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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273AE4 it is the complementary color #D8C51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273AE4 shade: #2C3ADF, #3D4CF2, #4E5EFF, #5F70FF and #7082FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273AE4 shade: #273AE4, #1628D1, #0516BE, #0004AB and #000098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273AE4 shade: #2538E4, #4525E4, #7925E4, #AC25E4 and #E025E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273AE4 shade: #2538E4 and #2525E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273AE4 shade matches the following richer shades: #2538E4 and #1128F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273AE4 shade: #2538E4, #3948D0, #4D58BC, #6168A9 and #747895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273AE4 shade: #25A1E4, #256EE4, #253BE4, #4225E4 and #7525E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273AE4 shade: #1422A3, #192AC7, #2538E4, #4A5AE9 and #6F7BED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273AE4 shade: #273AE4, #E425D4 and #88E425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273AE4 shade: #273AE4, #E4253B and #3BE425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273AE4 shade: #273AE4, #E425D4, #E4CE25 and #25E435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273AE4 shade: #273AE4, #E4259B, #E4CE25 and #25E46E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

Complementary color

CMYK 0 / 9 / 88 / 15

HEX #D8C51B

RGB 216 197 27

HSL 53.97, 0.78%, 0.48%

LAB 78.82, -9.19, 76.28

 

CMYK 80 / 74 / 0 / 13

HEX #2C3ADF

RGB 44 58 223

HSL 235.31, 0.74%, 0.52%

LAB 35.77, 52.19, -83.92

 

CMYK 75 / 69 / 0 / 5

HEX #3D4CF2

RGB 61 76 242

HSL 235.03, 0.87%, 0.59%

LAB 42.11, 49.55, -84.22

 

CMYK 69 / 63 / 0 / 0

HEX #4E5EFF

RGB 78 94 255

HSL 234.58, 1%, 0.65%

LAB 48.06, 45.05, -81.68

 

CMYK 63 / 56 / 0 / 0

HEX #5F70FF

RGB 95 112 255

HSL 233.63, 1%, 0.69%

LAB 53.21, 36.58, -73.24

 

CMYK 56 / 49 / 0 / 0

HEX #7082FF

RGB 112 130 255

HSL 232.45, 1%, 0.72%

LAB 58.63, 28.72, -64.44

 

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

CMYK 89 / 81 / 0 / 18

HEX #1628D1

RGB 22 40 209

HSL 234.22, 0.81%, 0.45%

LAB 30.14, 56.07, -85.21

 

CMYK 97 / 88 / 0 / 25

HEX #0516BE

RGB 5 22 190

HSL 234.49, 0.95%, 0.38%

LAB 24.71, 57.71, -83.11

 

CMYK 100 / 98 / 0 / 33

HEX #0004AB

RGB 0 4 171

HSL 238.6, 1%, 0.34%

LAB 20.15, 57.62, -79.37

 

CMYK 100 / 100 / 0 / 40

HEX #000098

RGB 0 0 152

HSL 240, 1%, 0.3%

LAB 16.83, 53.83, -73.31

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 70 / 84 / 0 / 11

HEX #4525E4

RGB 69 37 228

HSL 250.05, 0.78%, 0.52%

LAB 34.38, 65.24, -89.05

 

CMYK 47 / 84 / 0 / 11

HEX #7925E4

RGB 121 37 228

HSL 266.39, 0.78%, 0.52%

LAB 39.56, 70.04, -80.31

 

CMYK 25 / 84 / 0 / 11

HEX #AC25E4

RGB 172 37 228

HSL 282.41, 0.78%, 0.52%

LAB 46.57, 76.96, -68.56

 

CMYK 2 / 84 / 0 / 11

HEX #E025E4

RGB 224 37 228

HSL 298.74, 0.78%, 0.52%

LAB 54.84, 85.54, -54.81

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 93 / 84 / 0 / 3

HEX #1128F8

RGB 17 40 248

HSL 234.03, 0.94%, 0.52%

LAB 34.83, 67.68, -99.7

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 73 / 65 / 0 / 18

HEX #3948D0

RGB 57 72 208

HSL 234.04, 0.62%, 0.52%

LAB 37.95, 39.99, -71.69

 

CMYK 59 / 53 / 0 / 26

HEX #4D58BC

RGB 77 88 188

HSL 234.05, 0.45%, 0.52%

LAB 41.51, 26.01, -54.21

 

