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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26B05D it is the complementary color #D94FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26B05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26B05D shade: #2BB058, #3CC26B, #4DD47E, #5EE691 and #6FF8A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26B05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26B05D shade: #26B05D, #159E4A, #048C37, #007A24 and #006811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26B05D shade: #27B05D, #27B038, #3AB027, #5FB027 and #84B027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26B05D shade: #27B05D, #27B082, #27B0A7, #2793B0 and #276EB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26B05D shade matches the following richer shades: #27B05D, #15C15A and #04D256

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26B05D shade: #27B05D, #389E61, #498D64, #5B7C68 and #6C6A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26B05D shade: #3BB027, #27B037, #27B05B, #27B080 and #27B0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26B05D shade: #186C39, #1F8E4B, #27B05D, #2ED16F and #50D987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26B05D shade: #26B05D, #2760B0 and #B02729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26B05D shade: #26B05D, #5B27B0 and #B05B27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26B05D shade: #26B05D, #2760B0, #B0277B and #B07727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26B05D shade: #26B05D, #2737B0, #B0277B and #B0A027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

Complementary color

CMYK 0 / 64 / 25 / 15

HEX #D94FA2

RGB 217 79 162

HSL 323.91, 0.64%, 0.58%

LAB 55.02, 61.99, -16.62

 

CMYK 76 / 0 / 50 / 31

HEX #2BB058

RGB 43 176 88

HSL 140.3, 0.61%, 0.43%

LAB 63.56, -54.32, 35.05

 

CMYK 69 / 0 / 45 / 24

HEX #3CC26B

RGB 60 194 107

HSL 141.04, 0.53%, 0.5%

LAB 69.9, -55.06, 33.49

 

CMYK 64 / 0 / 41 / 17

HEX #4DD47E

RGB 77 212 126

HSL 141.78, 0.61%, 0.57%

LAB 76.17, -55.48, 32.01

 

CMYK 59 / 0 / 37 / 10

HEX #5EE691

RGB 94 230 145

HSL 142.5, 0.73%, 0.64%

LAB 82.39, -55.67, 30.62

 

CMYK 55 / 0 / 34 / 3

HEX #6FF8A4

RGB 111 248 164

HSL 143.21, 0.91%, 0.7%

LAB 88.54, -55.71, 29.33

 

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

CMYK 87 / 0 / 53 / 38

HEX #159E4A

RGB 21 158 74

HSL 143.21, 0.77%, 0.35%

LAB 57.18, -52.81, 34.17

 

CMYK 97 / 0 / 61 / 45

HEX #048C37

RGB 4 140 55

HSL 142.5, 0.94%, 0.28%

LAB 50.75, -50.77, 35.9

 

CMYK 100 / 0 / 70 / 52

HEX #007A24

RGB 0 122 36

HSL 137.7, 1%, 0.24%

LAB 44.3, -47.59, 37.5

 

CMYK 100 / 0 / 84 / 59

HEX #006811

RGB 0 104 17

HSL 129.81, 1%, 0.2%

LAB 37.74, -43.63, 38.32

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 78 / 0 / 68 / 31

HEX #27B038

RGB 39 176 56

HSL 127.45, 0.64%, 0.42%

LAB 63.15, -59.03, 49.43

 

CMYK 67 / 0 / 78 / 31

HEX #3AB027

RGB 58 176 39

HSL 111.68, 0.64%, 0.42%

LAB 63.42, -57.15, 56.11

 

CMYK 46 / 0 / 78 / 31

HEX #5FB027

RGB 95 176 39

HSL 95.47, 0.64%, 0.42%

LAB 64.67, -47.31, 57.74

 

CMYK 25 / 0 / 78 / 31

HEX #84B027

RGB 132 176 39

HSL 79.27, 0.64%, 0.42%

LAB 66.6, -33.94, 60.25

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 78 / 0 / 26 / 31

HEX #27B082

RGB 39 176 130

HSL 159.85, 0.64%, 0.42%

LAB 64.24, -46.53, 13.58

 

CMYK 78 / 0 / 5 / 31

HEX #27B0A7

RGB 39 176 167

HSL 176.06, 0.64%, 0.42%

LAB 65.18, -36.81, -5.56

 

CMYK 78 / 16 / 0 / 31

HEX #2793B0

RGB 39 147 176

HSL 192.7, 0.64%, 0.42%

LAB 56.52, -19.68, -23.7

 

CMYK 78 / 38 / 0 / 31

HEX #276EB0

RGB 39 110 176

HSL 208.91, 0.64%, 0.42%

LAB 45.25, 1.63, -41.33

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 89 / 0 / 53 / 24

HEX #15C15A

RGB 21 193 90

HSL 144.07, 0.8%, 0.42%

LAB 68.78, -62.08, 40.43

 

