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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274BBC3F it is the complementary color #D8B4433F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274BBC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274BBC3F shade: #2C4BB73F, #3D5DCA3F, #4E6FDD3F, #5F81F03F and #7093FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274BBC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274BBC3F shade: #274BBC3F, #1639A93F, #0527963F, #0015833F and #0003703F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274BBC3F shade: #274CBE, #2B27BE, #5427BE, #7D27BE and #A627BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274BBC3F shade: #274CBE and #2727BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274BBC3F shade matches the following richer shades: #274CBE, #1442D1 and #0238E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274BBC3F shade: #274CBE, #3A55AC, #4C5F99, #5F6887 and #717274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274BBC3F shade: #279EBE, #2775BE, #274DBE, #2A27BE and #5227BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274BBC3F shade: #19307A, #203E9C, #274CBE, #385FD6 and #5B7ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274BBC3F shade: #274BBC, #B727BE and #89BE27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274BBC3F shade: #274BBC, #BE274D and #4DBE27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274BBC3F shade: #274BBC, #B727BE, #BE9927 and #2FBE27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274BBC3F shade: #274BBC, #BE2799, #BE9927 and #27BE4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 15 / 0 / 7

HEX #274BBC3F

RGBA 39 75 188 0.25

HSLA 225.5, 0.66%, 0.45%, 0.25

LABA 36.17, 28.94, -62.99, 0.25

 

Complementary color

CMYK 0 / 4 / 17 / 4

HEX #D8B4433F

RGBA 216 180 67 0.25

HSLA 45.5, 0.66%, 0.55%, 0.25

LABA 74.6, 1.05, 60.05, 0.25

 

CMYK 19 / 15 / 0 / 7

HEX #2C4BB73F

RGBA 44 75 183 0.25

HSLA 226.62, 0.61%, 0.45%, 0.25

LABA 35.96, 27.58, -60.37, 0.25

 

CMYK 17 / 13 / 0 / 5

HEX #3D5DCA3F

RGBA 61 93 202 0.25

HSLA 226.38, 0.57%, 0.52%, 0.25

LABA 42.89, 25.08, -60.15, 0.25

 

CMYK 16 / 12 / 0 / 3

HEX #4E6FDD3F

RGBA 78 111 221 0.25

HSLA 226.15, 0.68%, 0.59%, 0.25

LABA 49.75, 23.02, -59.88, 0.25

 

CMYK 15 / 12 / 0 / 1

HEX #5F81F03F

RGBA 95 129 240 0.25

HSLA 225.93, 0.83%, 0.66%, 0.25

LABA 56.51, 21.32, -59.61, 0.25

 

CMYK 14 / 11 / 0 / 0

HEX #7093FF3F

RGBA 112 147 255 0.25

HSLA 225.31, 1%, 0.72%, 0.25

LABA 62.95, 18.63, -57.52, 0.25

 

CMYK 20 / 15 / 0 / 7

HEX #274BBC3F

RGBA 39 75 188 0.25

HSLA 225.5, 0.66%, 0.45%, 0.25

LABA 36.17, 28.94, -62.99, 0.25

 

CMYK 22 / 17 / 0 / 8

HEX #1639A93F

RGBA 22 57 169 0.25

HSLA 225.71, 0.77%, 0.37%, 0.25

LABA 29.31, 32.2, -62.95, 0.25

 

CMYK 24 / 19 / 0 / 10

HEX #0527963F

RGBA 5 39 150 0.25

HSLA 225.93, 0.94%, 0.3%, 0.25

LABA 22.6, 35.89, -62.47, 0.25

 

CMYK 25 / 21 / 0 / 12

HEX #0015833F

RGBA 0 21 131 0.25

HSLA 230.38, 1%, 0.26%, 0.25

LABA 16.38, 39.48, -60.93, 0.25

 

CMYK 25 / 24 / 0 / 14

HEX #0003703F

RGBA 0 3 112 0.25

HSLA 238.39, 1%, 0.22%, 0.25

LABA 10.81, 41.69, -58, 0.25

 

