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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #271B893F it is the complementary color #D8E4763F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #271B893F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #271B893F shade: #2C1B843F, #3D2D973F, #4E3FAA3F, #5F51BD3F and #7063D03F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #271B893F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #271B893F shade: #271B893F, #1609763F, #0500633F, #0000503F and #00003D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #271B893F shade: #271B88, #441B88, #621B88, #7F1B88 and #881B74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #271B893F shade: #271B88 and #1B1B88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #271B893F shade matches the following richer shades: #271B88, #1D0E95 and #1201A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #271B893F shade: #271B88, #31287B, #3C356E, #464361 and #505053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #271B893F shade: #1B4A88, #1B2D88, #261B88, #431B88 and #601B88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #271B893F shade: #130D43, #1D1466, #271B88, #3122AB and #3B29CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #271B893F shade: #271B89, #881B67 and #3C881B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #271B893F shade: #271B89, #88261B and #1B8826

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #271B893F shade: #271B89, #881B67, #7D881B and #1B883C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #271B893F shade: #271B89, #881B47, #7D881B and #1B885D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 20 / 0 / 12

HEX #271B893F

RGBA 39 27 137 0.25

HSLA 246.55, 0.67%, 0.32%, 0.25

LABA 20.13, 40.48, -58.43, 0.25

 

Complementary color

CMYK 1 / 0 / 12 / 3

HEX #D8E4763F

RGBA 216 228 118 0.25

HSLA 66.55, 0.67%, 0.68%, 0.25

LABA 87.68, -19.56, 51.88, 0.25

 

CMYK 17 / 20 / 0 / 12

HEX #2C1B843F

RGBA 44 27 132 0.25

HSLA 249.71, 0.66%, 0.31%, 0.25

LABA 19.98, 39.4, -55.51, 0.25

 

CMYK 15 / 18 / 0 / 10

HEX #3D2D973F

RGBA 61 45 151 0.25

HSLA 249.06, 0.54%, 0.38%, 0.25

LABA 27.03, 37.68, -55.69, 0.25

 

CMYK 14 / 16 / 0 / 8

HEX #4E3FAA3F

RGBA 78 63 170 0.25

HSLA 248.41, 0.46%, 0.46%, 0.25

LABA 34.14, 35.91, -55.52, 0.25

 

CMYK 12 / 14 / 0 / 6

HEX #5F51BD3F

RGBA 95 81 189 0.25

HSLA 247.78, 0.45%, 0.53%, 0.25

LABA 41.2, 34.3, -55.23, 0.25

 

CMYK 12 / 13 / 0 / 5

HEX #7063D03F

RGBA 112 99 208 0.25

HSLA 247.16, 0.54%, 0.6%, 0.25

LABA 48.16, 32.88, -54.93, 0.25

 

CMYK 18 / 20 / 0 / 12

HEX #271B893F

RGBA 39 27 137 0.25

HSLA 246.55, 0.67%, 0.32%, 0.25

LABA 20.13, 40.48, -58.43, 0.25

 

CMYK 20 / 23 / 0 / 13

HEX #1609763F

RGBA 22 9 118 0.25

HSLA 247.16, 0.86%, 0.25%, 0.25

LABA 13.67, 41.53, -57.1, 0.25

 

CMYK 24 / 25 / 0 / 15

HEX #0500633F

RGBA 5 0 99 0.25

HSLA 243.03, 1%, 0.19%, 0.25

LABA 8.42, 39.66, -53.42, 0.25

 

CMYK 25 / 25 / 0 / 17

HEX #0000503F

RGBA 0 0 80 0.25

HSLA 240, 1%, 0.16%, 0.25

LABA 5.23, 32.43, -45.83, 0.25

 

CMYK 25 / 25 / 0 / 19

HEX #00003D3F

RGBA 0 0 61 0.25

HSLA 240, 1%, 0.12%, 0.25

LABA 3.04, 21.39, -35.98, 0.25

 

