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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27644D it is the complementary color #D89BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27644D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27644D shade: #2C6448, #3D765B, #4E886E, #5F9A81 and #70AC94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27644D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27644D shade: #27644D, #16523A, #054027, #002E14 and #001C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27644D shade: #27634C, #27633C, #27632C, #326327 and #426327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27644D shade: #27634C, #27635D, #275963, #274963 and #273963

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27644D shade matches the following richer shades: #27634C, #1B6E4F, #107952 and #058555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27644D shade: #27634C, #32584A, #3D4D47, #484244 and #533741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27644D shade: #27632C, #27633C, #27634C, #27635C and #275A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27644D shade: #0F281F, #1B4535, #27634C, #328163 and #3E9F7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27644D shade: #27644D, #273263 and #633427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27644D shade: #27644D, #4C2763 and #634C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27644D shade: #27644D, #273263, #63273E and #635827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27644D shade: #27644D, #2E2763, #63273E and #5C6327

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

Complementary color

CMYK 0 / 28 / 18 / 15

HEX #D89BB2

RGB 216 155 178

HSL 337.38, 0.44%, 0.73%

LAB 70.35, 26.16, -2.85

 

CMYK 56 / 0 / 28 / 61

HEX #2C6448

RGB 44 100 72

HSL 150, 0.39%, 0.28%

LAB 38.05, -25.77, 10.39

 

CMYK 48 / 0 / 23 / 54

HEX #3D765B

RGB 61 118 91

HSL 151.58, 0.32%, 0.35%

LAB 45.23, -25.6, 9.16

 

CMYK 43 / 0 / 19 / 47

HEX #4E886E

RGB 78 136 110

HSL 153.1, 0.27%, 0.42%

LAB 52.23, -25.36, 8.08

 

CMYK 38 / 0 / 16 / 40

HEX #5F9A81

RGB 95 154 129

HSL 154.58, 0.24%, 0.49%

LAB 59.09, -25.11, 7.1

 

CMYK 35 / 0 / 14 / 33

HEX #70AC94

RGB 112 172 148

HSL 156, 0.27%, 0.56%

LAB 65.82, -24.87, 6.21

 

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

CMYK 73 / 0 / 29 / 68

HEX #16523A

RGB 22 82 58

HSL 156, 0.58%, 0.2%

LAB 30.67, -25.62, 8.63

 

CMYK 92 / 0 / 39 / 75

HEX #054027

RGB 5 64 39

HSL 154.58, 0.86%, 0.14%

LAB 23.15, -24.94, 10.34

 

CMYK 100 / 0 / 57 / 82

HEX #002E14

RGB 0 46 20

HSL 146.09, 1%, 0.09%

LAB 15.51, -22.61, 12.58

 

CMYK 100 / 0 / 96 / 89

HEX #001C01

RGB 0 28 1

HSL 122.14, 1%, 0.05%

LAB 7.52, -15.19, 10.58

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 61 / 0 / 39 / 61

HEX #27633C

RGB 39 99 60

HSL 141, 0.43%, 0.27%

LAB 37.26, -29.25, 16.49

 

CMYK 61 / 0 / 56 / 61

HEX #27632C

RGB 39 99 44

HSL 125, 0.43%, 0.27%

LAB 37, -32.12, 25.33

 

CMYK 49 / 0 / 61 / 61

HEX #326327

RGB 50 99 39

HSL 109, 0.43%, 0.27%

LAB 37.39, -29.46, 28.59

 

CMYK 33 / 0 / 61 / 61

HEX #426327

RGB 66 99 39

HSL 93, 0.43%, 0.27%

LAB 38.25, -23.51, 29.82

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 61 / 0 / 6 / 61

HEX #27635D

RGB 39 99 93

HSL 174, 0.43%, 0.27%

LAB 38.1, -20.91, -2.43

 

CMYK 61 / 10 / 0 / 61

HEX #275963

RGB 39 89 99

HSL 190, 0.43%, 0.27%

LAB 34.96, -13.5, -10.85

 

CMYK 61 / 26 / 0 / 61

HEX #274963

RGB 39 73 99

HSL 206, 0.43%, 0.27%

LAB 29.66, -3.74, -18.98

 

CMYK 61 / 42 / 0 / 61

HEX #273963

RGB 39 57 99

HSL 222, 0.43%, 0.27%

LAB 24.51, 6.97, -27.07

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 75 / 0 / 28 / 57

HEX #1B6E4F

RGB 27 110 79

HSL 157.59, 0.61%, 0.27%

LAB 41.14, -32.4, 10.39

 

CMYK 87 / 0 / 32 / 53

HEX #107952

RGB 16 121 82

HSL 157.71, 0.77%, 0.27%

LAB 44.79, -37.8, 13.66

 

