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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #276C0D it is the complementary color #D893F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #276C0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #276C0D shade: #2C6C08, #3D7E1B, #4E902E, #5FA241 and #70B454

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #276C0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #276C0D shade: #276C0D, #165A00, #054800, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #276C0D shade: #276E0D, #416E0D, #5B6E0D, #6E660D and #6E4B0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #276C0D shade: #276E0D, #0D6E0D, #0D6E27, #0D6E41 and #0D6E5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #276C0D shade matches the following richer shades: #276E0D and #237703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #276C0D shade: #276E0D, #2C6417, #305A21, #35502B and #394634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #276C0D shade: #5C6E0D, #426E0D, #286E0D, #0E6E0D and #0D6E25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #276C0D shade: #0D2404, #1A4909, #276E0D, #359211 and #42B716

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #276C0D shade: #276C0D, #0D6E65 and #6E0D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #276C0D shade: #276C0D, #0D286E and #6E0D28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #276C0D shade: #276C0D, #0D6E65, #520D6E and #6E0D15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #276C0D shade: #276C0D, #0D596E, #520D6E and #6E220D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

Complementary color

CMYK 11 / 39 / 0 / 5

HEX #D893F2

RGB 216 147 242

HSL 283.58, 0.79%, 0.76%

LAB 70.79, 42.02, -37.51

 

CMYK 59 / 0 / 93 / 58

HEX #2C6C08

RGB 44 108 8

HSL 98.4, 0.86%, 0.23%

LAB 40.05, -37.68, 43.28

 

CMYK 52 / 0 / 79 / 51

HEX #3D7E1B

RGB 61 126 27

HSL 99.39, 0.65%, 0.3%

LAB 46.97, -38.69, 44.26

 

CMYK 46 / 0 / 68 / 44

HEX #4E902E

RGB 78 144 46

HSL 100.41, 0.52%, 0.37%

LAB 53.78, -39.18, 43.91

 

CMYK 41 / 0 / 60 / 36

HEX #5FA241

RGB 95 162 65

HSL 101.44, 0.43%, 0.45%

LAB 60.48, -39.38, 42.99

 

CMYK 38 / 0 / 53 / 29

HEX #70B454

RGB 112 180 84

HSL 102.5, 0.39%, 0.52%

LAB 67.07, -39.41, 41.85

 

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

CMYK 76 / 0 / 100 / 65

HEX #165A00

RGB 22 90 0

HSL 105.33, 1%, 0.18%

LAB 32.88, -36.97, 39.35

 

CMYK 93 / 0 / 100 / 72

HEX #054800

RGB 5 72 0

HSL 115.83, 1%, 0.14%

LAB 25.76, -33.74, 33.33

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 65 / 0 / 88 / 57

HEX #276E0D

RGB 39 110 13

HSL 103.92, 0.79%, 0.24%

LAB 40.59, -39.62, 42.45

 

CMYK 41 / 0 / 88 / 57

HEX #416E0D

RGB 65 110 13

HSL 87.84, 0.79%, 0.24%

LAB 41.7, -31.15, 43.85

 

CMYK 17 / 0 / 88 / 57

HEX #5B6E0D

RGB 91 110 13

HSL 71.75, 0.79%, 0.24%

LAB 43.37, -20.14, 45.95

 

CMYK 0 / 7 / 88 / 57

HEX #6E660D

RGB 110 102 13

HSL 55.05, 0.79%, 0.24%

LAB 42.53, -6.76, 45.89

 

CMYK 0 / 32 / 88 / 57

HEX #6E4B0D

RGB 110 75 13

HSL 38.35, 0.79%, 0.24%

LAB 34.75, 9.29, 39.33

 

CMYK 65 / 0 / 88 / 57

HEX #276E0D

RGB 39 110 13

HSL 103.92, 0.79%, 0.24%

LAB 40.59, -39.62, 42.45

 

CMYK 88 / 0 / 88 / 57

HEX #0D6E0D

RGB 13 110 13

HSL 120, 0.79%, 0.24%

LAB 40.03, -44.48, 41.72

 

CMYK 88 / 0 / 65 / 57

HEX #0D6E27

RGB 13 110 39

HSL 136.08, 0.79%, 0.24%

LAB 40.22, -42.05, 31.6

 

CMYK 88 / 0 / 41 / 57

HEX #0D6E41

RGB 13 110 65

HSL 152.16, 0.79%, 0.24%

LAB 40.6, -37.48, 17.89

 

CMYK 88 / 0 / 17 / 57

HEX #0D6E5B

RGB 13 110 91

HSL 168.25, 0.79%, 0.24%

LAB 41.2, -30.88, 3.25

 

CMYK 65 / 0 / 88 / 57

HEX #276E0D

RGB 39 110 13

HSL 103.92, 0.79%, 0.24%

LAB 40.59, -39.62, 42.45

 

CMYK 71 / 0 / 97 / 53

HEX #237703

RGB 35 119 3

HSL 103.45, 0.95%, 0.24%

LAB 43.59, -44.26, 47.31

 

CMYK 65 / 0 / 88 / 57

HEX #276E0D

RGB 39 110 13

HSL 103.92, 0.79%, 0.24%

LAB 40.59, -39.62, 42.45

 

