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Color name
HEX #269D56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269D56 it is the complementary color #D962A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #269D56 shade: #2B9D51, #3CAF64, #4DC177, #5ED38A and #6FE59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #269D56 shade: #269D56, #158B43, #047930, #00671D and #00550A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #269D56 shade: #269C55, #269C36, #369C26, #569C26 and #769C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #269D56 shade: #269C55, #269C75, #269C95, #26839C and #26639C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #269D56 shade matches the following richer shades: #269C55, #16AC52 and #06BB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #269D56 shade: #269C55, #358C59, #457D5C, #556D5F and #655D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #269D56 shade: #369C26, #269C36, #269C55, #269C75 and #269C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #269D56 shade: #165A31, #1E7B43, #269C55, #2EBD68 and #43D17C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #269D56 shade: #269D56, #26559C and #9C2626

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #269D56 shade: #269D56, #55269C and #9C5526

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #269D56 shade: #269D56, #26559C, #9C266D and #9C6D26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #269D56 shade: #269D56, #26329C, #9C266D and #9C9026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

Complementary color

CMYK 0 / 55 / 22 / 15

HEX #D962A9

RGB 217 98 169

HSL 324.2, 0.61%, 0.62%

LAB 58.37, 54.59, -15.62

 

CMYK 73 / 0 / 48 / 38

HEX #2B9D51

RGB 43 157 81

HSL 140, 0.57%, 0.39%

LAB 57.29, -48.51, 30.78

 

CMYK 66 / 0 / 43 / 31

HEX #3CAF64

RGB 60 175 100

HSL 140.87, 0.49%, 0.46%

LAB 63.79, -49.05, 29.22

 

CMYK 60 / 0 / 38 / 24

HEX #4DC177

RGB 77 193 119

HSL 141.72, 0.48%, 0.53%

LAB 70.21, -49.28, 27.77

 

CMYK 55 / 0 / 35 / 17

HEX #5ED38A

RGB 94 211 138

HSL 142.56, 0.57%, 0.6%

LAB 76.56, -49.33, 26.42

 

CMYK 52 / 0 / 31 / 10

HEX #6FE59D

RGB 111 229 157

HSL 143.39, 0.69%, 0.67%

LAB 82.83, -49.27, 25.17

 

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

CMYK 85 / 0 / 52 / 45

HEX #158B43

RGB 21 139 67

HSL 143.39, 0.74%, 0.31%

LAB 50.72, -47.26, 29.81

 

CMYK 97 / 0 / 60 / 53

HEX #047930

RGB 4 121 48

HSL 142.56, 0.94%, 0.25%

LAB 44.11, -45.39, 31.59

 

CMYK 100 / 0 / 72 / 60

HEX #00671D

RGB 0 103 29

HSL 136.89, 1%, 0.2%

LAB 37.46, -42.19, 33.25

 

CMYK 100 / 0 / 88 / 67

HEX #00550A

RGB 0 85 10

HSL 127.06, 1%, 0.17%

LAB 30.69, -38.06, 33.96

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 76 / 0 / 65 / 39

HEX #269C36

RGB 38 156 54

HSL 128.14, 0.61%, 0.38%

LAB 56.54, -52.75, 43.06

 

CMYK 65 / 0 / 76 / 39

HEX #369C26

RGB 54 156 38

HSL 111.86, 0.61%, 0.38%

LAB 56.78, -51.18, 49.91

 

CMYK 45 / 0 / 76 / 39

HEX #569C26

RGB 86 156 38

HSL 95.59, 0.61%, 0.38%

LAB 57.94, -42.18, 51.44

 

CMYK 24 / 0 / 76 / 39

HEX #769C26

RGB 118 156 38

HSL 79.32, 0.61%, 0.38%

LAB 59.68, -30.25, 53.72

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 76 / 0 / 25 / 39

HEX #269C75

RGB 38 156 117

HSL 160.17, 0.61%, 0.38%

LAB 57.53, -41.46, 11.4

 

CMYK 76 / 0 / 4 / 39

HEX #269C95

RGB 38 156 149

HSL 176.44, 0.61%, 0.38%

LAB 58.38, -32.86, -5.52

 

CMYK 76 / 16 / 0 / 39

HEX #26839C

RGB 38 131 156

HSL 192.71, 0.61%, 0.38%

LAB 50.74, -17.97, -21.07

 

CMYK 76 / 37 / 0 / 39

HEX #26639C

RGB 38 99 156

HSL 208.98, 0.61%, 0.38%

LAB 40.79, 0.78, -36.59

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 87 / 0 / 52 / 33

HEX #16AC52

RGB 22 172 82

HSL 144, 0.77%, 0.38%

LAB 61.9, -56.25, 35.95

 

