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Color name
HEX #269D52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269D52 it is the complementary color #D962AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #269D52 shade: #2B9D4D, #3CAF60, #4DC173, #5ED386 and #6FE599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #269D52 shade: #269D52, #158B3F, #04792C, #006719 and #005506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #269D52 shade: #269C51, #269C32, #3A9C26, #5A9C26 and #7A9C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #269D52 shade: #269C51, #269C71, #269C91, #26879C and #26679C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #269D52 shade matches the following richer shades: #269C51, #16AC4D and #06BB49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #269D52 shade: #269C51, #358C56, #457D5A, #556D5E and #655D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #269D52 shade: #399C26, #269C32, #269C51, #269C71 and #269C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #269D52 shade: #165A2F, #1E7B40, #269C51, #2EBD63 and #43D178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #269D52 shade: #269D52, #26599C and #9C262A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #269D52 shade: #269D52, #51269C and #9C5126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #269D52 shade: #269D52, #26599C, #9C2671 and #9C6926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #269D52 shade: #269D52, #26369C, #9C2671 and #9C8C26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

Complementary color

CMYK 0 / 55 / 20 / 15

HEX #D962AD

RGB 217 98 173

HSL 322.18, 0.61%, 0.62%

LAB 58.51, 55.15, -17.71

 

CMYK 73 / 0 / 51 / 38

HEX #2B9D4D

RGB 43 157 77

HSL 137.89, 0.57%, 0.39%

LAB 57.23, -49.16, 32.78

 

CMYK 66 / 0 / 45 / 31

HEX #3CAF60

RGB 60 175 96

HSL 138.78, 0.49%, 0.46%

LAB 63.73, -49.74, 31.23

 

CMYK 60 / 0 / 40 / 24

HEX #4DC173

RGB 77 193 115

HSL 139.66, 0.48%, 0.53%

LAB 70.14, -50, 29.77

 

CMYK 55 / 0 / 36 / 17

HEX #5ED386

RGB 94 211 134

HSL 140.51, 0.57%, 0.6%

LAB 76.49, -50.06, 28.4

 

CMYK 52 / 0 / 33 / 10

HEX #6FE599

RGB 111 229 153

HSL 141.36, 0.69%, 0.67%

LAB 82.76, -50, 27.13

 

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

CMYK 85 / 0 / 55 / 45

HEX #158B3F

RGB 21 139 63

HSL 141.36, 0.74%, 0.31%

LAB 50.67, -47.91, 31.82

 

CMYK 97 / 0 / 64 / 53

HEX #04792C

RGB 4 121 44

HSL 140.51, 0.94%, 0.25%

LAB 44.06, -45.95, 33.52

 

CMYK 100 / 0 / 76 / 60

HEX #006719

RGB 0 103 25

HSL 134.56, 1%, 0.2%

LAB 37.43, -42.62, 34.96

 

CMYK 100 / 0 / 93 / 67

HEX #005506

RGB 0 85 6

HSL 124.24, 1%, 0.17%

LAB 30.66, -38.33, 35.27

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 76 / 0 / 68 / 39

HEX #269C32

RGB 38 156 50

HSL 126.1, 0.61%, 0.38%

LAB 56.51, -53.18, 44.77

 

CMYK 63 / 0 / 76 / 39

HEX #3A9C26

RGB 58 156 38

HSL 109.83, 0.61%, 0.38%

LAB 56.9, -50.25, 50.06

 

CMYK 42 / 0 / 76 / 39

HEX #5A9C26

RGB 90 156 38

HSL 93.56, 0.61%, 0.38%

LAB 58.12, -40.83, 51.68

 

CMYK 22 / 0 / 76 / 39

HEX #7A9C26

RGB 122 156 38

HSL 77.29, 0.61%, 0.38%

LAB 59.94, -28.62, 54.06

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 76 / 0 / 28 / 39

HEX #269C71

RGB 38 156 113

HSL 158.14, 0.61%, 0.38%

LAB 57.45, -42.42, 13.52

 

CMYK 76 / 0 / 7 / 39

HEX #269C91

RGB 38 156 145

HSL 174.41, 0.61%, 0.38%

LAB 58.26, -34.02, -3.42

 

CMYK 76 / 13 / 0 / 39

HEX #26879C

RGB 38 135 156

HSL 190.68, 0.61%, 0.38%

LAB 52, -20.12, -19.15

 

CMYK 76 / 34 / 0 / 39

HEX #26679C

RGB 38 103 156

HSL 206.95, 0.61%, 0.38%

LAB 42.02, -1.71, -34.65

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 87 / 0 / 55 / 33

HEX #16AC4D

RGB 22 172 77

HSL 142, 0.77%, 0.38%

LAB 61.84, -57.01, 38.35

 

