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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2741CF it is the complementary color #D8BE30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2741CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2741CF shade: #2C41CA, #3D53DD, #4E65F0, #5F77FF and #7089FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2741CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2741CF shade: #2741CF, #162FBC, #051DA9, #000B96 and #000083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2741CF shade: #2741CE, #3A27CE, #6727CE, #9427CE and #C127CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2741CF shade: #2741CE and #2727CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2741CF shade matches the following richer shades: #2741CE and #1333E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2741CF shade: #2741CE, #3B4FBA, #4F5CA6, #636A92 and #76787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2741CF shade: #279CCE, #276FCE, #2743CE, #3827CE and #6427CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2741CF shade: #1A2B88, #2136AB, #2741CE, #435ADB and #6679E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2741CF shade: #2741CF, #CE27C8 and #85CE27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2741CF shade: #2741CF, #CE2743 and #43CE27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2741CF shade: #2741CF, #CE27C8, #CEB227 and #27CE2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2741CF shade: #2741CF, #CE2796, #CEB227 and #27CE5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

Complementary color

CMYK 0 / 12 / 78 / 15

HEX #D8BE30

RGB 216 190 48

HSL 50.71, 0.68%, 0.52%

LAB 77.06, -5.01, 69.41

 

CMYK 78 / 68 / 0 / 21

HEX #2C41CA

RGB 44 65 202

HSL 232.03, 0.64%, 0.48%

LAB 35.16, 40.92, -72.8

 

CMYK 72 / 62 / 0 / 13

HEX #3D53DD

RGB 61 83 221

HSL 231.75, 0.7%, 0.55%

LAB 41.84, 38.17, -72.76

 

CMYK 68 / 58 / 0 / 6

HEX #4E65F0

RGB 78 101 240

HSL 231.48, 0.84%, 0.62%

LAB 48.53, 35.76, -72.54

 

CMYK 63 / 53 / 0 / 0

HEX #5F77FF

RGB 95 119 255

HSL 231, 1%, 0.69%

LAB 54.91, 32.35, -70.49

 

CMYK 56 / 46 / 0 / 0

HEX #7089FF

RGB 112 137 255

HSL 229.51, 1%, 0.72%

LAB 60.39, 24.55, -61.62

 

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

CMYK 88 / 75 / 0 / 26

HEX #162FBC

RGB 22 47 188

HSL 230.96, 0.79%, 0.41%

LAB 28.99, 45.41, -74.81

 

CMYK 97 / 83 / 0 / 34

HEX #051DA9

RGB 5 29 169

HSL 231.22, 0.94%, 0.34%

LAB 22.92, 48.27, -73.54

 

CMYK 100 / 93 / 0 / 41

HEX #000B96

RGB 0 11 150

HSL 235.6, 1%, 0.29%

LAB 17.65, 49.8, -70.7

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 81 / 68 / 0 / 19

HEX #2741CE

RGB 39 65 206

HSL 230.66, 0.68%, 0.48%

LAB 35.34, 41.94, -74.85

 

CMYK 72 / 81 / 0 / 19

HEX #3A27CE

RGB 58 39 206

HSL 246.83, 0.68%, 0.48%

LAB 31.36, 57.44, -81.38

 

CMYK 50 / 81 / 0 / 19

HEX #6727CE

RGB 103 39 206

HSL 262.99, 0.68%, 0.48%

LAB 35.58, 61.91, -74.28

 

CMYK 28 / 81 / 0 / 19

HEX #9427CE

RGB 148 39 206

HSL 279.16, 0.68%, 0.48%

LAB 41.54, 68.37, -64.29

 

CMYK 6 / 81 / 0 / 19

HEX #C127CE

RGB 193 39 206

HSL 295.33, 0.68%, 0.48%

LAB 48.57, 76.14, -52.59

 

CMYK 81 / 68 / 0 / 19

HEX #2741CE

RGB 39 65 206

HSL 230.66, 0.68%, 0.48%

LAB 35.34, 41.94, -74.85

 

CMYK 81 / 81 / 0 / 19

HEX #2727CE

RGB 39 39 206

HSL 240, 0.68%, 0.48%

LAB 30.25, 56.28, -83.26

 

CMYK 81 / 68 / 0 / 19

HEX #2741CE

RGB 39 65 206

HSL 230.66, 0.68%, 0.48%

LAB 35.34, 41.94, -74.85

 

CMYK 92 / 77 / 0 / 12

HEX #1333E1

RGB 19 51 225

HSL 230.68, 0.84%, 0.48%

LAB 33.86, 55.53, -88.25

 

CMYK 81 / 68 / 0 / 19

HEX #2741CE

RGB 39 65 206

HSL 230.66, 0.68%, 0.48%

LAB 35.34, 41.94, -74.85

 

CMYK 68 / 58 / 0 / 27

HEX #3B4FBA

RGB 59 79 186

HSL 230.55, 0.52%, 0.48%

LAB 37.96, 28.04, -58.85

 

