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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274D884C it is the complementary color #D8B2774C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274D884C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274D884C shade: #2C4D834C, #3D5F964C, #4E71A94C, #5F83BC4C and #7095CF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274D884C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274D884C shade: #274D884C, #163B754C, #0529624C, #00174F4C and #00053C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274D884C shade: #274C86, #273386, #352786, #4F2786 and #692786

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274D884C shade: #274C86, #273386 and #272786

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274D884C shade matches the following richer shades: #274C86, #194994 and #0B46A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274D884C shade: #274C86, #354F78, #43526A, #51555C and #5F594E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274D884C shade: #278086, #276786, #274D86, #273486 and #342786

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274D884C shade: #142846, #1E3A66, #274C86, #305FA6 and #3A71C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274D884C shade: #274D88, #732786 and #738627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274D884C shade: #274D88, #86274D and #4D8627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274D884C shade: #274D88, #732786, #866027 and #3A8627

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274D884C shade: #274D88, #86277D, #866027 and #278631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 13 / 0 / 14

HEX #274D884C

RGBA 39 77 136 0.3

HSLA 216.49, 0.55%, 0.34%, 0.3

LABA 32.96, 7.51, -36.95, 0.3

 

Complementary color

CMYK 0 / 5 / 13 / 5

HEX #D8B2774C

RGBA 216 178 119 0.3

HSLA 36.49, 0.55%, 0.66%, 0.3

LABA 74.68, 6.11, 35.25, 0.3

 

CMYK 20 / 12 / 0 / 15

HEX #2C4D834C

RGBA 44 77 131 0.3

HSLA 217.24, 0.5%, 0.34%, 0.3

LABA 32.88, 6.49, -33.98, 0.3

 

CMYK 18 / 11 / 0 / 12

HEX #3D5F964C

RGBA 61 95 150 0.3

HSLA 217.08, 0.42%, 0.41%, 0.3

LABA 40.21, 5.17, -33.86, 0.3

 

CMYK 16 / 10 / 0 / 10

HEX #4E71A94C

RGBA 78 113 169 0.3

HSLA 216.92, 0.37%, 0.48%, 0.3

LABA 47.36, 4.17, -33.79, 0.3

 

CMYK 15 / 9 / 0 / 8

HEX #5F83BC4C

RGBA 95 131 188 0.3

HSLA 216.77, 0.41%, 0.55%, 0.3

LABA 54.34, 3.4, -33.77, 0.3

 

CMYK 14 / 8 / 0 / 6

HEX #7095CF4C

RGBA 112 149 207 0.3

HSLA 216.63, 0.5%, 0.63%, 0.3

LABA 61.17, 2.77, -33.78, 0.3

 

CMYK 21 / 13 / 0 / 14

HEX #274D884C

RGBA 39 77 136 0.3

HSLA 216.49, 0.55%, 0.34%, 0.3

LABA 32.96, 7.51, -36.95, 0.3

 

CMYK 24 / 15 / 0 / 16

HEX #163B754C

RGBA 22 59 117 0.3

HSLA 216.63, 0.68%, 0.27%, 0.3

LABA 25.51, 9.73, -37.05, 0.3

 

CMYK 28 / 17 / 0 / 18

HEX #0529624C

RGBA 5 41 98 0.3

HSLA 216.77, 0.9%, 0.2%, 0.3

LABA 17.92, 12.86, -37.08, 0.3

 

CMYK 30 / 21 / 0 / 21

HEX #00174F4C

RGBA 0 23 79 0.3

HSLA 222.53, 1%, 0.15%, 0.3

LABA 10.39, 17.47, -36.61, 0.3

 

CMYK 30 / 28 / 0 / 23

HEX #00053C4C

RGBA 0 5 60 0.3

HSLA 235, 1%, 0.12%, 0.3

LABA 3.93, 18.69, -33.82, 0.3

 

