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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #276668 it is the complementary color #D89997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #276668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #276668 shade: #2C6663, #3D7876, #4E8A89, #5F9C9C and #70AEAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #276668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #276668 shade: #276668, #165455, #054242, #00302F and #001E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #276668 shade: #276668, #275468, #274368, #273268 and #2E2768

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #276668 shade: #276668, #275468, #274368, #273268 and #272768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #276668 shade matches the following richer shades: #276668, #1C7073, #107B7F and #05868A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #276668 shade: #276668, #335B5C, #3E5050, #4A4545 and #553A39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #276668 shade: #276846, #276857, #276668, #275568 and #274468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #276668 shade: #112B2C, #1C484A, #276668, #338385 and #3EA0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #276668 shade: #276668, #352768 and #684F27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #276668 shade: #276668, #682766 and #666827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #276668 shade: #276668, #352768, #682827 and #5A6827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #276668 shade: #276668, #482768, #682827 and #466827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

Complementary color

CMYK 0 / 29 / 30 / 15

HEX #D89997

RGB 216 153 151

HSL 1.85, 0.45%, 0.72%

LAB 69.19, 23.33, 10.49

 

CMYK 57 / 0 / 3 / 60

HEX #2C6663

RGB 44 102 99

HSL 176.9, 0.4%, 0.29%

LAB 39.48, -19.62, -4.06

 

CMYK 49 / 0 / 2 / 53

HEX #3D7876

RGB 61 120 118

HSL 177.97, 0.33%, 0.35%

LAB 46.62, -19.71, -4.86

 

CMYK 43 / 0 / 1 / 46

HEX #4E8A89

RGB 78 138 137

HSL 179, 0.28%, 0.42%

LAB 53.6, -19.71, -5.57

 

CMYK 39 / 0 / 0 / 39

HEX #5F9C9C

RGB 95 156 156

HSL 180, 0.24%, 0.49%

LAB 60.44, -19.67, -6.23

 

CMYK 36 / 1 / 0 / 31

HEX #70AEAF

RGB 112 174 175

HSL 180.95, 0.28%, 0.56%

LAB 67.14, -19.6, -6.85

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 74 / 1 / 0 / 67

HEX #165455

RGB 22 84 85

HSL 180.95, 0.59%, 0.21%

LAB 32.18, -18.6, -6.27

 

CMYK 92 / 0 / 0 / 74

HEX #054242

RGB 5 66 66

HSL 180, 0.86%, 0.14%

LAB 24.71, -17.56, -5.2

 

CMYK 100 / 0 / 2 / 81

HEX #00302F

RGB 0 48 47

HSL 178.75, 1%, 0.09%

LAB 17.08, -15.25, -3.73

 

CMYK 100 / 0 / 7 / 88

HEX #001E1C

RGB 0 30 28

HSL 176, 1%, 0.06%

LAB 9.09, -11.59, -1.95

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 63 / 19 / 0 / 59

HEX #275468

RGB 39 84 104

HSL 198.46, 0.45%, 0.28%

LAB 33.5, -8.84, -16.2

 

CMYK 63 / 36 / 0 / 59

HEX #274368

RGB 39 67 104

HSL 214.15, 0.45%, 0.28%

LAB 27.97, 2.02, -24.82

 

CMYK 63 / 52 / 0 / 59

HEX #273268

RGB 39 50 104

HSL 229.85, 0.45%, 0.28%

LAB 22.7, 13.77, -33.2

 

CMYK 56 / 63 / 0 / 59

HEX #2E2768

RGB 46 39 104

HSL 246.46, 0.45%, 0.28%

LAB 20.17, 22.96, -37.25

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 63 / 19 / 0 / 59

HEX #275468

RGB 39 84 104

HSL 198.46, 0.45%, 0.28%

LAB 33.5, -8.84, -16.2

 

CMYK 63 / 36 / 0 / 59

HEX #274368

RGB 39 67 104

HSL 214.15, 0.45%, 0.28%

LAB 27.97, 2.02, -24.82

 

CMYK 63 / 52 / 0 / 59

HEX #273268

RGB 39 50 104

HSL 229.85, 0.45%, 0.28%

LAB 22.7, 13.77, -33.2

 

CMYK 63 / 63 / 0 / 59

HEX #272768

RGB 39 39 104

HSL 240, 0.45%, 0.28%

LAB 19.56, 21.5, -38.26

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 76 / 3 / 0 / 55

HEX #1C7073

RGB 28 112 115

HSL 182.07, 0.61%, 0.28%

LAB 42.87, -22.81, -8.77

 

CMYK 87 / 3 / 0 / 50

HEX #107B7F

RGB 16 123 127

HSL 182.16, 0.78%, 0.28%

LAB 46.72, -25.75, -10.18

 

