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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26DB80 it is the complementary color #D9247F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26DB80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26DB80 shade: #2BDB7B, #3CED8E, #4DFFA1, #5EFFB4 and #6FFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26DB80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26DB80 shade: #26DB80, #15C96D, #04B75A, #00A547 and #009334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26DB80 shade: #24DB7F, #24DB4D, #2BDB24, #5DDB24 and #8EDB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26DB80 shade: #24DB7F, #24DBB0, #24D5DB, #24A3DB and #2472DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26DB80 shade matches the following richer shades: #24DB7F and #0FF07F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26DB80 shade: #24DB7F, #38C77F, #4DB27F, #629D7F and #76897F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26DB80 shade: #2DDB24, #24DB4B, #24DB7C, #24DBAD and #24D8DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26DB80 shade: #189456, #1EB86A, #24DB7F, #47E194 and #6BE7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26DB80 shade: #26DB80, #245EDB and #DB3324

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26DB80 shade: #26DB80, #7C24DB and #DB7C24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26DB80 shade: #26DB80, #245EDB, #DB2483 and #DBA124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26DB80 shade: #26DB80, #2427DB, #DB2483 and #DBD824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

Complementary color

CMYK 0 / 83 / 41 / 15

HEX #D9247F

RGB 217 36 127

HSL 329.83, 0.72%, 0.5%

LAB 48.94, 71.78, -4.9

 

CMYK 80 / 0 / 44 / 14

HEX #2BDB7B

RGB 43 219 123

HSL 147.27, 0.71%, 0.51%

LAB 77.64, -63.57, 35.31

 

CMYK 75 / 0 / 40 / 7

HEX #3CED8E

RGB 60 237 142

HSL 147.8, 0.83%, 0.58%

LAB 83.7, -64.54, 33.73

 

CMYK 70 / 0 / 37 / 0

HEX #4DFFA1

RGB 77 255 161

HSL 148.31, 1%, 0.65%

LAB 89.71, -65.2, 32.25

 

CMYK 63 / 0 / 29 / 0

HEX #5EFFB4

RGB 94 255 180

HSL 152.05, 1%, 0.68%

LAB 90.41, -58.81, 23.69

 

CMYK 56 / 0 / 22 / 0

HEX #6FFFC7

RGB 111 255 199

HSL 156.67, 1%, 0.72%

LAB 91.24, -51.69, 15.21

 

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

CMYK 90 / 0 / 46 / 21

HEX #15C96D

RGB 21 201 109

HSL 149.33, 0.81%, 0.44%

LAB 71.58, -61.66, 34.51

 

CMYK 98 / 0 / 51 / 28

HEX #04B75A

RGB 4 183 90

HSL 148.83, 0.96%, 0.37%

LAB 65.46, -59.65, 36.32

 

CMYK 100 / 0 / 57 / 35

HEX #00A547

RGB 0 165 71

HSL 145.82, 1%, 0.32%

LAB 59.31, -56.88, 38.21

 

CMYK 100 / 0 / 65 / 42

HEX #009334

RGB 0 147 52

HSL 141.22, 1%, 0.29%

LAB 53.08, -53.68, 39.97

 

CMYK 84 / 0 / 42 / 14

HEX #24DB7F

RGB 36 219 127

HSL 149.84, 0.72%, 0.5%

LAB 77.62, -63.52, 33.25

 

CMYK 84 / 0 / 65 / 14

HEX #24DB4D

RGB 36 219 77

HSL 133.44, 0.72%, 0.5%

LAB 77.03, -70.68, 55.89

 

CMYK 80 / 0 / 84 / 14

HEX #2BDB24

RGB 43 219 36

HSL 117.7, 0.72%, 0.5%

LAB 76.86, -73.03, 69.37

 

CMYK 58 / 0 / 84 / 14

HEX #5DDB24

RGB 93 219 36

HSL 101.31, 0.72%, 0.5%

LAB 77.94, -63.88, 70.75

 

CMYK 35 / 0 / 84 / 14

HEX #8EDB24

RGB 142 219 36

HSL 85.25, 0.72%, 0.5%

LAB 79.92, -49.01, 73.25

 

CMYK 84 / 0 / 42 / 14

HEX #24DB7F

RGB 36 219 127

HSL 149.84, 0.72%, 0.5%

LAB 77.62, -63.52, 33.25

 

CMYK 84 / 0 / 20 / 14

HEX #24DBB0

RGB 36 219 176

HSL 165.9, 0.72%, 0.5%

LAB 78.56, -53.02, 9

 

CMYK 84 / 3 / 0 / 14

HEX #24D5DB

RGB 36 213 219

HSL 181.97, 0.72%, 0.5%

LAB 77.92, -38.74, -14.93

 

CMYK 84 / 26 / 0 / 14

HEX #24A3DB

RGB 36 163 219

HSL 198.36, 0.72%, 0.5%

LAB 63.08, -13.77, -37.68

 

CMYK 84 / 48 / 0 / 14

HEX #2472DB

RGB 36 114 219

HSL 214.43, 0.72%, 0.5%

LAB 48.91, 15.25, -60.17

 

CMYK 84 / 0 / 42 / 14

HEX #24DB7F

RGB 36 219 127

HSL 149.84, 0.72%, 0.5%

LAB 77.62, -63.52, 33.25

 