CMYK 71 / 43 / 0 / 47

HEX #274C86

RGB 39 76 134

HSL 216.63, 0.55%, 0.34%

LAB 32.53, 7.4, -36.4

 

CMYK 71 / 62 / 0 / 47

HEX #273386

RGB 39 51 134

HSL 232.42, 0.55%, 0.34%

LAB 25.32, 24.49, -48.03

 

CMYK 60 / 71 / 0 / 47

HEX #352786

RGB 53 39 134

HSL 248.84, 0.55%, 0.34%

LAB 23.44, 34.45, -51.07

 

CMYK 41 / 71 / 0 / 47

HEX #4F2786

RGB 79 39 134

HSL 265.26, 0.55%, 0.34%

LAB 26.26, 39.26, -46.34

 

CMYK 22 / 71 / 0 / 47

HEX #692786

RGB 105 39 134

HSL 281.68, 0.55%, 0.34%

LAB 29.85, 44.95, -40.36

 

CMYK 71 / 43 / 0 / 47

HEX #274C86

RGB 39 76 134

HSL 216.63, 0.55%, 0.34%

LAB 32.53, 7.4, -36.4

 

CMYK 71 / 62 / 0 / 47

HEX #273386

RGB 39 51 134

HSL 232.42, 0.55%, 0.34%

LAB 25.32, 24.49, -48.03

 

CMYK 71 / 71 / 0 / 47

HEX #272786

RGB 39 39 134

HSL 240, 0.55%, 0.34%

LAB 22.32, 32.43, -52.95

 

CMYK 71 / 43 / 0 / 47

HEX #274C86

RGB 39 76 134

HSL 216.63, 0.55%, 0.34%

LAB 32.53, 7.4, -36.4

 

CMYK 83 / 51 / 0 / 42

HEX #194994

RGB 25 73 148

HSL 216.59, 0.71%, 0.34%

LAB 32.06, 13.15, -45.77

 

CMYK 93 / 57 / 0 / 36

HEX #0B46A2

RGB 11 70 162

HSL 216.56, 0.87%, 0.34%

LAB 31.94, 19.97, -54.45

 

CMYK 71 / 43 / 0 / 47

HEX #274C86

RGB 39 76 134

HSL 216.63, 0.55%, 0.34%

LAB 32.53, 7.4, -36.4

 

CMYK 56 / 34 / 0 / 53

HEX #354F78

RGB 53 79 120

HSL 216.72, 0.39%, 0.34%

LAB 33.36, 3.16, -26.37

 

CMYK 37 / 23 / 0 / 58

HEX #43526A

RGB 67 82 106

HSL 216.92, 0.23%, 0.34%

LAB 34.54, 0.69, -15.73

 

CMYK 12 / 8 / 0 / 64

HEX #51555C

RGB 81 85 92

HSL 218.18, 0.06%, 0.34%

LAB 36.02, 0.01, -4.61

 

CMYK 0 / 6 / 18 / 63

HEX #5F594E

RGB 95 89 78

HSL 38.82, 0.1%, 0.34%

LAB 38.07, 0.33, 7.24

 

CMYK 71 / 4 / 0 / 47

HEX #278086

RGB 39 128 134

HSL 183.79, 0.55%, 0.34%

LAB 49, -23.48, -10.85

 

CMYK 71 / 23 / 0 / 47

HEX #276786

RGB 39 103 134

HSL 199.58, 0.55%, 0.34%

LAB 40.98, -9.65, -23.1

 

CMYK 71 / 43 / 0 / 47

HEX #274D86

RGB 39 77 134

HSL 216, 0.55%, 0.34%

LAB 32.83, 6.74, -35.92

 

CMYK 71 / 61 / 0 / 47

HEX #273486

RGB 39 52 134

HSL 231.79, 0.55%, 0.34%

LAB 25.59, 23.81, -47.59

 

