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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274EB5 it is the complementary color #D8B14A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274EB5 shade: #2C4EB0, #3D60C3, #4E72D6, #5F84E9 and #7096FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274EB5 shade: #274EB5, #163CA2, #052A8F, #00187C and #000669

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274EB5 shade: #264EB5, #2627B5, #4C26B5, #7326B5 and #9926B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274EB5 shade: #264EB5, #2627B5 and #2626B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274EB5 shade matches the following richer shades: #264EB5, #1546C7 and #033ED8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274EB5 shade: #264EB5, #3856A3, #4A5E91, #5C6680 and #6D6E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274EB5 shade: #269BB5, #2675B5, #264FB5, #2629B5 and #4A26B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274EB5 shade: #183071, #1F3F93, #264EB5, #315ED3 and #5378DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274EB5 shade: #274EB5, #A926B5 and #88B526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274EB5 shade: #274EB5, #B5264F and #4FB526

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274EB5 shade: #274EB5, #A926B5, #B58D26 and #32B526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274EB5 shade: #274EB5, #B52696, #B58D26 and #26B545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

Complementary color

CMYK 0 / 18 / 66 / 15

HEX #D8B14A

RGB 216 177 74

HSL 43.52, 0.65%, 0.57%

LAB 73.89, 3.03, 56.32

 

CMYK 75 / 56 / 0 / 31

HEX #2C4EB0

RGB 44 78 176

HSL 224.55, 0.6%, 0.43%

LAB 36.21, 22.96, -55.82

 

CMYK 69 / 51 / 0 / 24

HEX #3D60C3

RGB 61 96 195

HSL 224.33, 0.53%, 0.5%

LAB 43.21, 20.62, -55.59

 

CMYK 64 / 47 / 0 / 16

HEX #4E72D6

RGB 78 114 214

HSL 224.12, 0.62%, 0.57%

LAB 50.11, 18.74, -55.34

 

CMYK 59 / 43 / 0 / 9

HEX #5F84E9

RGB 95 132 233

HSL 223.91, 0.76%, 0.64%

LAB 56.9, 17.2, -55.1

 

CMYK 56 / 40 / 0 / 1

HEX #7096FC

RGB 112 150 252

HSL 223.71, 0.96%, 0.71%

LAB 63.58, 15.91, -54.89

 

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

CMYK 86 / 63 / 0 / 36

HEX #163CA2

RGB 22 60 162

HSL 223.71, 0.76%, 0.36%

LAB 29.44, 27.46, -58.52

 

CMYK 97 / 71 / 0 / 44

HEX #052A8F

RGB 5 42 143

HSL 223.91, 0.93%, 0.29%

LAB 22.55, 31.22, -58.22

 

CMYK 100 / 81 / 0 / 51

HEX #00187C

RGB 0 24 124

HSL 228.39, 1%, 0.24%

LAB 16.05, 35.27, -57.03

 

CMYK 100 / 94 / 0 / 59

HEX #000669

RGB 0 6 105

HSL 236.57, 1%, 0.21%

LAB 10.18, 38.08, -54.46

 

CMYK 79 / 57 / 0 / 29

HEX #264EB5

RGB 38 78 181

HSL 223.22, 0.65%, 0.43%

LAB 36.36, 24.19, -58.55

 

CMYK 79 / 78 / 0 / 29

HEX #2627B5

RGB 38 39 181

HSL 239.58, 0.65%, 0.43%

LAB 27.3, 48.36, -73.44

 

CMYK 58 / 79 / 0 / 29

HEX #4C26B5

RGB 76 38 181

HSL 255.94, 0.65%, 0.43%

LAB 30.06, 52.41, -68.78

 

CMYK 36 / 79 / 0 / 29

HEX #7326B5

RGB 115 38 181

HSL 272.31, 0.65%, 0.43%

LAB 34.74, 57.98, -60.93

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 79 / 57 / 0 / 29

HEX #264EB5

RGB 38 78 181

HSL 223.22, 0.65%, 0.43%

LAB 36.36, 24.19, -58.55

 

CMYK 79 / 78 / 0 / 29

HEX #2627B5

RGB 38 39 181

HSL 239.58, 0.65%, 0.43%

LAB 27.3, 48.36, -73.44

 

CMYK 79 / 79 / 0 / 29

HEX #2626B5

RGB 38 38 181

HSL 240, 0.65%, 0.43%

LAB 27.11, 48.88, -73.74

 

CMYK 79 / 57 / 0 / 29

HEX #264EB5

RGB 38 78 181

HSL 223.22, 0.65%, 0.43%

LAB 36.36, 24.19, -58.55

 

CMYK 89 / 65 / 0 / 22

HEX #1546C7

RGB 21 70 199

HSL 223.48, 0.81%, 0.43%

LAB 35.33, 35.1, -70.81

 