CMYK 98 / 0 / 59 / 18

HEX #04D256

RGB 4 210 86

HSL 143.88, 0.96%, 0.42%

LAB 74.06, -68.77, 48.58

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 65 / 0 / 39 / 38

HEX #389E61

RGB 56 158 97

HSL 144.12, 0.48%, 0.42%

LAB 58.19, -43.6, 23.45

 

CMYK 48 / 0 / 29 / 45

HEX #498D64

RGB 73 141 100

HSL 143.82, 0.32%, 0.42%

LAB 53.37, -31.4, 15.36

 

CMYK 27 / 0 / 16 / 51

HEX #5B7C68

RGB 91 124 104

HSL 143.64, 0.15%, 0.42%

LAB 49.06, -16.22, 7.15

 

CMYK 0 / 2 / 1 / 58

HEX #6C6A6B

RGB 108 106 107

HSL 330, 0.01%, 0.42%

LAB 45.02, 0.98, -0.29

 

CMYK 66 / 0 / 78 / 31

HEX #3BB027

RGB 59 176 39

HSL 111.24, 0.64%, 0.42%

LAB 63.45, -56.95, 56.15

 

CMYK 78 / 0 / 69 / 31

HEX #27B037

RGB 39 176 55

HSL 127.01, 0.64%, 0.42%

LAB 63.14, -59.13, 49.83

 

CMYK 78 / 0 / 48 / 31

HEX #27B05B

RGB 39 176 91

HSL 142.77, 0.64%, 0.42%

LAB 63.54, -54.38, 33.48

 

CMYK 78 / 0 / 27 / 31

HEX #27B080

RGB 39 176 128

HSL 158.98, 0.64%, 0.42%

LAB 64.19, -46.99, 14.61

 

CMYK 78 / 0 / 7 / 31

HEX #27B0A4

RGB 39 176 164

HSL 174.74, 0.64%, 0.42%

LAB 65.09, -37.67, -4.02

 

CMYK 78 / 0 / 47 / 58

HEX #186C39

RGB 24 108 57

HSL 143.57, 0.64%, 0.26%

LAB 39.94, -36.88, 21.66

 

CMYK 78 / 0 / 47 / 44

HEX #1F8E4B

RGB 31 142 75

HSL 143.78, 0.64%, 0.34%

LAB 52, -45.75, 27.19

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 78 / 0 / 47 / 18

HEX #2ED16F

RGB 46 209 111

HSL 143.93, 0.64%, 0.5%

LAB 74.4, -61.8, 37.16

 

CMYK 63 / 0 / 38 / 15

HEX #50D987

RGB 80 217 135

HSL 144.09, 0.64%, 0.58%

LAB 77.92, -55.22, 29.72

 

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

CMYK 78 / 45 / 0 / 31

HEX #2760B0

RGB 39 96 176

HSL 215.04, 0.64%, 0.42%

LAB 41.11, 10.51, -47.93

 

CMYK 0 / 78 / 77 / 31

HEX #B02729

RGB 176 39 41

HSL 359.12, 0.64%, 0.42%

LAB 39.31, 54.1, 33.73

 

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

CMYK 48 / 78 / 0 / 31

HEX #5B27B0

RGB 91 39 176

HSL 262.77, 0.64%, 0.42%

LAB 31.37, 52.62, -63.58

 

CMYK 0 / 48 / 78 / 31

HEX #B05B27

RGB 176 91 39

HSL 22.77, 0.64%, 0.42%

LAB 48.08, 30.84, 43.93

 

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

CMYK 78 / 45 / 0 / 31

HEX #2760B0

RGB 39 96 176

HSL 215.04, 0.64%, 0.42%

LAB 41.11, 10.51, -47.93

 

CMYK 0 / 78 / 30 / 31

HEX #B0277B

RGB 176 39 123

HSL 323.21, 0.64%, 0.42%

LAB 41.39, 60.57, -14.56

 

CMYK 0 / 32 / 78 / 31

HEX #B07727

RGB 176 119 39

HSL 35.04, 0.64%, 0.42%

LAB 54.63, 15.37, 50.32

 

CMYK 78 / 0 / 47 / 31

HEX #26B05D

RGB 38 176 93

HSL 143.91, 0.64%, 0.42%

LAB 63.55, -54.17, 32.47

 

CMYK 78 / 69 / 0 / 31

HEX #2737B0

RGB 39 55 176

HSL 232.99, 0.64%, 0.42%

LAB 30.15, 37.42, -65.74

 

CMYK 0 / 78 / 30 / 31

HEX #B0277B

RGB 176 39 123

HSL 323.21, 0.64%, 0.42%

LAB 41.39, 60.57, -14.56

 

CMYK 0 / 9 / 78 / 31

HEX #B0A027

RGB 176 160 39

HSL 52.99, 0.64%, 0.42%

LAB 65.37, -7.15, 60.34

 

Description

Color code: HEX #26B05D | qconv.com Color code: HEX #26B05D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 176 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 176 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 47% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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