CMYK 96 / 0 / 36 / 48

HEX #058555

RGB 5 133 85

HSL 157.5, 0.93%, 0.27%

LAB 48.84, -42.73, 17.43

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 43 / 0 / 16 / 65

HEX #32584A

RGB 50 88 74

HSL 157.89, 0.28%, 0.27%

LAB 34.3, -17.26, 3.89

 

CMYK 21 / 0 / 8 / 70

HEX #3D4D47

RGB 61 77 71

HSL 157.5, 0.12%, 0.27%

LAB 31.24, -7.74, 1.47

 

CMYK 0 / 8 / 6 / 72

HEX #484244

RGB 72 66 68

HSL 340, 0.04%, 0.27%

LAB 28.62, 2.97, -0.3

 

CMYK 0 / 34 / 22 / 67

HEX #533741

RGB 83 55 65

HSL 338.57, 0.2%, 0.27%

LAB 26.6, 14.21, -1.13

 

CMYK 61 / 0 / 56 / 61

HEX #27632C

RGB 39 99 44

HSL 125, 0.43%, 0.27%

LAB 37, -32.12, 25.33

 

CMYK 61 / 0 / 39 / 61

HEX #27633C

RGB 39 99 60

HSL 141, 0.43%, 0.27%

LAB 37.26, -29.25, 16.49

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 61 / 0 / 7 / 61

HEX #27635C

RGB 39 99 92

HSL 173, 0.43%, 0.27%

LAB 38.07, -21.21, -1.86

 

CMYK 61 / 9 / 0 / 61

HEX #275A63

RGB 39 90 99

HSL 189, 0.43%, 0.27%

LAB 35.29, -14.07, -10.35

 

CMYK 63 / 0 / 23 / 84

HEX #0F281F

RGB 15 40 31

HSL 158.4, 0.45%, 0.11%

LAB 13.93, -12.49, 2.98

 

CMYK 61 / 0 / 23 / 73

HEX #1B4535

RGB 27 69 53

HSL 157.14, 0.44%, 0.19%

LAB 26, -19.2, 5.3

 

CMYK 61 / 0 / 23 / 61

HEX #27634C

RGB 39 99 76

HSL 157, 0.43%, 0.27%

LAB 37.62, -25.58, 7.32

 

CMYK 61 / 0 / 23 / 49

HEX #328163

RGB 50 129 99

HSL 157.22, 0.44%, 0.35%

LAB 48.61, -31.78, 9.18

 

CMYK 61 / 0 / 23 / 38

HEX #3E9F7A

RGB 62 159 122

HSL 157.11, 0.44%, 0.43%

LAB 59.18, -37.48, 10.99

 

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

CMYK 61 / 49 / 0 / 61

HEX #273263

RGB 39 50 99

HSL 229, 0.43%, 0.27%

LAB 22.35, 11.88, -30.51

 

CMYK 0 / 47 / 61 / 61

HEX #633427

RGB 99 52 39

HSL 13, 0.43%, 0.27%

LAB 27.45, 19.67, 17.48

 

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

CMYK 23 / 61 / 0 / 61

HEX #4C2763

RGB 76 39 99

HSL 277, 0.43%, 0.27%

LAB 23.3, 29.23, -28.77

 

CMYK 0 / 23 / 61 / 61

HEX #634C27

RGB 99 76 39

HSL 37, 0.43%, 0.27%

LAB 33.92, 4.84, 25.45

 

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

CMYK 61 / 49 / 0 / 61

HEX #273263

RGB 39 50 99

HSL 229, 0.43%, 0.27%

LAB 22.35, 11.88, -30.51

 

CMYK 0 / 61 / 37 / 61

HEX #63273E

RGB 99 39 62

HSL 337, 0.43%, 0.27%

LAB 25.11, 29.76, -1.03

 

CMYK 0 / 11 / 61 / 61

HEX #635827

RGB 99 88 39

HSL 49, 0.43%, 0.27%

LAB 37.44, -2.44, 29.58

 

CMYK 61 / 0 / 23 / 61

HEX #27644D

RGB 39 100 77

HSL 157.38, 0.44%, 0.27%

LAB 37.99, -25.82, 7.23

 

CMYK 54 / 61 / 0 / 61

HEX #2E2763

RGB 46 39 99

HSL 247, 0.43%, 0.27%

LAB 19.77, 21.23, -34.62

 

CMYK 0 / 61 / 37 / 61

HEX #63273E

RGB 99 39 62

HSL 337, 0.43%, 0.27%

LAB 25.11, 29.76, -1.03

 

CMYK 7 / 0 / 61 / 61

HEX #5C6327

RGB 92 99 39

HSL 67, 0.43%, 0.27%

LAB 40.16, -12.13, 32.5

 

Description

Color code: HEX #27644D | qconv.com Color code: HEX #27644D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 100 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 100 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 23 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 23% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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