CMYK 79 / 60 / 0 / 25

HEX #274CBE

RGB 39 76 190

HSL 225.3, 0.66%, 0.45%

LAB 36.59, 29.04, -63.47

 

CMYK 77 / 79 / 0 / 25

HEX #2B27BE

RGB 43 39 190

HSL 241.59, 0.66%, 0.45%

LAB 28.6, 51.55, -76.62

 

CMYK 56 / 79 / 0 / 25

HEX #5427BE

RGB 84 39 190

HSL 257.88, 0.66%, 0.45%

LAB 31.93, 55.42, -71

 

CMYK 34 / 79 / 0 / 25

HEX #7D27BE

RGB 125 39 190

HSL 274.17, 0.66%, 0.45%

LAB 36.98, 61.27, -62.52

 

CMYK 13 / 79 / 0 / 25

HEX #A627BE

RGB 166 39 190

HSL 290.46, 0.66%, 0.45%

LAB 43.18, 68.45, -52.19

 

CMYK 79 / 60 / 0 / 25

HEX #274CBE

RGB 39 76 190

HSL 225.3, 0.66%, 0.45%

LAB 36.59, 29.04, -63.47

 

CMYK 79 / 79 / 0 / 25

HEX #2727BE

RGB 39 39 190

HSL 240, 0.66%, 0.45%

LAB 28.38, 51.3, -76.98

 

CMYK 79 / 60 / 0 / 25

HEX #274CBE

RGB 39 76 190

HSL 225.3, 0.66%, 0.45%

LAB 36.59, 29.04, -63.47

 

CMYK 90 / 68 / 0 / 18

HEX #1442D1

RGB 20 66 209

HSL 225.4, 0.83%, 0.45%

LAB 35.3, 41.33, -76.67

 

CMYK 99 / 75 / 0 / 11

HEX #0238E4

RGB 2 56 228

HSL 225.66, 0.98%, 0.45%

LAB 34.89, 53.49, -88.27

 

CMYK 79 / 60 / 0 / 25

HEX #274CBE

RGB 39 76 190

HSL 225.3, 0.66%, 0.45%

LAB 36.59, 29.04, -63.47

 

CMYK 66 / 51 / 0 / 33

HEX #3A55AC

RGB 58 85 172

HSL 225.79, 0.5%, 0.45%

LAB 38.51, 18.91, -49.71

 

CMYK 50 / 38 / 0 / 40

HEX #4C5F99

RGB 76 95 153

HSL 225.19, 0.34%, 0.45%

LAB 41.25, 9.67, -33.96

 

CMYK 30 / 23 / 0 / 47

HEX #5F6887

RGB 95 104 135

HSL 226.5, 0.17%, 0.45%

LAB 44.35, 4.19, -18.25

 

CMYK 3 / 2 / 0 / 55

HEX #717274

RGB 113 114 116

HSL 220, 0.01%, 0.45%

LAB 48.02, 0.03, -1.24

 

CMYK 79 / 17 / 0 / 25

HEX #279EBE

RGB 39 158 190

HSL 192.72, 0.66%, 0.45%

LAB 60.43, -20.79, -25.61

 

CMYK 79 / 38 / 0 / 25

HEX #2775BE

RGB 39 117 190

HSL 209.01, 0.66%, 0.45%

LAB 48.1, 2.6, -44.91

 

CMYK 79 / 59 / 0 / 25

HEX #274DBE

RGB 39 77 190

HSL 224.9, 0.66%, 0.45%

LAB 36.85, 28.39, -63.04

 

CMYK 78 / 79 / 0 / 25

HEX #2A27BE

RGB 42 39 190

HSL 241.19, 0.66%, 0.45%

LAB 28.54, 51.49, -76.71

 

CMYK 57 / 79 / 0 / 25

HEX #5227BE

RGB 82 39 190

HSL 257.09, 0.66%, 0.45%

LAB 31.72, 55.18, -71.35

 