CMYK 61 / 71 / 0 / 47

HEX #342786

RGB 52 39 134

HSL 248.21, 0.55%, 0.34%

LAB 23.35, 34.29, -51.22

 

CMYK 71 / 43 / 0 / 73

HEX #142846

RGB 20 40 70

HSL 216, 0.56%, 0.18%

LAB 16.05, 3.34, -21.22

 

CMYK 71 / 43 / 0 / 60

HEX #1E3A66

RGB 30 58 102

HSL 216.67, 0.55%, 0.26%

LAB 24.52, 5.52, -29.02

 

CMYK 71 / 43 / 0 / 47

HEX #274C86

RGB 39 76 134

HSL 216.63, 0.55%, 0.34%

LAB 32.53, 7.4, -36.4

 

CMYK 71 / 43 / 0 / 35

HEX #305FA6

RGB 48 95 166

HSL 216.1, 0.55%, 0.42%

LAB 40.52, 8.57, -42.95

 

CMYK 71 / 43 / 0 / 22

HEX #3A71C6

RGB 58 113 198

HSL 216.43, 0.55%, 0.5%

LAB 47.99, 10.47, -49.65

 

CMYK 71 / 43 / 0 / 47

HEX #274D88

RGB 39 77 136

HSL 216.49, 0.55%, 0.34%

LAB 32.96, 7.51, -36.95

 

CMYK 14 / 71 / 0 / 47

HEX #732786

RGB 115 39 134

HSL 288, 0.55%, 0.34%

LAB 31.39, 47.27, -37.81

 

CMYK 14 / 0 / 71 / 47

HEX #738627

RGB 115 134 39

HSL 72, 0.55%, 0.34%

LAB 52.78, -20.59, 46.48

 

CMYK 71 / 43 / 0 / 47

HEX #274D88

RGB 39 77 136

HSL 216.49, 0.55%, 0.34%

LAB 32.96, 7.51, -36.95

 

CMYK 0 / 71 / 43 / 47

HEX #86274D

RGB 134 39 77

HSL 336, 0.55%, 0.34%

LAB 31.93, 43.51, -0.26

 

CMYK 43 / 0 / 71 / 47

HEX #4D8627

RGB 77 134 39

HSL 96, 0.55%, 0.34%

LAB 50.42, -35.81, 43.32

 

CMYK 71 / 43 / 0 / 47

HEX #274D88

RGB 39 77 136

HSL 216.49, 0.55%, 0.34%

LAB 32.96, 7.51, -36.95

 

CMYK 14 / 71 / 0 / 47

HEX #732786

RGB 115 39 134

HSL 288, 0.55%, 0.34%

LAB 31.39, 47.27, -37.81

 

CMYK 0 / 28 / 71 / 47

HEX #866027

RGB 134 96 39

HSL 36, 0.55%, 0.34%

LAB 43.63, 9.42, 37.54

 

CMYK 57 / 0 / 71 / 47

HEX #3A8627

RGB 58 134 39

HSL 108, 0.55%, 0.34%

LAB 49.61, -41.87, 42.22

 

CMYK 71 / 43 / 0 / 47

HEX #274D88

RGB 39 77 136

HSL 216.49, 0.55%, 0.34%

LAB 32.96, 7.51, -36.95

 

CMYK 0 / 71 / 7 / 47

HEX #86277D

RGB 134 39 125

HSL 305.68, 0.55%, 0.34%

LAB 33.98, 50.23, -27.88

 

CMYK 0 / 28 / 71 / 47

HEX #866027

RGB 134 96 39

HSL 36, 0.55%, 0.34%

LAB 43.63, 9.42, 37.54

 

CMYK 71 / 0 / 63 / 47

HEX #278631

RGB 39 134 49

HSL 126.32, 0.55%, 0.34%

LAB 49.13, -45.37, 37.05

 

Description

Color code: HEX #274D884C | qconv.com Color code: HEX #274D884C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 77 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 77 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 13 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 13% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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