CMYK 96 / 3 / 0 / 46

HEX #05868A

RGB 5 134 138

HSL 181.8, 0.93%, 0.28%

LAB 50.59, -28.26, -10.84

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 45 / 1 / 0 / 64

HEX #335B5C

RGB 51 91 92

HSL 181.46, 0.29%, 0.28%

LAB 35.9, -13.76, -5

 

CMYK 23 / 0 / 0 / 69

HEX #3E5050

RGB 62 80 80

HSL 180, 0.13%, 0.28%

LAB 32.57, -6.97, -2.32

 

CMYK 0 / 7 / 7 / 71

HEX #4A4545

RGB 74 69 69

HSL 0, 0.03%, 0.28%

LAB 29.77, 2.1, 0.75

 

CMYK 0 / 32 / 33 / 67

HEX #553A39

RGB 85 58 57

HSL 2.14, 0.2%, 0.28%

LAB 27.44, 11.81, 5.4

 

CMYK 63 / 0 / 33 / 59

HEX #276846

RGB 39 104 70

HSL 148.62, 0.45%, 0.28%

LAB 39.2, -29.42, 13.14

 

CMYK 63 / 0 / 16 / 59

HEX #276857

RGB 39 104 87

HSL 164.31, 0.45%, 0.28%

LAB 39.61, -25.19, 3.45

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 63 / 18 / 0 / 59

HEX #275568

RGB 39 85 104

HSL 197.54, 0.45%, 0.28%

LAB 33.83, -9.45, -15.7

 

CMYK 63 / 35 / 0 / 59

HEX #274468

RGB 39 68 104

HSL 213.23, 0.45%, 0.28%

LAB 28.29, 1.35, -24.31

 

CMYK 61 / 2 / 0 / 83

HEX #112B2C

RGB 17 43 44

HSL 182.22, 0.44%, 0.12%

LAB 15.64, -9.58, -3.72

 

CMYK 62 / 3 / 0 / 71

HEX #1C484A

RGB 28 72 74

HSL 182.61, 0.45%, 0.2%

LAB 27.78, -14.32, -5.78

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 62 / 2 / 0 / 48

HEX #338385

RGB 51 131 133

HSL 181.46, 0.45%, 0.36%

LAB 50.25, -23.31, -8.35

 

CMYK 62 / 2 / 0 / 36

HEX #3EA0A3

RGB 62 160 163

HSL 181.78, 0.45%, 0.44%

LAB 60.61, -27.15, -10.06

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 49 / 63 / 0 / 59

HEX #352768

RGB 53 39 104

HSL 252.92, 0.45%, 0.28%

LAB 20.86, 24.56, -36.11

 

CMYK 0 / 24 / 63 / 59

HEX #684F27

RGB 104 79 39

HSL 36.92, 0.45%, 0.28%

LAB 35.36, 5.41, 27.31

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 0 / 63 / 2 / 59

HEX #682766

RGB 104 39 102

HSL 301.85, 0.45%, 0.28%

LAB 27.72, 38.03, -23.45

 

CMYK 2 / 0 / 63 / 59

HEX #666827

RGB 102 104 39

HSL 61.85, 0.45%, 0.28%

LAB 42.57, -10.31, 35.42

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 49 / 63 / 0 / 59

HEX #352768

RGB 53 39 104

HSL 252.92, 0.45%, 0.28%

LAB 20.86, 24.56, -36.11

 

CMYK 0 / 62 / 63 / 59

HEX #682827

RGB 104 40 39

HSL 0.92, 0.45%, 0.28%

LAB 25.58, 28.67, 15.25

 

CMYK 13 / 0 / 63 / 59

HEX #5A6827

RGB 90 104 39

HSL 72.92, 0.45%, 0.28%

LAB 41.56, -15.82, 34.03

 

CMYK 63 / 2 / 0 / 59

HEX #276668

RGB 39 102 104

HSL 181.85, 0.45%, 0.28%

LAB 39.47, -19.18, -7.15

 

CMYK 31 / 63 / 0 / 59

HEX #482768

RGB 72 39 104

HSL 270.46, 0.45%, 0.28%

LAB 23.1, 29.42, -32.38

 

CMYK 0 / 62 / 63 / 59

HEX #682827

RGB 104 40 39

HSL 0.92, 0.45%, 0.28%

LAB 25.58, 28.67, 15.25

 

CMYK 33 / 0 / 63 / 59

HEX #466827

RGB 70 104 39

HSL 91.38, 0.45%, 0.28%

LAB 40.16, -24.41, 32.07

 

Description

Color code: HEX #276668 | qconv.com Color code: HEX #276668 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 102 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 102 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 2 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 2% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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