, 42.23

 

CMYK 45 / 0 / 49 / 21

HEX #70CA67

RGB 112 202 103

HSL 114.55, 0.48%, 0.6%

LAB 73.98, -46.44, 40.98

 

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

CMYK 80 / 0 / 88 / 56

HEX #16700D

RGB 22 112 13

HSL 114.55, 0.79%, 0.25%

LAB 40.88, -43.91, 42.54

 

CMYK 95 / 0 / 100 / 63

HEX #055E00

RGB 5 94 0

HSL 116.81, 1%, 0.18%

LAB 34.06, -40.92, 40.17

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 69 / 0 / 75 / 49

HEX #288321

RGB 40 131 33

HSL 115.71, 0.6%, 0.32%

LAB 48, -45.74, 42.81

 

CMYK 50 / 0 / 75 / 49

HEX #428321

RGB 66 131 33

HSL 99.8, 0.6%, 0.32%

LAB 48.88, -38.72, 43.99

 

CMYK 30 / 0 / 75 / 49

HEX #5C8321

RGB 92 131 33

HSL 83.88, 0.6%, 0.32%

LAB 50.24, -29.19, 45.79

 

CMYK 9 / 0 / 75 / 49

HEX #778321

RGB 119 131 33

HSL 67.35, 0.6%, 0.32%

LAB 52.13, -17.62, 48.29

 

CMYK 0 / 11 / 75 / 49

HEX #837421

RGB 131 116 33

HSL 50.82, 0.6%, 0.32%

LAB 48.79, -3.89, 45.42

 

CMYK 69 / 0 / 75 / 49

HEX #288321

RGB 40 131 33

HSL 115.71, 0.6%, 0.32%

LAB 48, -45.74, 42.81

 

CMYK 75 / 0 / 60 / 49

HEX #218334

RGB 33 131 52

HSL 131.63, 0.6%, 0.32%

LAB 48.01, -44.99, 34.26

 

CMYK 75 / 0 / 40 / 49

HEX #21834E

RGB 33 131 78

HSL 147.55, 0.6%, 0.32%

LAB 48.39, -40.58, 20.86

 

CMYK 75 / 0 / 20 / 49

HEX #218369

RGB 33 131 105

HSL 164.08, 0.6%, 0.32%

LAB 48.98, -34.27, 6.14

 

CMYK 75 / 1 / 0 / 49

HEX #218283

RGB 33 130 131

HSL 180.61, 0.6%, 0.32%

LAB 49.41, -26.27, -8.48

 

CMYK 69 / 0 / 75 / 49

HEX #288321

RGB 40 131 33

HSL 115.71, 0.6%, 0.32%

LAB 48, -45.74, 42.81

 

CMYK 81 / 0 / 87 / 44

HEX #1C9013

RGB 28 144 19

HSL 115.68, 0.77%, 0.32%

LAB 52.11, -53.13, 51.13

 

CMYK 89 / 0 / 96 / 38

HEX #119D06

RGB 17 157 6

HSL 115.63, 0.93%, 0.32%

LAB 56.33, -58.73, 57.12

 

CMYK 69 / 0 / 75 / 49

HEX #288321

RGB 40 131 33

HSL 115.71, 0.6%, 0.32%

LAB 48, -45.74, 42.81

 

CMYK 56 / 0 / 61 / 54

HEX #33752E

RGB 51 117 46

HSL 115.77, 0.44%, 0.32%

LAB 43.69, -36.17, 32.35

 

CMYK 40 / 0 / 43 / 59

HEX #3E683B

RGB 62 104 59

HSL 116, 0.28%, 0.32%

LAB 39.98, -24.71, 20.84

 

CMYK 19 / 0 / 21 / 64

HEX #4A5B48

RGB 74 91 72

HSL 113.68, 0.12%, 0.32%

LAB 36.75, -10.72, 8.83

 

CMYK 0 / 8 / 0 / 67

HEX #554E55

RGB 85 78 85

HSL 300, 0.04%, 0.32%

LAB 34.06, 4.36, -3.07

 