CMYK 97 / 0 / 61 / 27

HEX #06BB49

RGB 6 187 73

HSL 142.21, 0.94%, 0.38%

LAB 66.57, -63.29, 45.78

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 62 / 0 / 39 / 45

HEX #358C56

RGB 53 140 86

HSL 142.76, 0.45%, 0.38%

LAB 52.05, -38.85, 21.32

 

CMYK 45 / 0 / 28 / 51

HEX #457D5A

RGB 69 125 90

HSL 142.5, 0.29%, 0.38%

LAB 47.84, -26.93, 13.45

 

CMYK 22 / 0 / 14 / 57

HEX #556D5E

RGB 85 109 94

HSL 142.5, 0.12%, 0.38%

LAB 43.77, -12.22, 5.49

 

CMYK 0 / 8 / 3 / 60

HEX #655D62

RGB 101 93 98

HSL 322.5, 0.04%, 0.38%

LAB 40.37, 4.21, -1.7

 

CMYK 63 / 0 / 76 / 39

HEX #399C26

RGB 57 156 38

HSL 110.34, 0.61%, 0.38%

LAB 56.87, -50.49, 50.02

 

CMYK 76 / 0 / 68 / 39

HEX #269C32

RGB 38 156 50

HSL 126.1, 0.61%, 0.38%

LAB 56.51, -53.18, 44.77

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 76 / 0 / 28 / 39

HEX #269C71

RGB 38 156 113

HSL 158.14, 0.61%, 0.38%

LAB 57.45, -42.42, 13.52

 

CMYK 76 / 0 / 8 / 39

HEX #269C90

RGB 38 156 144

HSL 173.9, 0.61%, 0.38%

LAB 58.23, -34.31, -2.89

 

CMYK 76 / 0 / 48 / 65

HEX #165A2F

RGB 22 90 47

HSL 142.06, 0.61%, 0.22%

LAB 33.32, -31.72, 18.91

 

CMYK 76 / 0 / 48 / 52

HEX #1E7B40

RGB 30 123 64

HSL 141.94, 0.61%, 0.3%

LAB 45.38, -40.57, 24.72

 

CMYK 76 / 0 / 48 / 39

HEX #269C51

RGB 38 156 81

HSL 141.86, 0.61%, 0.38%

LAB 56.86, -48.93, 30.22

 

CMYK 76 / 0 / 48 / 26

HEX #2EBD63

RGB 46 189 99

HSL 142.24, 0.61%, 0.46%

LAB 67.93, -56.75, 34.99

 

CMYK 68 / 0 / 43 / 18

HEX #43D178

RGB 67 209 120

HSL 142.39, 0.61%, 0.54%

LAB 74.92, -57.21, 33.38

 

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

CMYK 76 / 43 / 0 / 39

HEX #26599C

RGB 38 89 156

HSL 214.07, 0.61%, 0.38%

LAB 37.77, 7.19, -41.41

 

CMYK 0 / 76 / 73 / 39

HEX #9C262A

RGB 156 38 42

HSL 357.97, 0.61%, 0.38%

LAB 35.24, 48.24, 27.46

 

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

CMYK 48 / 76 / 0 / 39

HEX #51269C

RGB 81 38 156

HSL 261.86, 0.61%, 0.38%

LAB 28.21, 46.17, -56.73

 

CMYK 0 / 48 / 76 / 39

HEX #9C5126

RGB 156 81 38

HSL 21.86, 0.61%, 0.38%

LAB 42.9, 27.84, 38.18

 

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

CMYK 76 / 43 / 0 / 39

HEX #26599C

RGB 38 89 156

HSL 214.07, 0.61%, 0.38%

LAB 37.77, 7.19, -41.41

 

CMYK 0 / 76 / 28 / 39

HEX #9C2671

RGB 156 38 113

HSL 321.86, 0.61%, 0.38%

LAB 37.2, 54.51, -15.05

 

CMYK 0 / 33 / 76 / 39

HEX #9C6926

RGB 156 105 38

HSL 34.07, 0.61%, 0.38%

LAB 48.65, 14.26, 44.06

 

CMYK 76 / 0 / 48 / 38

HEX #269D52

RGB 38 157 82

HSL 142.18, 0.61%, 0.38%

LAB 57.21, -49.13, 30.13

 

CMYK 76 / 65 / 0 / 39

HEX #26369C

RGB 38 54 156

HSL 231.86, 0.61%, 0.38%

LAB 27.98, 30.63, -57.25

 

CMYK 0 / 76 / 28 / 39

HEX #9C2671

RGB 156 38 113

HSL 321.86, 0.61%, 0.38%

LAB 37.2, 54.51, -15.05

 

CMYK 0 / 10 / 76 / 39

HEX #9C8C26

RGB 156 140 38

HSL 51.86, 0.61%, 0.38%

LAB 58, -5.43, 53.17

 

Description

Color code: HEX #269D52 | qconv.com Color code: HEX #269D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 157 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 157 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 48 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 48% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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