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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275574 it is the complementary color #D8AA8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275574. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #275574 shade: #2C556F, #3D6782, #4E7995, #5F8BA8 and #709DBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275574. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #275574 shade: #275574, #164361, #05314E, #001F3B and #000D28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #275574 shade: #265473, #263F73, #262B73, #362673 and #4B2673

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #275574 shade: #265473, #263F73, #262B73 and #262673

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #275574 shade matches the following richer shades: #265473, #1A567F, #0D598C and #015B98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #275574 shade: #265473, #335266, #3F4F5A, #4B4D4E and #584A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #275574 shade: #267369, #266973, #265473, #264073 and #262B73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #275574 shade: #122735, #1C3D54, #265473, #316B92 and #3B81B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #275574 shade: #275574, #542673 and #737326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #275574 shade: #275574, #732654 and #547326

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #275574 shade: #275574, #542673, #734526 and #457326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #275574 shade: #275574, #6B2673, #734526 and #2E7326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

Complementary color

CMYK 0 / 21 / 36 / 15

HEX #D8AA8B

RGB 216 170 139

HSL 24.16, 0.5%, 0.7%

LAB 73.03, 12.62, 22.42

 

CMYK 60 / 23 / 0 / 56

HEX #2C556F

RGB 44 85 111

HSL 203.28, 0.43%, 0.3%

LAB 34.36, -5.92, -19.25

 

CMYK 53 / 21 / 0 / 49

HEX #3D6782

RGB 61 103 130

HSL 203.48, 0.36%, 0.37%

LAB 41.7, -6.48, -19.51

 

CMYK 48 / 19 / 0 / 42

HEX #4E7995

RGB 78 121 149

HSL 203.66, 0.31%, 0.45%

LAB 48.84, -6.88, -19.77

 

CMYK 43 / 17 / 0 / 34

HEX #5F8BA8

RGB 95 139 168

HSL 203.84, 0.3%, 0.52%

LAB 55.81, -7.17, -20.04

 

CMYK 40 / 16 / 0 / 27

HEX #709DBB

RGB 112 157 187

HSL 204, 0.36%, 0.59%

LAB 62.63, -7.39, -20.32

 

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

CMYK 77 / 31 / 0 / 62

HEX #164361

RGB 22 67 97

HSL 204, 0.63%, 0.23%

LAB 26.87, -3.96, -22.1

 

CMYK 94 / 37 / 0 / 69

HEX #05314E

RGB 5 49 78

HSL 203.84, 0.88%, 0.16%

LAB 19.14, -2.04, -21.81

 

CMYK 100 / 47 / 0 / 77

HEX #001F3B

RGB 0 31 59

HSL 208.47, 1%, 0.12%

LAB 11.25, 1.5, -21.24

 

CMYK 100 / 68 / 0 / 84

HEX #000D28

RGB 0 13 40

HSL 220.5, 1%, 0.08%

LAB 3.98, 4.41, -18.88

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 67 / 45 / 0 / 55

HEX #263F73

RGB 38 63 115

HSL 220.52, 0.5%, 0.3%

LAB 27.31, 8.7, -32.86

 

CMYK 67 / 63 / 0 / 55

HEX #262B73

RGB 38 43 115

HSL 236.1, 0.5%, 0.3%

LAB 21.5, 22.65, -42.24

 

CMYK 53 / 67 / 0 / 55

HEX #362673

RGB 54 38 115

HSL 252.47, 0.5%, 0.3%

LAB 21.61, 29.02, -41.99

 

CMYK 35 / 67 / 0 / 55

HEX #4B2673

RGB 75 38 115

HSL 268.83, 0.5%, 0.3%

LAB 24.06, 33.75, -37.9

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 67 / 45 / 0 / 55

HEX #263F73

RGB 38 63 115

HSL 220.52, 0.5%, 0.3%

LAB 27.31, 8.7, -32.86

 

CMYK 67 / 63 / 0 / 55

HEX #262B73

RGB 38 43 115

HSL 236.1, 0.5%, 0.3%

LAB 21.5, 22.65, -42.24

 

CMYK 67 / 67 / 0 / 55

HEX #262673

RGB 38 38 115

HSL 240, 0.5%, 0.3%

LAB 20.19, 26.06, -44.37

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 80 / 32 / 0 / 50

HEX #1A567F

RGB 26 86 127

HSL 204.36, 0.66%, 0.3%

LAB 34.82, -3.78, -28.49

 

CMYK 91 / 36 / 0 / 45

HEX #0D598C

RGB 13 89 140

HSL 204.09, 0.83%, 0.3%

LAB 36.22, -1.74, -34.24

 