CMYK 99 / 71 / 0 / 15

HEX #033ED8

RGB 3 62 216

HSL 223.38, 0.97%, 0.43%

LAB 34.85, 45.86, -81.46

 

CMYK 79 / 57 / 0 / 29

HEX #264EB5

RGB 38 78 181

HSL 223.22, 0.65%, 0.43%

LAB 36.36, 24.19, -58.55

 

CMYK 66 / 47 / 0 / 36

HEX #3856A3

RGB 56 86 163

HSL 223.18, 0.49%, 0.43%

LAB 38.09, 14.63, -45.03

 

CMYK 49 / 35 / 0 / 43

HEX #4A5E91

RGB 74 94 145

HSL 223.1, 0.32%, 0.43%

LAB 40.42, 7.21, -30.48

 

CMYK 28 / 20 / 0 / 50

HEX #5C6680

RGB 92 102 128

HSL 223.33, 0.16%, 0.43%

LAB 43.27, 2.56, -15.72

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 79 / 14 / 0 / 29

HEX #269BB5

RGB 38 155 181

HSL 190.91, 0.65%, 0.43%

LAB 59.15, -22.32, -22.5

 

CMYK 79 / 35 / 0 / 29

HEX #2675B5

RGB 38 117 181

HSL 206.85, 0.65%, 0.43%

LAB 47.59, -0.9, -40.52

 

CMYK 79 / 56 / 0 / 29

HEX #264FB5

RGB 38 79 181

HSL 222.8, 0.65%, 0.43%

LAB 36.63, 23.53, -58.11

 

CMYK 79 / 77 / 0 / 29

HEX #2629B5

RGB 38 41 181

HSL 238.74, 0.65%, 0.43%

LAB 27.67, 47.3, -72.83

 

CMYK 59 / 79 / 0 / 29

HEX #4A26B5

RGB 74 38 181

HSL 255.1, 0.65%, 0.43%

LAB 29.86, 52.17, -69.12

 

CMYK 79 / 58 / 0 / 56

HEX #183071

RGB 24 48 113

HSL 223.82, 0.65%, 0.27%

LAB 21.95, 16.17, -40.26

 

CMYK 79 / 57 / 0 / 42

HEX #1F3F93

RGB 31 63 147

HSL 223.45, 0.65%, 0.35%

LAB 29.29, 20.26, -49.62

 

CMYK 79 / 57 / 0 / 29

HEX #264EB5

RGB 38 78 181

HSL 223.22, 0.65%, 0.43%

LAB 36.36, 24.19, -58.55

 

CMYK 77 / 55 / 0 / 17

HEX #315ED3

RGB 49 94 211

HSL 223.33, 0.65%, 0.51%

LAB 43.3, 26.25, -64.68

 

CMYK 62 / 45 / 0 / 14

HEX #5378DB

RGB 83 120 219

HSL 223.68, 0.65%, 0.59%

LAB 52.27, 17.62, -54.69

 

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

CMYK 7 / 79 / 0 / 29

HEX #A926B5

RGB 169 38 181

HSL 294.97, 0.65%, 0.43%

LAB 43, 67.73, -47.16

 

CMYK 25 / 0 / 79 / 29

HEX #88B526

RGB 136 181 38

HSL 78.88, 0.65%, 0.43%

LAB 68.33, -34.7, 62.24

 

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

CMYK 0 / 79 / 56 / 29

HEX #B5264F

RGB 181 38 79

HSL 342.8, 0.65%, 0.43%

LAB 40.86, 57.97, 12.37

 

CMYK 56 / 0 / 79 / 29

HEX #4FB526

RGB 79 181 38

HSL 102.8, 0.65%, 0.43%

LAB 65.63, -53.98, 58.76

 

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

CMYK 7 / 79 / 0 / 29

HEX #A926B5

RGB 169 38 181

HSL 294.97, 0.65%, 0.43%

LAB 43, 67.73, -47.16

 

CMYK 0 / 22 / 79 / 29

HEX #B58D26

RGB 181 141 38

HSL 43.22, 0.65%, 0.43%

LAB 60.79, 5.33, 56.68

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 78 / 57 / 0 / 29

HEX #274EB5

RGB 39 78 181

HSL 223.52, 0.65%, 0.43%

LAB 36.4, 24.29, -58.49

 

CMYK 0 / 79 / 17 / 29

HEX #B52696

RGB 181 38 150

HSL 313.01, 0.65%, 0.43%

LAB 43.38, 65.5, -27.93

 

CMYK 0 / 22 / 79 / 29

HEX #B58D26

RGB 181 141 38

HSL 43.22, 0.65%, 0.43%

LAB 60.79, 5.33, 56.68

 

CMYK 79 / 0 / 62 / 29

HEX #26B545

RGB 38 181 69

HSL 133.01, 0.65%, 0.43%

LAB 64.87, -59.37, 45.72

 

Description

Color code: HEX #274EB5 | qconv.com Color code: HEX #274EB5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 78 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 78 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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