CMYK 97 / 0 / 58 / 27

HEX #06BB4F

RGB 6 187 79

HSL 144.2, 0.94%, 0.38%

LAB 66.63, -62.5, 43.09

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 62 / 0 / 36 / 45

HEX #358C59

RGB 53 140 89

HSL 144.83, 0.45%, 0.38%

LAB 52.1, -38.26, 19.72

 

CMYK 45 / 0 / 26 / 51

HEX #457D5C

RGB 69 125 92

HSL 144.64, 0.29%, 0.38%

LAB 47.89, -26.51, 12.35

 

CMYK 22 / 0 / 13 / 57

HEX #556D5F

RGB 85 109 95

HSL 145, 0.12%, 0.38%

LAB 43.79, -12.01, 4.92

 

CMYK 0 / 8 / 3 / 60

HEX #655D62

RGB 101 93 98

HSL 322.5, 0.04%, 0.38%

LAB 40.37, 4.21, -1.7

 

CMYK 65 / 0 / 76 / 39

HEX #369C26

RGB 54 156 38

HSL 111.86, 0.61%, 0.38%

LAB 56.78, -51.18, 49.91

 

CMYK 76 / 0 / 65 / 39

HEX #269C36

RGB 38 156 54

HSL 128.14, 0.61%, 0.38%

LAB 56.54, -52.75, 43.06

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 76 / 0 / 25 / 39

HEX #269C75

RGB 38 156 117

HSL 160.17, 0.61%, 0.38%

LAB 57.53, -41.46, 11.4

 

CMYK 76 / 0 / 5 / 39

HEX #269C94

RGB 38 156 148

HSL 175.93, 0.61%, 0.38%

LAB 58.35, -33.15, -4.99

 

CMYK 76 / 0 / 46 / 65

HEX #165A31

RGB 22 90 49

HSL 143.82, 0.61%, 0.22%

LAB 33.36, -31.32, 17.78

 

CMYK 76 / 0 / 46 / 52

HEX #1E7B43

RGB 30 123 67

HSL 143.87, 0.61%, 0.3%

LAB 45.42, -40.02, 23.12

 

CMYK 76 / 0 / 46 / 39

HEX #269C55

RGB 38 156 85

HSL 143.9, 0.61%, 0.38%

LAB 56.92, -48.23, 28.18

 

CMYK 76 / 0 / 45 / 26

HEX #2EBD68

RGB 46 189 104

HSL 144.34, 0.61%, 0.46%

LAB 68, -55.91, 32.53

 

CMYK 68 / 0 / 41 / 18

HEX #43D17C

RGB 67 209 124

HSL 144.08, 0.61%, 0.54%

LAB 74.98, -56.51, 31.42

 

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

CMYK 76 / 46 / 0 / 39

HEX #26559C

RGB 38 85 156

HSL 216.1, 0.61%, 0.38%

LAB 36.57, 9.82, -43.32

 

CMYK 0 / 76 / 76 / 39

HEX #9C2626

RGB 156 38 38

HSL 0, 0.61%, 0.38%

LAB 35.19, 48.06, 29.83

 

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

CMYK 46 / 76 / 0 / 39

HEX #55269C

RGB 85 38 156

HSL 263.9, 0.61%, 0.38%

LAB 28.69, 46.83, -55.93

 

CMYK 0 / 46 / 76 / 39

HEX #9C5526

RGB 156 85 38

HSL 23.9, 0.61%, 0.38%

LAB 43.81, 25.62, 39.12

 

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

CMYK 76 / 46 / 0 / 39

HEX #26559C

RGB 38 85 156

HSL 216.1, 0.61%, 0.38%

LAB 36.57, 9.82, -43.32

 

CMYK 0 / 76 / 30 / 39

HEX #9C266D

RGB 156 38 109

HSL 323.9, 0.61%, 0.38%

LAB 37.04, 54, -12.78

 

CMYK 0 / 30 / 76 / 39

HEX #9C6D26

RGB 156 109 38

HSL 36.1, 0.61%, 0.38%

LAB 49.67, 11.97, 45.08

 

CMYK 76 / 0 / 45 / 38

HEX #269D56

RGB 38 157 86

HSL 144.2, 0.61%, 0.38%

LAB 57.27, -48.42, 28.09

 

CMYK 76 / 68 / 0 / 39

HEX #26329C

RGB 38 50 156

HSL 233.9, 0.61%, 0.38%

LAB 27, 33.24, -58.86

 

CMYK 0 / 76 / 30 / 39

HEX #9C266D

RGB 156 38 109

HSL 323.9, 0.61%, 0.38%

LAB 37.04, 54, -12.78

 

CMYK 0 / 8 / 76 / 39

HEX #9C9026

RGB 156 144 38

HSL 53.9, 0.61%, 0.38%

LAB 59.12, -7.6, 54.22

 

Description

Color code: HEX #269D56 | qconv.com Color code: HEX #269D56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 157 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 157 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 45 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 45% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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