CMYK 52 / 45 / 0 / 35

HEX #4F5CA6

RGB 79 92 166

HSL 231.03, 0.36%, 0.48%

LAB 41.33, 16.55, -41.57

 

CMYK 32 / 27 / 0 / 43

HEX #636A92

RGB 99 106 146

HSL 231.06, 0.19%, 0.48%

LAB 45.68, 7.22, -22.74

 

CMYK 6 / 5 / 0 / 51

HEX #76787E

RGB 118 120 126

HSL 225, 0.03%, 0.48%

LAB 50.44, 0.5, -3.55

 

CMYK 81 / 24 / 0 / 19

HEX #279CCE

RGB 39 156 206

HSL 197.96, 0.68%, 0.48%

LAB 60.48, -14.23, -34.49

 

CMYK 81 / 46 / 0 / 19

HEX #276FCE

RGB 39 111 206

HSL 214.13, 0.68%, 0.48%

LAB 47.31, 12.44, -55.36

 

CMYK 81 / 67 / 0 / 19

HEX #2743CE

RGB 39 67 206

HSL 229.94, 0.68%, 0.48%

LAB 35.79, 40.71, -74.09

 

CMYK 73 / 81 / 0 / 19

HEX #3827CE

RGB 56 39 206

HSL 246.11, 0.68%, 0.48%

LAB 31.23, 57.3, -81.61

 

CMYK 51 / 81 / 0 / 19

HEX #6427CE

RGB 100 39 206

HSL 261.92, 0.68%, 0.48%

LAB 35.24, 61.54, -74.86

 

CMYK 81 / 68 / 0 / 47

HEX #1A2B88

RGB 26 43 136

HSL 230.73, 0.68%, 0.32%

LAB 22.74, 29.11, -53.53

 

CMYK 81 / 68 / 0 / 33

HEX #2136AB

RGB 33 54 171

HSL 230.87, 0.68%, 0.4%

LAB 29.16, 35.71, -64.38

 

CMYK 81 / 68 / 0 / 19

HEX #2741CE

RGB 39 65 206

HSL 230.66, 0.68%, 0.48%

LAB 35.34, 41.94, -74.85

 

CMYK 69 / 59 / 0 / 14

HEX #435ADB

RGB 67 90 219

HSL 230.92, 0.68%, 0.56%

LAB 43.68, 33.85, -68.6

 

CMYK 55 / 46 / 0 / 11

HEX #6679E2

RGB 102 121 226

HSL 230.81, 0.68%, 0.64%

LAB 54.02, 22.96, -55.77

 

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

CMYK 0 / 81 / 3 / 19

HEX #CE27C8

RGB 206 39 200

HSL 302.16, 0.68%, 0.48%

LAB 50.39, 77.63, -46.1

 

CMYK 35 / 0 / 81 / 19

HEX #85CE27

RGB 133 206 39

HSL 86.23, 0.68%, 0.48%

LAB 75.62, -46.69, 68.53

 

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

CMYK 0 / 81 / 67 / 19

HEX #CE2743

RGB 206 39 67

HSL 349.94, 0.68%, 0.48%

LAB 45.6, 63.93, 26.99

 

CMYK 67 / 0 / 81 / 19

HEX #43CE27

RGB 67 206 39

HSL 109.94, 0.68%, 0.48%

LAB 73.21, -65.22, 65.43

 

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

CMYK 0 / 81 / 3 / 19

HEX #CE27C8

RGB 206 39 200

HSL 302.16, 0.68%, 0.48%

LAB 50.39, 77.63, -46.1

 

CMYK 0 / 14 / 81 / 19

HEX #CEB227

RGB 206 178 39

HSL 49.94, 0.68%, 0.48%

LAB 72.96, -3.41, 68.16

 

CMYK 81 / 0 / 78 / 19

HEX #27CE2D

RGB 39 206 45

HSL 122.16, 0.68%, 0.48%

LAB 72.74, -69.19, 63.09

 

CMYK 81 / 69 / 0 / 19

HEX #2741CF

RGB 39 65 207

HSL 230.71, 0.68%, 0.48%

LAB 35.43, 42.3, -75.27

 

CMYK 0 / 81 / 27 / 19

HEX #CE2796

RGB 206 39 150

HSL 320.12, 0.68%, 0.48%

LAB 47.98, 70.93, -20.45

 

CMYK 0 / 14 / 81 / 19

HEX #CEB227

RGB 206 178 39

HSL 49.94, 0.68%, 0.48%

LAB 72.96, -3.41, 68.16

 

CMYK 81 / 0 / 54 / 19

HEX #27CE5F

RGB 39 206 95

HSL 140.12, 0.68%, 0.48%

LAB 73.15, -64.04, 43.4

 

Description

Color code: HEX #2741CF | qconv.com Color code: HEX #2741CF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 65 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 65 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 69 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 69% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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