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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #277369 it is the complementary color #D88C96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #277369. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #277369 shade: #2C7364, #3D8577, #4E978A, #5FA99D and #70BBB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #277369. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #277369 shade: #277369, #166156, #054F43, #003D30 and #002B1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #277369 shade: #277268, #277254, #277240, #27722B and #377227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #277369 shade: #277268, #276872, #275372, #273F72 and #272B72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #277369 shade matches the following richer shades: #277268, #1B7E71, #0E8B7A and #029783

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #277369 shade: #277268, #33665F, #405956, #4C4D4D and #594044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #277369 shade: #277240, #277254, #277268, #276872 and #275472

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #277369 shade: #123530, #1C534C, #277268, #329184 and #3CAFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #277369 shade: #277369, #2C2772 and #724A27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #277369 shade: #277369, #682772 and #726827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #277369 shade: #277369, #2C2772, #722731 and #6D7227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #277369 shade: #277369, #432772, #722731 and #567227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

Complementary color

CMYK 0 / 35 / 31 / 15

HEX #D88C96

RGB 216 140 150

HSL 352.11, 0.49%, 0.7%

LAB 66.18, 30.21, 6.75

 

CMYK 62 / 0 / 13 / 55

HEX #2C7364

RGB 44 115 100

HSL 167.32, 0.45%, 0.31%

LAB 43.82, -26.07, 1.71

 

CMYK 54 / 0 / 11 / 48

HEX #3D8577

RGB 61 133 119

HSL 168.33, 0.37%, 0.38%

LAB 50.8, -26.16, 0.7

 

CMYK 48 / 0 / 9 / 41

HEX #4E978A

RGB 78 151 138

HSL 169.32, 0.32%, 0.45%

LAB 57.64, -26.13, -0.2

 

CMYK 44 / 0 / 7 / 34

HEX #5FA99D

RGB 95 169 157

HSL 170.27, 0.3%, 0.52%

LAB 64.36, -26.04, -1.02

 

CMYK 40 / 0 / 6 / 27

HEX #70BBB0

RGB 112 187 176

HSL 171.2, 0.36%, 0.59%

LAB 70.95, -25.92, -1.77

 

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

CMYK 77 / 0 / 11 / 62

HEX #166156

RGB 22 97 86

HSL 171.2, 0.63%, 0.23%

LAB 36.73, -25.08, -0.18

 

CMYK 94 / 0 / 15 / 69

HEX #054F43

RGB 5 79 67

HSL 170.27, 0.88%, 0.16%

LAB 29.49, -24.03, 1.19

 

CMYK 100 / 0 / 21 / 76

HEX #003D30

RGB 0 61 48

HSL 167.21, 1%, 0.12%

LAB 22.13, -21.8, 2.97

 

CMYK 100 / 0 / 33 / 83

HEX #002B1D

RGB 0 43 29

HSL 160.47, 1%, 0.08%

LAB 14.49, -18.83, 5.11

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 66 / 0 / 26 / 55

HEX #277254

RGB 39 114 84

HSL 156, 0.49%, 0.3%

LAB 42.92, -30.78, 9.96

 

CMYK 66 / 0 / 44 / 55

HEX #277240

RGB 39 114 64

HSL 140, 0.49%, 0.3%

LAB 42.52, -35.13, 21.08

 

CMYK 66 / 0 / 62 / 55

HEX #27722B

RGB 39 114 43

HSL 123.2, 0.49%, 0.3%

LAB 42.22, -38.49, 32.05

 

CMYK 52 / 0 / 66 / 55

HEX #377227

RGB 55 114 39

HSL 107.2, 0.49%, 0.3%

LAB 42.75, -34.5, 34.77

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 66 / 9 / 0 / 55

HEX #276872

RGB 39 104 114

HSL 188, 0.49%, 0.3%

LAB 40.49, -17.07, -11.73

 

CMYK 66 / 27 / 0 / 55

HEX #275372

RGB 39 83 114

HSL 204.8, 0.49%, 0.3%

LAB 33.63, -4.68, -22.26

 

CMYK 66 / 45 / 0 / 55

HEX #273F72

RGB 39 63 114

HSL 220.8, 0.49%, 0.3%

LAB 27.3, 8.51, -32.24

 

CMYK 66 / 62 / 0 / 55

HEX #272B72

RGB 39 43 114

HSL 236.8, 0.49%, 0.3%

LAB 21.48, 22.45, -41.61

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 79 / 0 / 10 / 51

HEX #1B7E71

RGB 27 126 113

HSL 172.12, 0.65%, 0.3%

LAB 47.43, -30.52, -0.82

 

CMYK 90 / 0 / 12 / 45

HEX #0E8B7A

RGB 14 139 122

HSL 171.84, 0.82%, 0.3%

LAB 51.8, -35.1, 0.27

 