CMYK 29 / 0 / 75 / 49

HEX #5D8321

RGB 93 131 33

HSL 83.27, 0.6%, 0.32%

LAB 50.3, -28.78, 45.87

 

CMYK 49 / 0 / 75 / 49

HEX #438321

RGB 67 131 33

HSL 99.18, 0.6%, 0.32%

LAB 48.93, -38.39, 44.05

 

CMYK 69 / 0 / 75 / 49

HEX #298321

RGB 41 131 33

HSL 115.1, 0.6%, 0.32%

LAB 48.02, -45.52, 42.84

 

CMYK 75 / 0 / 61 / 49

HEX #218333

RGB 33 131 51

HSL 131.02, 0.6%, 0.32%

LAB 48, -45.13, 34.74

 

CMYK 75 / 0 / 41 / 49

HEX #21834D

RGB 33 131 77

HSL 146.94, 0.6%, 0.32%

LAB 48.38, -40.79, 21.4

 

CMYK 69 / 0 / 75 / 75

HEX #144110

RGB 20 65 16

HSL 115.1, 0.6%, 0.16%

LAB 23.56, -26.48, 24.51

 

CMYK 69 / 0 / 76 / 62

HEX #1E6218

RGB 30 98 24

HSL 115.14, 0.61%, 0.24%

LAB 36.13, -36.52, 34.21

 

CMYK 69 / 0 / 75 / 49

HEX #288321

RGB 40 131 33

HSL 115.71, 0.6%, 0.32%

LAB 48, -45.74, 42.81

 

CMYK 70 / 0 / 75 / 36

HEX #32A429

RGB 50 164 41

HSL 115.61, 0.6%, 0.4%

LAB 59.33, -54.56, 51.34

 

CMYK 70 / 0 / 75 / 23

HEX #3CC531

RGB 60 197 49

HSL 115.54, 0.6%, 0.48%

LAB 70.26, -63.02, 59.51

 

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

CMYK 75 / 9 / 0 / 49

HEX #217783

RGB 33 119 131

HSL 187.35, 0.6%, 0.32%

LAB 45.85, -20.57, -13.85

 

CMYK 0 / 75 / 39 / 49

HEX #832150

RGB 131 33 80

HSL 331.22, 0.6%, 0.32%

LAB 30.62, 45.28, -4.23

 

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

CMYK 75 / 69 / 0 / 49

HEX #212983

RGB 33 41 131

HSL 235.1, 0.6%, 0.32%

LAB 22.12, 29.3, -51.4

 

CMYK 0 / 75 / 69 / 49

HEX #832129

RGB 131 33 41

HSL 355.1, 0.6%, 0.32%

LAB 29.6, 41.88, 20.1

 

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

CMYK 75 / 9 / 0 / 49

HEX #217783

RGB 33 119 131

HSL 187.35, 0.6%, 0.32%

LAB 45.85, -20.57, -13.85

 

CMYK 7 / 75 / 0 / 49

HEX #7A2183

RGB 122 33 131

HSL 294.49, 0.6%, 0.32%

LAB 31.5, 50.67, -35.7

 

CMYK 0 / 66 / 75 / 49

HEX #832C21

RGB 131 44 33

HSL 6.73, 0.6%, 0.32%

LAB 31.2, 36.74, 27.04

 

CMYK 70 / 0 / 75 / 49

HEX #278220

RGB 39 130 32

HSL 115.71, 0.6%, 0.32%

LAB 47.62, -45.67, 42.81

 

CMYK 75 / 31 / 0 / 49

HEX #215A83

RGB 33 90 131

HSL 205.1, 0.6%, 0.32%

LAB 36.51, -3.78, -28.27

 

CMYK 7 / 75 / 0 / 49

HEX #7A2183

RGB 122 33 131

HSL 294.49, 0.6%, 0.32%

LAB 31.5, 50.67, -35.7

 

CMYK 0 / 44 / 75 / 49

HEX #834921

RGB 131 73 33

HSL 24.49, 0.6%, 0.32%

LAB 37.3, 21.22, 33.73

 

Description

Color code: HEX #278220 | qconv.com Color code: HEX #278220 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 130 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 130 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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