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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278040 it is the complementary color #D87FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278040 shade: #2C803B, #3D924E, #4EA461, #5FB674 and #70C887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278040 shade: #278040, #166E2D, #055C1A, #004A07 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278040 shade: #288141, #288129, #3F8128, #578128 and #6F8128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278040 shade: #288141, #288159, #288171, #287981 and #286181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278040 shade matches the following richer shades: #288141, #1A8E3B and #0C9C35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278040 shade: #288141, #357347, #43664D, #505853 and #5E4A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278040 shade: #3F8128, #288128, #28813F, #288157 and #28816F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278040 shade: #144221, #1E6131, #288141, #31A050 and #3BC060

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278040 shade: #278040, #285781 and #812833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278040 shade: #278040, #3F2881 and #813F28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278040 shade: #278040, #285781, #812869 and #815128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278040 shade: #278040, #283C81, #812869 and #816C28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

Complementary color

CMYK 0 / 41 / 12 / 15

HEX #D87FBF

RGB 216 127 191

HSL 316.85, 0.53%, 0.67%

LAB 64.6, 43.2, -18.74

 

CMYK 66 / 0 / 54 / 50

HEX #2C803B

RGB 44 128 59

HSL 130.71, 0.49%, 0.34%

LAB 47.35, -40.64, 29.96

 

CMYK 58 / 0 / 47 / 43

HEX #3D924E

RGB 61 146 78

HSL 132, 0.41%, 0.41%

LAB 54.13, -40.92, 28.46

 

CMYK 52 / 0 / 41 / 36

HEX #4EA461

RGB 78 164 97

HSL 133.26, 0.36%, 0.47%

LAB 60.81, -40.93, 27.04

 

CMYK 48 / 0 / 36 / 29

HEX #5FB674

RGB 95 182 116

HSL 134.48, 0.37%, 0.54%

LAB 67.39, -40.8, 25.71

 

CMYK 44 / 0 / 33 / 22

HEX #70C887

RGB 112 200 135

HSL 135.68, 0.44%, 0.61%

LAB 73.87, -40.59, 24.48

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 80 / 0 / 59 / 57

HEX #166E2D

RGB 22 110 45

HSL 135.68, 0.67%, 0.26%

LAB 40.43, -40.02, 28.83

 

CMYK 95 / 0 / 72 / 64

HEX #055C1A

RGB 5 92 26

HSL 134.48, 0.9%, 0.19%

LAB 33.48, -38.26, 30.34

 

CMYK 100 / 0 / 91 / 71

HEX #004A07

RGB 0 74 7

HSL 125.68, 1%, 0.15%

LAB 26.49, -34.68, 31.11

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 69 / 0 / 50 / 49

HEX #288141

RGB 40 129 65

HSL 136.85, 0.53%, 0.33%

LAB 47.67, -40.93, 27.13

 

CMYK 69 / 0 / 68 / 49

HEX #288129

RGB 40 129 41

HSL 120.67, 0.53%, 0.33%

LAB 47.38, -44.24, 38.8

 

CMYK 51 / 0 / 69 / 49

HEX #3F8128

RGB 63 129 40

HSL 104.49, 0.53%, 0.33%

LAB 48.15, -38.25, 40.29

 

CMYK 33 / 0 / 69 / 49

HEX #578128

RGB 87 129 40

HSL 88.31, 0.53%, 0.33%

LAB 49.35, -29.71, 41.93

 

CMYK 14 / 0 / 69 / 49

HEX #6F8128

RGB 111 129 40

HSL 72.13, 0.53%, 0.33%

LAB 50.96, -19.69, 44.11

 

CMYK 69 / 0 / 50 / 49

HEX #288141

RGB 40 129 65

HSL 136.85, 0.53%, 0.33%

LAB 47.67, -40.93, 27.13

 

CMYK 69 / 0 / 31 / 49

HEX #288159

RGB 40 129 89

HSL 153.03, 0.53%, 0.33%

LAB 48.1, -36.16, 14.22

 

CMYK 69 / 0 / 12 / 49

HEX #288171

RGB 40 129 113

HSL 169.21, 0.53%, 0.33%

LAB 48.69, -30.07, 1.06

 

CMYK 69 / 6 / 0 / 49

HEX #287981

RGB 40 121 129

HSL 185.39, 0.53%, 0.33%

LAB 46.59, -21.25, -11.51

 

CMYK 69 / 25 / 0 / 49

HEX #286181

RGB 40 97 129

HSL 201.57, 0.53%, 0.33%

LAB 38.87, -7.68, -23.34

 

CMYK 69 / 0 / 50 / 49

HEX #288141

RGB 40 129 65

HSL 136.85, 0.53%, 0.33%

LAB 47.67, -40.93, 27.13

 

CMYK 82 / 0 / 58 / 44

HEX #1A8E3B

RGB 26 142 59

HSL 137.07, 0.69%, 0.33%

LAB 51.7, -48.99, 35.11

 

