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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273087 it is the complementary color #D8CF78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273087 shade: #2C3082, #3D4295, #4E54A8, #5F66BB and #7078CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273087 shade: #273087, #161E74, #050C61, #00004E and #00003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273087 shade: #273086, #382786, #522786, #6B2786 and #852786

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273087 shade: #273086 and #272786

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273087 shade matches the following richer shades: #273086, #192594 and #0B19A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273087 shade: #273086, #353B78, #43476A, #51525C and #5F5E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273087 shade: #276386, #274A86, #273186, #372786 and #502786

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273087 shade: #141946, #1E2566, #273086, #303BA6 and #3A47C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273087 shade: #273087, #86277D and #578627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273087 shade: #273087, #862731 and #318627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273087 shade: #273087, #86277D, #867D27 and #278631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273087 shade: #273087, #862760, #867D27 and #27864D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

Complementary color

CMYK 0 / 4 / 44 / 15

HEX #D8CF78

RGB 216 207 120

HSL 54.38, 0.55%, 0.66%

LAB 82.15, -8.9, 44.18

 

CMYK 66 / 63 / 0 / 49

HEX #2C3082

RGB 44 48 130

HSL 237.21, 0.49%, 0.34%

LAB 24.52, 25.82, -46.82

 

CMYK 59 / 56 / 0 / 42

HEX #3D4295

RGB 61 66 149

HSL 236.59, 0.42%, 0.41%

LAB 31.94, 23.74, -46.48

 

CMYK 54 / 50 / 0 / 34

HEX #4E54A8

RGB 78 84 168

HSL 236, 0.37%, 0.48%

LAB 39.22, 22.08, -46.12

 

CMYK 49 / 45 / 0 / 27

HEX #5F66BB

RGB 95 102 187

HSL 235.43, 0.4%, 0.55%

LAB 46.34, 20.73, -45.82

 

CMYK 46 / 42 / 0 / 19

HEX #7078CE

RGB 112 120 206

HSL 234.89, 0.49%, 0.62%

LAB 53.31, 19.62, -45.56

 

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

CMYK 81 / 74 / 0 / 55

HEX #161E74

RGB 22 30 116

HSL 234.89, 0.68%, 0.27%

LAB 17.27, 29.73, -49.84

 

CMYK 95 / 88 / 0 / 62

HEX #050C61

RGB 5 12 97

HSL 235.43, 0.9%, 0.2%

LAB 10.25, 32.57, -49.04

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 71 / 64 / 0 / 47

HEX #273086

RGB 39 48 134

HSL 234.32, 0.55%, 0.34%

LAB 24.53, 26.53, -49.31

 

CMYK 58 / 71 / 0 / 47

HEX #382786

RGB 56 39 134

HSL 250.74, 0.55%, 0.34%

LAB 23.71, 34.95, -50.6

 

CMYK 39 / 71 / 0 / 47

HEX #522786

RGB 82 39 134

HSL 267.16, 0.55%, 0.34%

LAB 26.64, 39.88, -45.71

 

CMYK 20 / 71 / 0 / 47

HEX #6B2786

RGB 107 39 134

HSL 282.95, 0.55%, 0.34%

LAB 30.15, 45.41, -39.86

 

CMYK 1 / 71 / 0 / 47

HEX #852786

RGB 133 39 134

HSL 299.37, 0.55%, 0.34%

LAB 34.31, 51.54, -32.98

 

CMYK 71 / 64 / 0 / 47

HEX #273086

RGB 39 48 134

HSL 234.32, 0.55%, 0.34%

LAB 24.53, 26.53, -49.31

 

CMYK 71 / 71 / 0 / 47

HEX #272786

RGB 39 39 134

HSL 240, 0.55%, 0.34%

LAB 22.32, 32.43, -52.95

 

CMYK 71 / 64 / 0 / 47

HEX #273086

RGB 39 48 134

HSL 234.32, 0.55%, 0.34%

LAB 24.53, 26.53, -49.31

 

CMYK 83 / 75 / 0 / 42

HEX #192594

RGB 25 37 148

HSL 234.15, 0.71%, 0.34%

LAB 22.54, 37.37, -61.32

 

CMYK 93 / 85 / 0 / 36

HEX #0B19A2

RGB 11 25 162

HSL 234.44, 0.87%, 0.34%

LAB 21.49, 48.07, -71.67

 

CMYK 71 / 64 / 0 / 47

HEX #273086

RGB 39 48 134

HSL 234.32, 0.55%, 0.34%

LAB 24.53, 26.53, -49.31

 

CMYK 56 / 51 / 0 / 53

HEX #353B78

RGB 53 59 120

HSL 234.63, 0.39%, 0.34%

LAB 27.41, 16.54, -35.81

 