CMYK 80 / 61 / 0 / 52

HEX #19307A

RGB 25 48 122

HSL 225.77, 0.66%, 0.29%

LAB 22.74, 19.98, -44.71

 

CMYK 79 / 60 / 0 / 39

HEX #203E9C

RGB 32 62 156

HSL 225.48, 0.66%, 0.37%

LAB 29.79, 24.61, -54.29

 

CMYK 79 / 60 / 0 / 25

HEX #274CBE

RGB 39 76 190

HSL 225.3, 0.66%, 0.45%

LAB 36.59, 29.04, -63.47

 

CMYK 74 / 56 / 0 / 16

HEX #385FD6

RGB 56 95 214

HSL 225.19, 0.66%, 0.53%

LAB 44.06, 27.51, -65.16

 

CMYK 59 / 45 / 0 / 13

HEX #5B7ADD

RGB 91 122 221

HSL 225.69, 0.66%, 0.61%

LAB 53.35, 18.55, -54.07

 

CMYK 79 / 60 / 0 / 26

HEX #274BBC

RGB 39 75 188

HSL 225.5, 0.66%, 0.45%

LAB 36.17, 28.94, -62.99

 

CMYK 4 / 79 / 0 / 25

HEX #B727BE

RGB 183 39 190

HSL 297.22, 0.66%, 0.45%

LAB 45.96, 71.66, -47.58

 

CMYK 28 / 0 / 79 / 25

HEX #89BE27

RGB 137 190 39

HSL 81.06, 0.66%, 0.45%

LAB 71.07, -38.33, 64.48

 

CMYK 79 / 60 / 0 / 26

HEX #274BBC

RGB 39 75 188

HSL 225.5, 0.66%, 0.45%

LAB 36.17, 28.94, -62.99

 

CMYK 0 / 79 / 59 / 25

HEX #BE274D

RGB 190 39 77

HSL 344.9, 0.66%, 0.45%

LAB 42.66, 60.07, 16.38

 

CMYK 59 / 0 / 79 / 25

HEX #4DBE27

RGB 77 190 39

HSL 104.9, 0.66%, 0.45%

LAB 68.42, -57.65, 61.07

 

CMYK 79 / 60 / 0 / 26

HEX #274BBC

RGB 39 75 188

HSL 225.5, 0.66%, 0.45%

LAB 36.17, 28.94, -62.99

 

CMYK 4 / 79 / 0 / 25

HEX #B727BE

RGB 183 39 190

HSL 297.22, 0.66%, 0.45%

LAB 45.96, 71.66, -47.58

 

CMYK 0 / 19 / 79 / 25

HEX #BE9927

RGB 190 153 39

HSL 45.3, 0.66%, 0.45%

LAB 64.86, 2.84, 60.39

 

CMYK 75 / 0 / 79 / 25

HEX #2FBE27

RGB 47 190 39

HSL 116.82, 0.66%, 0.45%

LAB 67.71, -63.65, 60.14

 

CMYK 79 / 60 / 0 / 26

HEX #274BBC

RGB 39 75 188

HSL 225.5, 0.66%, 0.45%

LAB 36.17, 28.94, -62.99

 

CMYK 0 / 79 / 19 / 25

HEX #BE2799

RGB 190 39 153

HSL 314.7, 0.66%, 0.45%

LAB 45.22, 67.67, -26.75

 

CMYK 0 / 19 / 79 / 25

HEX #BE9927

RGB 190 153 39

HSL 45.3, 0.66%, 0.45%

LAB 64.86, 2.84, 60.39

 

CMYK 79 / 0 / 59 / 25

HEX #27BE4D

RGB 39 190 77

HSL 135.1, 0.66%, 0.45%

LAB 67.87, -61.21, 45.54

 

Description

Color code: HEX #274BBC3F | qconv.com Color code: HEX #274BBC3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 75 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 75 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 15 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 15% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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