CMYK 92 / 0 / 66 / 39

HEX #0C9C35

RGB 12 156 53

HSL 137.08, 0.86%, 0.33%

LAB 56.2, -55.7, 43.03

 

CMYK 69 / 0 / 50 / 49

HEX #288141

RGB 40 129 65

HSL 136.85, 0.53%, 0.33%

LAB 47.67, -40.93, 27.13

 

CMYK 54 / 0 / 38 / 55

HEX #357347

RGB 53 115 71

HSL 137.42, 0.37%, 0.33%

LAB 43.47, -30.68, 18.41

 

CMYK 34 / 0 / 25 / 60

HEX #43664D

RGB 67 102 77

HSL 137.14, 0.21%, 0.33%

LAB 39.97, -18.48, 10.2

 

CMYK 9 / 0 / 6 / 65

HEX #505853

RGB 80 88 83

HSL 142.5, 0.05%, 0.33%

LAB 36.57, -4.25, 1.81

 

CMYK 0 / 21 / 6 / 63

HEX #5E4A58

RGB 94 74 88

HSL 318, 0.12%, 0.33%

LAB 33.94, 11.14, -5.04

 

CMYK 51 / 0 / 69 / 49

HEX #3F8128

RGB 63 129 40

HSL 104.49, 0.53%, 0.33%

LAB 48.15, -38.25, 40.29

 

CMYK 69 / 0 / 69 / 49

HEX #288128

RGB 40 129 40

HSL 120, 0.53%, 0.33%

LAB 47.37, -44.35, 39.23

 

CMYK 69 / 0 / 51 / 49

HEX #28813F

RGB 40 129 63

HSL 135.51, 0.53%, 0.33%

LAB 47.64, -41.26, 28.17

 

CMYK 69 / 0 / 33 / 49

HEX #288157

RGB 40 129 87

HSL 151.69, 0.53%, 0.33%

LAB 48.06, -36.61, 15.32

 

CMYK 69 / 0 / 14 / 49

HEX #28816F

RGB 40 129 111

HSL 167.87, 0.53%, 0.33%

LAB 48.63, -30.62, 2.15

 

CMYK 70 / 0 / 50 / 74

HEX #144221

RGB 20 66 33

HSL 136.96, 0.53%, 0.17%

LAB 24.18, -24.26, 15.56

 

CMYK 69 / 0 / 49 / 62

HEX #1E6131

RGB 30 97 49

HSL 137.01, 0.53%, 0.25%

LAB 36.07, -32.67, 21.31

 

CMYK 69 / 0 / 50 / 49

HEX #288141

RGB 40 129 65

HSL 136.85, 0.53%, 0.33%

LAB 47.67, -40.93, 27.13

 

CMYK 69 / 0 / 50 / 37

HEX #31A050

RGB 49 160 80

HSL 136.76, 0.53%, 0.41%

LAB 58.39, -48.74, 32.71

 

CMYK 69 / 0 / 50 / 25

HEX #3BC060

RGB 59 192 96

HSL 136.69, 0.53%, 0.49%

LAB 69.09, -56.27, 38

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 69 / 33 / 0 / 49

HEX #285781

RGB 40 87 129

HSL 208.31, 0.53%, 0.33%

LAB 35.7, -1.5, -28.3

 

CMYK 0 / 69 / 60 / 49

HEX #812833

RGB 129 40 51

HSL 352.58, 0.53%, 0.33%

LAB 30.46, 38.98, 14.61

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 51 / 69 / 0 / 49

HEX #3F2881

RGB 63 40 129

HSL 255.51, 0.53%, 0.33%

LAB 24.19, 34.04, -46.65

 

CMYK 0 / 51 / 69 / 49

HEX #813F28

RGB 129 63 40

HSL 15.51, 0.53%, 0.33%

LAB 34.75, 26.47, 26.88

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 69 / 33 / 0 / 49

HEX #285781

RGB 40 87 129

HSL 208.31, 0.53%, 0.33%

LAB 35.7, -1.5, -28.3

 

CMYK 0 / 69 / 19 / 49

HEX #812869

RGB 129 40 105

HSL 316.18, 0.53%, 0.33%

LAB 32.27, 45.28, -17.97

 

CMYK 0 / 37 / 69 / 49

HEX #815128

RGB 129 81 40

HSL 27.64, 0.53%, 0.33%

LAB 39.08, 16.03, 31.85

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 69 / 53 / 0 / 49

HEX #283C81

RGB 40 60 129

HSL 226.52, 0.53%, 0.33%

LAB 27.48, 16.55, -41.39

 

CMYK 0 / 69 / 19 / 49

HEX #812869

RGB 129 40 105

HSL 316.18, 0.53%, 0.33%

LAB 32.27, 45.28, -17.97

 

CMYK 0 / 16 / 69 / 49

HEX #816C28

RGB 129 108 40

HSL 45.84, 0.53%, 0.33%

LAB 46.37, 0.14, 39.81

 

Description

Color code: HEX #278040 | qconv.com Color code: HEX #278040 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 128 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 128 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 50 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 50% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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