CMYK 43 / 38 / 0 / 34

HEX #6168A9

RGB 97 104 169

HSL 234.17, 0.3%, 0.52%

LAB 46.05, 14.48, -35.77

 

CMYK 22 / 19 / 0 / 42

HEX #747895

RGB 116 120 149

HSL 232.73, 0.13%, 0.52%

LAB 51.05, 5.08, -16.16

 

CMYK 84 / 29 / 0 / 11

HEX #25A1E4

RGB 37 161 228

HSL 201.05, 0.78%, 0.52%

LAB 62.91, -9.4, -42.91

 

CMYK 84 / 52 / 0 / 11

HEX #256EE4

RGB 37 110 228

HSL 217.07, 0.78%, 0.52%

LAB 48.44, 21.31, -66.02

 

CMYK 84 / 74 / 0 / 11

HEX #253BE4

RGB 37 59 228

HSL 233.09, 0.78%, 0.52%

LAB 36.22, 52.88, -86.04

 

CMYK 71 / 84 / 0 / 11

HEX #4225E4

RGB 66 37 228

HSL 249.11, 0.78%, 0.52%

LAB 34.15, 65.04, -89.42

 

CMYK 49 / 84 / 0 / 11

HEX #7525E4

RGB 117 37 228

HSL 265.13, 0.78%, 0.52%

LAB 39.08, 69.58, -81.11

 

CMYK 88 / 79 / 0 / 36

HEX #1422A3

RGB 20 34 163

HSL 234.13, 0.78%, 0.36%

LAB 23.46, 44.09, -68.99

 

CMYK 87 / 79 / 0 / 22

HEX #192AC7

RGB 25 42 199

HSL 234.14, 0.78%, 0.44%

LAB 29.38, 51.98, -80.64

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 68 / 61 / 0 / 9

HEX #4A5AE9

RGB 74 90 233

HSL 233.96, 0.78%, 0.6%

LAB 45.15, 39.58, -74.13

 

CMYK 53 / 48 / 0 / 7

HEX #6F7BED

RGB 111 123 237

HSL 234.29, 0.78%, 0.68%

LAB 55.75, 27.07, -59.12

 

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

CMYK 0 / 84 / 7 / 11

HEX #E425D4

RGB 228 37 212

HSL 305.03, 0.78%, 0.52%

LAB 54.63, 83.94, -46.02

 

CMYK 40 / 0 / 84 / 11

HEX #88E425

RGB 136 228 37

HSL 88.9, 0.78%, 0.52%

LAB 82.3, -54.62, 75

 

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

CMYK 0 / 84 / 74 / 11

HEX #E4253B

RGB 228 37 59

HSL 353.09, 0.78%, 0.52%

LAB 49.66, 69.99, 37.63

 

CMYK 74 / 0 / 84 / 11

HEX #3BE425

RGB 59 228 37

HSL 113.09, 0.78%, 0.52%

LAB 79.93, -73.49, 71.99

 

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

CMYK 0 / 84 / 7 / 11

HEX #E425D4

RGB 228 37 212

HSL 305.03, 0.78%, 0.52%

LAB 54.63, 83.94, -46.02

 

CMYK 0 / 10 / 84 / 11

HEX #E4CE25

RGB 228 206 37

HSL 53.09, 0.78%, 0.52%

LAB 82.26, -8.38, 77.36

 

CMYK 84 / 0 / 77 / 11

HEX #25E435

RGB 37 228 53

HSL 125.03, 0.78%, 0.52%

LAB 79.69, -75.28, 67.35

 

CMYK 83 / 75 / 0 / 11

HEX #273AE4

RGB 39 58 228

HSL 233.97, 0.78%, 0.52%

LAB 36.1, 53.54, -86.24

 

CMYK 0 / 84 / 32 / 11

HEX #E4259B

RGB 228 37 155

HSL 322.93, 0.78%, 0.52%

LAB 52.04, 76.89, -16.85

 

CMYK 0 / 10 / 84 / 11

HEX #E4CE25

RGB 228 206 37

HSL 53.09, 0.78%, 0.52%

LAB 82.26, -8.38, 77.36

 

CMYK 84 / 0 / 52 / 11

HEX #25E46E

RGB 37 228 110

HSL 142.93, 0.78%, 0.52%

LAB 80.18, -69.22, 44.84

 

Description

Color code: HEX #273AE4 | qconv.com Color code: HEX #273AE4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 58 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 58 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 75 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 75% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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