CMYK 71 / 80 / 0 / 47

HEX #271B88

RGB 39 27 136

HSL 246.61, 0.67%, 0.32%

LAB 20.01, 40.16, -57.99

 

CMYK 50 / 80 / 0 / 47

HEX #441B88

RGB 68 27 136

HSL 262.57, 0.67%, 0.32%

LAB 22.97, 43.8, -53.03

 

CMYK 28 / 80 / 0 / 47

HEX #621B88

RGB 98 27 136

HSL 279.08, 0.67%, 0.32%

LAB 27.18, 48.92, -45.97

 

CMYK 7 / 80 / 0 / 47

HEX #7F1B88

RGB 127 27 136

HSL 295.05, 0.67%, 0.32%

LAB 31.97, 54.66, -38

 

CMYK 0 / 80 / 15 / 47

HEX #881B74

RGB 136 27 116

HSL 311.01, 0.67%, 0.32%

LAB 32.43, 53.38, -24.62

 

CMYK 71 / 80 / 0 / 47

HEX #271B88

RGB 39 27 136

HSL 246.61, 0.67%, 0.32%

LAB 20.01, 40.16, -57.99

 

CMYK 80 / 80 / 0 / 47

HEX #1B1B88

RGB 27 27 136

HSL 240, 0.67%, 0.32%

LAB 19.2, 39.15, -59.37

 

CMYK 71 / 80 / 0 / 47

HEX #271B88

RGB 39 27 136

HSL 246.61, 0.67%, 0.32%

LAB 20.01, 40.16, -57.99

 

CMYK 81 / 91 / 0 / 42

HEX #1D0E95

RGB 29 14 149

HSL 246.67, 0.83%, 0.32%

LAB 18.99, 49.23, -67.82

 

CMYK 89 / 99 / 0 / 36

HEX #1201A3

RGB 18 1 163

HSL 246.3, 0.99%, 0.32%

LAB 19.2, 56.56, -76.09

 

CMYK 71 / 80 / 0 / 47

HEX #271B88

RGB 39 27 136

HSL 246.61, 0.67%, 0.32%

LAB 20.01, 40.16, -57.99

 

CMYK 60 / 67 / 0 / 52

HEX #31287B

RGB 49 40 123

HSL 246.51, 0.51%, 0.32%

LAB 22.3, 29.46, -45.99

 

CMYK 45 / 52 / 0 / 57

HEX #3C356E

RGB 60 53 110

HSL 247.37, 0.35%, 0.32%

LAB 25.66, 18.97, -32.22

 

CMYK 28 / 31 / 0 / 62

HEX #464361

RGB 70 67 97

HSL 246, 0.18%, 0.32%

LAB 29.86, 8.77, -17.22

 

CMYK 4 / 4 / 0 / 67

HEX #505053

RGB 80 80 83

HSL 240, 0.02%, 0.32%

LAB 34.12, 0.66, -1.76

 

CMYK 80 / 46 / 0 / 47

HEX #1B4A88

RGB 27 74 136

HSL 214.13, 0.67%, 0.32%

LAB 31.6, 7.81, -39.15

 

CMYK 80 / 67 / 0 / 47

HEX #1B2D88

RGB 27 45 136

HSL 230.09, 0.67%, 0.32%

LAB 23.3, 27.86, -52.62

 

CMYK 72 / 80 / 0 / 47

HEX #261B88

RGB 38 27 136

HSL 246.06, 0.67%, 0.32%

LAB 19.94, 40.06, -58.13

 

CMYK 51 / 80 / 0 / 47

HEX #431B88

RGB 67 27 136

HSL 262.02, 0.67%, 0.32%

LAB 22.84, 43.65, -53.24

 

CMYK 29 / 80 / 0 / 47

HEX #601B88

RGB 96 27 136

HSL 277.98, 0.67%, 0.32%

LAB 26.87, 48.54, -46.49

 