CMYK 99 / 0 / 13 / 41

HEX #029783

RGB 2 151 131

HSL 171.95, 0.97%, 0.3%

LAB 55.87, -38.46, 1.02

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 50 / 0 / 7 / 60

HEX #33665F

RGB 51 102 95

HSL 171.76, 0.33%, 0.3%

LAB 39.64, -19.04, -1.34

 

CMYK 28 / 0 / 3 / 65

HEX #405956

RGB 64 89 86

HSL 172.8, 0.16%, 0.3%

LAB 35.8, -10.11, -1.32

 

CMYK 1 / 0 / 0 / 70

HEX #4C4D4D

RGB 76 77 77

HSL 180, 0.01%, 0.3%

LAB 32.66, -0.41, -0.15

 

CMYK 0 / 28 / 24 / 65

HEX #594044

RGB 89 64 68

HSL 350.4, 0.16%, 0.3%

LAB 29.93, 11.57, 1.84

 

CMYK 66 / 0 / 44 / 55

HEX #277240

RGB 39 114 64

HSL 140, 0.49%, 0.3%

LAB 42.52, -35.13, 21.08

 

CMYK 66 / 0 / 26 / 55

HEX #277254

RGB 39 114 84

HSL 156, 0.49%, 0.3%

LAB 42.92, -30.78, 9.96

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 66 / 9 / 0 / 55

HEX #276872

RGB 39 104 114

HSL 188, 0.49%, 0.3%

LAB 40.49, -17.07, -11.73

 

CMYK 66 / 26 / 0 / 55

HEX #275472

RGB 39 84 114

HSL 204, 0.49%, 0.3%

LAB 33.96, -5.3, -21.75

 

CMYK 66 / 0 / 9 / 79

HEX #123530

RGB 18 53 48

HSL 171.43, 0.49%, 0.14%

LAB 19.59, -14.09, -0.65

 

CMYK 66 / 0 / 8 / 67

HEX #1C534C

RGB 28 83 76

HSL 172.36, 0.5%, 0.22%

LAB 31.7, -19.83, -1.25

 

CMYK 66 / 0 / 9 / 55

HEX #277268

RGB 39 114 104

HSL 172, 0.49%, 0.3%

LAB 43.46, -25.44, -1.25

 

CMYK 66 / 0 / 9 / 43

HEX #329184

RGB 50 145 132

HSL 171.79, 0.49%, 0.38%

LAB 54.65, -30.75, -1.25

 

CMYK 66 / 0 / 9 / 31

HEX #3CAFA0

RGB 60 175 160

HSL 172.17, 0.49%, 0.46%

LAB 65.09, -35.53, -1.75

 

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

CMYK 61 / 66 / 0 / 55

HEX #2C2772

RGB 44 39 114

HSL 244, 0.49%, 0.3%

LAB 20.83, 26.07, -42.66

 

CMYK 0 / 35 / 66 / 55

HEX #724A27

RGB 114 74 39

HSL 28, 0.49%, 0.3%

LAB 35.24, 13.21, 27.48

 

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

CMYK 9 / 66 / 0 / 55

HEX #682772

RGB 104 39 114

HSL 292, 0.49%, 0.3%

LAB 28.4, 40.42, -30.08

 

CMYK 0 / 9 / 66 / 55

HEX #726827

RGB 114 104 39

HSL 52, 0.49%, 0.3%

LAB 43.69, -4.68, 36.97

 

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

CMYK 61 / 66 / 0 / 55

HEX #2C2772

RGB 44 39 114

HSL 244, 0.49%, 0.3%

LAB 20.83, 26.07, -42.66

 

CMYK 0 / 66 / 57 / 55

HEX #722731

RGB 114 39 49

HSL 352, 0.49%, 0.3%

LAB 27.44, 33.88, 11.38

 

CMYK 4 / 0 / 66 / 55

HEX #6D7227

RGB 109 114 39

HSL 64, 0.49%, 0.3%

LAB 46.22, -12.64, 39.54

 

CMYK 66 / 0 / 9 / 55

HEX #277369

RGB 39 115 105

HSL 172.11, 0.49%, 0.3%

LAB 43.82, -25.66, -1.32

 

CMYK 41 / 66 / 0 / 55

HEX #432772

RGB 67 39 114

HSL 262.4, 0.49%, 0.3%

LAB 23.2, 30.97, -38.7

 

CMYK 0 / 66 / 57 / 55

HEX #722731

RGB 114 39 49

HSL 352, 0.49%, 0.3%

LAB 27.44, 33.88, 11.38

 

CMYK 25 / 0 / 66 / 55

HEX #567227

RGB 86 114 39

HSL 82.4, 0.49%, 0.3%

LAB 44.46, -22.84, 37.13

 

Description

Color code: HEX #277369 | qconv.com Color code: HEX #277369 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 115 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 115 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 9 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 9% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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