CMYK 37 / 33 / 0 / 58

HEX #43476A

RGB 67 71 106

HSL 233.85, 0.23%, 0.34%

LAB 31.21, 7.78, -20.88

 

CMYK 12 / 11 / 0 / 64

HEX #51525C

RGB 81 82 92

HSL 234.55, 0.06%, 0.34%

LAB 35.12, 1.88, -5.96

 

CMYK 0 / 1 / 18 / 63

HEX #5F5E4E

RGB 95 94 78

HSL 56.47, 0.1%, 0.34%

LAB 39.56, -2.68, 9.33

 

CMYK 71 / 26 / 0 / 47

HEX #276386

RGB 39 99 134

HSL 202.11, 0.55%, 0.34%

LAB 39.71, -7.26, -25.08

 

CMYK 71 / 45 / 0 / 47

HEX #274A86

RGB 39 74 134

HSL 217.89, 0.55%, 0.34%

LAB 31.92, 8.74, -37.37

 

CMYK 71 / 63 / 0 / 47

HEX #273186

RGB 39 49 134

HSL 233.68, 0.55%, 0.34%

LAB 24.79, 25.85, -48.89

 

CMYK 59 / 71 / 0 / 47

HEX #372786

RGB 55 39 134

HSL 250.11, 0.55%, 0.34%

LAB 23.62, 34.78, -50.76

 

CMYK 40 / 71 / 0 / 47

HEX #502786

RGB 80 39 134

HSL 265.89, 0.55%, 0.34%

LAB 26.38, 39.47, -46.13

 

CMYK 71 / 64 / 0 / 73

HEX #141946

RGB 20 25 70

HSL 234, 0.56%, 0.18%

LAB 11.18, 14.67, -29.04

 

CMYK 71 / 64 / 0 / 60

HEX #1E2566

RGB 30 37 102

HSL 234.17, 0.55%, 0.26%

LAB 18.18, 20.51, -39.23

 

CMYK 71 / 64 / 0 / 47

HEX #273086

RGB 39 48 134

HSL 234.32, 0.55%, 0.34%

LAB 24.53, 26.53, -49.31

 

CMYK 71 / 64 / 0 / 35

HEX #303BA6

RGB 48 59 166

HSL 234.41, 0.55%, 0.42%

LAB 30.66, 32.25, -58.89

 

CMYK 71 / 64 / 0 / 22

HEX #3A47C6

RGB 58 71 198

HSL 234.43, 0.55%, 0.5%

LAB 36.9, 37.24, -67.6

 

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

CMYK 0 / 71 / 7 / 47

HEX #86277D

RGB 134 39 125

HSL 305.68, 0.55%, 0.34%

LAB 33.98, 50.23, -27.88

 

CMYK 35 / 0 / 71 / 47

HEX #578627

RGB 87 134 39

HSL 89.68, 0.55%, 0.34%

LAB 50.95, -32.13, 44.03

 

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

CMYK 0 / 71 / 63 / 47

HEX #862731

RGB 134 39 49

HSL 353.68, 0.55%, 0.34%

LAB 31.21, 40.99, 17.08

 

CMYK 63 / 0 / 71 / 47

HEX #318627

RGB 49 134 39

HSL 113.68, 0.55%, 0.34%

LAB 49.31, -44.24, 41.81

 

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

CMYK 0 / 71 / 7 / 47

HEX #86277D

RGB 134 39 125

HSL 305.68, 0.55%, 0.34%

LAB 33.98, 50.23, -27.88

 

CMYK 0 / 7 / 71 / 47

HEX #867D27

RGB 134 125 39

HSL 54.32, 0.55%, 0.34%

LAB 51.7, -7.21, 45.92

 

CMYK 71 / 0 / 63 / 47

HEX #278631

RGB 39 134 49

HSL 126.32, 0.55%, 0.34%

LAB 49.13, -45.37, 37.05

 

CMYK 71 / 64 / 0 / 47

HEX #273087

RGB 39 48 135

HSL 234.38, 0.55%, 0.34%

LAB 24.62, 26.9, -49.79

 

CMYK 0 / 71 / 28 / 47

HEX #862760

RGB 134 39 96

HSL 324, 0.55%, 0.34%

LAB 32.62, 45.83, -11.58

 

CMYK 0 / 7 / 71 / 47

HEX #867D27

RGB 134 125 39

HSL 54.32, 0.55%, 0.34%

LAB 51.7, -7.21, 45.92

 

CMYK 71 / 0 / 43 / 47

HEX #27864D

RGB 39 134 77

HSL 144, 0.55%, 0.34%

LAB 49.52, -40.96, 22.92

 

Description

Color code: HEX #273087 | qconv.com Color code: HEX #273087 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 48 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 48 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 64 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 64% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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