CMYK 94 / 0 / 47 / 6

HEX #0FF07F

RGB 15 240 127

HSL 149.87, 0.88%, 0.5%

LAB 83.94, -71.76, 41.35

 

CMYK 84 / 0 / 42 / 14

HEX #24DB7F

RGB 36 219 127

HSL 149.84, 0.72%, 0.5%

LAB 77.62, -63.52, 33.25

 

CMYK 72 / 0 / 36 / 22

HEX #38C77F

RGB 56 199 127

HSL 149.79, 0.56%, 0.5%

LAB 71.7, -53.94, 25.48

 

CMYK 57 / 0 / 29 / 30

HEX #4DB27F

RGB 77 178 127

HSL 149.7, 0.4%, 0.5%

LAB 65.71, -41.47, 17.4

 

CMYK 38 / 0 / 19 / 38

HEX #629D7F

RGB 98 157 127

HSL 149.49, 0.23%, 0.5%

LAB 60.11, -26.14, 9.69

 

CMYK 14 / 0 / 7 / 46

HEX #76897F

RGB 118 137 127

HSL 148.42, 0.07%, 0.5%

LAB 55.35, -8.95, 3.05

 

CMYK 79 / 0 / 84 / 14

HEX #2DDB24

RGB 45 219 36

HSL 117.05, 0.72%, 0.5%

LAB 76.89, -72.79, 69.41

 

CMYK 84 / 0 / 66 / 14

HEX #24DB4B

RGB 36 219 75

HSL 132.79, 0.72%, 0.5%

LAB 77.01, -70.89, 56.69

 

CMYK 84 / 0 / 43 / 14

HEX #24DB7C

RGB 36 219 124

HSL 148.85, 0.72%, 0.5%

LAB 77.57, -64.06, 34.71

 

CMYK 84 / 0 / 21 / 14

HEX #24DBAD

RGB 36 219 173

HSL 164.92, 0.72%, 0.5%

LAB 78.49, -53.76, 10.5

 

CMYK 84 / 1 / 0 / 14

HEX #24D8DB

RGB 36 216 219

HSL 180.98, 0.72%, 0.5%

LAB 78.81, -40.1, -13.59

 

CMYK 84 / 0 / 42 / 42

HEX #189456

RGB 24 148 86

HSL 150, 0.72%, 0.34%

LAB 54.08, -46.79, 23.9

 

CMYK 84 / 0 / 42 / 28

HEX #1EB86A

RGB 30 184 106

HSL 149.61, 0.72%, 0.42%

LAB 66.21, -55.6, 29.13

 

CMYK 84 / 0 / 42 / 14

HEX #24DB7F

RGB 36 219 127

HSL 149.84, 0.72%, 0.5%

LAB 77.62, -63.52, 33.25

 

CMYK 68 / 0 / 34 / 12

HEX #47E194

RGB 71 225 148

HSL 150, 0.72%, 0.58%

LAB 80.36, -57.43, 26.27

 

CMYK 54 / 0 / 27 / 9

HEX #6BE7A8

RGB 107 231 168

HSL 149.52, 0.72%, 0.66%

LAB 83.5, -48.92, 20.37

 

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

CMYK 84 / 57 / 0 / 14

HEX #245EDB

RGB 36 94 219

HSL 220.98, 0.72%, 0.5%

LAB 43.5, 28.07, -68.95

 

CMYK 0 / 77 / 84 / 14

HEX #DB3324

RGB 219 51 36

HSL 4.92, 0.72%, 0.5%

LAB 48.95, 63.15, 48.77

 

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

CMYK 43 / 84 / 0 / 14

HEX #7C24DB

RGB 124 36 219

HSL 268.85, 0.72%, 0.5%

LAB 39, 68.64, -76.06

 

CMYK 0 / 43 / 84 / 14

HEX #DB7C24

RGB 219 124 36

HSL 28.85, 0.72%, 0.5%

LAB 61.31, 30.99, 59.6

 

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

CMYK 84 / 57 / 0 / 14

HEX #245EDB

RGB 36 94 219

HSL 220.98, 0.72%, 0.5%

LAB 43.5, 28.07, -68.95

 

CMYK 0 / 84 / 40 / 14

HEX #DB2483

RGB 219 36 131

HSL 328.85, 0.72%, 0.5%

LAB 49.45, 72.63, -6.53

 

CMYK 0 / 26 / 84 / 14

HEX #DBA124

RGB 219 161 36

HSL 40.98, 0.72%, 0.5%

LAB 69.95, 11.2, 66.97

 

CMYK 83 / 0 / 42 / 14

HEX #26DB80

RGB 38 219 128

HSL 149.83, 0.72%, 0.5%

LAB 77.66, -63.16, 32.8

 

CMYK 84 / 82 / 0 / 14

HEX #2427DB

RGB 36 39 219

HSL 239.02, 0.72%, 0.5%

LAB 31.67, 60.07, -88.43

 

CMYK 0 / 84 / 40 / 14

HEX #DB2483

RGB 219 36 131

HSL 328.85, 0.72%, 0.5%

LAB 49.45, 72.63, -6.53

 

CMYK 0 / 1 / 84 / 14

HEX #DBD824

RGB 219 216 36

HSL 59.02, 0.72%, 0.5%

LAB 84.12, -17.22, 78.83

 

Description

Color code: HEX #26DB80 | qconv.com Color code: HEX #26DB80 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 219 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 219 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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