CMYK 56 / 0 / 77 / 61

HEX #2C6417

RGB 44 100 23

HSL 103.64, 0.63%, 0.24%

LAB 37.32, -33.54, 35.99

 

CMYK 47 / 0 / 63 / 65

HEX #305A21

RGB 48 90 33

HSL 104.21, 0.46%, 0.24%

LAB 34.09, -26.7, 27.88

 

CMYK 34 / 0 / 46 / 69

HEX #35502B

RGB 53 80 43

HSL 103.78, 0.3%, 0.24%

LAB 31.04, -18.29, 18.61

 

CMYK 19 / 0 / 26 / 73

HEX #394634

RGB 57 70 52

HSL 103.33, 0.15%, 0.24%

LAB 28.11, -9.28, 9.16

 

CMYK 16 / 0 / 88 / 57

HEX #5C6E0D

RGB 92 110 13

HSL 71.13, 0.79%, 0.24%

LAB 43.44, -19.69, 46.04

 

CMYK 40 / 0 / 88 / 57

HEX #426E0D

RGB 66 110 13

HSL 87.22, 0.79%, 0.24%

LAB 41.75, -30.76, 43.91

 

CMYK 64 / 0 / 88 / 57

HEX #286E0D

RGB 40 110 13

HSL 103.3, 0.79%, 0.24%

LAB 40.63, -39.36, 42.49

 

CMYK 87 / 0 / 88 / 57

HEX #0E6E0D

RGB 14 110 13

HSL 119.38, 0.79%, 0.24%

LAB 40.04, -44.36, 41.74

 

CMYK 88 / 0 / 66 / 57

HEX #0D6E25

RGB 13 110 37

HSL 134.85, 0.79%, 0.24%

LAB 40.2, -42.31, 32.55

 

CMYK 64 / 0 / 89 / 86

HEX #0D2404

RGB 13 36 4

HSL 103.13, 0.8%, 0.08%

LAB 11.66, -16.73, 15.34

 

CMYK 64 / 0 / 88 / 71

HEX #1A4909

RGB 26 73 9

HSL 104.06, 0.78%, 0.16%

LAB 26.75, -28.78, 30.81

 

CMYK 65 / 0 / 88 / 57

HEX #276E0D

RGB 39 110 13

HSL 103.92, 0.79%, 0.24%

LAB 40.59, -39.62, 42.45

 

CMYK 64 / 0 / 88 / 43

HEX #359211

RGB 53 146 17

HSL 103.26, 0.79%, 0.32%

LAB 53.34, -49.09, 52.91

 

CMYK 64 / 0 / 88 / 28

HEX #42B716

RGB 66 183 22

HSL 103.6, 0.79%, 0.4%

LAB 65.81, -58.63, 62.84

 

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

CMYK 88 / 0 / 8 / 57

HEX #0D6E65

RGB 13 110 101

HSL 174.43, 0.79%, 0.24%

LAB 41.5, -27.88, -2.38

 

CMYK 0 / 88 / 28 / 57

HEX #6E0D4F

RGB 110 13 79

HSL 319.18, 0.79%, 0.24%

LAB 24.22, 45.64, -13.65

 

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

CMYK 88 / 64 / 0 / 57

HEX #0D286E

RGB 13 40 110

HSL 223.3, 0.79%, 0.24%

LAB 18.92, 19.52, -43.27

 

CMYK 0 / 88 / 64 / 57

HEX #6E0D28

RGB 110 13 40

HSL 343.3, 0.79%, 0.24%

LAB 22.85, 41.71, 11.17

 

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

CMYK 88 / 0 / 8 / 57

HEX #0D6E65

RGB 13 110 101

HSL 174.43, 0.79%, 0.24%

LAB 41.5, -27.88, -2.38

 

CMYK 25 / 88 / 0 / 57

HEX #520D6E

RGB 82 13 110

HSL 282.68, 0.79%, 0.24%

LAB 20.86, 44.95, -39.82

 

CMYK 0 / 88 / 81 / 57

HEX #6E0D15

RGB 110 13 21

HSL 355.05, 0.79%, 0.24%

LAB 22.5, 40.68, 23.66

 

CMYK 64 / 0 / 88 / 58

HEX #276C0D

RGB 39 108 13

HSL 103.58, 0.79%, 0.24%

LAB 39.89, -38.86, 41.81

 

CMYK 88 / 19 / 0 / 57

HEX #0D596E

RGB 13 89 110

HSL 192.99, 0.79%, 0.24%

LAB 34.71, -13.57, -18.14

 

CMYK 25 / 88 / 0 / 57

HEX #520D6E

RGB 82 13 110

HSL 282.68, 0.79%, 0.24%

LAB 20.86, 44.95, -39.82

 

CMYK 0 / 69 / 88 / 57

HEX #6E220D

RGB 110 34 13

HSL 12.99, 0.79%, 0.24%

LAB 25.22, 32.64, 30.99

 

Description

Color code: HEX #276C0D | qconv.com Color code: HEX #276C0D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 108 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 108 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 88 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 88% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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