CMYK 72 / 81 / 0 / 74

HEX #130D43

RGB 19 13 67

HSL 246.67, 0.68%, 0.16%

LAB 7.51, 21.97, -32.92

 

CMYK 72 / 80 / 0 / 60

HEX #1D1466

RGB 29 20 102

HSL 246.59, 0.67%, 0.24%

LAB 13.95, 31.61, -46.18

 

CMYK 71 / 80 / 0 / 47

HEX #271B88

RGB 39 27 136

HSL 246.61, 0.67%, 0.32%

LAB 20.01, 40.16, -57.99

 

CMYK 71 / 80 / 0 / 33

HEX #3122AB

RGB 49 34 171

HSL 246.57, 0.67%, 0.4%

LAB 25.97, 48.57, -69.62

 

CMYK 71 / 80 / 0 / 20

HEX #3B29CD

RGB 59 41 205

HSL 246.59, 0.67%, 0.48%

LAB 31.63, 56.31, -80.35

 

CMYK 72 / 80 / 0 / 46

HEX #271B89

RGB 39 27 137

HSL 246.55, 0.67%, 0.32%

LAB 20.13, 40.48, -58.43

 

CMYK 0 / 80 / 24 / 47

HEX #881B67

RGB 136 27 103

HSL 318.17, 0.67%, 0.32%

LAB 31.8, 51.53, -17.31

 

CMYK 56 / 0 / 80 / 47

HEX #3C881B

RGB 60 136 27

HSL 101.83, 0.67%, 0.32%

LAB 50.27, -42.99, 47.43

 

CMYK 72 / 80 / 0 / 46

HEX #271B89

RGB 39 27 137

HSL 246.55, 0.67%, 0.32%

LAB 20.13, 40.48, -58.43

 

CMYK 0 / 72 / 80 / 47

HEX #88261B

RGB 136 38 27

HSL 6.06, 0.67%, 0.32%

LAB 31.11, 40.92, 30.78

 

CMYK 80 / 0 / 72 / 47

HEX #1B8826

RGB 27 136 38

HSL 126.06, 0.67%, 0.32%

LAB 49.47, -49.31, 42.24

 

CMYK 72 / 80 / 0 / 46

HEX #271B89

RGB 39 27 137

HSL 246.55, 0.67%, 0.32%

LAB 20.13, 40.48, -58.43

 

CMYK 0 / 80 / 24 / 47

HEX #881B67

RGB 136 27 103

HSL 318.17, 0.67%, 0.32%

LAB 31.8, 51.53, -17.31

 

CMYK 8 / 0 / 80 / 47

HEX #7D881B

RGB 125 136 27

HSL 66.06, 0.67%, 0.32%

LAB 54.08, -17.83, 52.34

 

CMYK 80 / 0 / 56 / 47

HEX #1B883C

RGB 27 136 60

HSL 138.17, 0.67%, 0.32%

LAB 49.7, -46.58, 32.21

 

CMYK 72 / 80 / 0 / 46

HEX #271B89

RGB 39 27 137

HSL 246.55, 0.67%, 0.32%

LAB 20.13, 40.48, -58.43

 

CMYK 0 / 80 / 48 / 47

HEX #881B47

RGB 136 27 71

HSL 335.78, 0.67%, 0.32%

LAB 30.58, 47.84, 1.76

 

CMYK 8 / 0 / 80 / 47

HEX #7D881B

RGB 125 136 27

HSL 66.06, 0.67%, 0.32%

LAB 54.08, -17.83, 52.34

 

CMYK 80 / 0 / 32 / 47

HEX #1B885D

RGB 27 136 93

HSL 156.33, 0.67%, 0.32%

LAB 50.25, -40.21, 14.85

 

Description

Color code: HEX #271B893F | qconv.com Color code: HEX #271B893F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 27 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 27 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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