CMYK 99 / 40 / 0 / 40

HEX #015B98

RGB 1 91 152

HSL 204.24, 0.99%, 0.3%

LAB 37.4, 1.22, -39.63

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 50 / 20 / 0 / 60

HEX #335266

RGB 51 82 102

HSL 203.53, 0.33%, 0.3%

LAB 33.35, -5.32, -15.14

 

CMYK 30 / 12 / 0 / 65

HEX #3F4F5A

RGB 63 79 90

HSL 204.44, 0.18%, 0.3%

LAB 32.67, -3.34, -8.51

 

CMYK 4 / 1 / 0 / 69

HEX #4B4D4E

RGB 75 77 78

HSL 200, 0.02%, 0.3%

LAB 32.6, -0.59, -0.88

 

CMYK 0 / 16 / 26 / 65

HEX #584A41

RGB 88 74 65

HSL 23.48, 0.15%, 0.3%

LAB 32.6, 4.28, 7.56

 

CMYK 67 / 0 / 9 / 55

HEX #267369

RGB 38 115 105

HSL 172.21, 0.5%, 0.3%

LAB 43.79, -25.84, -1.36

 

CMYK 67 / 9 / 0 / 55

HEX #266973

RGB 38 105 115

HSL 187.79, 0.5%, 0.3%

LAB 40.82, -17.48, -11.83

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 67 / 44 / 0 / 55

HEX #264073

RGB 38 64 115

HSL 219.74, 0.5%, 0.3%

LAB 27.62, 8.01, -32.37

 

CMYK 67 / 63 / 0 / 55

HEX #262B73

RGB 38 43 115

HSL 236.1, 0.5%, 0.3%

LAB 21.5, 22.65, -42.24

 

CMYK 66 / 26 / 0 / 79

HEX #122735

RGB 18 39 53

HSL 204, 0.49%, 0.14%

LAB 14.61, -3.31, -11.64

 

CMYK 67 / 27 / 0 / 67

HEX #1C3D54

RGB 28 61 84

HSL 204.64, 0.5%, 0.22%

LAB 24.4, -3.95, -17.48

 

CMYK 67 / 27 / 0 / 55

HEX #265473

RGB 38 84 115

HSL 204.16, 0.5%, 0.3%

LAB 33.96, -5.14, -22.37

 

CMYK 66 / 27 / 0 / 43

HEX #316B92

RGB 49 107 146

HSL 204.12, 0.5%, 0.38%

LAB 43.13, -6.05, -26.93

 

CMYK 67 / 27 / 0 / 31

HEX #3B81B1

RGB 59 129 177

HSL 204.41, 0.5%, 0.46%

LAB 51.62, -6.51, -31.83

 

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

CMYK 27 / 67 / 0 / 55

HEX #542673

RGB 84 38 115

HSL 275.84, 0.5%, 0.3%

LAB 25.29, 35.96, -35.87

 

CMYK 0 / 0 / 67 / 55

HEX #737326

RGB 115 115 38

HSL 60, 0.5%, 0.3%

LAB 47.04, -10.5, 41.02

 

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

CMYK 0 / 67 / 27 / 55

HEX #732654

RGB 115 38 84

HSL 324.16, 0.5%, 0.3%

LAB 28.57, 38.83, -10.24

 

CMYK 27 / 0 / 67 / 55

HEX #547326

RGB 84 115 38

HSL 84.16, 0.5%, 0.3%

LAB 44.64, -24.27, 37.75

 

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

CMYK 27 / 67 / 0 / 55

HEX #542673

RGB 84 38 115

HSL 275.84, 0.5%, 0.3%

LAB 25.29, 35.96, -35.87

 

CMYK 0 / 40 / 67 / 55

HEX #734526

RGB 115 69 38

HSL 24.16, 0.5%, 0.3%

LAB 34.07, 16.62, 26.72

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 66 / 27 / 0 / 55

HEX #275574

RGB 39 85 116

HSL 204.16, 0.5%, 0.3%

LAB 34.37, -5.2, -22.35

 

CMYK 7 / 67 / 0 / 55

HEX #6B2673

RGB 107 38 115

HSL 293.77, 0.5%, 0.3%

LAB 28.77, 41.88, -30.1

 

CMYK 0 / 40 / 67 / 55

HEX #734526

RGB 115 69 38

HSL 24.16, 0.5%, 0.3%

LAB 34.07, 16.62, 26.72

 

CMYK 60 / 0 / 67 / 55

HEX #2E7326

RGB 46 115 38

HSL 113.77, 0.5%, 0.3%

LAB 42.74, -37.7, 35.13

 

Description

Color code: HEX #275574 | qconv.com Color code: HEX #275574 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 85 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 85 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 27 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 27% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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